Andre MALRAUXBiblio.com
2806 risultati
1928rif. 59307Paris: Grasset 1928. Fine. Grasset Paris 1928 12 x 18.50 cm broché First edition one of 13 numbered copies on Or Turner paper large paper copy the fewest copies. Rare and nice copy with double cover. Grasset unknown
1930rif. 55710Paris: Grasset 1930. Fine. Grasset Paris 1930 11.50 x 18.50 cm relié First edition of 62 numbered copies on Madagascar the tirage de tête. Contemporary half blue morocco over marbled paper boards by Robinson gilt date to spine gilt fillet frame to covers endpapers and pastedowns of light green paper double covers and double spines preserved top edge gilt. A very good copy in a nice binding. Grasset hardcover
1950rif. 58197Paris: Gallimard 1950. Fine. Gallimard Paris 1950 22.50 x 29 cm reliure de l'éditeur First edition. Publisher's binding over flexible paper boards. Handsome autograph inscription from one ""Compagnon de la Libération"" to another : ""Pour Rémy son ami André Malraux."" Illustrations. Spine sunned copy retaining its dustjacket. One spot to the spine. Gallimard hardcover
rif. 25854Skira éditeur 1948. In/4 cartonnage éditeur illustrations en noir in-texte et en couleur contrecollées 155 pages. Deuxiéme volume des essais de Psychologie de lart. Le musée a imposé une relation nouvelle avec l'oeuvre d'art. C'est un phénomène récent qui date de la période de la Renaissance et qui n'existe qu'en Europe. Cette relation nouvelle délivre les uvres de leur fonction ce que Malraux appelle une métamorphose. Un crucifix n'est plus d'abord un crucifix un portrait n'est plus un portrait de quelqu'un ; l'uvre d'art avait toujours été une image. Or pour le musée il n'y a plus ni vénération ni ressemblance ni imagination décor ou possession mais des images qui diffèrent des choses et qui se trouvent confrontées en tant que telles. Pour Malraux l'homme recrée le monde face à Dieu et conquiert par l'art le sens de sa vie contre l'oubli et la mort. Un musée est un résultat de hasards c'est un possible mutilé. Le voyage d'art repose sur la mémoire optique qui n'est pas infaillible. Mais aujourd'hui grâce à la photographie il est possible d'avoir à disposition les uvres de toutes les civilisations. Il devient donc possible de confronter toutes les uvres. unknown
1967rif. 51263Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14.50 x 20.50 cm broché First edition one of 80 numbered copies on Hollande paper the deluxe issue. Fine copy. Gallimard unknown
rif. 7867Skira éditeur 1947. In/4 cartonnage éditeur illustrations en noir in-texte et en couleur contrecollées 155 pages. Premier volume des essais de Psychologie de lart. Le musée a imposé une relation nouvelle avec l'uvre d'art. C'est un phénomène récent qui date de la période de la Renaissance et qui n'existe qu'en Europe. Cette relation nouvelle délivre les uvres de leur fonction ce que Malraux appelle une métamorphose. Un crucifix n'est plus d'abord un crucifix un portrait n'est plus un portrait de quelqu'un ; l'uvre d'art avait toujours été une image. Or pour le musée il n'y a plus ni vénération ni ressemblance ni imagination décor ou possession mais des images qui diffèrent des choses et qui se trouvent confrontées en tant que telles. Pour Malraux l'homme recrée le monde face à Dieu et conquiert par l'art le sens de sa vie contre l'oubli et la mort. Un musée est un résultat de hasards c'est un possible mutilé. Le voyage d'art repose sur la mémoire optique qui n'est pas infaillible. Mais aujourd'hui grâce à la photographie il est possible d'avoir à disposition les uvres de toutes les civilisations. Il devient donc possible de confronter toutes les uvres. unknown
rif. 1420Albert Skira Editeur Paris 1950. In/4 broché couverture rempliée. 246 pages 8 ff. n. ch. Troisième volume des Essais de psychologie de lArt imprimé sur les presses des Maîtres-Imprimeurs Draeger Frères. Très nombreuses reproductions en noir celles en couleurs tirées à part et contrecollées. Le musée a imposé une relation nouvelle avec l'uvre d'art. C'est un phénomène récent qui date de la période de la Renaissance et qui n'existe qu'en Europe. Cette relation nouvelle délivre les uvres de leur fonction ce que Malraux appelle une métamorphose. Un crucifix n'est plus d'abord un crucifix un portrait n'est plus un portrait de quelqu'un ; l'uvre d'art avait toujours été une image. Or pour le musée il n'y a plus ni vénération ni ressemblance ni imagination décor ou possession mais des images qui diffèrent des choses et qui se trouvent confrontées en tant que telles. Pour Malraux l'homme recrée le monde face à Dieu et conquiert par l'art le sens de sa vie contre l'oubli et la mort. Un musée est un résultat de hasards c'est un possible mutilé. Le voyage d'art repose sur la mémoire optique qui n'est pas infaillible. Mais aujourd'hui grâce à la photographie il est possible d'avoir à disposition les uvres de toutes les civilisations. Il devient donc possible de confronter toutes les uvres. unknown
