5.219 Ergebnisse
In-12, pleine toile moderne, titre doré, couverture conservée, tranches mouchetées, (3) f., 387, (1) p. Edition originale et unique. Bonne source sur la vie littéraire et artistique de la période : Eugène Delacroix, Meryon, Victor Hugo et ses dessins, Jules de Goncourt, J.F. Millet, Dauzats, Th. Rousseau, Sainte-Beuve critique d'art, etc. Inspecteur des beaux-arts en 1881, collectionneur et critique d'art, Philippe Burty fut également collectionneur, dessinateur et lithographe averti. Bon exemplaire.
Best.-Nr. 32173Paris, G. Charpentier, 1877. In-12, pleine toile moderne, titre doré, couverture conservée, tranches mouchetées, (3) f., 387, (1) p.
1973Epi 1973, In-8 broché. 127 pages. Bon état.
1973Best.-Nr. 117964Epi 1973, In-8 Epi 1973, In-8 broché. 127 pages. Bon état.
In-8, pleine toile bleue de l'éditeur, titre doré au dos et sur le plat sup. (dos insolé), 259 p., 227 illustrations à pleine page. Très bon état intérieur.
Best.-Nr. 31482Munchen, Franz Hanfstengl, 1924. In-8, pleine toile bleue de l'éditeur, titre doré au dos et sur le plat sup. (dos insolé), 259 p., 227 illustrations à pleine page.
Best.-Nr. 1377Description du livre: Librairie Félix Alcan, collection Art et Esthétique, 1934, 21x15cm, 156p., illustrations h-t.avec un envoi de l'auteur " a monsieur René Gilloin , hommage tres confraternel Georges Huisman "
Best.-Nr. 51505Cork: Printed by Guy & Co. Ltd. 70 Patrick Street 1941 . Third Edition With revisions and additions . Copyright. Scarce copy: Elizabeth Aldworth - The only woman ever admitted to the Masonic Order and her initiation around 1710. 9.0" x 5.75" . pp.37 . Light blue cloth boards with gilt lettering to front board. Edges lightly rubbed and bumped. One light blue paint spot to the front board. White endpapers. Clean throughout. No library marks or other ownership details. Compass and square frontis. Printed title. Text very clean. With 9 colour and black & white illustrations. The Lady Freemason 1693-1772 . Perhaps the most intriguing story in connection with Munster Masonry concerns the Hon. Mrs Elizabeth Aldworth nee St Leger the only Lady Freemason. She was born in 1693 the fourth child and only daughter of Viscount Doneraile who was himself a keen mason. The story states that Lord Doneraile held Lodge meetings at Doneraile Court from time to time. On one occasion c.1712 some building work had been partially completed whereby two rooms were to be connected by an arch. Lord Doneraile and other masons held a meeting in one of the rooms not realising that Elizabeth was in the other room having fallen asleep whilst reading. The sound of voices awakened her and her curiosity aroused she removed a loose brick in the wall and observed the proceedings. It is reported a staff member discovered her. The members of the lodge under the circumstances felt they had to initiate her. At this time she was a young girl not more than nineteen years of age. She remained an interested member of the order until her death in 1772. Typed letters include: Lady Castleton to Mrs Hanford Flood 20 Oct 1907; 4 letters dated 29 Sept 1911; 12 Oct 1911; 19 Oct 1911 & Nov 11 1911; all from John Day the author to Mis A. H. Flood . "Alice Hanford Flood was born in Kilkenny Farmley Leinster Ireland about 1856 daughter of William Hanford Flood 1809 - 3 May 1892 and was the was a sister to Mary Frances Hervey. In 1881 she was living with her father at Wollas Hall Pershore Worcestershire. In 1901 a 44 year old spinster living at 16 Queens Road Paddington London and as Miss A. H. Flood of Thurston she exhibited a watercolour at the 3rd Suffolk Art and Aid Association exhibition held at The Athenaeum Bury St Edmund's on 23 October 1908. In 1911 a 55 year old living at Thurston Cottage Bury St Edmund's Suffolk the home of her brother-in-law Col. Constantine Hervey. Cork: Printed by Guy & Co. Ltd., 70 Patrick Street, 1941 . Third Edition ( With revisions and additions ). Copyright. hardcover
