2 263 résultats
petit in-4°, 172 pages, broché. Bon état. [SO-8]
fort volume in-8°, 551 pp., illustrations, broche, couv. illustree a rabats. Bon état. [TX-4vf][TX-2-vf]
in-8°, 335 pages, cartonnage editeur avec jaquette illustree plastifiee. Bel exemplaire. [PH-4]
in-8°, 181 pages, broche, couverture illustree plast. Exemplaire a letat de neuf. [CA-10]
in-12, 319 pp., 103 pages, nombreuses photos en noir et blanc et en couleurs, broche, couverture illustree..- Bel exemplaire. [TX-16] Précédé de "Conférence à l"Université d"Uppsala en Suède". "Interview à Londres avec la BBC"
in-8°, 321 pages, broche, couverture illustree plast. Tres bel exemplaire [CA29-2][cartCA-10]
réf. CCTM1823Action Instutute. Trade Paper back. Very Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Very Good light wear on the book trade paper back clean pages prompt shipping with tracking Action Instutute paperback
1938réf. 009746Paris Edition Sagesse, Librairie Tschann 1938 In-8 En feuilles Ed. originale
réf. 26295Kennington’s letters: 11 June 26 September and 7 October 1956; all on his letterhead of Homer Ipsden Oxon. Replies of 20 June and 3 and 10 October 1956. See Kennington’s entry in the Oxford DNB. All six items in good condition lightly aged. Previously pinned together with Kennington’s letters folded for postage and all three are 1p 8vo and signed ‘Eric Kennington’. ONE: Kennington ALS 11 June 1956. Having conferred with Ackroyd’s clerk ‘Mr. Osborne’ he explains that he cannot give his attention to the portrait until September. ‘I habitually visit my sitter for that takes less of his time & energy & he is more at ease in his own surroundings.’ He explains the arrangements he would prefer ending ‘I do much more than the 5 hours so shall need a cover to work alone when you are not sitting.’ TWO: Kennington ALS ‘Wed 26’ September 1956. Begins: ‘In uncertainty I approached Osborne with your suggestion of an oil painting different in conception & size. His answer is surprisingly definite. They want only the head & shoulders like those at Skinners’ Hall.’ He explains that what he has done ‘supplies their demand so I will take it to them before painting as I expect their architect will be instructive about the frame. Then I will bring it to you.’ He assumes that as a result the arranged sittings will not be secretary and hopes that ‘you & others will not be put out’. He ends by thanking him for ‘making a portrait possible in your immense activity. From impressions here it seems to have unusual force but I know it is only one vision. Less charming than commanding I think’. THREE: Kennington ALS 7 October 1956. He apologises ‘having evidently made a mess & trying to do the correct thing. / The Carpenter’s sic may not at all like this portrait! I can never be certain. The delay is caused by framers. This week I shall take it to them boxed securely but unframed.’ He thanks him for ‘suggesting a frame from The Guildhall Library. Again I cannot decide. I have found the architects of City Companies always definite on this point.’ He ends with thanks for Ackroyd’s ‘good wishes re Clerkendon Church. The Parish has become filled with joy & keenness in their pride at saving their own roof. There are even 8 men carving new decorations for the renewed roof and wonderfully efficiently. / Wishing complete success to St. Mary-le-Bow’. ITEMS FOUR to SIX: Unsigned carbons of replies the first from ‘Vice-Admiral T. B. Drew CB. CVO. OBE.’ In Item Five 3 October 1956 Ackroyd writes expresses regret that Kennington ‘approached the Clerk regarding the painting because of course his answer would conform to the instructions given him by the Committee and I would have wished that you had left it to me to have dealt with the matter’. After suggesting that he should not ‘waste any money upon a frame’ he apologises again: ‘I was hoping that together we could have produced something worthy of a great Company’. He concludes with wishes for ‘every success in your work and in the work of the Church which you serve with such enthusiasm’. Kennington’s letters: 11 June, 26 [September] and 7 October 1956; all on his letterhead of Homer, Ipsden, Oxon. Replies of 20 unknown
1925réf. 5390Paris, J. Gabalda et Cie ; Lyon, Chronique Sociale de France (Lyon, Imp. Marius Audin), 1925 ; in-8, broché ; 16 ff. , 300 pp., (2) ff., 1 frontispice de Philippe Burnot.
1969240 pages. Iconic Andy Warhol Campbell's Soup cover photo. Additional features include: Hello and Good-Bye to Nudity, Love Vibrations and Guerrilla Theater; How Anyone Can Steal Atomic Bombs; The First Shock of Being Black; The Wit and Wisdom of George Wallace; The Play They Banned at Yale; and much more. Original feature slip still affixed to front cover. Unmarked with light wear. A high-quality copy of this highly-collectible issue. Magazine
réf. 1087086Encuadernación de tapa blanda. Aceptable. . Madrid. Imp. Pinto. Bibl. del Periódico La Fé. 1890. 19x12 cm. 399 págs. # Navarra unknown
2008réf. 500122041REY 2008 96 pages 17 4x0 6x11 4cm. 2008. Broché. 96 pages.
2005réf. 6918Le Club Broché au format 13,5x21cm , 250 pages , superbe exemplaire à l'état de neuf encore sous blister .
in-8, 265 pp., notes, bibliogr., broché, couv. ill. [BL-1]
1995réf. 112084Table Ronde 1995 La Table Ronde, Coll. Chemins de la Sagesse, 1995, broché, bon état.
in-8°, 242 pp.,.broche, couv. Bon etat [CA-12]
1934réf. 14983Paris, Association de la Science Spirituelle, 1934 ; in-8, broché ; XI, 200 pp., (8) pp. de catalogue.
in-16 (poche), 344 pages, broche, couverture illustree. Bel exemplaire. [@]
1956réf. 1258421956 Editions Plon, collection "Cheminements" - 1956 - In-8 broché - 281 pages - Feuillets non-coupés (Ouvrage jamais lu)
in-16, 254 pp, fig., broche, couverture illustree. Bel exemplaire. [MB-2]
1948réf. 1263301948 Les Bibliolatres de France - M. CM. XLVIII. (1948) - 3 volumes in-4, feuillets non-reliés, sous chemise et étui cartonné, ornements (Bandeaux et culs-de-lampe) - 213 + 201 + 253 pages - Exemplaire N°331 spécialement imprimé pour Jean Guichard - Cette édition en trois tomes à 3333 exemplaires numérotés comporte toutes les fables et les illustrations de Chauveau choisies par La Fontaine lui-même pour les deux éditions originales de 1668 et de 1678-1694. Tiré sur papier pur chiffon "Trois fleurs de lin" des Papeteries du Marais. Avec un portrait de l'auteur par Lemagny.
réf. 2091saanen gatherings comittée 1966 in 8 broché 206 pages
1996réf. RO90116427COLLECTION HARLEQUIN SERIE ROUGE PASSION N° 724. 1996. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 183 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
in-8, 332 pages entierement illustrées en couleurs, broché, couverture illustrée. Bon etat. [POR-3] Les secrets de la Sagesse chinoise pour la sante, la richesse, le bonheur.