964 résultats
1902réf. 48934Budapest, Verlag von G. Grimm, 1902. 8°. 349 (1) S., 1 Bl., Etw. späterer HLwd.-Bd. m. goldgepr. Rückentitel.
1999Mm 130x215 Europe: revue littéraire mensuelle, 77 année, n° 839, Mars 1999. Brossura editoriale di 301 pagine. Esemplare in ottime condizioni. Testo in lingua francese - french text. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Paris, Flammarion 1918. In-8; 284 pp., ex à grandes marges, demi-basane bordeaux, dos lisse richement orné, auteur titre en lettres dorées, couvertures conservées. (dos insolé uniformément). ÉDITION ORIGINALE de ce recueil de nouvelles. Le titre porte : Oeuvres inédites. Tirage à 100 ex numérotés. Un des 90 exemplaires numérotés sur Hollande après 10 ex sur Chine. N° 46 signé.
1952Collana "I romanzi della fenice"
in-16, 124 pages, broche, couverture rempliee.— Exemplaire sur velin, numerote (488/500) Qq. men. def.- Cachet du 1er proprietaire en p. de titre, ainsi que son ex-libris en p. de garde. [BL-4]
1960réf. 80733New York: Elite Books 1960. First Edition. 8vo. 21cm x 14.5cm. Publisher's red cloth titled in black to spine; dustjacket; 248pp. Internally clean; a Near Fine copy. One of the most vividly bizarre and convoluted of the Elite/Toga titles this one a full on Juvenile Delinquent tour de farce with a fiery young redhead naturally inducted into a crazed youth gang called The Titans. Will she go for Stewart handsome and devil-may-care with his drunkard father and his pool hall sensibilities will slightly nerdy and besotted Eugene get his hands on her or will she fall into the arms of lesbian ingenue Margie "big in every way" Collins whose ambition is to get our feisty protagonist into "The Sisterhood." It's all pretty borderline as far as anything approaching standards is concerned but this stuff was written to push envelopes these weren't books you kept on display alongside Capote and Mailer these gaudy little numbers were double stacked in the bedside table or in a cupboard next to the scotch. They promised knowledge of an imaginary underworld that most heady and prevalent of literary landscapes the novel length equivalent of a Hustler letter involving working after hours in a library or being stuck in a locker room with insert sports team of choice. They are purely escape but by necessity not so close to complete fantasy that they couldn't be real somewhere at some point because they aren't just selling sleaze; they also promise hope. Elite Books unknown books
1961réf. 211471961. Mirbeau Ken and Sherry Francoise. Curtain Calls. New York: Elite Books 1961. First edition. Hardcover book in original dust jacket. 245 pages. A 1960s novel with lesbian content about a small town woman moving to New York City with big dreams of Broadway success. Escaping the clutches of an abusive father she soon meets a new cast of characters including a beautiful "voluptuous pantheress" named Nadya who seduces her. Light wear to dust jacket. Book in overall very good condition. A lesbian story in a time when such stories were still taboo. unknown books
1914réf. 190090Paris: Bernheim-Jeune Editeurs d'Art 1914. no 542 of 400 on regular paper. Internally VG and externally VG with age toning and light soiling to covers 2" split beginning at base of front outer hinge. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 400 copies printed on regular paper. Scarce and a clean copy internallybut the covers are very soiled and the whole is quite loose from the binding being deteriorated. An excellent candidate for rebinding. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown books
1914réf. 190091Paris: Bernheim-Jeune Editeurs d'Art 1914. no 41 of 100 on Japon paper. Fair only Binding and spine are shot covers soiled. COntents clean but a bit age-toned. Etching is a strong impression. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a nice set of sheets needing rebinding. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown books
1978réf. 216765London: Richard Nathanson / The Fine Art Society 1978. Softcover. VG. Small oblong quarto. Softcover. White wraps with illustration. 52 unnumbered pages : chiefly illustrations ; 19 x 24 cm. French ink drawings; Bonnard Pierre; 1867-1947; Illustrations for La 628-E8; Illustrations Exhibition held at the Fine Art Society London 11/13-12/2/78./ Includes bibliographical references page 52. Richard Nathanson / The Fine Art Society paperback books
1913réf. 182731Paris: Bernheim-Jeune 1913. Softcover. Fair wraps are heavily damaged front is detached from board spine is gone age toning to pages. Text and Illustrations are clear. Oversized blue cardboard wraps with silver lettering 14 65 1 pages 40 leaves of plates. Color illustrated frontispiece: "La Femme Au Miroir 1913" Text in French. The edition of this volume is limited to six hundred copies. This is number 496 408 or 199. This title priced solely on prints - covers and spine have detoriated. Could be a rebind candidate. Bernheim-Jeune paperback books
