2879 risultati
1947rif. 71001947 Genève, Paris: Albert Skira, 1947-1950. Comple en 3 vol. in-4 brochés: 23 x 29,5 cm. I/ 155-[8] pp.; II/ 226-[5] pp.; III/ 246-[13] pp. Edition origiale complète en 3 volumes ornés de très nombreuses reproductions photographiques de qualité (NB et couleurs). Coiffes de tête légèrement fatiguées, sinon ensemble en très bon état.
1928rif. 57151928 Paris, Gallimard - NRF, 1928. Broché: 19 x 23.8 cm, 89 p. ÉDITION ORIGINALE. Un des 476 exemplaires numérotés sur vélin pur fil Lafuma Navare, après 13 sur Japon et 23 sur vergé de Hollande (no. 413). Couverture imprimée rempliée. Ouvrage en très bon état (petites marques aux coiffes), intérieur très frais, comme neuf. Envoi de photographies sur demande.
1947rif. 466966Genève : A. Skira 1947. First Edition. Softcover. Very good paperback copies all in their original printed wrappers now slightly edgeworn and dust-dulled. Each retains its original glassine dust-wrapper now showing some small marginal tears and minor loss. A well-preserved set overall with text blocks remaining tight bright and clean. Physical description; complete in 3 volumes : illustrations some colour ; 29 cm. Notes; Half-title: Essais de psychologie de l'art. Volume 3 has imprint: Paris : A. Skira. Contents; 1. Le musée imaginaire -- 2. La création artistique -- 3. La monnaie de l'absolu. Subjects; Art psychology. Art philosophy. 20th century. Illustrated. Colour plates. Genève : A. Skira paperback
2013rif. 77687Couverture souple à rabats. En partie non coupé. Édition établie par Henri Godard et Jean-Louis Jeannelle. Avant-propos et postface d'Henri Godard.
2006rif. 86564Couverture souple à rabats crème imprimée noir et rouge. Non coupé. Illustrations hors-textes en noir.
rif. 8046N.R.F. 1974. In-8° broché. 252 pages. E.O. 1/355 sur vélin pur fil Lafuma Navarre. [120 vergé de Hollande / 355 vélin pur fil Lafuma].
1953rif. 27414New York: Imprimerie Georges Lang Paris for Doubleday & Company Inc. 1953. First edition. Illustrated profusely throughout with black and white and color photographs and renderings. Thick 4to publisher’s original blue cloth lettered in gilt on the upper cover and spine. In the original colour dustjacket and slipcase with tipped on pastedown to the front board. 661 2 pp. An extremely fine as pristine copy but for some mellowing to the jacket spine panel and a bit of evidence of shelving to the box. A FINE COPY OF THIS IMPORTANT FIRST EDITION. “Art is man’s expression of himself his world and his faith throughout all of time and global space. This book by one of the most powerful and perceptive writers of modern times is a brilliant and provocative inquiry into the meaning of all art. The book is of both philosophical and moral importance. An “imaginary museum” the book is a masterly integration of text and illustration designed and supervised by Malraux himself. Finely produced--printed in France by heliogravure process on paper especially manufactured in Finland it is a beautiful book. Malraux was philosopher archeologist soldier politician and novelist. He was one of the most important experts on art of the last century. His great novel MAN’S FATE is still considered one of the best French works of the 20th century. He fought in WWII was captured by the Germans escaped became a guerrilla leader was captured again and finally liberated when the Americans reached Paris. He was awarded the French Legion of Honor the Croix de Guerre and the British D.S.O. The book is a masterly tour de force and one of the great critical art works of all time. Imprimerie Georges Lang, Paris for Doubleday & Company, Inc. hardcover
1938rif. 1391551London UK: George Routledge & Sons 1938. First English Edition First Printing. Hardcover. Octavo 507 pages. In Good plus condition with a Good condition dust jacket. Spine is brown with orange stripes and black lettering. Dust jacket is wrapped in a mylar covering price uncut "8s.6d.net" has large open tears along the fore corners and spine mild age toning and mild shelving wear. Boards have mild fraying along the spine head and tail edges chipping along the extremities and mild bending along the fore corners. Textblock has splitting along the gutter between pages 224-225 and creasing along tail fore corner of pages 251 315 and 385. NOTE: Shelved in Room Z. 1391551. Special Collections - Downstairs. George Routledge & Sons hardcover
1950rif. 229361Paris: La Galerie de La Pléiade 1950. First edition. 20 colour plates and numerous black & white illustrations by Goya. 186 pp. 1 vols. 4to. Bound in full blue polished calf with the Thaw family motto stamped in gilt on the upper cover: "Ou le Sort Appelle" Where Destiny Calls top edge gilt. Fine spine slightly faded. First edition. 20 colour plates and numerous black & white illustrations by Goya. 186 pp. 1 vols. 4to. La Galerie de La Pléiade unknown
1950rif. 229361Paris: La Galerie de La Pléiade 1950. First edition. 20 colour plates and numerous black & white illustrations by Goya. 186 pp. 1 vols. 4to. Bound in full blue polished calf with the Thaw family motto stamped in gilt on the upper cover: "Ou le Sort Appelle" Where Destiny Calls top edge gilt. Fine spine slightly faded. First edition. 20 colour plates and numerous black & white illustrations by Goya. 186 pp. 1 vols. 4to. La Galerie de La Pléiade unknown books
1938rif. 1391551London UK: George Routledge & Sons 1938. First English Edition First Printing. Hardcover. Octavo 507 pages. In Good plus condition with a Good condition dust jacket. Spine is brown with orange stripes and black lettering. Dust jacket is wrapped in a mylar covering price uncut "8s.6d.net" has large open tears along the fore corners and spine mild age toning and mild shelving wear. Boards have mild fraying along the spine head and tail edges chipping along the extremities and mild bending along the fore corners. Textblock has splitting along the gutter between pages 224-225 and creasing along tail fore corner of pages 251 315 and 385. NOTE: Shelved in Room Z. 1391551. Special Collections - Downstairs. George Routledge & Sons hardcover books
1957rif. 38264Paris Gallimard, La Galeri 1957 In-4, cartonnage de l'diteur orn sur les plats et le dos de compositions en couleurs dessines par Paul Bonet.Edition originale, illustre de nombreuses reproductions en noir et en couleurs. Un des 10.250 exemplaires numrots sur vlin et relis d'aprs une maquette de Paul Bonet.
