2 940 résultats
1960réf. WRCLIT18219London: Secker & Warburg 1960. Cloth. Illustrated with plates. First edition in English translated by Stuart Gilbert. Fine in dust jacket. Secker & Warburg hardcover books
1928réf. WRCLIT18825Paris: Grasset 1928. Printed wrappers. First edition limited numbered issue on Alfa Satine issued in the CAHIERS VERTS series. Wraps a trifle hand soiled spine has a narrow crack otherwise a very good copy. TALVART & PLACE MALRAUX 3a. Grasset paperback books
1948réf. WRCLIT41599Paris: nrf/Gallimard 1948. Large octavo. Printed wrappers. First Paris edition ordinary numbered issue on alfa. Preceded by the 1943 Swiss edition of a slightly altered text. Wrappers faintly dust soiled but very good and unopened. TALVART & PLACE MALRAUX 10b. nrf/Gallimard unknown books
1974réf. WRCLIT19209Paris: nrf/Gallimard 1974. Printed wrappers. Fine in glassine dust jacket. First edition of the second volume of Malraux's autobiographical cycle. One of 355 numbered copies on vélin pur fil Lafuma- Navarre from a total edition of 475 copies constituting the édition originale. nrf/Gallimard unknown books
1955réf. WRCLIT53927Paris: Bibliothéque Nationale 1955. xix1190212pp. plus forty plates and three color facsimiles. Pictorial wrappers. First edition. A well- annotated exhibition catalogue featuring 362 items plus bibliography. Catalogue by Jean Porcher. Upper fore-corner bumped a few stray marks to wrappers very good. Bibliothéque Nationale unknown books
1960réf. WRCLIT68852Garden City: Doubleday 1960. Large thick octavo. Gilt cloth. First edition in English U.S. issue printed in France. Profusely illustrated in black and white and color. About fine in very good dust jacket with a couple short edge tears in slightly sunned slipcase. Doubleday hardcover books
1930réf. WRCLIT22132Paris: Bernard Grasset 1930. Printed wrappers. First edition limited numbered issue on alfa. Published in the "Cahiers Verts" series. Wraps faintly faded toward tan else about fine. TALVART & PLACE MALRAUX 5. Bernard Grasset paperback books
1974réf. WRCLIT35142Paris: nrf/Gallimard 1974. Printed wrappers. Photographs. First edition trade issue after 390 numbered copies. Poet/translator Cid Corman's copy with his 1974 ownership inscription and frequent and occasionally substantive annotations. Wrappers a bit foxed and smudged but a good copy. nrf/Gallimard unknown books
1960réf. WRCLIT34117Garden City: Doubleday 1960. Large thick octavo. Gilt cloth. First edition in English U.S. issue printed in France. Profusely illustrated in black and white and color. Ink name and date a few light flecks to spine else near fine in dust jacket with a couple of small closed tears and some light wear to the head of the spine. Doubleday hardcover books
1970réf. WRCLIT35140Paris: nrf/Gallimard 1970. Printed wrappers. First edition numbered issue on bouffant alfa. Poet/translator Cid Corman's copy with his 1971 ownership inscription and extensive and substantive annotations throughout. Spine a bit foxed but a good copy. nrf/Gallimard unknown books
1953réf. WRCLIT23753Garden City: Doubleday 1953. Thick octavo. Plates. Translated by Stuart Gilbert. First American issue printed in France. Bookplate else fine in dust jacket and slipcase. Doubleday unknown books
1950réf. WRCLIT25028Paris: NRF/La Galerie de La Pleiade 1950. Small quarto. Pictorial wrappers. Plates and illustrations including some in color. First edition of this extensively illustrated essay on Goya. Extreme tips of spine frayed a bit shaken but a very good copy. NRF/La Galerie de La Pleiade unknown books
1977réf. WRCLIT17546New York: Holt 1977. Printed wrappers. Uncorrected page proofs of the first American edition translated by Terence Kilmartin. Copious pencil notes by a hostile reviewer else very good. Holt unknown books
1946réf. WRCLIT20273Paris: Gallimard 1946. Decorated boards after Paul Bonet. First edition of this selection. One of 1040 numbered copies on Teka. Ink name. Very good. Gallimard hardcover books
