887 résultats
2026réf. LRB11001845Paris: Editions Recreasoft 2026 Language: English. Approximately 566 pages. Volume 2 of a multi-volume work. English : Print-on-demand reprint. Original edition : 1818. Collection of sermons by Jean-Baptiste Massillon bishop of Clermont with a prefatory life of the author by Jean Le Rond d'Alembert. An early nineteenth-century English edition of a major French devotional and rhetorical text of interest for theology preaching and the transmission of French religious literature in English. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1766réf. 78905No place: L'Imprimerie de l'Editeur c. 1766. 4to edition 32x25 cm. 19th century boards covered with decorated paper. Uncut. 35 plates including double-page plate engraved by Benard. First plate browned all the plates with large waterstain in upper outer corner more or less affecting the engravings. (L'Imprimerie de l'Editeur) hardcover
1760réf. 32903-246Paris and Neuchâtel Briasson David a.o. c. 1760. 12 pp. of text. Folio. Boards. Paris and Neuchâtel Briasson David a.o. c. 1760. First edition. On locksmith work excerpt from: "Encyclopédie ou dictionnaire raisonné des sciences des arts et des metiers". (Paris and Neuchâtel, Briasson, David, a.o. hardcover
1964IL SAGGIATORE 1964 327 PP. FONDO DI MAGAZZINO: LIEVI SEGNI DEL TEMPO, VOLUME PERFETTO E INTONSO.
1766réf. 78904No place: LÃmprimerie des Éditeurs c. 1766. 4to edition 325x245 cm. 19th century boards covered with decorated paper. With 8 plates engraved by Benard includinng 1 double-page engraving. Only a very few small brown spots mainly marginal but clear plates with wide margins. (LÃmprimerie des Éditeurs) hardcover
1779réf. 670011 vol. in-4 cartonnage avec restauration amateur moderne, Chez Pellet, A Genève, 1779, 64 pp. , 1 planche de Géométrie : 1 planche double (équivalente à deux) d'Algèbre ; 3 planches de Méchanique ; 2 planches d'Optique ; 8 planches d'Astronomie ; 10 planches doubles (équivalentes à vingt) de Géographie ; 21 planches de Musique ; 7 planches de Gnomonique ; 3 planches de Physique ; 7 planches d'Architecture ; 2 planches de Chaufournier ; 1 planches de Briqueterie ; 2 planches de Couvreur ; 5 planches (car deux doubles) pour le Bagne de Brest ; 10 planches (car une double) de Théâtre ; 1 planche d'Architecture Navale ; 13 planches d'Art Militaire ; 2 planches de Tactique des Grecs ; 3 planches de Tactique des Romains ; 1 planche de Fortification ancienne ; 4 planches (car une double) de Milice des Turcs ; 6 planches (car 2 doubles) de Nouvelle Artillerie ; 7 planches de Fabrique des Armes ; 1 planche de Piques ; 8 planches de Chirurgie
réf. 106727A Genève, chez Pellet, Imprimeur-Libraire, rue des Belles Filles, 1779, 1 volume in-4 de 280x215x60 mm environ, 64 pages suivies des 150 planches (y compris planches doubles et planches suppléments), cartonnage avec étiquette manuscrite sur le dos, feuillets non rognés. Cartonnage usé, tranches un peu salies par endroits avec bordures des planches fendillées, une déchirure sans manque sur les pages titre et faux-titre, la planche N° 3 (Méchanique) est placée au milieu des planches de Gnomonique.
1770réf. 4455CB1770. Paris um 1770. Kupferstichtafel von Bernard aus der "Encyclopédie" 25 X 36 cm. Aus der 'Encyclopedie ou Dictionnaire raisonne des sciences des arts et des metiers par une Societe de Gens de lettres' von Diderot & d'Alembert. unknown
1763réf. 4613Paris:: Diderot & D'Alembert 1763. First printing. Fine. Folio. 10 x 15.80 inches. A fine original copperplate engraving printed on rag stock and published as part of Denis Diderot and Jean le Rond d'Alembert's Encyclopédie ou Dictionnaire Raisonné des Sciences des Arts et des Métiers; the essential exploratory encyclopedia of arts science and industry produced during the Age of Enlightenment. This keynote work extolled the artistic virtues and labors of the common man during pre-Revolutionary France. Didactic in nature the plates were engraved and documented in meticulous detail and represented a fine visual record of French culture and achievement. After the French Revolution society could thus be recreated here inspired by the illustrations and descriptions of the daily toils and talents of the common folk. Today these refined engravings are prized for their diverse and elegant representations of the arts and craftsmanship as well as attention to detail of costume elements of travel architectural landscape and perspective. Matted in Rag Board Diderot & D'Alembert, unknown
1763réf. 4610Paris:: Diderot & D'Alembert 1763. First printing. Fine. Folio. 10 x 15.80 inches. A fine original copperplate engraving printed on rag stock and published as part of Denis Diderot and Jean le Rond d'Alembert's Encyclopédie ou Dictionnaire Raisonné des Sciences des Arts et des Métiers; the essential exploratory encyclopedia of arts science and industry produced during the Age of Enlightenment. This keynote work extolled the artistic virtues and labors of the common man during pre-Revolutionary France. Didactic in nature the plates were engraved and documented in meticulous detail and represented a fine visual record of French culture and achievement. After the French Revolution society could thus be recreated here inspired by the illustrations and descriptions of the daily toils and talents of the common folk. Today these refined engravings are prized for their diverse and elegant representations of the arts and craftsmanship as well as attention to detail of costume elements of travel architectural landscape and perspective. Matted in Rag Board Diderot & D'Alembert, unknown
1763réf. 4611Paris:: Diderot & D'Alembert 1763. First printing. Fine. Folio. 10 x 15.80 inches. A fine original copperplate engraving printed on rag stock and published as part of Denis Diderot and Jean le Rond d'Alembert's Encyclopédie ou Dictionnaire Raisonné des Sciences des Arts et des Métiers; the essential exploratory encyclopedia of arts science and industry produced during the Age of Enlightenment. This keynote work extolled the artistic virtues and labors of the common man during pre-Revolutionary France. Didactic in nature the plates were engraved and documented in meticulous detail and represented a fine visual record of French culture and achievement. After the French Revolution society could thus be recreated here inspired by the illustrations and descriptions of the daily toils and talents of the common folk. Today these refined engravings are prized for their diverse and elegant representations of the arts and craftsmanship as well as attention to detail of costume elements of travel architectural landscape and perspective. Matted in Rag Board Diderot & D'Alembert, unknown
