Pascal QUIGNARDBiblio.com
14 563 résultats
1990réf. 72046Paris: P.O.L. 1990. Fine. P.O.L. Paris 1990 14 x 20.50 cm broché The first edition of which there were no deluxe copies. Signed autograph inscription from Pascal Quignard to Frédéric Verney. P.O.L. unknown
réf. 1180836-6Kilima House Publishers. Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Kilima House Publishers unknown
réf. 17710957-75Elgar Publishing Incorporated Edward. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Elgar Publishing, Incorporated, Edward unknown
réf. 18852609-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
réf. 19159492-20Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
2015réf. 70602Paris: Editions Galilée 2015. Fine. Editions Galilée Paris 2015 15.50 x 25 cm broché First edition one of 47 copies with large margins numbered on vellum ours one of 20 enriched with a page of the manuscript of the book only large papers. Very nice copy. Editions Galilée hardcover
réf. 6135065304Springer . Papeback. New. Springer unknown
1890réf. 715521890. Fine. 3 février 1890 11.20 x 17.40 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter offers his apologies following the refusal to nominate two friends of painter Monod as associates of the newly created Société nationale des beaux-arts. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. « . Neither Mr Burgers nor Jules Girardet could pass as Associates. They were both named associate members. We wanted to limit ourselves to one hundred associates for the moment. . » unknown
1900réf. 715461900. Fine. s. d. 12.90 x 14.60 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod thanking him for the assistance he provided to his friend painter Gustave Courtois. Dagnan-Bouveret had married Courtois's cousin whom he also immortalized in his studio private collection. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1893réf. 715411893. Fine. 23 février 1893 13.80 x 9.50 cm une carte Autograph card from painter Pascal Dagnan-Bouveret to painter Lucien Monod. One card. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. ""Je vous envoie pour la Société de sauvetage de l'Enfance . une eau-forte de ma Madone épreuve sur Japon avant la lettre signée du graveur et de moi. . Nous aurons grand plaisir mon ami Courtois et moi à vous montrer dimanche les tableaux que nous comptons exposer pour le Salon du champ de Mars"" I am sending you for the Society for Child Welfare . an etching of my Madonna proof on Japan paper before letters signed by the engraver and myself. . My friend Courtois and I will have great pleasure in showing you on Sunday the paintings we intend to exhibit at the Salon du champ de Mars unknown
1890réf. 715561890. Fine. 31 octobre 1890 11.10 x 17.40 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret transmitting a missive from one of his cousins the painter Emile Deshayes curator of the Guimet museum and founder of the Ennery museum. One sheet. Trained in the workshops of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1897réf. 715441897. Fine. 29 octobre 1897 12.90 x 14.60 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod inviting his colleague to see his painting The Pilgrims of Emmaus now in the Pittsburgh Carnegie Museum of Art in Pennsylvania. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. ""Vous plairait-il cher Monsieur Monod de voir avant que je ne l'envoie en Angleterre mon tableau ""Les pèlerins d'Emmaüs"" ."" ""Would it please you dear Monsieur Monod to see before I send it to England my painting 'The Pilgrims of Emmaus' ."". unknown
1893réf. 715381893. Fine. 23 mars 1893 13.40 x 7.80 cm une carte Autograph card from painter Pascal Dagnan-Bouveret congratulating his colleague on receiving a distinction. One card. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1890réf. 715551890. Fine. 25 mars 1890 11.10 x 17.50 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter seeks his friend's help for painter André Legrand who was also fond of Breton scenes in his paintings and reproduced through his works the Parisian nightlife of the Belle Époque. One sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1901réf. 715351901. Fine. 28 octobre 1901 11.30 x 18 cm une feuille rempliée Autograph letter from the painter Pascal Dagnan-Bouveret requesting his correspondent's assistance for a young man from Vesoul. One folded sheet. unknown
1890réf. 715431890. Fine. s. d. circa 1890 13.80 x 9.50 cm une feuille rempliée Autograph letter from the painter Pascal Dagnan-Bouveret to the painter Lucien Monod declining an invitation in order to work on a new painting Un vieux breton now preserved at Chaalis in the museum of the royal abbey. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and from the New York Frick family. His visits to Brittany inspired numerous canvases: ""Je vais en Bretagne pour travailler beaucoup aussi vite que je le pourrai à une figure de vieux breton que je ne trouverai certainement que dans un village et pas en ville et il me faut aussi toujours pour un travail une installation à la campagne ."" ""I am going to Brittany to work hard as quickly as I can on a figure of an old Breton whom I will certainly only find in a village and not in town and I also need always for work a countryside installation ."" unknown
2019réf. __3906089185Edition Bircher-Benner 2019. Paperback. New. German language. 8.31x5.87x0.59 inches. Edition Bircher-Benner paperback
1979réf. 66130Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14 x 20.50 cm broché First edition for which it was not drawn from great papers one of the review copies service. Back slightly insolated annotations of the dedicatee to the black felt and the pencil of paper on the last guard white. Autograph dedication signed by Pascal Quignard on his first novel Georges Raillard. Gallimard unknown