Best.-Nr. 41291Hereford: W. Prosser / London: Daniel Green 85 Holborn Hill MDCCCLXVI. 1866 . "Not Published.". A scarce biography of Richard Lane Freer compiled by his wife Harriet Freer for personal distribution. First and only edition. Full leather armorial binding. 8vo. 10.00" x 6.75" x 1.00" 25cm x 16.6cm x 2.6cm . Crimson calf over thick boards. Front board with the personal crest of Richard Lane Freer and the rear board has the crest of the Archdeacon of Herefordshire. Professionally rebacked at some tine in the past preserving 90% of the original spine. All page edges gilt. Bookplate to the verso of the front board: "Quatuor Coronati Lodge London No. 2076." Also; tipped-in to front endpaper is a compliment-slip: "With Mrs. Lane Freer's Compliments." Free-endpapers foxed. Sepia photo frontis with initials: "R L F" and "Hereford Photo. Company 25 Commercial St." to recto. Printed title in red & blue within a brown frame with corner decoration. Clean text throughout each page within a ruled frame. Illustrated with two sepia photographs: Bishopstone Church facing p.6; Sepia image of a large stained glass window facing p.288 . A list of attendees at the funeral of R. L. Freer includes members of: "The Masonic body of Hereford and Leominster representing the Palladian and Royal Edward Lodges." A well preserved book forming a comprehensive record of an esteemed individual. The Venerable Richard Lane Freer 1804-1863 was Archdeacon of Hereford from 1852 to 1863. Richard Lane Freer was the second son of the Reverend Thomas Lane Freer Rector of Handsworth in Staffordshire. He was educated at Westminster School and Christ Church Oxford where he matriculated 28 April 1824 age 18 took his B.A. in 1828 and his D.D. in 1858. He was Rector of Bishopstone cum Zazor in Herefordshire from 1830 until his death Vicar of Mansel Lacy in the same county 1840 Prebend of Hereford 1847 1863 and Archdeacon of Hereford 1852 1863 and Praelector of the Cathedral from 1861 until his death. His books were incorporated in the Dowdeswell Library at Pull Court in Worcestershire. He married Harriet Clutton 1813-1875 in 1848 . Extractfrom the Hereford Journal of November 21 1863: - "An unprecedentedly numerous gathering of ' the craft ' assembled at leominster on monday to celebrate the anniversary of the Provincial Grand Lodge of Herefordshire; but the occasion was one possessing unusual interest from the fact that a vote of condolence would be passed in Grand Lodge to the relict of the late Right Worshipful the Deputy-provincial grand Master the Venerable Archdeacon of hereford Richard lane Freer D.D. whose decease had caused deep grief not onlyamongst the masonic body but throughout the diocese in which he was revered and esteemed as it only falls to the lot of few to be." Hereford: W. Prosser / London: Daniel Green, 85, Holborn Hill, MDCCCLXVI. [1866] . "Not Published." hardcover
1984Best.-Nr. ART5997MRelié, 207 pages, paru le 1er novembre 1984 chez Rizzoli, livre en très bon état général, intérieur frais, jaquette légèrement usée.
Best.-Nr. 46243Winchester: Lodge of Economy No.76 2011. Celebrating the 250th Anniversary of Lodge of Economy No.76 in Winchester. 1761-2011. "Freemasonry has sometimes been fashionable sometimes persecuted frequently misunderstood. Its standing has varied between welcome acceptance and appreciation on the one hand and dismissal as irrelevant or vilification as perniciou on theother.The author has taken the opportunity of a major anniversary to examine how a single Masonic Lodge for many years the only one in a small but significant city has influenced the social business professional and public life of Winchester and beyond across 50 years." 245cms x 17cms. Pp.147 colour photo frontispiece many black & white photos and illustrations throughout. Paperback. Scarce. VG. Winchester: Lodge of Economy No.76, 2011. paperback
1989LIGUORI 1989 152 PP. FONDO DI MAGAZZINO: PARI AL NUOVO.
