Erasmus (Desiderius Erasmus Roterodamus)Biblio.com
4,804 results
1729ref. S6981In Latin. Hard cover 14x21 cm 1278424 pp.; net weight 950 gr. Adrianum Beman & Samuelem Luchtmans hardcover
ref. 32447091like new. unknown
ref. 32447091-nnew. unknown
1780ref. 184Typis G. Haas ex officina J.J. Thurneisen 1780. Latin text. illustrated. Bound. 355 pages. Book has yellowed stains caused by the action of time. Size: 13 x 20 cm. Typis G. Haas, ex officina J.J. Thurneisen
ref. 76645Ulm Sumptibus Danielis Bartholomaei Litteris Christiani Ulrici Wagneri 1712. Ganzpergament gebunden; ehemals goldgeprägtes Rückenschild / Anz. Seiten: 12 unnummerierte 869 22 unnum. 88 / 12 x 183 cm / mit 1 Titelkupfer / Zustand: gut leichte bis mässige Alters-/Gebrauchsspuren; Einband berieben und fleckig oberes Kapital eingerissen unteres Aussengelenk auf 5 cm geplatzt Papier gebräunt und durchwegs stock- fleckig Ulm, Sumptibus Danielis Bartholomaei, Litteris Christiani Ulrici Wagneri, 1712 unknown
1926ref. 41318Sous étui. Couverture illustrée en couleurs. Illustré de nombreuses compositions en couleurs de Jacques TOUCHET.
1872ref. 31441872 broché grand in-octavo (paperback in-octavo), dos marron (brown spine), première de couverture rempliée illustrée et imprimée (cover illustrated and printed), gouttière long papier (fore-edge - great papier), ex-dono adressé à Théodore de Banville sur la page de garde (ex-dono sent to Théodore de Banville on the endpaper), tirage limité à 553 exemplaires - 1 des 500 exemplaires sur papier de Hollande (limited edition - 553 copies were printed), illustrations : dessins (drawings of) Hans Holbein, rousseurs (redness marks), VI+XLII et 207 pages, 1872 à Paris Librairie des Bibliophiles,
1789Volume in 12° grande legato in pelle, titolo al tassello al dorso ornato ai piccoli ferri (cerniera anteriore segnata), tagli spruzzati, sguardie, antiporta incisa in rame, frontespizio, XII, 248 pp., tavole ft.. L'opera più nota di Erasmo nella bella edizione tardosettecentesca arricchita ed impreziosita dalle dodici magnifiche tavole in rame, resta solo da sottolineare che il volume è in più che bello stato e che è di scarsissima reperibilità. Notevole.
1618ref. 0454RfGColoniae (Köln), Lazari Zetzneri, 1618. zwei Titelvignetten, 7 Bl., 1035 S., 2 Bl., 7 Bl., 72 S., 2 Bl., [5 Warenabbildungen] gesprenkelter Halblederband der Zeit mit goldgeprägtem Rückentitel, dreiseitiger Rotschnitt. Zustand 3, Ecken u. Kanten berieben u. bestoßen, Rückenleder Schürfstellen, Vorsatz Zahlen in Farbstift, Titel 4 kleine Fleckchen, 2 Besitzeinträge, 1 durchgestrichen, 11 Blatt durchziehender 2 mm-Insektenfraßgang u. 1 mm-Gang durch halben Buchblock, Papi
1683ref. 2098403Nürnberg, In Verlegung Johann Andreae Endters Sel. Söhne 1683. (28), 1219 (von 1230), (2) Seiten. Frakturdruck. Titel in rot-schwarz. Mit einem doppelblattgroßen Titelkupfer und 51 (von 52) von C. N. Schurtz gestochenen, teils gefalteten Kupfertafeln. 8° (17,5 x 10,5 cm). Schwarzer Lederband der Zeit auf 4 Bünden über Holzdeckeln mit blindgeprägten Fileten auf den Deckeln und punziertem Goldschnitt. [Hardcover / fest gebunden].
