14 574 résultats
1967réf. R320130428Seuil. 1967. In-12. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur acceptable. 191 pages - quelques illustrations en noir et blanc dans et hors texte - adhésif sur la coiffe en tête.. . . . Classification Dewey : 928-Ecrivains
1995réf. R260262869Seuil. 1995. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 205 pages augmentées de quelques photos en couleurs dans et hors texte.. . . . Classification Dewey : 840.091-XX ème siècle
1963réf. 6597Couverture souple. Broché. 192 pages. Format de poche.
1964réf. 8251Couverture souple. Broché. 192 pages. Format de poche.
1963réf. 131031Couverture souple. Broché. 192 pages. Format de poche.
1963réf. 108022Seuil, 1963, in-12, 191 pp, nombreuses illustrations, chronologie, biblio, broché, bon état (Coll. Ecrivains de toujours)
réf. A1724Deux pages ont été pliés, des passages sont soulignés au crayon. Couverture laissant paraître du blanc malgré la couleur. Pliure à l'abord dos en couverture recto. Arrête dos laissant carton visible. Pliures sur coins gauche de la couverture verso.
réf. AJ01CBroché Bon état, Plis sur le dos intérieur très propre
réf. 2020234939.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1957réf. 2083002116100166Jinbunshoin 1957. Soft Cover. Fine. Number of pages: 243p Plate size: 19cm Number of books: 1 Jinbunshoin paperback
2014réf. BN257418Frankfurt M. : Frankfurt Business Media 2014. 2014. bAV 2015 : im Spannungsfeld zwischen Regulierung Kapitalmärkten und Demographie. Pascal Bazzazi/Guido Birkner Hrsg. bAV 2015 : im Spannungsfeld zwischen Regulierung Kapitalmärkten und Demographie. Pascal Bazzazi/Guido Birkner Hrsg. Bazzazi Pascal und Guido Birkner Frankfurt, M. : Frankfurt Business Media unknown
réf. 200710577Paris, Herscher - le musée miniature, 1994 ; in-8, 64 pp., br.
1994réf. RO30000692Le musée miniature. Herscher. 1994. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages avec de nombreuses illustrations couleurs.. . . A l'italienne. Classification Dewey : 750-La peinture et les peintres
1994réf. RO30001266Herscher. 1994. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages. Illustré de nombreuses photos en couleur.. . . A l'italienne. Classification Dewey : 750-La peinture et les peintres
1994réf. RO30069349HERSCHER. 1994. In-8. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages. Frontispice : illustration en couleurs. Nombreuses photos de tableaux en couleurs hors texte.. . . A l'italienne. Classification Dewey : 750-La peinture et les peintres
réf. 25756Format moyen, cartonné. 62 pages. Reproductions couleurs. Bon état. Une expédition par Mondial Relat vous sera proposée 1994 musée miniature Herscher
réf. Z10412Herscher BROCHE
réf. FR2519Couverture skivertex noir relief.
réf. 9782488632027Editions Hardies
2021réf. BN308340Carlsen Carlsen Verlag Gmbh 2021. 2021. Hardcover. Beate und Serge Klarsfeld: Die Nazijäger Beate und Serge Klarsfeld: Die Nazijäger Pascal Bresson Carlsen, Carlsen Verlag Gmbh hardcover
1997réf. Q-0553570544Sweet Valley 1997-05-12. Paperback. New. In shrink wrap. Looks like an interesting title! Sweet Valley paperback
réf. 3034300417.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2010réf. x-3034300417Lang Peter AG Internationaler Verlag Der Wissenschaften 2010. Paperback. New. new edition. 679 pages. French language. 8.26x5.11x1.80 inches. Lang, Peter, AG, Internationaler Verlag Der Wissenschaften paperback
2010réf. 126249Bern Switzerland: Peter Lang 2010. Softbound. VG one corner looks like it may have hit the floor; may have marks from ex-art-library. Light blue / color pictorial wraps xiii 682pp 171 BW plates. Text is in French. This is Volume 3 in "The Workshop: Art History and Museum Studies" series. The national representations the artistic identities and the international cultural exchanges are at the heart of this book. On the occasion of each of the five universal exhibitions organized in Paris in the second half of the 19th century 1855 1867 1878 1889 and 1900 the author envisaged France and Switzerland in their respective position of nation inviting and nation invited. A minor state on the chessboard and cultural policy in Europe at that time Switzerland represents a case mark of allegiance to the regard of the scene and of parisian artistic institutions. The Swiss holdings highlight the issues which then concerned all the European countries: the enlistment of the arts in the service of national identities investment in culture of countries the competition of political models the power relationships between center and periphery the booming of private market for the art or even the affirmation of artistic modernity. Thanks to the broad perspective that it has adopted for its subject the author proposes an inspiring model for the study still in its infancy today of the national participations in international cultural events. Peter Lang paperback
2010réf. 126249Bern Switzerland: Peter Lang 2010. Softbound. VG one corner looks like it may have hit the floor; may have marks from ex-art-library. Light blue / color pictorial wraps xiii 682pp 171 BW plates. Text is in French. This is Volume 3 in "The Workshop: Art History and Museum Studies" series. The national representations the artistic identities and the international cultural exchanges are at the heart of this book. On the occasion of each of the five universal exhibitions organized in Paris in the second half of the 19th century 1855 1867 1878 1889 and 1900 the author envisaged France and Switzerland in their respective position of nation inviting and nation invited. A minor state on the chessboard and cultural policy in Europe at that time Switzerland represents a case mark of allegiance to the regard of the scene and of parisian artistic institutions. The Swiss holdings highlight the issues which then concerned all the European countries: the enlistment of the arts in the service of national identities investment in culture of countries the competition of political models the power relationships between center and periphery the booming of private market for the art or even the affirmation of artistic modernity. Thanks to the broad perspective that it has adopted for its subject the author proposes an inspiring model for the study still in its infancy today of the national participations in international cultural events. Peter Lang paperback books