4 470 résultats
1829567pp.+ [17] pp. de tables, sans l'atlas des planches, reliure cart. (dos en cuir rouge avec titre doré), 23cm., rousseurs dans le texte, bon état, S61397
réf. 264962S.N. ( Edizione Del Dioscuro ) S.L. (Turin) S.D. (1962) In-4 ( 310 X 220 mm ) de 20 pages ( non paginé ), broché sous couverture illustrée rempliée. Calligraphie et ornementations dorées de Gio MINOLA. EDITION ORIGINALE rare, 1 des 50 exemplaires numérotés sur papier main. Très bel exemplaire.
1846réf. 623348Reutlingen u. Leipzig, ab Band 3/II Stuttgart, C. Mäcken, 1846-57. Gr.-8vo. VIII, 489 S.; VI, 524 S.; VI, 338 S.; 2 Bl. (= S. I-IV), S. 339-504, S. V/VI; VI S., S. 505-773; VI S., S. 775-1158; XIII S., 1 Bl., S. 1159-1474. - Ohne den Registerband. Grüne Pappbände d. Zeit (Band 3/I-V) u. moderne Leinen (Band 1-2), alle mit modernem Rückenschild (die Pappbände leicht berieben u. teils am Rücken mit Tintenspritzern). [3 Warenabbildungen]
réf. 3466Chez Durand, Libraire, Paris, rue Saint-Jacques, 1746. In-12, pleine reliure basane, pièce de titre veau brun, dos à nerfs orné XIII- 291 pp. A Monseigneur le Dauphin - Explication du frontispice et des vignettes - Avant-propos - Table des chapitres - Les Beaux-Arts réduits à un même principe - Première partie : Où l'on établit la nature des arts par celle du génie ...
réf. 0005287Frankfurt und Leipzig. Neueste Auflage. Hardcover. Good. Small 8vo 18.5cm.;lx 482 pages contemporary embossed covers gilt flaked with insect damage to rear cover new spine with new leather label contemporary inked inscription on front free endpaper; x-library rubber stamp on leaf A2 label removed from front free endpaper. Scarce. Kant's Critique of Judgment is the third of his seminal critiques. It first appeared in 1790. This is its third edition. A similar edition appeared at Berlin in 1792. This appears to be a pirated version of that. hardcover
18762 vol. in un tomo in 8, p. VIII - 264 - IV, 319 [1]. Leg. di poco successiva in piena tela, titolo in oro sul dorso. - Prima edizione.
1791In-8°; pp. (4), 268 rame al frontespizio. Il trattato di estetica è suddiviso in tre parti, nella prima si parla del bello il generale e nelle arti, nella seconda del bello nella pittura (invenzione,m disposizione, colorito, chiaroscuro, disegno...), nella terza del bello in architettura (invenzione, disposizione, espressione). Legatura in mezza pergamena coeva con angoli titolo in oro al dorso
réf. 35222In-8, broché, couverture de papier moderne, 18 p. Paris, Imprimerie de la Société des Jeunes Français, An II [1794].
In-8, broché, couverture de papier moderne, 18 p. Edition originale. Auteur d'un ambitieux plan d'éducation nationale égalitaire, Léonard Bourdon obtint en 1788 l’autorisation de créer une école, qui devint en 1792, la "Société des jeunes Français". Fondée sur des principes de liberté et d'égalité et des méthodes éducatives ambitieuses et novatrices, cette école expérimentale était réservée aux orphelins des "défenseurs de la patrie" qui recevait une éducation générale, mais aussi sportive, artistique et professionnelle. L'ouvrage renferme le rapport fondateur de l’institution, des lettres de soutien de personnalités, le détail de l’organisation de la Société ainsi que le prospectus et la liste nominative des instituteurs. (Martin & Walter, 4:1, 15019). Bon exemplaire.
réf. 35555In-8, demi-veau noir, dos lisse orné d'une roulette à froid en place des nerfs, titre doré (reliure moderne), (2) f., iv, 415 p. Paris, Fr. Buisson, An IV [1795].
In-8, demi-veau noir, dos lisse orné d'une roulette à froid en place des nerfs, titre doré (reliure moderne), (2) f., iv, 415 p. Edition originale. "Métier d’écrivain, métier de peintre, le texte de Diderot va de l’un à l’autre. Il ne lui suffit plus de regarder, de décrire, de penser, de juger, il va expérimenter la peinture par l’écriture dans sa capacité à rendre le visible (…). Il fait entrer l’écriture dans le tableau, et pas par la petite porte" (Pierre Lepape). (Adams, EF1. Tchemerzine-Scheler, II, 964). Importantes taches et restaurations aux pages de faux titre et de titre, sans perte de texte. Auréoles aux premiers feuillets.
réf. 14369In-12, pleine basane de l'époque, dos à nerfs orné (reliure frottée, mors et coiffes usées), (1) f. de titre, (10), 189, (23) p., 4 planches (sur 7) dont 2 dépliantes (3 déreliées). Paris, Florentin & Pierre Delaulne, 1699.