1967ref. 2096403Lausanne: Éditions du Bibliophile / Paris: Union Latine D'Éditions 1967. [I] (87) Blatt; [II] 180, (4); [III] 13, (3) Seiten. Faksimileteil durchgängig mit überaus zahlreichen Rubrikationen, Illustrationen und kleinen Handzeichnungen Holbeins, Übersetzungsband mit zahlreichen ganzseitigen Holzschnittillustrationen, rotgedruckten Auszügen auf den Pergaminhemdchen und doppelseitiger Illustration auf den Spiegeln. (I): Gr. 8° (23,5 x 16,5 cm). Pergamentband mit reicher Blindprägung auf den Deckeln; (II): Gr. 8° Lederband mit goldgeprägter Deckelillustration; (III): 8° Broschur im Schutzumschlag. Alle drei in schöner, innen mit rotem Samt ausgekleideter Leinenkassette mit Bezugpapier in Holzoptik
1791ref. 32645Germantown:: Michael Billmeyer. Very Good with no dust jacket. 1791. First American Edition. Hardcover. Thick royal 8vo; 8 785 3 pages; The Schwenkfelders were an Anabaptist group. Original publisher's binding . Contents good with light aging. Front gutter cracked but firmly affixed. Nice copy. Old newspaper picture of a nobleman glued inside front cover with cyptic comment. . Michael Billmeyer, hardcover
1642ref. 022372Londoin: M. Flesher & R. Young. Folio. Vellum. 2146 columns and index after the introductory apparatus. Impressive edition of the correspondence of Erasmus. Melancthon More and Vives are not present. Frontispiece portrait of Erasmus. Wing E-3201. Previous owners signature in ink dated 1687. Chip at foot of spine edge tear on frontispiece page not affecting portrait 3 leaves with water staining 2 indecipherable stamps on title page Good. . Good. Hardcover. 1642. M. Flesher & R. Young hardcover
1986ref. BN5618841986. 1986. Novum Instrumentum Novum Instrumentum Erasmus von Rotterdam unknown
1650ref. 2327061Amstelodami Amsterdam: Typis Ludovici Elsevirii Lodowijk Elzevir 1650. Full-Leather. Good/No Jacket. Spine toned with drying leather and some loss from head joints beginning to split with 2 inch chip from spine base but all sewings holding firmly ink name and date B. Bridges 1689 on front free endpaper which is loose but included ink name on title page minimal ink marginalia pencil notes on rear free endpaper. 1650 Full-Leather. 589 3 pp. A-Mm8 Nn4 Oo8 Pp4. 4 7/8 x 2 5/8. Full leather blind-stamped borders and decorations gilt rules on spine. Engraved title page showing a scribe seated with two other men with an archway in the background. 63 colloquies in the original Latin with a brief biographical sketch of the life of Erasmus preceding text footnotes throughout text. House of Elzevir edition printed by Lodowijk Elzevir who met Galileo in 1636. His grandfather founded the publishing company in the 1580s. One of the many works of the philosopher and Catholic theologian known as the 'Prince of Christian Humanists.' Published in 1518 the pages 'held up contemporary religious practices for examination in a more serious but still pervasively ironic tone' Coffin/Stacey Western Civilizations. Christian Humanists viewed Erasmus as their leader in the early 16th century. Erasmus' works had greater meaning to those learned few who had a larger knowledge of Latin and Greek. Colloquies in Latin means a formal written dialogue thus in his book Erasmus explores man's reaction to others in conversations. The Colloquies is a collection of dialogues on a wide variety of subjects. They began in the late 1490s as informal Latin exercises for Erasmus' own pupils. In about 1522 he began to perceive the possibilities this form might hold for continuing his campaign for the gradual enlightenment and reform of all Christendom. Between that date and 1533 twelve new editions appeared each larger and more serious than the last until eventually some fifty individual colloquies were included ranging over such varied subjects as war travel religion sleep beggars funerals and literature. All of these works were in the same graceful easy style and gentle humor that made them continually sought as schoolboy exercises and light reading for generations. "Originally written in his early days at Paris as dialogues illustrating the art of polite conversation they were afterwards expanded into conversation pieces in which all the topics of the day were discussed with a freedom which ensured their popularity. Later in the century and up to the eighteenth century they were a set book in schools and there are lines in Shakespeare which directly recall Erasmus's words." - Printing and the Mind of Man 53 referencing the 1524 original Typis Ludovici Elsevirii [Lodowijk Elzevir] hardcover
