13 730 résultats
2023réf. x-1032458690CRC Press 2023. Paperback. New. 264 pages. 11.00x8.25x0.55 inches. CRC Press paperback
2020réf. x-0367156482Taylor & Francis 2020. Paperback. New. 182 pages. 9.02x5.98x0.35 inches. Taylor & Francis paperback
2015réf. x-1138873748Psychology Pr 2015. Paperback. New. 176 pages. 9.13x6.10x0.47 inches. Psychology Pr paperback
1842réf. 40468AB1842. Paris Daguin Freres 1842 8° VIII 438 S. mit einem Porträt-Kupfer Pascal Text: französisch normale Typo KEINE Fraktur! wunderbare Musterpapier-Vorsätze sehr farbig marmorierter Schnitt flaschengüner original Ledereinband der Zeit mit reicher goldener Rückenverzierung und -beschriftung sowie einer goldenen Deckel-Vignette 'College des Laon' die Einbandkanten stellenw. etwas berieben oder beschabt sonst aber altersgemäß gut und textsauber es erschien noch ein 2. Band der uns hier aber nicht vorliegt. Alle Ausgabe die wir via KVK in Bibliotheken finden erschien 1836 bei Treuttel et Würtz in Paris. Eine Ausgabe bei Daguin finden wir nirgends. Raubdruck Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
2016réf. 1-8427722311Narcea S.A. de Ediciones 2016. Paperback. New. 1st edition. 176 pages. Spanish language. 9.45x6.89x0.39 inches. Narcea, S.A. de Ediciones paperback
1989réf. G0946719055I4N00Saf Publishing 1989. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Saf Publishing paperback
réf. ria9781350043107_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
1888réf. 167887Istanbul: Sébah & Joaillier c. 1888. Remarkable photographic panorama of Istanbul A superb panoramic view of the city taken from the Galata Tower looking over the Bosporus towards the Asian side; across the Golden Horn can be seen the Topkapi Palace and the great mosques of the city Haghia Sophia the Blue Mosque the Yeni Mosque and the Süleymaniye. In 1857 Pascal Sébah opened one of the first photographic studios in Constantinople. Having met with great success in 1873 he expanded the business setting up a further establishment in Cairo near to the renowned Shepheard's Hotel. In 1883 he suffered a stroke and the business was taken over by his son Jean who styled himself J. Pascal Sebah so as not to break the continuity of the business and was to become a talented photographer in his own right. In 1888 he went into partnership with a French photographer resident in Istanbul Policarpe Joaillier the firm in time becoming official photographers of the Sultan. In various forms this business continued down to the middle of the 20th century when in 1952 its last incarnation Foto Sabah finally closed its doors. "From the 1870s Sébah and Joaillier were major suppliers of evocative imagery to the increasing number of people who undertook the Victorian Grand Tour" Hannavy p. 1261. Landscape folio 310 x 375 mm. With 10 albumen prints mounted on card panels and joined with linen tape leporello-style to form a panorama approximately 3.47 m over 11 feet in length card panels 3054 x 340 mm; photographic prints 247 x 340 mm. Original red sand-grain cloth over bevelled boards red roan backstrip title gilt to front cover within elaborate ornamental gilt panel and incorporating images of the Galata and Maiden's towers gilt stamp to back cover of the ay-y ld z star and crescent within a laurel wreath. Covers variably sunned old splash stain to head of front cover a few marks to back light foxing and marginal dust marking the images bright and clean. A very good example. John Hannavy ed. Encyclopaedia of Nineteenth-Century Photography Vol. I 2005; Engin Özendes From Sebah & Joaillier to Foto Sabah: Orientalism in Photography 2004. hardcover
1991réf. 013598London: White Mouse Editions 1991 1991. Books measure 34x28.cm. Complete in 2 volumes hardcover & paperback. With separate English translation by Peter Hull. 311 & 63 pages illustrated throughout. Volume 1 bound in original publishers blue hardcover with steel illustrated plate on top cover. Binding lightly rubbed bumped Binding in very good clean firm condition. Volume 2 paperback has some minor wear on top of spine. Binding in very good clean condition. Internally pages clean throughout. Housed in original publishers slipcase. Slipcase knocked on corner with minor damage rubbed on edges. Case in good condition. A very nice clean set. . Limited Edition. Hardcover. Very Good Plus. Quarto. White Mouse Editions 1991 Hardcover
2019réf. 1-2717870768Economica Ltd 2019. Hardcover. New. 3rd edition. 560 pages. 9.00x6.00x1.42 inches. Economica Ltd hardcover
2018réf. 1-142262238XMesorah Pubns Ltd 2018. Hardcover. New. 288 pages. 10.79x8.78x1.10 inches. Mesorah Pubns Ltd hardcover