1924Best.-Nr. 1172564Straßburg, Heitz, 1924. 16, 301, (3) S. OPp. (Rücken etwas fl.).
1994Best.-Nr. 27908Paris ACR 1994 Fort In-4° 239 pp, très nombreuses illustrations en couleurs
1988Contains b&w plates. 290x220mm. 203 pages. Hardcover with dust jacket. Gilt spine. Jacket edges slightly stained and slightly worn. Cover corners slightly bumped. Spine edges slightly bumped. Text block edges slightly stained. Pages slightly yellowing. Else in good condition.
Best.-Nr. 125102sd H.Vial Editeur, Dourdan S&O - sans date - In-4, brochure agrafée de 38 pages et 48 planches en N&B en feuilles, dans une chemise cartonné, avec un étui cartonné
2011Best.-Nr. 1247172011 Edité par le Laboratoire LLH de l'université de Savoie, collection "Corpus" - 2011 - Edition originale - In-4 à l'italienne - 262 pages - Nombreuses illustrations couleurs, hors-texte, dans l'ouvrage
In folio, pleine toile grise de l'éditeur, titre au dos et sur le plat sup. (auréole sur le plat sup.), 68 p. et 96 planches sur papier glacé. Bon état intérieur.
Best.-Nr. 31516Munchen, R. Riper & Co, 1925. In folio, pleine toile grise de l'éditeur, titre au dos et sur le plat sup. (auréole sur le plat sup.), 68 p. et 96 planches sur papier glacé.
1966DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. OTTIME CONDIZIONI GENERALI, LIEVE BRUNITURA, LIEVI SEGNI DEL TEMPO. FIRMA DI APPARTENENZA IN ANTIPORTA. Il gusto di affidare alla pagina massime e pensieri di stile lapidario era tipico del Seicento, in cui ad esempio La Rochefoucauld riuscì a distillare in pochi libri gran parte della morale del tempo. Paradossalmente, nella civiltà dei rapidi consumi e dei viaggi intercontinentali, la virtù del pensiero breve ed esatto è stata sostituita dall'effusione ridondante ed oscura. Virgilio Lilli rimette in auge quell'antica virtù. I più diffusi temi psicologici e culturali che alimentano le nostre conversazioni quotidiane formano la sostanza di questi suoi flashes morali ma non moralistici. Così l'interminabile casistica cui dà luogo l'ossessione del sesso viene sintetizzata in una serie di osservazioni che pur essendo inquietanti non per questo sono meno suggestive. Lo stesso per la religione, per l'arte, per la politica, per l'angoscia e infine per la morte, con cui si chiude il cerchio sia di libro che della vita. In effetti sesso e morte sono limiti estremi di uno stesso territorio, nel cui spazio l'uomo moderno fabbrica e disfa ininterrottamente i suoi miti tragici e grotteschi, a volte solo banali. Collocandosi nella posizione soggettiva dell'osservatore libero dai freni del conformismo, Virgilio Lilli osserva e annota, risolvendo spesso le tensioni troppo lancinanti nel riso liberatore di una intelligente boutade. Ne volete una prova? Eccola: "Ormai per eccitarci non ci resta che guardare le fotografie delle nostre nonne." Virgilio Lilli (Cosenza, 7 febbraio 1907, Zurigo, 11 gennaio 1976) è stato un giornalista, scrittore e pittore italiano. Descrizione bibliografica Titolo: Microsaggi dal sesso alla morte Autore: Virgilio Lilli Editore: Milano: Arnoldo Mondadori, Novembre 1966 Lunghezza: 153 pagine; 22 cm Soggetti: Saggistica, Saggi, Libri Vintage Fuori