1957rif. 42119Paris Gallimard, La Galeri 1957 In-4, cartonnage de l'diteur orn sur les plats et le dos de compositions en couleurs dessines par Paul Bonet.Edition originale, illustre de nombreuses reproductions en noir et en couleurs. Un des 10.250 exemplaires numrots sur vlin et relis d'aprs une maquette de Paul Bonet.
rif. 119598Paris Gallimard 1952. 128 pages. 3 feuillets. 36x27 Cm. Cartonnage souple remplié. Couverture illustrée en très bon état. Cet ouvrage reproduit pour la première fois la totalité de l'oeuvre de Vermeer de Delft. L'introduction est composée des "Pages sur Vermeer" de Marcel Proust et de "Un artiste à jamais inconnu." d'André Malraux. Illustrations en noir in-texte. Planches en couleurs hors-texte. contrecollées et sous serpentes. Exemplaire en très bon état. Paris, Gallimard, 1952. unknown
1973rif. 87973s. l.: s. n. 1973. Fine. s. n. s. l. 1973 13.50 x 9 cm une feuille Printed visiting card signed by André Malraux to which he has added in black ballpoint pen these few words for his friend Minka Strauss: ""All my thanks dear Minka for the pastries. I am also sending you a small bibliophilic gift. Most affectionately."" s. n. unknown
1973rif. 87972s. l.: s. n. 1973. Fine. s. n. s. l. 1973 13.50 x 9 cm une feuille Printed visiting card on which André Malraux has added in blue ballpoint pen these few words for his friend Minka Strauss: ""Thank you dear Minka for your charming and useful attention. My regards to K.H. I beg you and my affectionate respects."" s. n. unknown
1973rif. 88071s. l.: s. n. 1973. Fine. s. n. s. l. 1973 13.50 x 9 cm une feuille Printed calling card on which André Malraux added in blue ballpoint pen these few words for his friends Minka and Karl Hans Strauss: ""I am touched dear friends by the affectionate part you take in my grief. And what else is there to say."" Â s. n. unknown
rif. 6322Monaco Editions André Sauret 1972 in 4 (33x25) 1 volume reliure toilée de l'éditeur sous jaquette en couleurs, 249 pages [1], avec une lithographie originale en couleurs hors-texte de Chagall en frontispice (tirée sur les presses de Mourlot frères, Paris). Préface de André Malraux . Notes et catalogue de Charles Sorlier. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1928rif. 222341928 Paris: Grasset.Les Cahiers Verts., 1928. Broché, 123 x 188 mm, 269 pp.First edition. exemplaire de presse CCLXXXII sur Alfa.dos jauni,exemplaire enrichi d'un envoi autographe signé de André MALRAUX à Gilles Veber. Presentation inscription from Malraux to Gilles Veber.
1943rif. 83773Couverture souple rempliée. Écriture manuscrite sur page de titre. Bel état du papier.
1960rif. 209526New York: Doubleday & Company 1960. First Edition; First Printing. Hardcover. Near Fine in a Very Good slipcase. Bottom slipcase panel cracking. Doubleday & Company hardcover
rif. BN372305ROMANS ROMANS André Malraux unknown
1983rif. BN100188München : Beck Verlag 1983. 1983. Romanische Kunst. 2 Bände zusammen. Erster Band: Mittel- und Südeuropa. 1060-1220. Zweiter Band: Nord- und Westeuropa. 1060-1220 aus der Reihe Universum der Kunst Band 29 30 . Romanische Kunst. 2 Bände zusammen. Erster Band: Mittel- und Südeuropa. 1060-1220. Zweiter Band: Nord- und Westeuropa. 1060-1220 aus der Reihe Universum der Kunst Band 29 30 . München : Beck Verlag unknown
1974rif. 12509Editions Gallimard 1974. Fort in-8 broché de 342 pages au format 20,5 x 14 cm. Couverture rempliée avec titre imprimé. Dos carré. Plats et intérieur parfaits. Exemplaire non coupé. 42 pages de photos de reproductions de dessins et sculptures de Pablo Picasso en fin de volume, tirées en noir. Etat de neuf. Un des 310 exemplaires n° sur vélin pur fil, après 80 hollande. Edition originale. Rare.