Editor-Dr Don C LockeBiblio.com
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Best.-Nr. 1802776like new. unknown
Best.-Nr. 2367Concord NH: The Rumford Press n.d. Octavo 9.25 x 6.25 ix 720 pages with 33 interleaved photo pages. Hardcover in green cloth with gold lettering on the spine. Staining and wear on cover and spine. Pages opposite interleaved images are moderately foxed. Volume Includes a list of Unknown Lockes and a Historical Account of the Locke Family in England from the "Gentleman's Magazine" of 1792. John Locke is believed to have emigrated from Yorkshire England to New Hampshire around the years 1638 - 1644. This volume traces his descendants over ten generations. Collateral families prominently appearing include: BERRY CLARKE HILL LAMPREY MOULTON PAGE-PAIGE PHILBRICK RAND SANBORN SANDERS and SMITH. The Rumford Press hardcover
1794Best.-Nr. 51002Boston: Manning & Loring 1794. Hardcover. 16mo. Full calf with gilt spine rules and gilt-lettered burgundy calf spine label. viii 250pp. Good. Binding edgeworn and scuffed with tiny chips at spine head and spine lettering rubbed; text block tight but moderately and irregularly age toned with endpapers and preliminary leaves more so; front endpaper rough and a bit chipped at outer edge; contemporary ownership signature at head of title page and at bottom a small convent inkstamp. Decent copy of the first American edition of the best-known and groundbreaking 1690 work on grasping human knowledge by the Enlightenment thinker nicknamed the "father of liberalism" 1632-1704 as condensed with Locke's approval by British cleric John Wynne 1665-1743. This abridgment was first published in London in 1696 proving popular and going through many more editions throughout the 18th century. Not until 1794 did the U.S. see its first edition. Front pastedown bears early bookplate ca. 1800 of Rice Jones and below it a 1947 gift inscription to the convent whose inkstamp appears at bottom of title page. Manning & Loring hardcover
1923Best.-Nr. 441182New York: Dodd Mead and Company 1923. Hardcover. Fine/Near Fine. First edition. Fine in near fine dustwrapper with a wrinkle and a short tear both on the front panel. Jacket art by "G. Allun Gilbert". Young woman entrusted to two guardians both who fall in love with her. Dodd, Mead and Company hardcover
1868Best.-Nr. 1152523J.B. Lippincott Co. 1868. Written by 'Bloody Eleventh' regiment chaplain only a few years after dissolution. Gilt titles on blindstamped deep blue cloth. Worn at tips of spine. Hinges firm. Ex-Donald L. Smith with his small address label on ffep. Damp stain on second ffep/frontis. Gift inscription likely original erased on second ffep. Hardcover. Good/No Jacket. Octavo. Book. J.B. Lippincott Co. Hardcover
1923Best.-Nr. 441182New York: Dodd Mead and Company 1923. Hardcover. Fine/Near Fine. First edition. Fine in near fine dustwrapper with a wrinkle and a short tear both on the front panel. Jacket art by "G. Allun Gilbert". Young woman entrusted to two guardians both who fall in love with her. Dodd, Mead and Company hardcover books
1986Best.-Nr. 50940Los Angeles: Rough Weather Press 1986. First editions. Softcovers. Very good condition. Rohwedder was a Los Angeles magazine for literature and art founded in 1986. Counting Volume Zero the “dress rehearsal” for a magazine concerned with under-representation of the multitude of foreign cultures present in Los Angeles in favor of generally Eurocentric culture policies in Los Angeles a total of eight issues were published. Contributions in foreign languages were presented in the original as well as English translation. Rohwedder Volume Zero: Published by H. J. Schacht editors Nancy A. Antell and Colin McLeod. Reproduction of drawing by H. J. Schacht on cover. 1986. Octavo. 16pp. Original illustrated stiff wraps with black lettering on cover. The selection of contributions in volume Zero included “The President’s Statement” by Colin McLeod “Anti Apart Hate Art” by Michelle Clinton pure criticism of that Eurocentric culture by Robert Harris early environmental concerns in the centerfold illustration “Urban Blue Plates A Polar Fantasy” by Barry Markowitz and Salvadoran poetry by Hildebrandt Juarez and Joaquin Meza translated with a contribution on Salvadoran poetry by Ruben Martinez. Rohwedder Volume 1. 