1914réf. 174206Paris: Bernheim-Jeune Editeurs d'Art 1914. no 12 of 100 on Japon paper. Internally VG and externally VG with age toning and light soiling to covers 2" split beginning at base of front outer hinge. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a very solid copy. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown books
1914réf. 174202Paris: Bernheim-Jeune Editeurs d'Art 1914. no 38 of 100 on Japon paper. Internally VG soiling discoloration to covers but binding is very solid with very minor splitting at top and bottom of front outer hinge. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a solid copy with the exception of the cover discoloration. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown books
1925réf. 216641Paris: La Connaissance 1925. Limited. paperback. near fine. Colucci Gio. Illustrated with 14 etchings colored in pochoir numerous culs-de-lampe letters and designs all by Colucci. A separate thin volume contains an extra suite of all plates and figures in b/w plus 4 in color. Thick 4to original printed wrappers with glassine; both volumes laid into the publisher's illustrated board folder edgeworn and neatly re-backed in brown cloth. Paris: La Connaissance 1925. From a total printing of 102 this is an hors commerce copy signed by Colucci and the editor. A very near fine copy in a very good repaired folder. La Connaissance unknown books
1934réf. 123604Paris: Editions Nationales 1934. Limited. hardcover. fine. Watercolor illus. and drawings by Berthold Mahn. 242pp. small 4to rebound in 1/2 pale green calf t.e.g. marbled slipcase original wrappers. bound in. Paris: Les Editions Nationales 1934. A fine copy. Limited Edition one of 100 numbered copies. Editions Nationales unknown books
1918réf. 349704Paris: Ernest Flammarion 1918. Softcover. Very Good. 257pp. Wrappers printed with red and black. Text in French. Unopened pages spine darkened nicks to the spine ends else very good. Ernest Flammarion unknown books
1904réf. 11461904. Near fine. 3pp 4to. Holograph manuscript in pen in French writing on the rectos only the first two pages are filled with text the last page is trimmed with only 4 lines and Mirbeau’s signature. Creases stains smudges offsetting but cleanly written legible and very good. An article for the left-wing newspaper L’Humanité published 25/Sept/1904. The newspaper was founded only a few months earlier by SFIO leader Jean Jaures who also served as editor. In the article Mirbeau criticizes France for its refusal to intervene in the Russo-Japanese war. With biting irony he mimics the indifferent French attitude: "Let's wait two five ten twenty years if we have to. We'll keep on slaughtering each other over there. But what are we risking. Life is good our restaurants are still the best in the world. There are still the prettiest girls in the theaters of Paris." He exposes the hypocrisy of French foreign policy: "as allies not of the Russian people whose infinite sufferings like those of all peoples are of absolutely no concern to us but as allies of the czar whose glory alone is important to us let us be no less faithful czarists than the czar himself is." Drawing a powerful parallel Mirbeau connects the mounting casualties of the Russo-Japanese conflict with the Armenian massacres—which had already reached devastating proportions by 1904. A different but contemporary newspaper clipping is laid in seemingly part 2 by Mirbeau: it records a conversation with a merchant marine captain recently returned from the Far East who despite personally witnessing naval battles admits he comprehends little of the war's true nature beyond scattered disturbing details he finds too horrific to fully describe. The early 1900s particularly 1904-1905 marked a transformative period in the development of anti-imperialist critique within European leftist thought. The Russo-Japanese conflict illuminated the contradictions within Western powers' foreign policies particularly France's relationship with Tsarist Russia. The French left's growing disillusionment with the Franco-Russian alliance exemplified broader ideological shifts that would shape socialist internationalism for decades. As ordinary Russians died for imperial ambitions while French elites remained indifferent behind a facade of nationalist solidarity socialist thinkers increasingly recognized patterns linking capitalist interests to colonial violence. This period also witnessed the emergence of more sophisticated leftist analyses connecting imperial competition abroad with class exploitation at home. The juxtaposition of European indifference toward both the Russo-Japanese War casualties and the Armenian massacres demonstrated how Western powers selectively applied humanitarian concerns based on strategic interests—a critique that would become central to anti-colonial movements throughout the 20th century and presage the internationalist anti-war position that would later fracture the European left during