1936réf. 75479The Modern Library 1936. hardback. very good condition in a near very good condition dust jacket with some spine darkening The Modern Library hardcover
1978réf. 67887Frankfurt: Propylaen 1978. hardcover. fine/fine. 3 volumes. Profusely illustrated including numerous color plates. Tall thick 4to cloth d.w. boxed. Frankfurt 1978. A fine copy. Propylaen unknown
1957réf. 291649London : Phaidon 1957. First Edition. Hardcover. Good cloth copy in a good if somewhat edge-torn with some loss and dust-toned dust-wrapper now mylar-sleeved. Remains quite well-preserved overall; tight bright clean and strong. Physical description; 184 pages illustrations some color. Notes; Translated from the French by C. W. Chilton. Subjects; Goya Francisco. Painting Spain C18th / C19th Critique. London : Phaidon hardcover
1960réf. 19693Garden City: Doubleday & Company. As New in Very Good dust jacket. First US Edition. First Printing. Hard Cover. Publisher's full maroon cloth with embossed gilt lettering on cover and spine. Profusely illustrated with B&W photographs. In slipcase. Through the civilizations of Greece and Byzantium and Europe Malraux traces successive changes not only in the meaning of art but in its uses. One loses a sense of one period growing out of another and substitutes instead an awareness of forces that produced change beyond the definable worldly factors. Malraux reaches back into pre- history to ancient empires Minean and Mycenacean and Egyptian and Hittite; and forward to the classic eres as the Sophists undermined the prestige of the gods and the tyranny of reality lept Rome from true art. With the Byzantium overlordship came the linking and kinship between Christian and Oriental forms. A religious ferment was at work. Mosaics- not painting- took the place of the antique sculptures. Manuscript illumination- Coptic miniatures- the art of the illuminated book all were directed to a limited few the book loving elite. But with the religious revival of the 11th century and the Crusades architecture and sculpture found new birth. The Romanesque period established a new relationship between man and God and man and the world in which he lived:- the religion of love as the sacred found expression in human terms. Two centuries- and another change. With the 14th century came the emergence of purely secular figures- and sculpture in its turn was challenged by painting -- as it had supplanted mosaics. The feudal hierarchy was yielding to an urban way of life. This book expands- it opens wider still- the scope of the "Museum without Walls" which is Malraux' great gift to an art-hungry world. This is a superb translation by Stuart Gilbert of a work destined to take a permanent place. The volume is in perfect pristine condition unmarked tight square and clean. The unclipped dust jacket has some slight creases at the upper edges of the flaps light rubbing to spine ends and tips. In a good slipcase with a short split on the top edge light rubbing and sunfading to covers edges. AS NEW/ VERY GOOD. B&W Photographs. 8vo 8" - 9" tall. 400 pages . 1960. Doubleday & Company hardcover
1960réf. 348058Garden City NY: Doubleday & Company 1960. Hardcover. Fine/Very Good. First American edition. Octavo. 400pp. Fine black & white and color gravure illustrations. Translated by Stuart Gilbert. Cloth boards with gilt titles a fine copy in a very good dustwrapper. Housed in a very good slipcase with rubbing to the printed cover. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. With Bernarda Shahn's name stamp on the lower edge of the text pages. Doubleday & Company hardcover
1953réf. 21775New York: Doubleday & Company Inc. 1953. Very Good/Good. One of the most influential art-historical works of the postwar era this volume represents Malraux's full-scale assault on traditional linear art history. It is the book that taught the world to see art as a universal language of human defiance against mortality. For the collector of modern thought or art theory a first American edition in a surviving jacket is a mandatory acquisition. KEY FEATURES Visuals: Profusely illustrated with hundreds of heliogravure illustrations in black-and-white and several tipped-in color plates. Visual Encyclopedia: Contains over 600 pages of integrated text and imagery utilizing a sophisticated layout that forces the reader to make the cross-cultural connections Malraux describes. Binding: Original black cloth with gilt and blind-stamped designs to the front board and spine. Imprint: Doubleday & Company Inc. Garden City NY 1953. First American Edition. Specs: Thick quarto; 8.5 inches tall; xii 661 pages including a detailed index and list of illustrations. Design: Typography and layout designed to emphasize the visual dialogue between disparate cultures e.g. placing a Greek torso next to a Khmer Buddha. CONDITION: THE BOOK: The bindings are tight and square holding the considerable weight of the 600-plus page text block firmly. The internal pages are clean and free of markings showing only light even age-toning consistent with 1950s paper stock. DUST JACKET: The dust jacket is present but shows the typical vulnerabilities of this heavy volume: the spine is sun-darkened and there is light hand-soiling to the panels. There is a small area of loss at the head of the spine and minor rubbing to the extremities. The jacket is now preserved in a clear archival protective sleeve. SCHOLARLY FEATURES Aesthetic Philosophy: Explores the 'metamorphosis' of art where a religious idol becomes a 'work of art' once removed from its original temple and placed in a museum or book. Modernist