1650ref. 2327061Amstelodami Amsterdam: Typis Ludovici Elsevirii Lodowijk Elzevir 1650. Full-Leather. Good/No Jacket. Spine toned with drying leather and some loss from head joints beginning to split with 2 inch chip from spine base but all sewings holding firmly ink name and date B. Bridges 1689 on front free endpaper which is loose but included ink name on title page minimal ink marginalia pencil notes on rear free endpaper. 1650 Full-Leather. 589 3 pp. A-Mm8 Nn4 Oo8 Pp4. 4 7/8 x 2 5/8. Full leather blind-stamped borders and decorations gilt rules on spine. Engraved title page showing a scribe seated with two other men with an archway in the background. 63 colloquies in the original Latin with a brief biographical sketch of the life of Erasmus preceding text footnotes throughout text. House of Elzevir edition printed by Lodowijk Elzevir who met Galileo in 1636. His grandfather founded the publishing company in the 1580s. One of the many works of the philosopher and Catholic theologian known as the 'Prince of Christian Humanists.' Published in 1518 the pages 'held up contemporary religious practices for examination in a more serious but still pervasively ironic tone' Coffin/Stacey Western Civilizations. Christian Humanists viewed Erasmus as their leader in the early 16th century. Erasmus' works had greater meaning to those learned few who had a larger knowledge of Latin and Greek. Colloquies in Latin means a formal written dialogue thus in his book Erasmus explores man's reaction to others in conversations. The Colloquies is a collection of dialogues on a wide variety of subjects. They began in the late 1490s as informal Latin exercises for Erasmus' own pupils. In about 1522 he began to perceive the possibilities this form might hold for continuing his campaign for the gradual enlightenment and reform of all Christendom. Between that date and 1533 twelve new editions appeared each larger and more serious than the last until eventually some fifty individual colloquies were included ranging over such varied subjects as war travel religion sleep beggars funerals and literature. All of these works were in the same graceful easy style and gentle humor that made them continually sought as schoolboy exercises and light reading for generations. "Originally written in his early days at Paris as dialogues illustrating the art of polite conversation they were afterwards expanded into conversation pieces in which all the topics of the day were discussed with a freedom which ensured their popularity. Later in the century and up to the eighteenth century they were a set book in schools and there are lines in Shakespeare which directly recall Erasmus's words." - Printing and the Mind of Man 53 referencing the 1524 original Typis Ludovici Elsevirii [Lodowijk Elzevir] hardcover books
1875ref. R260194164LIBRAIRIE DES BIBLIOPHILES. 1875. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 308 + 316 +322 pages - Lettrines et bandeaux - Traces de mouillures sur les 1 er plats -. . . . Classification Dewey : 840.08-XIX ème siècle
1933ref. R260189293ENSEIGNE DU POT CASSE. 1933. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur frais. 204 + 286 +286 + 286 + 254 pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte - renforts adhesifs au dos de certains tomes - Certaines pages non coupées - 2 PHOTOS DISPONIBLES. . . . Classification Dewey : 470-Langues italiques. Latin
1793ref. 1132625Ireland: J. Moore 1793. Hardcover. Collectible - Poor/No Jacket. 2 Volumes. Original leather covers in poor condition. Vol. 1 has front cover but it is detached. Vol. 2 the cover has been repaired with cloth spine. Vol. 1 is Economy of Vegetation and Loves of the Plants with philosophical notes. Vol 2 contains The Loves of the Plants A Poem with philosophical notes. Fourth Edition. Author is grandfather of Charles Darwin. Each volume is 8.25x5.5x0.75 with 313 pp total. 2 pounds J. Moore hardcover
ref. 61574P., Editions Littéraires de France, 1946, in 4° relié demi chagrin bleu à coins, dos à nerfs, tête dorée, filets dorés sur les plats, couverture et dos conservés ; dos légèrement insolé.