2015réf. 1-1422616150Mesorah Pubns Ltd 2015. Hardcover. New. 208 pages. 9.13x6.57x1.11 inches. Mesorah Pubns Ltd hardcover
2022réf. 1-0867155728Quintessence Pub Co 2022. Hardcover. New. 2nd edition. 888 pages. 11.25x8.50x2.75 inches. Quintessence Pub Co hardcover
1987réf. ZB1269666Routledge Kegan & Paul 1987. Price HAS BEEN REDUCED by 10% until Monday Oct 26 SALE item 240 pp. hardcover very good in very good dust jacket. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Routledge Kegan & Paul hardcover
réf. 61526Silvana Editoriale 2023. HB 280 x 250 mm 272 p 520 illustraties EN-FR edition dustjacket. ISBN 9788836651924. Le plus grand créateur de luminaires français Robert Mathieu est encore aujourd'hui peu connu du grand public du fait de la rareté de ses pièces sur le marché très recherché par les collectionneurs spécialisés. Contrairement à un designer traditionnel Robert Mathieu ne concevait pas seulement ses luminaires mais il les réalisait à l'instar d'un artiste dans son atelier de la rue de Charenton à Paris. Ici pas d'éditeur mais une production au compte-gouttes proche de celle d'une ouvre d'art à parfois moins de 8 exemplaires. Ce qui est remarquable chez Robert Mathieu c'est d'une part sa créativité unique en France car il a conçu plus de 200 modèles mais aussi la très grande qualité d'exécution de ses pièces qui sont encore aujourd'hui en parfait état. Cet ouvrage monographique inédit voit le jour après dix ans de préparation. Entre le beau livre d'art et le catalogue raisonné il présente tous les modèles connus de cet artiste du luminaire illustrés par des photographies studio et par de la documentation d'époque ou de témoignages photographiques non professionnels car un grand nombre des créations de Robert Mathieu n'ont encore jamais été vues The greatest designer of French lighting Robert Mathieu is still little known to the general public today due to the rarity of his pieces on the market highly sought after by specialized collectors. Unlike a traditional designer Robert Mathieu not only designed his lights but he made them like an artist in his studio on rue de Charenton in Paris. Here there is no publisher but a dropper production close to that of a work of art sometimes less than 8 copies. What is remarkable about Robert Mathieu is on the one hand his unique creativity in France because he has designed more than 200 models but also the very high quality of execution of his pieces which are still in perfect condition today. state. This unpublished monographic work is born after ten years of preparation. Between the beautiful art book and the catalog raisonné it presents all the known models of this lighting artist illustrated by studio photographs and period documentation or non-professional photographic testimonials because a large number of the creations by Robert Mathieu have never been seen before. Silvana Editoriale 2023 unknown
1949réf. 13801949. Alencon Poulet-Malassis 1949 4° 5 fl. 89 pp. 14 Manuskript-Faksimiles 'Pensées' 15 Abbildungen PappBd. Blaise Pascal 1623-1662 - "For some experts the headaches which afflicted Pascal are generally attributed to his brain lesions. In this context it is relevant to note that Pascal's sudden religious conversion the most decisive moment in Pascals life during the night of November 23-24 1654 was accompanied by light vision which he interpreted as fire. This led to his total conviction of God's reality and presence. Pascal believed this to be the beginning of a new life. In his memorial he wrote: 'Fire/God of Abraham God of Isaac God of Jacob/not of the philosophers and the scientists./Certainty. Certainty' Fischer 1971 J. This experience may have been due to the effects of migraine and given spiritual significance by him similar to the religious visions of Hildegard of Bingen Podoll et al. 2009. The Critchley 1967 records also reported on Blaise Pascal's strange illusions explaining that they may have been manifestations of migraine. These unusual illusions consisted of a sudden apprehension of a cavity or yawning precipice on his left side. Also Pascal produced manuscripts with an extraordinary broad right margin and in places he would insert peculiar zigzag designs reminiscent of migrainous teichopsiae. These episodes may have been of a homonymous hemianopic nature not uncommon in migraine. But despite their euphonious attribution by his contemporaries as "L' Abime de Pascal' it is uncertain whether or not they were of migrainous nature Pearce 1986. Looking at the original manuscript of Pascals 'Thoughts on Religion' a facsimile of which was edited by Léon Brunschvicg 