1986. Octavo. 32pp. Original illustrated glossy white stiff wraps with black lettering on covers. Now published by Schacht and Antell. Title page with: "editorial tic mantic romantic eddy memorial you yum rhetorical cal i methodical him ham therefore she he all September fall just as any other year editorial me. The next issue will be about from for and probably against LA." Contains Salvadoran and Lithuanian poetry illustrations by Julie Overski and Sergio Zenteno. Ruben Martinez had joined as contributing editor. Design including cover by Sergio Zenteno. Faint staining on front cover. Rohwedder Volume 2 1987: Octavo. 42pp. Original photo-illustrated stiff wraps with yellow lettering. Illustrated with photographs including cover by Carol Cetrone with centerfold by Sergio Zenteno. Art director: Kevin Hosman. Colin MacLeod had left as contributing editor. Contributions by Sesshu Foster Elia Arce Lyn Lifshin Julien Foreman Joanna Warwick Stanislaw Baranczak Colin MacLeod Ruben Martinez and others. Includes illustrated letter from Wieland Schmidt Kiel. Back cover with addition to imprint: Rough Weather Press. Rohwedder Volume 3. The Latin America Issue. Spring 1988. Quarto. 1 38 1pp. Original stiff wraps with photomontage by Julien Foreman on covers black and gray lettering. Imprint and biographies printed on bound in half-pages at front and back. With contributions by Juan Felipe Herrera Manlio Argueta Ruben Martinez Gaspar Aguilar Diaz Roque Dalton Elia Arce Alberto Blanco Victor Valle and others. Illustrated with reproductions of paintings by Augusto Crespin Thomas Kidd Michel Aguilar Su Knill drawings by Yuske Inoue and photographs by Ruben Martinez Palo Martin Amador Teran Gary Douglas Antonio Turok and Carol Cetrone. Layout. design and typesetting by Julien Foreman. Rohwedder Volume 4: Issue featuring German European and local artists and writers. Fall 1988. Quarto. 48pp. The most ambitious issue yet. It features the first publication of Sarah Kirsch poetry in the USA in English contributions by Peter Schneider on the subject of immigrants poetry by Eugenio de Andrade translated and introduced by Alexis Levitin Berlin artist Rafael Rheinsberg and his pseudo-archaeological aesthetics poetry by Ursula Krechel Halina Poswiatkowska Pia Tafdrup Fr. Benedict Auer and Reiner Kunze an interview with Eric Trules photographs by Christian Jungeblodt drawings by Ricardo Garcia photographs and a painting by Kain Karawahn among others. The issue includes reviews of the Anselm Kiefer exhibition at MOCA as well as a review of the MOCA staging of “The Mission” by the Kitchen Collective. Layout and design by Ricardo Garcia. The magazine now distributed in Los Angeles bookstores. Rohwedder Volume 5: The issue internally referred to as "the bridge issue” not only because of the twelve reproduction of photos of Los Angeles bridges by Julien Foreman but for the spirit among editors and contributors to created a wide-ranging international texture with this publications. Spring 1990. 48pp. The contributions include works in French Spanish German and a translation from Bengali. It includes artwork by three members of the Costa Rican art group Clima Natal and a cartoon short story by LA-based Japanese artist Rika Ohara “Madame Butterfly Meets Fatman” the story of the detonation of the nuclear bomb over Nagasaki. Design by Nancy Antell and H. J. Schacht. Cover design by Bruce Licher. Rohwedder Volume 6: The Los Angeles Issue. Summer/Fall 1991. Contributions by Luis Alfaro Wanda Coleman Cheta Martinez Laurel Ann Bogen Terry Wolverton Ruben Martinez on the LA Poetry Scene Bruce Wright’s photos of LA graffiti by “The Phantom” Florence Bonneville drawings architectural graphics by Charles Crawford and photographs by Carol Cetrone Nina Chierichetti Julien Foreman and Kain Karawahn. Design by Julien Foreman. The first issue supported by a grant from the Los Angeles Cultural Affairs Department. Rohwedder Volume 7: The Feminist Issue. Spring/Summer 1992. Design by Julien Foreman. "About this issue: When we originally envisioned it we wanted to present“new” feminist theory but soon realized that there is no one feminist theory. This issue presents different voices from all age groups and many areas of the country expressing their visions of feminisms by way of language-oriented poetry performance pieces goddess-based poetry radical feminisms traditional storytelling and post structuralism.” Editors. Text in translation if not English and the original language. Volume Zero with light sunning of cover. Rough Weather Press unknown