1987ref. 53729Nice Editions d'Art Sefer 1987 In-4, cuir maroquin havane, plats entirement recouverts dun riche dcor la fanfare pouss or et froid, rappel du dcor sur le dos nerfs; encadrements intrieurs orns dune roulette pousse or, tte dore, non rogn. Etui (reliure de lditeur).Lillustration de Philippe Reder comporte 15 miniatures accompagnes dune serpente (2 titres historis, une double page plie en triptyque et 12 hors-texte) et de nombreuses lettrines enlumines. Le texte est encadr toutes les pages dune composition florale en couleurs. Tirage limit 2.090 exemplaires numrots sur vlin dArches. Un des 1.300 exemplaires, bien complet du certificat dauthenticit sign par lditeur.
ref. 67922Paris J. Terquem 1927. . Moriae encomium fr. - Argenteuil impr. R. Coulouma H. Barthélemy directeur texte; Paris impr. en taille-douce E. Monnard gravures; J. Saudé les coloris. - Nr. 780 mit Paraphe von 980 Exemplaren GA: 1100 auf Vélin du Marais. - Chas Laborde Charles Laborde 1886-1941 franz Schriftsteller Journalis Stecher und Illustrator. - VDeckel mit kl. Stoßspur an der Oberkante Ecken leicht bestoßen. Paris, J. Terquem, 1927. unknown
1927ref. 67922Paris, J. Terquem, 1927. 4 Bl., IX S., 4 Bl., 147 S., 1 Bl. Mit 10 handkolorierten Original-Kupferradierungen (à la taille douce) im Text u. auf Tafeln. Handgebundener, datierter roter HALBLEDERBAND (Halbfranzband) auf vier Bünden, mit goldgepr. RTitel, Goldfileten auf d. Deckeln, Kopfgoldschnitt u. roten Marmorpapiervorsätzen sowie eingebund. Orig.-Broschur.
ref. 105388In Basilea (Bâsle), A Spese Della Saviezza, 1761, 1 volume in-12 de 175x105 mm environ, 1f.blanc, 1 frontispice, titre, faux-titre, 391 pages, 11 ff. (1f.table), 1f.blanc, pleine basane marbrée brune, dos à nerfs portant titres dorés sur pièce de titre havane, orné de caissons à fleurons et motifs dorés, gardes de couleurs (restaurées). Traduction de M. Gueudeville.Coiffes arasées, coins et coupes en partie dénudés, notes manuscrites sur les gardes blanches, sinon bon état. Texte bilingue français /italien.
ref. 107617Editions d'Art Sefer, 1987, 1 volume in-4 de 260x200 mm environ, 161 pages + 3 ff., reliure pleine basane aubergine, dos à nerfs portant titres dorés orné de caissons à riches motifs à froid et or, décor à froid et or sur les plats, tranche de tête dorée, gardes de soie moirée, sous étui bordé. Exemplaire N° 279/1990, un des 200 exemplaires sur vélin filigrané Arches-Sefer, contenant une suite du trait en violet amarante, signé par l'illustrateur, SANS l'illustration encadrée et SANS l'illustration hors-texte signée, avec son certificat d'authenticité. Contient des lettrines enluminées, des miniatures en couleurs sous serpente dont la page de titre du volume, la double page en triptyque, le titre en frontispice, les 8 hors-texte, et 4 in-texte pleine page de tête de chapitre, de Philippe Reder. Bon état.
