Fenelon, PierreBiblio.com
2 444 résultats
réf. 1951961102.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0666705763.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0282023801.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0331794918.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1333171587.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 22207Paris, Pierre Auboin, Pierre Emery et Charles Clousier, 1697. In-12, [36]-272-[1] pp., veau moucheté brun, dos à nerfs orné de caissons dorés, pièce de titre rouge, tranches mouchetées (petits manques et épidermures, quelques petites taches éparses).
1697réf. 1026Paris, Aubouin, Émery & Clousier, 1697 ; in-12 de [18] ff., 272 pp., [1] f., reliure de l'époque veau moucheté, dos à nerfs orné de caissons de fleurons dorés, pièce vieux rouge, tranches mouchetées rouges.
1697réf. 1850Paris, Pierre Aubouin, Pierre Emery et Charles Clousier, 1697. 1 vol. petit in-12, (15 x 9 cm) ; titre, [34] pp., 272 pp. Reliure du XIXe siècle en plein maroquin vert, dos à nerfs, auteur, titre, lieu et date dorés, doubles filet doré sur les coupes, tranches dorées, dentelle intérieure.
1809réf. ST14310fLondon: J. Hatchard 1809. 210 x 133 mm. 8 1/4 x 5 1/4". xvi 291 pp.Translated by Louisa A. Marshall. Contemporary dark blue straight-grain morocco covers bordered with gilt rule flat spine with simple gilt rules and titling gilt-ruled turn-ins all edges gilt and WITH A FINE FORE-EDGE PAINTING OF A SCENIC RIVER VIEW FEATURING CHRIST CHURCH PRIORY in Hampshire. Front free endpaper with owner signature of E. A. Fetherston. Slight variation in color of boards half title with one inch trimmed away at head probably removing owner inscription leaves a shade less than bright occasional minor foxing or offsetting in the text bed but still an excellent copy the text clean and fresh the pleasant binding entirely sound and the lovely fore-edge painting very well preserved. The typically bucolic fore-edge scene here--boat in tranquil water stately building occupying center stage trees all around puffy clouds--stands out for the level of achievement in execution by the artist. The clouds are painted in a delicately applied range of shades so that they are very convincing; there is considerable architectural detail visible on the side of the church; and it seems as if one can almost see individual leaves in the trees. These features are all hallmarks of the work of the so-called "Dover Painter" the name given by Jeff Weber to the artist who produced very high quality painted fore edges in the 1920s and 1930s. He did work for the famous London bookseller Marks & Company for Dawson's Bookshop in Los Angeles and for J. W. Robinson Company the Los Angeles department store. Estelle Doheny 1875-1958 whose library comprised one of the great collections of the 20th century bought actively from Dawson's and Weber estimates that approximately half of the very considerable number of especially fine fore-edge paintings in the Doheny collection in Camarillo California were done by the Dover Painter. As the fore-edge painting here evokes a feeling of serenity so too does the content religious meditations by François Fénélon 1651-1715 priest writer and tutor to King Louis XIV's grandson for whom he composed his best-known work "The Adventures of Telemachus.". J. Hatchard unknown
réf. 1104126451.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1104746972.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1166045579.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1104811197.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1165424312.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1805réf. AQ22195London: Printed and sold by Phillips and Fardon 1805. xii 215pp 1. Contemporary gilt-ruled sheep. Extremities heavily rubbed joints split. Near contemporary inked ownership inscription of Sarah Steevens to recto of FFEP else internally clean and crisp. A selection of devotional and moral writings by French Roman Catholic archbishop and theologian Francois de Salignac de La Mothe-Fenelon 1651-1715 first printed in 1797. . Second edition. 12mo. Printed and sold by Phillips and Fardon unknown
1809réf. AQ17032London: Published by J. Hatchard 1809. xvi 291pp 1. With half-title and a list of subscribers. Contemporary speckled calf contrasting red morocco lettering-piece gilt. Rubbed slight splitting to joints occasional spotting ink gift inscription dated 1814 to head of title-page. The first edition of Louisa A. Marshall's translation of select devotional and moral writings by French Roman Catholic archbishop and theologian Francois de Salignac de La Mothe-Fenelon 1651-1715. Biographical details for Marshall are frustratingly minimal; this was seemingly her only printed work besides a translation of extracts from the works of Thomas A Kempis London 1812. . First edition. 8vo. Published by J. Hatchard unknown
réf. 0266716393.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781166045579New. unknown
réf. 0364737484.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1809réf. ST14310fLondon: J. Hatchard 1809. 210 x 133 mm. 8 1/4 x 5 1/4". xvi 291 pp.Translated by Louisa A. Marshall. Contemporary dark blue straight-grain morocco covers bordered with gilt rule flat spine with simple gilt rules and titling gilt-ruled turn-ins all edges gilt and WITH A FINE FORE-EDGE PAINTING OF A SCENIC RIVER VIEW FEATURING CHRIST CHURCH PRIORY in Hampshire. Front free endpaper with owner signature of E. A. Fetherston. Slight variation in color of boards half title with one inch trimmed away at head probably removing owner inscription leaves a shade less than bright occasional minor foxing or offsetting in the text bed but still an excellent copy the text clean and fresh the pleasant binding entirely sound and the lovely fore-edge painting very well preserved. The typically bucolic fore-edge scene here--boat in tranquil water stately building occupying center stage trees all around puffy clouds--stands out for the level of achievement in execution by the artist. The clouds are painted in a delicately applied range of shades so that they are very convincing; there is considerable architectural detail visible on the side of the church; and it seems as if one can almost see individual leaves in the trees. These features are all hallmarks of the work of the so-called "Dover Painter" the name given by Jeff Weber to the artist who produced very high quality painted fore edges in the 1920s and 1930s. He did work for the famous London bookseller Marks & Company for Dawson's Bookshop in Los Angeles and for J. W. Robinson Company the Los Angeles department store. Estelle Doheny 1875-1958 whose library comprised one of the great collections of the 20th century bought actively from Dawson's and Weber estimates that approximately half of the very considerable number of especially fine fore-edge paintings in the Doheny collection in Camarillo California were done by the Dover Painter. As the fore-edge painting here evokes a feeling of serenity so too does the content religious meditations by François Fénélon 1651-1715 priest writer and tutor to King Louis XIV's grandson for whom he composed his best-known work "The Adventures of Telemachus.". J. Hatchard unknown books
réf. R300320276Hachette. Non daté. In-18. Relié. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 308 pages. Coins frottés.. . . . Classification Dewey : 840.08-XIX ème siècle
1928réf. RO70073748Hachette. 1928. In-16. Relié. Etat d'usage, Couv. défraîchie, Dos frotté, Intérieur bon état. 308 pages. Plats frottés. Tampon de librairie en page de titre.. . . . Classification Dewey : 840.04-XVII ème siècle
1929réf. RO60130411Hatier. 1929. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 79 pages.. . . . Classification Dewey : 840.04-XVII ème siècle
1929réf. ROD0129785LIBRAIRIE HATIER. 1929. In-12. Broché. Etat d'usage, Couv. convenable, Agraffes rouillées, Papier jauni. 79 pages - un tampon sur la page de titre.. . . . Classification Dewey : 800-LITTERATURE (BELLES-LETTRES)
réf. 1166198588.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