rif. 20373Imprimerie Nationale éditions Lidis 1960 / 1962. 7 volumes in/4 28 x 23 cm reliure plein maroquin bordeaux plat à décor doré et à froid doré sur tête illustrations : 52 lithographies originales de W. Spitzer. Monod 7697. Très bon état hormis des dos insolés bordeaux vire à l'orangé. Exemplaire numéroté 883 sur vélin d'Arches pur chiffon filigrané André Malraux. unknown
1937rif. 39611Paris: Gallimard 1937. Fine. Gallimard Paris 1937 14.50 x 21 cm broché First edition one of 230 numbered copies on Alfa paper. Handwritten inscription signed by the author. A tiny marginal tear on the front cover ex-libris pasted on the first blank endpaper. Gallimard unknown
rif. DADAX0333648412New unknown
rif. DADAX0312129254New unknown
rif. 24965Albert Skira Paris 1950. . Broche couverture rempliee 246 pp. 23x295cm illustree de tres nombreuses photographies in et hors texte et planches hors texte en couleurs. Troisieme volume des Essais de psychologie de lArt imprime sur les presses des Maitres-Imprimeurs Draeger Freres. Tres nombreuses reproductions en noir celles en couleurs tirees a part et contrecollees. Edition originale. Albert Skira , Paris, 1950. unknown
1947rif. 36294Genève Geneva: Skira 1947. Fine. Skira Genève Geneva 1947 22.50 x 28.50 cm broché First edition one of 200 numbered copies on pur fil tirage de tête. Illustrated with 195 heliogravures a very good copy retaining its dustjacket. Skira unknown
1950rif. 36295Paris: Gallimard 1950. Fine. Gallimard Paris 1950 23 x 29 cm broché First edition of which there were no deluxe copies. Precious signed autograph inscription from André Malraux to Thierry Maulnier. Rich iconography. Light sunning to foot of spine a faint and small marginal dampstain affecting the second half of the work without any damage to the text. Gallimard unknown
1975rif. 2703Paris: Gallimard 1975. Fine. Gallimard Paris 1975 12.50 x 20 cm broché First edition one of 355 numbered copies on vélin pur fil Lafuma paper the only large paper copies after 120 on Hollande paper. A fine copy. Gallimard unknown
1962rif. 87625Paris: Gallimard 1962. First Edition. Quarto 28cm; red cloth-covered boards with titling stamped in gilt on spine and front cover; dustjacket; publisher's slipcase; viii4017pp; black-and-white and colorful illustrations throughout including fold-out illustrations and maps. Text in French. Trace shelf-soil to rear cover else Near Fine. Dustwrapper lightly tanned with trivial surface wear and creases to extremities; Very Good. Slipcase has publisher's stamp to interior edge with light shelf-wear and -soil; Very Good. Third volume in the L'univers des Formes series under the general editorship of André Malraux and Georges Salles. Ukrainian-French archeologist Ghirshman explores the social history and artwork of the Parthian and Sasnian Empires. 87625. Gallimard unknown
1929rif. 1002Y22London: Jonathan Cape 1929. First edition. Cloth. Very Good Indeed/Near Fine. 8" by 5.5". None. A desirable first English edition of Andre Malraux's first novel complete with the very scarce original unclipped dust wrapper. The first English edition of Andre Malraux's first novel 'The Conquerors'. Translated by Winifred Stephens Whale. Scarce. With the very scarce original dust wrapper unclipped. An incredibly smart example for its age. An exciting novelisation of the 1920s Cantonese revolution in Hong Kong describing the struggle between the Kuomintang and the Communists. The plot serves as a vehicle for French novelist Andre Malraux to discuss issues of colonialism and revolution which he opposes and favours respectively.Four pages of publisher's advertisements to the rear. In the original cloth binding. With the original unclipped dust wrapper. Externally very smart with fading to the spine and slightly to board edges. Minimal shelf wear. Dust wrapper is very smart indeed with sunning to the spine and minor edge wear. Small chip to the fly leaf joint and a couple minor marks to the wrap. Internally firmly bound. Pages are bright and clean with only minor offsetting to endpapers and a few spots to the fore edge affecting the odd page. Very Good Indeed Jonathan Cape hardcover