1763réf. 4614Paris:: Diderot & D'Alembert 1763. First printing. Fine. Folio. 9 x 12.5 inches. A fine original copperplate engraving printed on a heavy handmade rag stock and published as part of Denis Diderot and Jean le Rond d'Alembert's Encyclopédie ou Dictionnaire Raisonné des Sciences des Arts et des Métiers; the essential exploratory encyclopedia of arts science and industry produced during the Age of Enlightenment. This keynote work extolled the artistic virtues and labors of the common man during pre-Revolutionary France. Didactic in nature the plates were engraved and documented in meticulous detail and represented a fine visual record of French culture and achievement. After the French Revolution society could thus be recreated here inspired by the illustrations and descriptions of the daily toils and talents of the common folk. Today these refined engravings are prized for their diverse and elegant representations of the arts and craftsmanship as well as attention to detail of costume elements of travel architectural landscape and perspective. Matted in Rag Board Diderot & D'Alembert, unknown
1763réf. 4607Paris:: Diderot & D'Alembert 1763. First printing. Fine. Folio. 10 x 15.5 inches. A fine original copperplate engraving printed on rag stock and published as part of Denis Diderot and Jean le Rond d'Alembert's Encyclopédie ou Dictionnaire Raisonné des Sciences des Arts et des Métiers; the essential exploratory encyclopedia of arts science and industry produced during the Age of Enlightenment. This keynote work extolled the artistic virtues and labors of the common man during pre-Revolutionary France. Didactic in nature the plates were engraved and documented in meticulous detail and represented a fine visual record of French culture and achievement. After the French Revolution society could thus be recreated here inspired by the illustrations and descriptions of the daily toils and talents of the common folk. Today these refined engravings are prized for their diverse and elegant representations of the arts and craftsmanship as well as attention to detail of costume elements of travel architectural landscape and perspective. Matted in Rag Board Diderot & D'Alembert, unknown
1763réf. 4612Paris:: Diderot & D'Alembert 1763. First printing. Fine. Folio. 10 x 15.80 inches. A fine original copperplate engraving printed on rag stock and published as part of Denis Diderot and Jean le Rond d'Alembert's Encyclopédie ou Dictionnaire Raisonné des Sciences des Arts et des Métiers; the essential exploratory encyclopedia of arts science and industry produced during the Age of Enlightenment. This keynote work extolled the artistic virtues and labors of the common man during pre-Revolutionary France. Didactic in nature the plates were engraved and documented in meticulous detail and represented a fine visual record of French culture and achievement. After the French Revolution society could thus be recreated here inspired by the illustrations and descriptions of the daily toils and talents of the common folk. Today these refined engravings are prized for their diverse and elegant representations of the arts and craftsmanship as well as attention to detail of costume elements of travel architectural landscape and perspective. Matted in Rag Board Diderot & D'Alembert, unknown
1763réf. 4615Paris:: Diderot & D'Alembert 1763. First printing. Fine. Folio. 9 x 12.5 inches. A fine original copperplate engraving printed on a heavy handmade rag stock and published as part of Denis Diderot and Jean le Rond d'Alembert's Encyclopédie ou Dictionnaire Raisonné des Sciences des Arts et des Métiers; the essential exploratory encyclopedia of arts science and industry produced during the Age of Enlightenment. This keynote work extolled the artistic virtues and labors of the common man during pre-Revolutionary France. Didactic in nature the plates were engraved and documented in meticulous detail and represented a fine visual record of French culture and achievement. After the French Revolution society could thus be recreated here inspired by the illustrations and descriptions of the daily toils and talents of the common folk. Today these refined engravings are prized for their diverse and elegant representations of the arts and craftsmanship as well as attention to detail of costume elements of travel architectural landscape and perspective. Matted in Rag Board Diderot & D'Alembert, unknown
1763réf. 4616Paris:: Diderot & D'Alembert 1763. First printing. Fine. Folio. 9 x 12.5 inches. A fine original copperplate engraving printed on a heavy handmade rag stock and published as part of Denis Diderot and Jean le Rond d'Alembert's Encyclopédie ou Dictionnaire Raisonné des Sciences des Arts et des Métiers; the essential exploratory encyclopedia of arts science and industry produced during the Age of Enlightenment. This keynote work extolled the artistic virtues and labors of the common man during pre-Revolutionary France. Didactic in nature the plates were engraved and documented in meticulous detail and represented a fine visual record of French culture and achievement. After the French Revolution society could thus be recreated here inspired by the illustrations and descriptions of the daily toils and talents of the common folk. Today these refined engravings are prized for their diverse and elegant representations of the arts and craftsmanship as well as attention to detail of costume elements of travel architectural landscape and perspective. Matted in Rag Board Diderot & D'Alembert, unknown
1767réf. 39045(Berlin, Haude et Spener, 1767). 4to. Without wrappers as issued in ""Memoires de l'Academie des Sciences et Belles Lettres"", tome XXI, pp. 381-413.