In-12, pleine basane de l'époque, dos à nerfs orné (reliure frottée, mors et coiffes usées), (1) f. de titre, (10), 189, (23) p., 4 planches (sur 7) dont 2 dépliantes (3 déreliées). Edition originale.
réf. 53166A Helyopolis i. e. Paris 1787 . Scarce. Original 18th Century French Masonic Booklet. 12mo. 13.5cm x 8.0cm x 1.0cm. 4pp./pp.175/1p. - Table . Original binding absent. A secure text block now preserved in modern paper wraps. " The Adonhiramite Rite is a Masonic system consisting of 33 grades or degrees The founding of the Adonhiramite Rite is traditionally attributed to Louis Guillerman Saint-Victor a French Freemason who in 1781 published the first significant work on the rite entitled "Recueil Pr�cieux de la Ma�onnerie Adonhiramite" Precious Compilation of Adonhiramite Freemasonry. This rite combines Templar Rosicrucian and other esoteric influences into a unique Masonic structure. The work of Louis Guillemain de Saint Victor had an extremely positive impact to the point that in 1785 that is just 3 years after the release of the first part and in the same year as the release of the second it was already being published in French even in Philadelphia USA. This work became a canonical reference of the Adonhiramite Rite and with it the rite itself achieved wide dissemination and expansion in Europe becoming the main rite of the Grande Oriente Lusitano and being exported to its colonies in Africa Asia and the New World including Brazil. In France it became together with the structure proposed by the General Grand Chapter the standard of �Masonic Orthodoxy�." - See Wikipedia A Helyopolis [i. e. Paris] , 1787 . paperback
réf. 71668aafLondon, Seeley, Jackson and Halliday, 1877, gr. in-4to, 196 p. + many ill. plates, half leather, spine with 5 bands, ornements, some trace of use on spine, very good copy. 3 edges gilt.
1989157 pages. plus 10 full-page plates. Originally published in 1856.. "Universally regarded as the classic reference book on Victorian aesthetics, as well as an important visual synopsis of the major forms of decoration... Contains over 100 colour plates which beautifully illustrate a wealth of ornamental patterns from around the world, which spans a historical heritage from the Stone Age and Ancient Egypt to nineteenth-century Europe." - from dust jacket. Clean, bright and unmarked with very light wear. Dust jacket preserved in glossy new archival-grade Brodart. A beautiful copy of this extraordinary work. Gift quality. Book
1919289-384, [144] ads, pages. Profusely illustrated with black and white photos and drawings. Printed upon glossy stock. The many pages of ads include an abundance of nostalgic photos and illustrations. Features: The Summer Home of George C. Nimmons, at Flossmoor, IL; A Potter And His Work - Leon V. Solon; American Combat Airdromes; A Post-War Construction Program - The Building Bureau of the International Committee of the Y.M.C.A. - Part II; Modern Industrial Plants - Part VI-a; The Office Building of Gaston, Williams & Wigmore, on Lower Broadway, New York City - Alfred C. Bossom, Architect; The Architect's Library - The Aesthetics of Engineering - "Bibliographical Notes"; Portfolio of Current Architecture; Notes and Comments. Heavy external wear. Covers loose but present. Library markings to front cover otherwise unmarked. Binding intact. A worthy copy of this wonderful vintage issue. Book
réf. 52986Edinburgh: Printed by C. Stewart And Sold By John Anderson Royal Exchange 1808 . Original bound document. 8vo. 8.5" x 5.5" x 0.3". 4pp./pp.80. Green marbled boards with later blue cloth spine. Edges rubbed and bumped. Gilt title to spine: Dissensions Among Scottish Free Masons - 1808 . Library label to verso of the front board: "Wican Free Public Library". Clear English text on toned/foxed paper . G Edinburgh: Printed by C. Stewart, And Sold By John Anderson, Royal Exchange, 1808 . hardcover
réf. 51156Edinburgh London : William Blackwood and Sons 1873 . A very good original binding carefully re-cased. 8vo. pp.xi/1p./pp.439 59 illustrations and 22 fac-similes . Blue cloth over bevelled boards with gilt decoration and titles. Spine with similar decoration somewhat faded. Light foxing to preliminaries and Index otherwise clean text and illustrations throughout. VG. Edinburgh, London : William Blackwood and Sons 1873 . hardcover