1939 confirms Onfray's 1926 observation of wide right margins which indicates blindness in half of his visual field as he was writing these pages. His handwriting on these pages is poor and sometimes illegible when compared with other samples of his writing. This impaired ability to write highly suggests symptoms of migraine with aura. The drawing in Folio 20 of the original manuscript from 'Thoughts on Religion' was considered by Onfray to represent 'an absolute proof' of Pascal's visual migraine aura experiences. He wrote: 'On page 20 of the manuscript on a sheet of paper where not a single word is written down there is a drawing composed of two parts at the upper right zigzags like those which migraineurs see and a little deeper down in the center a constellation of signs and bars which recall both the letters that are dancing and the luminous spots that are fluttering about in the visual field obscured at the beginning of the attack'. Onfray's interpretation is that zigzags in the upper right corner of the picture and also the pattern of predominantly curved forms in the lower half represent a visual migraine aura experience Podoll and Robinson 2002. The pattern in the lower half of Pascal's drawing is similar to a migraine aura drawn by Ahlenstiel and Kaufmann 1953 that shows multiple rows of basic shapes. Regular patterns like those in Pascal's drawing although much rarer than the common zigzags of fortification spectra. can nevertheless be experienced as visual hallucinations during a migraine Podoll and Robinson 2002." Julien Bogousslavsky Michael G. Hennerici Hansjörg Bäzner Claudio Bassetti: Neurological Disorders in Famous Artists Teil 3 p.165 unknown
1900réf. 63452ca. 1900. Le Monde Intellectuel. - La France Contemporaine. - Berlin-Charlottenburg Adolf Eckstein Editeur o.J. ca.1900 300 x 460 mm; beigelegt 2 pp. Biographie von Charles Rozan. Jean-Louis Pascal geboren am 4. Juni 1837 in Paris; gestorben am 17. Mai 1920 ebenda war ein französischer Architekt der Beaux-Arts Tradition. unknown
1626réf. 470311626. Basileae: Johan. Jacobi Genathii 1626 Kl.4° 15 1 pp. Pappband. unknown
1830réf. 302581830. Froriep Chir. Taf. 248. - Chir. KupferTaf. hrsg. v. L.F. Froriep Heft Nr. 49. - Weimar Landes-Industrie-Comptoir 1830 4° Kupferstichtafel mit 1 Abbildungen 2 Seiten Tafelerklärungen. A.P. Bancal 1790-1856 Manuel pratique de la Lithotritie ou lettres à un jeaune sur le broiement de la pierre dans la vessie. Paris et Bordeaux 1829. 8. unknown
réf. 59442Thames and Hudson 2022. Hardcover 224 pages ENG 255 x 190 mm NEW dustjacket illustrated in colour and b/w. ISBN 9780500025833. The first book dedicated to Picasso's self-portraits many held in private collections and published here for the first time. Much has been said and written about Picasso's life and art but until now his self-portraits have never been studied and presented in a single book perhaps because the artist always left many doubts about his work. However there is no doubt that Picasso represented himself ceaselessly whether in a dashed-off pencil sketch as a flourish at the bottom of a letter or on a giant canvas. At the suggestion of Picasso's widow Jacqueline the distinguished art historian Pascal Bonafoux began researching Picasso's self-portraits more than forty years ago. This meticulously researched book presents the fruits of his decades-long project. From the first attributed painting in 1894 as a thirteen-year-old boy until Picasso's final self-portrait in 1972 a year before his death Bonafoux charts the evolution of the artist's life and art. Here is Picasso as a student; as a young bohemian; an impetuous artist in Paris; as harlequin; as lover husband and father; and finally as an old man confronting his mortality. The book comprises about 170 drawings paintings and photographs some from private collections and previously unpublished bringing together for the first time the attributed self-portraits of this genius of 20th-century art. Thames and Hudson 2022 hardcover
réf. 39443LONDON FOLIO SOCIETY 2011. A FINE COPY IN BLACK BOARDS DECORATED IN GILT CONTAINED IN A FINE SLIPCASE. TRANSLATED WITH AN INTRODUCTION BY A.J.K. KRAILSHEIMER AND INTRODUCEDBY T.S. ELIOT. LONDON, FOLIO SOCIETY, 2011 hardcover
réf. 2070309126.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. SKU0483559Wiley 2017-12-11. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Wiley paperback
réf. 0802165095.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002réf. SKU0199953Quintessence Pub Co 2002-05-01. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Quintessence Pub Co hardcover