Malraux, AndreBiblio.com
2841 risultati
1961rif. 18013Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black in original clear plastic overwrapper. Fine in worn clear plastic slipcase. Spitzer Walter. 120 pages. 29 x 23 cm. Three original full-page color lithographs by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback
1954rif. 294553Paris: Gallimard 1954. 1st edition. Hardcover. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust wrapper now mylar-sleeved. Remains quite well-preserved overall. Series: Galerie de la pléiade. Physical description: 2 v. : chiefly ill. some col. some fold. maps ; 23 cm. The archaeological documentation of this work was established by Raymond Lantier et al. Volume 3. The Christian world. Subjects: Sculpture History. Bas-relief. Christian art and symbolism. Paris: Gallimard hardcover
1961rif. 18017Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black in original clear plastic overwrapper. Fine in worn clear plastic slipcase. Spitzer Walter. 75 pages. 29 x 23 cm. Two original full-page color lithographs one double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback
1961rif. 18016Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black in original clear plastic overwrapper. Fine in worn clear plastic slipcase. Spitzer Walter. 202 pages. 29 x 23 cm. Seven original full-page color lithographs one double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Partly unopened bright very fresh copy. Editions Lidis paperback
1961rif. 18022Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black . Fine in nicked original clear plastic overwrapper. Spitzer Walter. 292 pages. 29 x 23 cm. Seven original full-page color lithographs two are double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback
1936rif. 75479The Modern Library 1936. hardback. very good condition in a near very good condition dust jacket with some spine darkening The Modern Library hardcover
1978rif. 67887Frankfurt: Propylaen 1978. hardcover. fine/fine. 3 volumes. Profusely illustrated including numerous color plates. Tall thick 4to cloth d.w. boxed. Frankfurt 1978. A fine copy. Propylaen unknown
1957rif. 291649London : Phaidon 1957. First Edition. Hardcover. Good cloth copy in a good if somewhat edge-torn with some loss and dust-toned dust-wrapper now mylar-sleeved. Remains quite well-preserved overall; tight bright clean and strong. Physical description; 184 pages illustrations some color. Notes; Translated from the French by C. W. Chilton. Subjects; Goya Francisco. Painting Spain C18th / C19th Critique. London : Phaidon hardcover
1960rif. 19693Garden City: Doubleday & Company. As New in Very Good dust jacket. First US Edition. First Printing. Hard Cover. Publisher's full maroon cloth with embossed gilt lettering on cover and spine. Profusely illustrated with B&W photographs. In slipcase. Through the civilizations of Greece and Byzantium and Europe Malraux traces successive changes not only in the meaning of art but in its uses. One loses a sense of one period growing out of another and substitutes instead an awareness of forces that produced change beyond the definable worldly factors. Malraux reaches back into pre- history to ancient empires Minean and Mycenacean and Egyptian and Hittite; and forward to the classic eres as the Sophists undermined the prestige of the gods and the tyranny of reality lept Rome from true art. With the Byzantium overlordship came the linking and kinship between Christian and Oriental forms. A religious ferment was at work. Mosaics- not painting- took the place of the antique sculptures. Manuscript illumination- Coptic miniatures- the art of the illuminated book all were directed to a limited few the book loving elite. But with the religious revival of the 11th century and the Crusades architecture and sculpture found new birth. The Romanesque period established a new relationship between man and God and man and the world in which he lived:- the religion of love as the sacred found expression in human terms. Two centuries- and another change. With the 14th century came the emergence of purely secular figures- and sculpture in its turn was challenged by painting -- as it had supplanted mosaics. The feudal hierarchy was yielding to an urban way of life. This book expands- it opens wider still- the scope of the "Museum without Walls" which is Malraux' great gift to an art-hungry world. This is a superb translation by Stuart Gilbert of a work destined to take a permanent place. The volume is in perfect pristine condition unmarked tight square and clean. The unclipped dust jacket has some slight creases at the upper edges of the flaps light rubbing to spine ends and tips. In a good slipcase with a short split on the top edge light rubbing and sunfading to covers edges. AS NEW/ VERY GOOD. B&W Photographs. 8vo 8" - 9" tall. 400 pages . 1960. Doubleday & Company hardcover
1960rif. 348058Garden City NY: Doubleday & Company 1960. Hardcover. Fine/Very Good. First American edition. Octavo. 400pp. Fine black & white and color gravure illustrations. Translated by Stuart Gilbert. Cloth boards with gilt titles a fine copy in a very good dustwrapper. Housed in a very good slipcase with rubbing to the printed cover. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. With Bernarda Shahn's name stamp on the lower edge of the text pages. Doubleday & Company hardcover
1952rif. 176898Paris: Pleiade 1952. paperback. very good. 34 mounted color plates and many illustrations in black & white. Folio printed wrappers. Paris: Galerie de la Pleiade 1952.Very good . This work reproduces for the first time the totality of Vermeer's work. The Introduction consists of essays by Marcel Proust and Andre Malraux. A few pages are crushed at the fore-edges not affecting text or illustrations. Pleiade unknown
1961rif. 18013Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black in original clear plastic overwrapper. Fine in worn clear plastic slipcase. Spitzer Walter. 120 pages. 29 x 23 cm. Three original full-page color lithographs by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback books
