MALRAUX, AndreBiblio.com
2 788 résultats
1949réf. 622305New York: Pantheon Books 1949. Hardcover. Near Fine/Very Good. First edition. Three volume set. Translated by Stuart Gilbert. Black-and-white gravure illustrations and tipped in color plates. Quartos. Gray cloth stamped in gilt. Spine ends and corners lightly rubbed and bumped near fine in very good dust jackets with faint dampstains on spines two-inch chip on volume one spine head short nicks and tears on edges of jackets all housed in the original slipcase with paper label on front panel extremities worn some crayon on rear panel. The text pages and expertly printed plates are bright and clean. The Bollingen Series XXIV. Pantheon Books hardcover
1949réf. 1404160New York: Pantheon Books 1949. Hardcover. Quarto Two volumes. In Very Good minus condition with Good dust jackets. Spines are white with black print. Dust jacket in mylar; toning to spine small tear to rear panel of first volume. Price unclipped: “$25.00”. Boards in grey cloth; sight wear to spine caps. Illustrated: b&w with tipped-in color plates. CONTENTS: Vol. 1. Museum Without Walls 155 pages — Vol. 2. The Creative Act 223 pages. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex in column ND-QC. 1404160. FP New Rockville Stock. Pantheon Books hardcover
1949réf. 199190France: Pantheon Books 1949. Hardcover. Good Boards are edgeworn/scuffed/smudged; textblock edges are lightly worn/scuffed/smudged; interior is clean but lightly toned with occasional foxing or smudging; binding is solid. Brown boards with gilt lettering and illustration; two volumes; 156 224 pp.; richly illustrated. These volumes are two volumes of a three-volume set. Pantheon Books hardcover
1949réf. 502073Pantheon Books / Bollingen Foundation Inc 1949. First Edition. Hardcover with Dust Jacket. FINE/Very Good. 157 225 276 pp. 4tos brown cloth. All volumes are exceedingly clean and sharp with tight bindings; DJ spines show some wear as does the slipcase which remains structurally entirely sound. First Edition in English. Pantheon Books / Bollingen Foundation, Inc hardcover
réf. 3449Malraux Andre. THE PSYCHOLOGY OF ART. VOLUME III THE TWILIGHT OF THE ABSOLUTE. Translated by Stuart Gilbert. New York Pantheon Books 1950. Cloth. Dust jacket. Slipcase. "In this volume M. Malraux concludes his subtle analysis of the psychology of artistic creation." Very good condition. hardcover
1949réf. 107489New York: The Bollingen Foundation Inc 1949. Hardbound. Good dj has some yellowing and tears around edges pages in good condition with some yellowing and minimal foxing. bw illustrated dj with black text. Brown-grey cloth with gold lettering; 223 pp. with numerous bw and color illus. a total of 11 chapters in three parts; part one of the series. The Bollingen Foundation Inc hardcover books
1949réf. 1404160New York: Pantheon Books 1949. Hardcover. Quarto Two volumes. In Very Good minus condition with Good dust jackets. Spines are white with black print. Dust jacket in mylar; toning to spine small tear to rear panel of first volume. Price unclipped: “$25.00”. Boards in grey cloth; sight wear to spine caps. Illustrated: b&w with tipped-in color plates. CONTENTS: Vol. 1. Museum Without Walls 155 pages — Vol. 2. The Creative Act 223 pages. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex in column ND-QC. 1404160. FP New Rockville Stock. Pantheon Books hardcover books
réf. 3449Malraux Andre. THE PSYCHOLOGY OF ART. VOLUME III THE TWILIGHT OF THE ABSOLUTE. Translated by Stuart Gilbert. New York Pantheon Books 1950. Cloth. Dust jacket. Slipcase. "In this volume M. Malraux concludes his subtle analysis of the psychology of artistic creation." Very good condition. hardcover books
1949réf. 622305New York: Pantheon Books 1949. Hardcover. Near Fine/Very Good. First edition. Three volume set. Translated by Stuart Gilbert. Black-and-white gravure illustrations and tipped in color plates. Quartos. Gray cloth stamped in gilt. Spine ends and corners lightly rubbed and bumped near fine in very good dust jackets with faint dampstains on spines two-inch chip on volume one spine head short nicks and tears on edges of jackets all housed in the original slipcase with paper label on front panel extremities worn some crayon on rear panel. The text pages and expertly printed plates are bright and clean. The Bollingen Series XXIV. Pantheon Books hardcover books