1949réf. W21513Paris: Albert Skira 1949. White paper wraps with black and green lettering and black and white photos on each upper panel. Spine ends chipped and some splitting of joints. Wraps have moderate rubbing and soiling. The 3 title are La Monnaie De L'Absolu Le Musee Imaginaire and La Creation Artistique. The latter volume has a gift inscription on front endpaper. Well illustrated works in French. . First Thus. Paper Wraps. Good. 4to - over 9¾" - 12" tall. Trade. Albert Skira Paperback books
réf. W56162Paris: Pleiade Maroon cloth with gilt spine lettering. Some minor wear at spine ends corners and on edges. Page edges are somewhat darkened. Dust jacket a little worn and chipped on spine ends and corners. Minor soiling but jacket is pretty good. French language work of Malraux's art commentary. Quite well illustrated. New Edition. Cloth. Good/Good. 8vo - over 7¾" - 9¾" tall. Trade. Pleiade Hardcover books
1938réf. WN45236New York: Random House 1938. Original blue and red cloth with gilt titling with top edge stained blue. Cloth on board edges lightly faded. Small puncture in spine above author's name and in jacket as wll. Dust jacket has closed split in upper fold is quite browned in white portions and on spine and is chipped on the edges. . First American Edition. Cloth. Good/Fair. 8vo - over 7¾" - 9¾" tall. Trade. Random House Hardcover books
1974réf. 301654Paris Gallimard 1974. 1974. First trade edition. 8vo. 47 illustrations. Original stiff cream wrappers printed in red and black light soiling. Good. 279 pages 46 pages of illustrations at end. Soft cover. Good/No Jacket. [Paris] Gallimard [1974]. paperback books
1936réf. 7648NY: Random House. Very Good in Good dust jacket. 1936. Hardcover. Translated from the French by Haakon M. Chevalier. First printing. Spine slant else very good in a good chip at base of spine age darkening edge wear dust jacket. . Random House hardcover books
1972réf. 61538Switzerland: Editions Andre Sauret. Very Good in Very Good dust jacket. 1972. Hardback. Please note that this is a heavy item and may incur extra shipping costs for international orders. ; Dust jacket is bright and unmarked minimal creasing to upper and lower spine unclipped; grey cloth boards corners sharp; binding is internally tight but rear joint exposed; previous seller's tickmark on front endpaper previous owner's dedication and signature beneath tickmark edges age-toned featuring original lithographs printed at Mourlot Freres Paris. ; 10 x 1.25 x 13 inches; 249 pages . Editions Andre Sauret hardcover
1957réf. 339789London: Phaidon 1957. hardcover. near fine/very good. Goya. 150 illustrations and tipped-in plates throughout including 18 in color. 183 pages. 4to blue cloth d.w. small rips on front and back. London: Phaidon Press 1957. A near fine copy in a very good dust wrapper. Phaidon unknown
réf. 97696Paris André Sauret 1951. . VORZUGSAUSGABE. Nr. XX von 300 im Impressum num. Exemplaren mit auf Japanpapier gedrucktem zweiten Zustand des Frontispizes als Beigabe. - André Malraux 1901-1976. Démétrius Galanis 1879-1966. - Schuber schwach stockfleckig. - Buchblock unaufgeschnitten und unbeschnitten. Umschlag mit 2 Stockfleckchen Buch sonst gut und sauber Paris, André Sauret, ( 1951). unknown
réf. 52754Thames & Hudson. Very Good in Very Good- dust jacket. 1963. Hardback. 080760500X . Please note that this is a heavy item and may require additional postage for international shipping ; Dust jacket lightly age-toned water-damaged at bottom edge w/ slight warping and peeling of original laminate; Red cloth boards slightly rubbed at edges gilt lettering bright; Pages lightly age-toned at edges top-edge dusty small water-marks on bottom and fore-edges B&W and coloured plates; Binding tight. This volume provides comprehensive survey of the art of Australasia and the archipelagos of the Pacific. ; Arts Of Mankind Series; Vol. 4; 8.75 x 11"; 462 pages . Thames & Hudson hardcover