World War I. Octave Mirbeau 1848-1917 emerged as one of France's most incisive social critics during the Belle Époque developing a literary voice defined by moral outrage and stylistic innovation that transcended conventional boundaries between journalism and literature. His artistic sensibilities were profoundly shaped by traumatic experiences—including abuse at a Jesuit school and service in the Franco-Prussian War—which fostered his lifelong commitments to anarchism pacifism and the defense of individual dignity against institutional power. Beyond his novels exposing societal hypocrisy including the controversial "Le Jardin des supplices" 1899 and "Le Journal d'une femme de chambre" 1900 Mirbeau distinguished himself as a prescient art critic who championed misunderstood avant-garde figures like Van Gogh Rodin and Monet recognizing artistic genius that his contemporaries often dismissed. His prolific output—spanning over twelve hundred works across multiple genres—consistently demonstrated his willingness to confront uncomfortable truths about violence sexuality and power that bourgeois society preferred to ignore establishing him as an intellectual forerunner to modernist aesthetic and political movements of the twentieth century. unknown books
1914réf. 5681Signed by Artist. Publisher's original wraps boldly signed by Rodin on half-title. A clean copy without names bookplates or other distractions. Grand luxe edition limited to only 100 copies of which this is number 7. Includes the two oft-fugitive unpublished hors-texte plates one of which is in color. All shipments through USPS insured Priority Mail. Editions Artistique de l'Art et les Artistes paperback books
1921réf. 525363Paris: Societe des Dilettantes 1921. Softcover. Very Good/Fair. First edition. Quarto. 100 1 plates pp. Illustrated with heliogravure plates reproducing photographs by Eugene Druet of sculptures by Aristide Maillol. Text in French. Covers lightly tanned and dust soiled fragile spine has been archivally mended along separation at edge of front cover with half-inch chip at crown and one-inch chip at base else a very good copy with the text and illustrations fresh and clean in publisher's unprinted glassine dust jacket worn and chipped and lacks spine. One of 250 numbered copies of a total edition of 300 numbered copies. Societe des Dilettantes unknown books
réf. 141914Barcelona: Publicaciones Mundial 190-. Hardcover. 256p. paper evenly browned quarter leather binding with gilt title on spine; rubberstamps of the Biblioteca Postal Sindical in Valencia. Text in Spanish. OCLC lists two holdings of this edition as of 3/2022. Publicaciones Mundial hardcover books
1989réf. C65807San Francisco 1989. First Edition Thus. Paperback. Covers a little worn at edges corners bumped with some creasing inside very faint smell of tobacco but nothing too obtrusive else clean. good plus. Bobby Neel Adams. 4to. pp 120. Original publisher's colour illustrated laminated card covers. Copiously illustrated in black and white throughout.ISBN: 0940642131 paperback
1960réf. 80733New York: Elite Books 1960. First Edition. 8vo. 21cm x 14.5cm. Publisher's red cloth titled in black to spine; dustjacket; 248pp. Internally clean; a Near Fine copy. One of the most vividly bizarre and convoluted of the Elite/Toga titles this one a full on Juvenile Delinquent tour de farce with a fiery young redhead naturally inducted into a crazed youth gang called The Titans. Will she go for Stewart handsome and devil-may-care with his drunkard father and his pool hall sensibilities will slightly nerdy and besotted Eugene get his hands on her or will she fall into the arms of lesbian ingenue Margie "big in every way" Collins whose ambition is to get our feisty protagonist into "The Sisterhood." It's all pretty borderline as far as anything approaching standards is concerned but this stuff was written to push envelopes these weren't books you kept on display alongside Capote and Mailer these gaudy little numbers were double stacked in the bedside table or in a cupboard next to the scotch. They promised knowledge of an imaginary underworld that most heady and prevalent of literary landscapes the novel length equivalent of a Hustler letter involving working after hours in a library or being stuck in a locker room with insert sports team of choice. They are purely escape but by necessity not so close to complete fantasy that they couldn't be real somewhere at some point because they aren't just selling sleaze; they also promise hope. Elite Books unknown
réf. 73523Paris: La Connaissance MCMXXVI. Wraps. very good-near fine. 12mo. 7 1/2" x 5". Two volume set. Stiff wrappers. Gravures hors-texte de Mariette Lydis. French text. This set is #278 of 1000 copies. Volume two with tissue guard dust jacket. La Connaissance unknown
réf. B9783752442373Hardback. New. hardcover
réf. BN316741Softcover. Les 21 jours d'un neurasthénique Les 21 jours d'un neurasthénique Octave Mirbeau paperback