1949réf. 199190France: Pantheon Books 1949. Hardcover. Good Boards are edgeworn/scuffed/smudged; textblock edges are lightly worn/scuffed/smudged; interior is clean but lightly toned with occasional foxing or smudging; binding is solid. Brown boards with gilt lettering and illustration; two volumes; 156 224 pp.; richly illustrated. These volumes are two volumes of a three-volume set. Pantheon Books hardcover books
1935réf. 1ivAc0033fNew York: Modern Library Paperbacks/ Published By Random House 1935. Book. Used-Acceptable. Mass Market Paperback. 12mo or 12° Duodecimo: 6¾" x 7¾" tall. 250 pp. This is a used book. Please be advised that it is rated "Used-Acceptable" and/or "Poor" due to likely defects such as highlighting underlining folds creases etc. Still a good reading copy. Book detatched from spine. Moderate foxing around edges of pages. Moderate damage to spine. Modern Library Paperbacks/ Published By Random House Paperback
réf. 0914300032.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1950réf. 466849New York : Pantheon Books 1950. First Edition. Hardcover. Near fine cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper now mylar-sleeved. Remains well-preserved overall; tight bright clean and especially sharp-cornered. Notes: Sir Lawrence Gowing's copy with some pencil notes by his hand to the rear pastedown. Series; Bollingen series ; 24. Physical description; 275 pages : illustrations mounted colour plates ; 29 cm. Notes; Translation of: Monnaie de l'absolu. Bibliographical note: page 255. Translated by Stuart Gilbert. Contents; The twilight of the absolute -- Complementary studies. Subjects; Art psychology. Art philosophy. 20th century. Illustrated. Colour plates. New York : Pantheon Books hardcover
1950réf. 207367New York: Pantheon Books 1950. Hardcover. Good Dj has discoloration and some tears at edges creases at spine - pages have some minimal yellowing and foxing overall good reference copy. Illustrated dj; dk .grey cloth covers. 1 preliminary leaf 5-275 1 preliminary leaf including illustrations mounted color plates. Part of the The Bollingen Series XXIV. Excellent reference title. Pantheon Books hardcover books
1950réf. 181616New York: Pantheon Books 1950. Hardcover. G/G slipcase shows wear and chipped; dj has rib marks and tears at spine text block shows some yellowing. Pages are clean and tight. Owner inscription. Cardboard slipcase with label. Illustrated dj; dk .grey cloth covers. 1 preliminary leaf 5-275 1 preliminary leaf including illustrations mounted color plates. Part of the The Bollingen Series XXIV. Excellent reference title. Pantheon Books hardcover books
1956réf. 1879278715Doubleday & Company 1956. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Shelf and handling wear to cover and binding with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of boards and ends of spine strip. Light scuffing and smudging to boards and spine strip. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Doubleday & Company hardcover
réf. ria9780691018218_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Iconoclastic study of the meanings of art in which the author designs a new set of categories for the artistic process and views artists and their work from a unique point of view. paperback
1953réf. 140612Doubleday & Company Inc. June 1953. Hardcover. Used - Very Good/Good. Navy cloth over boards with gilt stamping protected in marbled pictorial dust jacket. Yellowing to book block and dust jacket spine minor wear overall. Doubleday & Company, Inc. hardcover
réf. A9780691018218Paperback / softback. New. Iconoclastic study of the meanings of art in which the author designs a new set of categories for the artistic process and views artists and their work from a unique point of view. paperback
1956réf. 121871New York: Doubleday & Company Inc 1956. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Owner name on FEP. 1/4 inch open tear at spine crown. Light shelf wear on front/rear panels.; Signed artist Ed Brodkin from his collection. Doubleday & Company, Inc hardcover