1954réf. 84002Boulogne-sur-Seine Boulogne-Billancourt: S. n. 1954. Fine. S. n. Boulogne-sur-Seine Boulogne-Billancourt 28 Décembre 1954 13.50 x 21 cm une feuille Autograph letter signed and dated by André Malraux 20 lines in blue ballpoint pen from his Boulogne home on avenue Victor Hugo thanking him for his favorable review either of Des bas-reliefs aux grottes sacrées or of Le Monde chrétien both published in 1954. He apologizes for not being able to respond quickly to his laudatory article before thanking him: "". it is certain that by emphasizing both the technical aspect and the other underlined words you render the book a great service and take the animal by the right end."" he also acknowledges the clairvoyance and pertinence of his article despite the difficulty of properly apprehending the work: "". for these essays are not conceivable within traditional art criticism."" while praising the attachment that binds them: "". this attitude which is the only just one did it not necessarily imply a friendship that shows through each line in a place where there is some merit in proclaiming it."" Fold mark inherent to the mailing process. Resistance fighter and participant in Combat André Parinaud is a journalist columnist art critic and writer. From 1959 to 1967 he held the position of editor-in-chief of the important weekly Arts bringing together the elite of French creation in all artistic fields: literature painting theater cinema. He then conducted more than 1000 radio interviews with the greatest writers and artists including Salvador Dali Louis-Ferdinand Céline Colette Paul Léautaud André Breton Georges Simenon and André Malraux. While continuing to work at O.R.T.F. and radio he founded several festivals or artistic events such as The International Art Film Festival the National Academy of Street Arts. S. n. unknown
1947réf. 84003Boulogne-sur-Seine Boulogne-Billancourt: S. n. 1947. Fine. S. n. Boulogne-sur-Seine Boulogne-Billancourt s. d. circa 1947 11.50 x 18 cm une feuille Autograph letter signed by André Malraux 20 lines in blue ballpoint pen from his Boulogne home on avenue Victor Hugo making witty reference to the release of his work probably Le musée imaginaire published in 1947 and to the article devoted to him by André Parinaud in Arts. André Malraux mocks the massive aspect of his work: "". avec le retard qu'implique le poids du livre poids qui affirme aux esprits non prévenus le sérieux de l'auteur. Un des premiers ""voix du silence"" paru en même temps que votre article"" "". with the delay implied by the weight of the book weight which affirms to unprejudiced minds the seriousness of the author. One of the first 'voices of silence' published at the same time as your article"" while praising the friendship of his benevolent correspondent: "" . je serais étonné de n'avoir à ""Arts"" que des amis ; vous avez pris parti. Ce que je ne tiens pas pour sans importance - et n'oublie pas."" "". I would be surprised to have only friends at 'Arts'; you have taken sides. Which I do not consider unimportant - and do not forget."" Fold mark inherent to posting. Resistance member and participant in Combat André Parinaud was a journalist columnist art critic and writer. From 1959 to 1967 he held the position of editor-in-chief of the important weekly Arts gathering the elite of French creation in all artistic fields: literature painting theatre cinema. He then conducted more than 1000 radio interviews with the greatest writers and artists including Salvador Dali Louis-Ferdinand Céline Colette Paul Léautaud André Breton Georges Simenon and André Malraux. While continuing to work for O.R.T.F. and radio he founded several festivals or artistic events such as The International Festival of Art Film the National Academy of Street Arts. S. n. unknown