1990réf. 77466Le Grand Hôtel Paris. Very Good- with no dust jacket. Hardcover. No dust jacket. Boards show minor wear to edges and corners. Some foxing along top edge. International shipping billed at cost. Photos upon request. Please note that the buyer is responsible for any customs duties tariffs or import fees levied by the destination country.; Tight binding. Text body is clean and unmarked. Large/heavy book: international buyers may be charged for additional shipping costs. . 1990. 2950526802 . Le Grand Hôtel Paris hardcover
2000réf. G055348723XI3N00Random House Children's Books 2000. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Random House Children's Books paperback
1934réf. 62173Paris: Editions du trident 1934. Fine. Editions du trident Paris 1934 29 x 39.50 cm en feuilles First Edition printed with 150 numbered copies on vellum Ronsard. boards slightly and marginally insolated and stitched nice interior state. Signed autograph signed Yvonne Ferrand-Weyher Jean Lebrau: "". the beautiful poet and the benevolent criticism ."" We enclose a fragment of envelope on which Yvonne Ferrand-Weyher has indicated his address in Paris. Editions du trident hardcover
1624réf. 26291Paris Thomas de la Rvelle 1624. Small 8vo. Cont. full calf. Richly gilt back. Titlelabel gilt. Top and bottom of spine worn. Back and edges rubbed. 3230033811 pp. Occasionally brownspotted. First edition. Consists of dialogues between Frenchman a Spaniard an italian on different scientific and moral questions. unknown
1866réf. 33354Paris Delagrave et Cie 1866 Cont. hcalf. Back slightly worn and rubbed. CXXXVIII222;364 pp. Some marginal notes in old hand by Thor Lundby. unknown
1779réf. 41493La Haye Dètune 1779. 8vo. Five very nice contemporary full mottled calf bindings with gilt title- and tome-labels to richly gilt backs triple gilt line-borders to boards and single gilt line-ornamentation to edges of boards. Marbled adges. Minor repairs to a few capitals but overall a very nice copy indeed. Internally very nice clean and fresh; printed on good paper. One leaf of volume one with neatly closed tear. Old owner's name to title-page of volume 5. Title-pages printed in red and black. With book-plates of Fritz Trieboe/Twilboe A. Gedeon and C. Rasch. Frontis-piece portrait 425 pp.; XII 549 pp. last leaf uncut an folded; VIII 526 pp.; VIII 456 pp. 9 engraved plates of which 8 are folded; VIII 462 pp. 5 folded engraved plates 1 p directions for the book binder. In all 14 engraved plates of which 13 are folded. Scarce first edition of Pascal's collected works comprising much significant material printed for the first time as well as the second appearance of the announcement of Pascal's groundbreaking calculating machine the first edition privately printed of which from 1645 is impossibly scarce making this the earliest obtainable edition of the seminal text. "Pascal designed his first mechanical adding machine in 1642. He was not the first to design and construct a mechanical calculator." but in contrast to Schickard's accomplishments which were destined for a history of obscurity Pascal in contrast "constructed about fifty examples of his machine of which several are extant; and the machine was well known to the cognoscenti both through Pascal's own efforts he hoped to make a profit selling them and through Diderot's later description of it in the "Encyclopédie" 1751. In 1645 Pascal published an eighteen-page pamphlet - now extremely rare - describing his calculating machine. The pamphlet does not identify a place of printing or a printer's name so we may assume that Pascal himself paid for its printing. When we wrote this bibliography OCLC cited only two copies of this pamphlet in one French library and no copies and North America." The pamphlet was reprinted along with additional material in volume IV pp. 7-30 of the present "Oeuvres". The additional material consists of Pascal's 1650 letter to Queen Christina of Sweden; the privilege for its construction and sale issued in 1649 and published for the first time here ; and Diderot's description of it for the "Encyclopédie" along with two plates. Also of interest here is the reprint of Pascal's 1654 paper introducing his triangle of binominal coefficients Pascal's Triangle included in Volume V pages 1-54. Pascal's invention "predated the concepts of computation of the values of polynomial functions by differences." Lee 1995 538." Origins of Cyberspace No. 13. In the present edition the Pascal-Noël correspondence on the vacuum is also printed for the first time along with other pieces on the vacuum as well as his correspondence with Fermat and deRibeyre.Origins of Cyberspace: 13.Brunet: IV395; Tchemerzine: IX p78 f: "Les Oeuvres Scientifiques de Pascal sont recueillies dans l'édition des Oeuvres La Haye chez Detune libraire 1779. 5 vol. in 8. Titre rouge et noir. Publiée par l'Abbé Bossut. Les oeuvres scientifiques occupent les tomes IV et V." hardcover
1918réf. 52937Paris: Editions de la Sirène 1918. Fine. Editions de la Sirène Paris 1918 26 x 33.50 cm en feuilles sous chemise Edition illustrated with 17 original wood Louis Bouquet one of the 15 best scholars of old Japan in the tank not ours scholar head of draw. Signature Louis Bouquet to the justification of the draw. Our copy as all copies of old Japan on head and pulling as he stipulated to the justification of the draw is full of his suite printed in sepia on China and signed by Louis Bouquet. In addition our copy is enhanced with a suite wood signed by Louis Bouquet and printed in sepia on wove without adhesive usually accompanying the 20 numbered copies on Imperial Japan. Some very light bites are not serious back of the slotted Length shirt indications bibliophile pen topped the first board of the shirt. Note that the shirt bears a different title and name of the author; namely Combet-Descombes ""Images for Baudelaire"" all the striped in blue pencil. Rare. Editions de la Sirène unknown