Influence: Deeply impacted the thinking of contemporary figures from Walter Benjamin to Marshall McLuhan bridging the gap between traditional connoisseurship and modern media theory. Scholarly Shield: As a primary text in the history of the museum this edition is essential for institutional research into how 20th-century curators and historians viewed global heritage. This work popularized the revolutionary idea that the 'imaginary museum' of photographs and prints allows for a global synchronized experience of art history. Polymathic Perspective: Malraux's dual life as a revolutionary novelist and France's future Minister of Cultural Affairs informs the work's epic philosophical scale. Postwar Landmark: Published at a moment when Europe was rebuilding its cultural identity; it served as a spiritual defense of Western and World civilization. HISTORICAL SIGNIFICANCE - André Malraux was a towering figure in French intellectual life a man of action who fought in the Spanish Civil War and the French Resistance before becoming a chief cultural architect under Charles de Gaulle. 'The Voices of Silence' is his most enduring contribution to the world of ideas. This 1953 edition was the first to bring Malraux's matured 'Psychology of Art' to a broad American audience. It appeared exactly as the United States was assuming a dominant role in the international art market providing the intellectual justification for the massive encyclopedic museum collections being built in cities like New York and Chicago. SUBJECTS: Aesthetics Museum Theory Comparative Art Visual Culture André Malraux Art Reproduction Cultural Memory 20th-Century Thought Art History Philosophy Cultural Criticism. Doubleday & Company, Inc. unknown
1952réf. 176898Paris: Pleiade 1952. paperback. very good. 34 mounted color plates and many illustrations in black & white. Folio printed wrappers. Paris: Galerie de la Pleiade 1952.Very good . This work reproduces for the first time the totality of Vermeer's work. The Introduction consists of essays by Marcel Proust and Andre Malraux. A few pages are crushed at the fore-edges not affecting text or illustrations. Pleiade unknown
1960réf. 016195Librairie Gallimard Paris 1960. Book. Near Fine. Cloth. 400 pages. Hardcover bound in red cloth covered boards. Text in French. Illustrated. Lacking the dustjacket with some light wear to the covers from shelving and handling and a light bump to the foot of the spine. Else a solid binding with a clean interior free of markings. Detailed glossary and bibliography. Librairie Gallimard, Paris Hardcover
1971réf. 45227New York: Harry N. Abrams 1971. First American edition. Hardcover. vg. Square Quarto. 261 6pp. Original illustrated blue cloth with black lettering on cover white on spine in original illustrated dustjacket white lettering on spine. Illustrated endpapers. "This handsome volume pays tribute to the genius of Georges Braque. The whole astonishing range of his oeuvre is represented from the early Fauvist masterpieces through the daring experiments with which he and Picasso launched the Cubist revolution in modern art to the classically inspired canvases of the 1920s and the lyrical abstractions of his later years. Paintings drawings sculptures frescoes collages graphic works stained-glass windows–all conceived and executed with that elegance and élan which characterize the style of Braque–are reproduced here with infinite care. And thanks to the cooperation of the artist's estate the wealth of illustrations including 96 plates in full color includes a number of major works never before published." Publisher. Beautifully illustrated with color and b/w reproductions of his work throughout including two gatefolds one of them the three-panel color reproduction of "The Three Bathers." Photographs by Henri Cartier-Bresson Robert Doisneau Brassai Man Ray Daniel Frasnay and others. DJ with minor ware along edges and remnants of removed price sticker on inside front flap. Light age-toning along edges of block not affecting images. DJ binding and interior in overall very good condition. Harry N. Abrams hardcover
1999réf. 3725720Lettres Modernes Minard 1999. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item350grams ISBN:2256909859 Lettres Modernes Minard paperback
réf. GOR004021561Paperback. Very Good. paperback
réf. 0865273928.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1953réf. ALReMALR68Garden City NY: Doubleday & Company Inc. 1953. 1953. 8vo. pp. 661. 15 colour illus. & many text illus. cloth. Hardcover. Garden City, NY: Doubleday & Company, Inc., 1953. Hardcover
1947réf. 005207Bibliotèque de la Pléiade NRF - Galliard 1947 An excellent clean and tightly bound book protected by a plastic sleeve. Covers slightly chipped. Size: 4" x 7 " Bibliotèque de la Pléiade NRF - Galliard hardcover
1967réf. 400065394Editions Gallimard 1967. 1967. Bon état Editions Gallimard unknown
réf. feb97808Used. For more details please contact me unknown
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réf. feb98975Used. For more details please contact me unknown
1967réf. 400065394Editions Gallimard 1967 1967.
1952réf. ABE-1553099196890COLLECTION LA GALERIE DE LA PLEIADE-INTRODUCTION-LE MONDE ORIENTAL-DE DELOS A BYZANCE-L'ASIE-L'AMERIQUE PRECOLOMBIENNE-HORS DE L'HISTOIRE-L'OCCIDENT CHRETIEN-LE DIALOGUE AVEC LE PASSE-DOCUMENTATION-780 PAGES-NOMBREUSES PHOTOGRAPHIES-RELIURE DOS ET COINS CUIR VERT AVEC TITRES DORES-4 FAUX NERFS-PLAT ASPECT GALUCHAT-COUVERTURE NON CONSERVEE-(500A)
réf. EO175KLWBroché état correct .Haut couverture tâché . Coiffe abîmée . 1950. 177 pages . PHOTOS SUR DEMANDE