catalogo, Aforismi, Pensieri, Frasi, Massime, Filosofia, Etica, Erotismo, Eros, Amore, Eccitazione, Seduzione, Estetica, Morale, Amore, Vita, Morte, Gioia, Intellettuali, Cultura, Società, Religione, Arte, Politica, Angoscia, Esistenza, Umanità, Folklore, Letteratura, Riferimento, Anticonformismo, Sarcasmo, Satira, Umorismo, Osservazioni, Meditazioni, Novecento, Collezionismo, Sesso, Vocabolario, Definizioni, Ritratti, Parole, Senso, Significato, Situazioni, Schizzi, Pudore, Donna, Poligamia, Relazioni, Uomini, Umanità, Critica, Racconti, Volo, Vita, Scienza, Tecnica, Fantasia, Verità, Progresso, Modernità, Citazioni, Tempo, Maturità, Popolo, Lotta, Rabia, Indignazione, Libertà, Leggerezza, Poesia, Noia, Paura, Paroliere, Felicità, Autonomia, Vecchiaia, Prudenza, Vizi, Virtù, Classici, Donne, Collezionismo, Libri rari, Manuali, Mentalità piccolo-borghese, Infedeltà, Lavoro, Critica, Non-fiction, Essays, Out of print books, Aphorisms, Thoughts, Phrases, Maxims, Philosophy, Ethics, Eroticism, Love, Excitement, Seduction, Aesthetics, Moral, Love, Life, Death, Joy, Intellectuals, Culture, Society, Religion, Art, Politics, Anguish, Existence, Humanity, Literature, Reference, Nonconformism, Sarcasm, Satire, Humor, Observations, Meditations, Twentieth century, Collecting, Sex, Vocabulary, Definitions, Portraits, Words, Sense, Meaning, Situations, Sketches, Modesty, Woman, Polygamy, Relations, Men, Humanity, Criticism, Stories, Flight, Life, Science, Technique, Fantasy, Truth, Progress, Modernity, Quotes, Time, Maturity, People, Fight, Indignation, Freedom, Lightness, Poetry, Boredom, Fear, Lyricist, Happiness, Autonomy, Old age, Prudence, Vices, Virtues, Classics, Collecting, Rare books, Manuals, Petty-bourgeois mentality, Infidelity, Work, Criticism, Women
1989Best.-Nr. ARCH6213MBroché, 192 pages, paru le 7 septembre 1989 chez Butterworth-Heinemann, Asia, livre en excellent état.
2011br. Cosa accomuna le attività in cui sono impegnati il lettore di un romanzo, lo spettatore di un film e l'osservatore di un dipinto? Secondo l'autore di questo libro, presto diventato un classico della filosofia delle arti in ambito analitico, stanno tutti praticando un gioco di far finta, significativamente simile a quelli cui si dedicano i bambini. Qui sono le opere artistiche (in particolare quelle che costituiscono rappresentazione di qualcosa) a svolgere all'incirca il ruolo dei giocattoli. Esse hanno la funzione sociale di prescrivere immaginazioni. Attraverso un'analisi serrata e ricca di esempi tratti da letteratura, cinema, teatro e arti visive, l'autore articola la sua teoria cercando di mostrare come sia feconda e in grado di dipanare tutta una serie di questioni. Come si può distinguere la finzione dalla non-finzione? Quali principi guidano le nostre interpretazioni delle opere? Che differenza c'è tra critica e fruizione? Se raffigurare e descrivere sono due modi di rappresentare, come diamo conto delle loro peculiarità? I personaggi della finzione e le loro vicende ci coinvolgono emotivamente, ma come possono essere emozioni genuine le nostre, se sappiamo che non esistono? E se non esistono, come è possibile che ne parliamo e rivolgiamo loro i nostri pensieri? La risposta a questo e molto altro ci viene da quella che l'autore chiama "la magia del far finta", una base straordinariamente promettente sulla quale spiegare le arti rappresentazionali.