1986Best.-Nr. 50940Los Angeles: Rough Weather Press 1986. First editions. Softcovers. Very good condition. Rohwedder was a Los Angeles magazine for literature and art founded in 1986. Counting Volume Zero the “dress rehearsal” for a magazine concerned with under-representation of the multitude of foreign cultures present in Los Angeles in favor of generally Eurocentric culture policies in Los Angeles a total of eight issues were published. Contributions in foreign languages were presented in the original as well as English translation. Rohwedder Volume Zero: Published by H. J. Schacht editors Nancy A. Antell and Colin McLeod. Reproduction of drawing by H. J. Schacht on cover. 1986. Octavo. 16pp. Original illustrated stiff wraps with black lettering on cover. The selection of contributions in volume Zero included “The President’s Statement” by Colin McLeod “Anti Apart Hate Art” by Michelle Clinton pure criticism of that Eurocentric culture by Robert Harris early environmental concerns in the centerfold illustration “Urban Blue Plates A Polar Fantasy” by Barry Markowitz and Salvadoran poetry by Hildebrandt Juarez and Joaquin Meza translated with a contribution on Salvadoran poetry by Ruben Martinez. Rohwedder Volume 1. 1986. Octavo. 32pp. Original illustrated glossy white stiff wraps with black lettering on covers. Now published by Schacht and Antell. Title page with: "editorial tic mantic romantic eddy memorial you yum rhetorical cal i methodical him ham therefore she he all September fall just as any other year editorial me. The next issue will be about from for and probably against LA." Contains Salvadoran and Lithuanian poetry illustrations by Julie Overski and Sergio Zenteno. Ruben Martinez had joined as contributing editor. Design including cover by Sergio Zenteno. Faint staining on front cover. Rohwedder Volume 2 1987: Octavo. 42pp. Original photo-illustrated stiff wraps with yellow lettering. Illustrated with photographs including cover by Carol Cetrone with centerfold by Sergio Zenteno. Art director: Kevin Hosman. Colin MacLeod had left as contributing editor. Contributions by Sesshu Foster Elia Arce Lyn Lifshin Julien Foreman Joanna Warwick Stanislaw Baranczak Colin MacLeod Ruben Martinez and others. Includes illustrated letter from Wieland Schmidt Kiel. Back cover with addition to imprint: Rough Weather Press. Rohwedder Volume 3. The Latin America Issue. Spring 1988. Quarto. 1 38 1pp. Original stiff wraps with photomontage by Julien Foreman on covers black and gray lettering. Imprint and biographies printed on bound in half-pages at front and back. With contributions by Juan Felipe Herrera Manlio Argueta Ruben Martinez Gaspar Aguilar Diaz Roque Dalton Elia Arce Alberto Blanco Victor Valle and others. Illustrated with reproductions of paintings by Augusto Crespin Thomas Kidd Michel Aguilar Su Knill drawings by Yuske Inoue and photographs by Ruben Martinez Palo Martin Amador Teran Gary Douglas Antonio Turok and Carol Cetrone. Layout. design and typesetting by Julien Foreman. Rohwedder Volume 4: Issue featuring German European and local artists and writers. Fall 1988. Quarto. 