réf. 18-8176Garden City: N.Y.: Doubleday 1953. 8vo. 663 pp. Very Good. Hard Cover. Gray cloth covered boards with gilt lettering. No Dust Jacket. Minor shelf wear. Name plate on inside front cover. Minor signs of foxing on first few pages else page fine. Chiefly B&W plates throughout. Heavy volume additional shipping fee may apply. Garden City: N.Y.: Doubleday, 1953. hardcover
1953réf. 27414New York: Imprimerie Georges Lang Paris for Doubleday & Company Inc. 1953. First edition. Illustrated profusely throughout with black and white and color photographs and renderings. Thick 4to publisher’s original blue cloth lettered in gilt on the upper cover and spine. In the original colour dustjacket and slipcase with tipped on pastedown to the front board. 661 2 pp. An extremely fine as pristine copy but for some mellowing to the jacket spine panel and a bit of evidence of shelving to the box. A FINE COPY OF THIS IMPORTANT FIRST EDITION. “Art is man’s expression of himself his world and his faith throughout all of time and global space. This book by one of the most powerful and perceptive writers of modern times is a brilliant and provocative inquiry into the meaning of all art. The book is of both philosophical and moral importance. An “imaginary museum” the book is a masterly integration of text and illustration designed and supervised by Malraux himself. Finely produced--printed in France by heliogravure process on paper especially manufactured in Finland it is a beautiful book. Malraux was philosopher archeologist soldier politician and novelist. He was one of the most important experts on art of the last century. His great novel MAN’S FATE is still considered one of the best French works of the 20th century. He fought in WWII was captured by the Germans escaped became a guerrilla leader was captured again and finally liberated when the Americans reached Paris. He was awarded the French Legion of Honor the Croix de Guerre and the British D.S.O. The book is a masterly tour de force and one of the great critical art works of all time. Imprimerie Georges Lang, Paris for Doubleday & Company, Inc. hardcover
1953réf. 9SC-SVN-DLE1953. Hardcover. Very Good. Doubleday 1953. Slipcase has moderate wear. Jacket has some chipping at top of spine moderate wear and fading. Book has light wear clean pages lightly yellowed firm binding. hardcover
1953réf. 24092506New York: Doubleday & Company Inc. printed by the Imprimerie Georges Lang Paris 1953. First and Limited Edition. Leather bound. Near fine. First edition in English one of 160 copies octavo size 663 pp. signed by André Malraux in slipcase. Georges André Malraux 1901-1976 lived a life of exploration social activism and danger at one point being a Marxist only later to turn back to the hope of Western culture and ideals. He had a deep and abiding interest in art and its effect on us as human beings: "to Malraux aesthetic ideas like the philosophy of action expressed in his own novels would always be part of man’s eternal questioning of destiny and his response to it" n.b. from the web site of the Encyclopedia Britannica. His first work was published in 1926 a novel; for his 1933 masterpiece "La Condition humaine" he was awarded the Prix Goncourt. This work is the first edition in English of the one-volume edition of his first book on art "The Psychology of Art" published in three volumes 1947–1949. ___DESCRIPTION: Bound in full crimson leather by Georges Gauche Paris gilt lettering on the spine top edge gilt patterned endpapers limitation page precedes the half-title this no. 8 of 160 copies and is signed by Malraux the books is replete with reproductions of paintings and sculptures mostly black-and-white with a few in colour; octavo size 8 7/8" by 7 3/8" pagination: 1-11 12-661 1 blank 1 printer's statement. In the publisher's slipcase covered and lined with red paper. ___CONDITION: Volume near fine the leather soft and supple the boards clean straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; light sunning and a few stray marks to the spine and one mark to the gilt on the top edge else fine. The slipcase very good while some of the seams are beginning to split it is still strong and sturdy with overall light wear and sunning. ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Doubleday & Company, Inc. [printed by the Imprimerie Georges Lang, Paris] unknown
1978réf. 0691018219_newPrinceton University Press 1978-10-21. Paperback. New. 0x0x0. Princeton University Press paperback