rif. SONG2070108643GALLIMARD 0000-00-00. hardcover. Used: Good. 4.45x1.18x7.17. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD hardcover
1967rif. GB00329CUHMI5N00Bantam 1967. Mass Market Paperback. Acceptable. Disclaimer:Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Bantam paperback
1973rif. 013775PARIS : Otis Art Institute 1973. Hardcover. Very Good. Andre MALRAUX. B00K: Very Good/ $296.15 FOUNTATION MAEGHT MALRAUX Andre Otis Art Institute 1973 PARIS UnStated Edition Square Tall Wide Thick H/c. Black Colored Spine With Title In Polished Gold Letters Hard Cover B00K: Very Good/ Condition Slight Shelf Edge And Corner Wear. 321 Numbered Pages Printed On Off~White Paper In Fine/ Condition. 2nD To Last Page Is Almost Completely Loose From Spine. D/j: None. X~Library With Stamps And Stickers Withdrawn From Otis Art Institute Library. = No Stains No Odors No Writing No Names No Rippling Not Stuck Together No Book Plate. = Description Applies To This B00K Only Which Is Hard To Find Will Be Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector/. WORLD WIDE SHIPPING AVAILABLE. Otis Art Institute hardcover
1936rif. 138595Paris: N.p. 1936. Vintage borderless photograph from an antifascist meeting in Paris in 1936 showing novelist Andre Malraux speaking into a microphone with novelist Andre Gide seated at a table next to him. Stamp of Magnum Photos photographer David "Chim" Seymour on the verso. Likely a photograph from a meeting of the Popular Front a French alliance of various left-wing movements including communists and socialists during the interwar period. As Magnum Photos was not formed until 1947 it is likely photographer David "Chim" Seymour added the stamp at a later date to a print in his collection. Magnum which included early members like Robert Capa Maria Eisner and Henri Cartier-Bresson was created as an international cooperative one of the first of its kind. 10 x 6.5 inches. Very Good condition with some professional restoration. N.p. unknown
1959rif. 140594Paris: Cinedis 1959. Archive of press material compiled by Cinedis a French press and film agency concerning the formation and founding members of the Ministere de la Culture Ministry of Culture of France. The Ministry of Culture was created by Charles de Gaulle in 1959 and the first Minister was writer Andre Malraux whose responsibilities included the democratizing of access to culture museums monuments and elevating postwar France. He created several cultural centers throughout France actively sponsored the arts television film visual dance literary etc. but his tastes although wide-ranging remained conservative. During the early years of the Ministry M. Jacques Jaujard was its general secretary and he was instrumental in coordinating various organizations like Arts and Humanities National Theaters Monuments Cinema Tourist propaganda popular Education. Jaujard eventually left eh Ministry in 1967 and Malraux left shortly after upon de Gaulle's final term as President. The Ministry is still in operation to this day keeping the artistic and culture heritage of France and making the countries museums and cultural centers widely accessible. An engrossing collection regarding a much advertised birth of one of France's finest organizations the archive consists of thirty single sheets of Cinedis parchment with various stapled French newspaper articles pertaining to Malraux Jaujard and the Ministry. Nearly all sheets bear annotations in manuscript ink noting the date of the article 1959 throughout mostly early in the year and a few loose newspapers and clippings are included. Near Fine overall. Cinedis unknown
1991rif. SONG2070724735GALLIMARD 1991-11-08. paperback. Used: Good. 5.51x0.94x8.07. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD paperback
1970rif. 009893Paris: Gallimard 1970. Book. Illus. by Alexeief Andre Masson et Chagall. Fine. Full Leather. Premiere Edition. Brown leather covers with gilt decoration and edges five raised bands to spine silk ribbon. All volumes in excellent condition. Illustrations throughout. Gallimard Hardcover
1968rif. 336075New York: Holt Rinehart and Winston 1968. First American Edition; First Printing. Hardcover. Very Good in a Very Good price clipped dust jacket. Small closed tears on spine crown and heel and top and bottom front panel. Foxing on text block edges. Holt, Rinehart and Winston hardcover