48pp. The most ambitious issue yet. It features the first publication of Sarah Kirsch poetry in the USA in English contributions by Peter Schneider on the subject of immigrants poetry by Eugenio de Andrade translated and introduced by Alexis Levitin Berlin artist Rafael Rheinsberg and his pseudo-archaeological aesthetics poetry by Ursula Krechel Halina Poswiatkowska Pia Tafdrup Fr. Benedict Auer and Reiner Kunze an interview with Eric Trules photographs by Christian Jungeblodt drawings by Ricardo Garcia photographs and a painting by Kain Karawahn among others. The issue includes reviews of the Anselm Kiefer exhibition at MOCA as well as a review of the MOCA staging of “The Mission” by the Kitchen Collective. Layout and design by Ricardo Garcia. The magazine now distributed in Los Angeles bookstores. Rohwedder Volume 5: The issue internally referred to as "the bridge issue” not only because of the twelve reproduction of photos of Los Angeles bridges by Julien Foreman but for the spirit among editors and contributors to created a wide-ranging international texture with this publications. Spring 1990. 48pp. The contributions include works in French Spanish German and a translation from Bengali. It includes artwork by three members of the Costa Rican art group Clima Natal and a cartoon short story by LA-based Japanese artist Rika Ohara “Madame Butterfly Meets Fatman” the story of the detonation of the nuclear bomb over Nagasaki. Design by Nancy Antell and H. J. Schacht. Cover design by Bruce Licher. Rohwedder Volume 6: The Los Angeles Issue. Summer/Fall 1991. Contributions by Luis Alfaro Wanda Coleman Cheta Martinez Laurel Ann Bogen Terry Wolverton Ruben Martinez on the LA Poetry Scene Bruce Wright’s photos of LA graffiti by “The Phantom” Florence Bonneville drawings architectural graphics by Charles Crawford and photographs by Carol Cetrone Nina Chierichetti Julien Foreman and Kain Karawahn. Design by Julien Foreman. The first issue supported by a grant from the Los Angeles Cultural Affairs Department. Rohwedder Volume 7: The Feminist Issue. Spring/Summer 1992. Design by Julien Foreman. "About this issue: When we originally envisioned it we wanted to present“new” feminist theory but soon realized that there is no one feminist theory. This issue presents different voices from all age groups and many areas of the country expressing their visions of feminisms by way of language-oriented poetry performance pieces goddess-based poetry radical feminisms traditional storytelling and post structuralism.” Editors. Text in translation if not English and the original language. Volume Zero with light sunning of cover. Rough Weather Press unknown books
1982Best.-Nr. DADAX0198245645Brand: Oxford University Press USA 1982-04-22. 1. hardcover. New. 6.31x2.24x9.31. Buy with confidence. Excellent Customer Service & Return policy. Brand: Oxford University Press, USA hardcover
1982Best.-Nr. SONG0198245645Brand: Oxford University Press USA 1982-04-22. 1. hardcover. Used: Good. 6.31x2.24x9.31. Buy with confidence. Excellent Customer Service & Return policy. Brand: Oxford University Press, USA hardcover
Best.-Nr. SONG0198245602Used: Good unknown
1963Best.-Nr. 6Germany: Scientia Verlag Aalen 1963. Hardcover. Good. Reprint of the 1823 editon. All 10 volumes are scuffed and several of the volumes have nicks on their spines. Interiors are cleaned save for old pencil prices. pages are yellowed at the edges. A good serviceable set. Scientia Verlag Aalen hardcover
Best.-Nr. 957717-nnew. unknown
1732Best.-Nr. 37867BB2 vol., Amsterdam, Chez Jean Frédéric Bernard 1732. 12°. CXIX, 329 p.; 420 p., Reliure plein basane d'époque, dos lis, titre dorés.
1998Best.-Nr. SONG0761911189Sage Publications 1998-02-03. 1. hardcover. Used: Good. 6.25x0.50x9.25. Buy with confidence. Excellent Customer Service & Return policy. Sage Publications hardcover
Best.-Nr. 7684530-nnew. unknown
Best.-Nr. 6764654Taylor & Francis Group . Hardback. New. pp. 336 Taylor & Francis Group hardcover
2017Best.-Nr. x-0822369303Duke Univ Pr 2017. Hardcover. New. 360 pages. 9.00x6.00x1.00 inches. Duke Univ Pr hardcover
Best.-Nr. 44614457-nnew. unknown
Best.-Nr. 6515082Elsevier . Hardback. New. pp. 232 Elsevier hardcover
Best.-Nr. 42293890-nnew. unknown
Best.-Nr. 5256432-nnew. unknown
Best.-Nr. 5256432like new. unknown
Best.-Nr. DADAX041564190XNew unknown
1976Best.-Nr. DADAX0198245599Oxford University Press 1976-09-30. hardcover. New. 5.75x1.63x8.75. Buy with confidence. Excellent Customer Service & Return policy. Oxford University Press hardcover