1961rif. 18017Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black in original clear plastic overwrapper. Fine in worn clear plastic slipcase. Spitzer Walter. 75 pages. 29 x 23 cm. Two original full-page color lithographs one double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback books
1961rif. 18016Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black in original clear plastic overwrapper. Fine in worn clear plastic slipcase. Spitzer Walter. 202 pages. 29 x 23 cm. Seven original full-page color lithographs one double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Partly unopened bright very fresh copy. Editions Lidis paperback books
1961rif. 18022Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black . Fine in nicked original clear plastic overwrapper. Spitzer Walter. 292 pages. 29 x 23 cm. Seven original full-page color lithographs two are double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback books
1978rif. 67887Frankfurt: Propylaen 1978. hardcover. fine/fine. 3 volumes. Profusely illustrated including numerous color plates. Tall thick 4to cloth d.w. boxed. Frankfurt 1978. A fine copy. Propylaen unknown books
1960rif. 348058Garden City NY: Doubleday & Company 1960. Hardcover. Fine/Very Good. First American edition. Octavo. 400pp. Fine black & white and color gravure illustrations. Translated by Stuart Gilbert. Cloth boards with gilt titles a fine copy in a very good dustwrapper. Housed in a very good slipcase with rubbing to the printed cover. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. With Bernarda Shahn's name stamp on the lower edge of the text pages. Doubleday & Company hardcover books
1952rif. 176898Paris: Pleiade 1952. paperback. very good. 34 mounted color plates and many illustrations in black & white. Folio printed wrappers. Paris: Galerie de la Pleiade 1952.Very good . This work reproduces for the first time the totality of Vermeer's work. The Introduction consists of essays by Marcel Proust and Andre Malraux. A few pages are crushed at the fore-edges not affecting text or illustrations. Pleiade unknown books
1960rif. 016195Librairie Gallimard Paris 1960. Book. Near Fine. Cloth. 400 pages. Hardcover bound in red cloth covered boards. Text in French. Illustrated. Lacking the dustjacket with some light wear to the covers from shelving and handling and a light bump to the foot of the spine. Else a solid binding with a clean interior free of markings. Detailed glossary and bibliography. Librairie Gallimard, Paris Hardcover
1971rif. 45227New York: Harry N. Abrams 1971. First American edition. Hardcover. vg. Square Quarto. 261 6pp. Original illustrated blue cloth with black lettering on cover white on spine in original illustrated dustjacket white lettering on spine. Illustrated endpapers. "This handsome volume pays tribute to the genius of Georges Braque. The whole astonishing range of his oeuvre is represented from the early Fauvist masterpieces through the daring experiments with which he and Picasso launched the Cubist revolution in modern art to the classically inspired canvases of the 1920s and the lyrical abstractions of his later years. Paintings drawings sculptures frescoes collages graphic works stained-glass windows–all conceived and executed with that elegance and élan which characterize the style of Braque–are reproduced here with infinite care. And thanks to the cooperation of the artist's estate the wealth of illustrations including 96 plates in full color includes a number of major works never before published." Publisher. Beautifully illustrated with color and b/w reproductions of his work throughout including two gatefolds one of them the three-panel color reproduction of "The Three Bathers." Photographs by Henri Cartier-Bresson Robert Doisneau Brassai Man Ray Daniel Frasnay and others. DJ with minor ware along edges and remnants of removed price sticker on inside front flap. Light age-toning along edges of block not affecting images. DJ binding and interior in overall very good condition. Harry N. Abrams hardcover
1971rif. 45227New York: Harry N. Abrams 1971. First American edition. Hardcover. vg. Square Quarto. 261 6pp. Original illustrated blue cloth with black lettering on cover white on spine in original illustrated dustjacket white lettering on spine. Illustrated endpapers. "This handsome volume pays tribute to the genius of Georges Braque. The whole astonishing range of his oeuvre is represented from the early Fauvist masterpieces through the daring experiments with which he and Picasso launched the Cubist revolution in modern art to the classically inspired canvases of the 1920s and the lyrical abstractions of his later years. Paintings drawings sculptures frescoes collages graphic works stained-glass windows–all conceived and executed with that elegance and élan which characterize the style of Braque–are reproduced here with infinite care. And thanks to the cooperation of the artist's estate the wealth of illustrations including 96 plates in full color includes a number of major works never before published." Publisher. Beautifully illustrated with color and b/w reproductions of his work throughout including two gatefolds one of them the three-panel color reproduction of "The Three Bathers." Photographs by Henri Cartier-Bresson Robert Doisneau Brassai Man Ray Daniel Frasnay and others. DJ with minor ware along edges and remnants of removed price sticker on inside front flap. Light age-toning along edges of block not affecting images. DJ binding and interior in overall very good condition. Harry N. Abrams hardcover books
rif. GOR004021561Paperback. Very Good. paperback
rif. 0865273928.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1947rif. 005207Bibliotèque de la Pléiade NRF - Galliard 1947 An excellent clean and tightly bound book protected by a plastic sleeve. Covers slightly chipped. Size: 4" x 7 " Bibliotèque de la Pléiade NRF - Galliard hardcover
1953rif. ALReMALR68Garden City NY: Doubleday & Company Inc. 1953. 1953. 8vo. pp. 661. 15 colour illus. & many text illus. cloth. Hardcover. Garden City, NY: Doubleday & Company, Inc., 1953. Hardcover