réf. 50749London: Hamilton Adams And Co. Paternoster Row; And R. Spencer 314 High Holborn Nottingham : B. S. Oliver MDCCCXL . 1840 . First Edition. A very good original publisher's binding. 8vo. 9.0" x 6.0" x 1.0". 5pp./pp. viii - xxii./pp.338/2pp. - Advert . Brown blid-stampe decorated boards. Edges rubbed and bumped. Top and tail with small loss. Spine with dulled gilt decoration and titles. Endpaper stuck to verso of the front board with printed library label: "Library Of The Lodge Of Virtue No. 177." Inked inscription to front free-endpaper: "Presented to the Library of the Lodge of Virtue No. 177 Queens' Hotel Manchester by Brother Geo. H. Norton June 20 1848". Second later unused Library label to verso of front free-endpaper: "This Book was presented to the Provincial Grand Lodge Library of the Province Of Lancashire eastern Division." Title-page with engraved vignette and ink stamp: "Lodge Of Virtue 177". Clear English text throughout on lightly toned paper with a few blemishes from previous use. London: Hamilton, Adams, And Co., Paternoster Row; And R. Spencer, 314, High Holborn, Nottingham : B. S. Oliver, MDCCCXL . [184 hardcover
réf. 50789London: Whittaker and Co. Ave-Maria-Lane 1846 . A very good publishers cloth binding. 8vo. 7.75" x 4.75" x 1.25" 19.7cm x 12.2cm x 3.3cm. pp.xxiv./pp.456. Tan buckram binding. Blindstamp decoration to both boards. Smooth spine carefully re-cased with dulled gilt titles: "Preston's Masonry". Corners and edges rubbed and bumped. Library label to verso of the front board: "Lancaster Masonic Library. Presented by W. Bro. J. W. Wearing March 1910." . Previous owner's signature to front free-endpaper: "Mattw. Heathcote Lancaster". Printed title-page. Clear English text throughout on lightly toned paper. A good copy of this scarce 19th century publication. N.B. Matthew Heathcote is listed as an Architect and a Member of the Lodge of Fortitude No. 281 Lancaster from 1837. London: Whittaker and Co. Ave-Maria-Lane, 1846 . hardcover
1990Signature of Robert Bateman, dated 1990, upon half-title page. Over 175 pages. Focuses upon Bateman the painter and the conservationist. 120 all-new paintings are showcased in stunning full-colour plates. Book clean, bright and unmarked with negligible wear to attractive maroon cloth-covered boards. Dust jacket, which bears closed four inch opening to top edge of back panel at spine, bears light wear and is now preserved in a glossy new archival-grade Brodart cover. Nice copy. Book
réf. 36314Grand in-8, broché, xii, (2), 329 p., exemplaire non coupé. Paris, Hugues Robert et Cie, 1899.
Grand in-8, broché, xii, (2), 329 p., exemplaire non coupé. Edition originale et unique illustrée de "80 figures d'idées et exemples géométriques et musicaux". Elève de Massenet et admirateur de Wagner, Émile Chizat (1855-1924) obtint, comme compositeur un grand succès populaire. Il livre ses théories d'une "esthétique musicale nouvelle" fondée sur une cosmogonie singulière qui le rattache aux "fous littéraires". "Son approche consiste à une révision du premier type de musique planétaire qui compare les distances des planètes aux intervalles sur une corde hypothétique. Contrairement aux théoriciens grecs et médiévaux, dont le système musical a été limité à deux ou trois octaves, Chizat trouve faut plus de sept octaves pour transcrire les intervalles des planètes de Mercure à Neptune, y compris les astéroïdes Hungaria, Vesta, Cérès, Psyché, et Ismène, et de découvrir qu'ils se mettaient en place en un accord majeur gigantesque" (cf. J. Godwin, ‘L'ésotérisme musical en France’, 1991, p. 187 sq.). Couverture défraîchie, un mors fendu. Intérieur très frais, Exemplaire non coupé. Rare.
In-8, cartonnage marbré moderne à la Bradel, pièce de titre de maroquin bordeaux, tranches citron (rel. Laurenchet), (2) f., viii, 550 p., 8 lithographies dépliantes dont une en couleurs. Edition originale. Une lithographie en couleurs d'Henry Monnier ; les autres sont de Horace Vernet, Alaux, Franque, Roqueplan, Picot, Bonnefond Cogniet et Delacroix. (Vicaire, IV, 514). Rousseurs éparses. Exemplaire bien relié.