réf. 2487S.L, 1765 (Edité Au bois Valon, chez les Freses Unis), 235 pp ; In-12 en plein veau fauve, dos plat orné, pièces de titres en maroquin rouge et miel, tranches jaspées. Usure du mors supérieur, quelques petites mouillures. Belle reliure d’époque.
1904réf. R240091037LIBRAIRIE DE LA BIBLIOTHEQUE NATIONALE / L.PFLUGER. 1904. In-16. Broché. Etat d'usage, Plats abîmés, Coiffe en pied abîmée, Intérieur acceptable. 190 pages - manque sur les plats - coiffes abîmées .. . . . Classification Dewey : 250-Ordres religieux chrétiens
1882réf. RO40006843Bibliothèque nationale. 1882. In-18. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 190 pages. Ruban adhésif sur le dos, premier plat , deuxième plat. Légère annotation sur la page de garde n'altérant pas la lecture.. . . . Classification Dewey : 250-Ordres religieux chrétiens
1765réf. ZNC-520Par un auteur désintéressé. Sans lieu et sans nom d'imprimeur (Geneve, Cramer), 1765, in-12°, 235 pages, plein veau d'époque, dos lisse orné de filets et de fleurons orés, tranches rouges, mors supérieur fendu.
1889réf. R160223118Librairie de la bibliothèque nationale. 1889. In-24. Broché. Etat d'usage, 1er plat abîmé, Coiffe en pied abîmée, Rousseurs. 190 pages - papier jauni - 1er plat désolidarisé - rousseurs sur les plats.. . . . Classification Dewey : 200-RELIGION
1865réf. 127118P., Bureaux de la Publication, 1865, 2 vol. in-16, 192 et 190 pp, les 2 ouvrages reliés ensemble en un joli petit vol. demi-chagrin vert, dos à 4 nerfs pointillés, titres, fleurons et filets dorés (rel. de l'époque), bon état (Bibliothèque nationale, collection des meilleurs auteurs anciens et modernes)
2005réf. 189838Paris Les Belles Lettres Paris, Éditions Les Belles Lettres, 2005. Collection : Histoire, dirigée par Desgranges Michel et Vidal-Naquet Pierre. Petit in-12 broché de 97 pages. Bon état
1875réf. 0432Paris, Librairie de la bibliothèque nationale, 1876. Avec une introduction et un épilogue de Jean-Marie Cayla. Un petit in-18 de 13,6 x 90 mm pour 190 (2) pp. Relié plein cuir bicolore, plats verts empire avec bordures, contreplats et dos havane. Encadrement doré aux plats, pièce de titre lie-de-vin avec nom d'auteur et titre au milieu du dos séparés d'un trait doré orné et distingués d'un double filet doré, double fleuron doré, deux filets dorés en coiffe et queue avec initiales dorées en queue. Large roulette aux contreplats, gardes en camaïeu bariolé. Tranchefile. Ex-libris italien à la première garde blanche. Tampon de Carlos Lacerda (1914-1977), homme politique et journaliste brésilien, bibliophile à ses heures, sur la page de titre. Revendiquant l'objectivité et l'impartialité, D'Alembert a touché ici un sujet polémique par essence. Repris par des anticléricaux plus qu'engagés, parfois défendu pour son sens de la nuance, il est encore décrié aujourd'hui par des "chercheurs" l'accusant de complotisme anti-jésuite. Son ouvrage tente d'expliquer les événements ayant mené à la dissolution de l'ordre jésuite par le gouvernement de Louis XIV. Sortant de la querelle entre jésuites et jansénistes, D'Alembert prophétise la disparition prochaine du jansénisme au profit d'une France post-sectaire, ce qui ne manquera pas de faire réagir. Prudent, D'Alembert s'était caché derrière une fausse adresse et un pseudonyme. Son texte demeure à juger par chaque lecteur.
