7 823 résultats
réf. 270190Dorbon-Ainé Paris S.D.(1912)
1937Broché. 276 pages.
réf. ORD-19588Paris. Mercure de France. 1911. In-12 (121 x 186 mm) broché, couverture jaune imprimée, 253, (1) pages. Rares rousseurs, bon état. Exemplaire courant de l'édition originale numéro 2396, avec mention de 3e édition.
1973réf. 26501973 Sl, [1973]. Photocopie du tapuscrit original. 29,5 x 21 cm, 30 ff. agrafés paginés 1 à 29, 3 corrections autographes. Avertissement de François Reiss.
1998réf. 31513Paris Stock 1998 1 vol. Broché gr. in-8, broché, 25 pp. + (18 p.)., portrait-frontispice. Edition originale suivie de la reproduction intégrale du manuscrit. Avec un envoi autographe signé de l'auteur à Jean d'Ormesson.
1998réf. 31513Paris Stock 1998 1 vol. Broché gr. in-8, broché, 25 pp. + (18 p.)., portrait-frontispice. Edition originale suivie de la reproduction intégrale du manuscrit. Avec un envoi autographe signé de l'auteur à Jean d'Ormesson.
réf. 495104J. De Mat, Imprimeur-Libraire Bruxelles 1841 In-12 ( 180 X 110 mm ) de 360 pages, reliure demi chagrin bronze, dos à nerfs orné de caissons dorés, tranches marbrées ( Reliure de l'époque ). Edition originale. Mors et coupes frottés, bon exemplaire.
1939réf. 6283Paris, Flammarion, 1939 ; in-12, broché ; VII pp. , 211 pp. , (3) pp. ; couverture beige imprimée rouge et noir.
191798pp., 26cm., 1st edition, cart.cover (leather spine), good condition, P75036
1917réf. P75036Berlin, Heinrich Hochstim s.d. [1917] 98pp., 26cm., 1st edition, cart.cover (leather spine), good condition, P75036
1990réf. 120831990 Paris: Paris-Musées, Réunion des Musées Nationaux, 1990 in-4, 351 pages, illustrations. Bibliographie. Broché,
réf. QWA-20646Payot, 1975, in-8 br. (14 x 22,5), 540 p., 1ère édition, coll. "Bibliothèque Scientifique", bon état.
19421 24x19 cm., legatura in brossura con piatti a risvolto, pagg.101 (6), 8 tavole con immagini a disegno originali fuori testo, pagine con barbe, in francese, edizione a tiratura limitata, esemplare n. 560/1110,buone condizioni.
2020réf. 107953NY:: Farrar Straus Giroux. Fine in Fine dust jacket. 2020. Hardcover. 0374252068 . A collection of poems. First printing. Fine in a fine dust jacket. . Farrar Straus Giroux, hardcover books
2000réf. 232574The Easton Press 2000. First Edition. hardcover. Very Good. 0x0x0. Signed. Signed First Edition issued by Easton Press. Full dark gray leather with gilt board design and page edges. Five raised bands to the spine. Clean has a good binding no marks or notations. Quarto. ep/cw The Easton Press hardcover books
1963réf. 343037Brooklyn: Progress Labor Co 1963. Magazine. 15p. wraps minor edge wear and creasing else very good condition 8.5x11 inches. Headline article by Milton Rosen "The Black working-class of Birmingham flexed its giant muscles Birmingham jobless discard non-violence" and more. Progress Labor Co unknown books
Firenze, Sansoni, 1958, volumi 2, in-8 piccolo, tela editoriale con sovraccoperte, pp. CIX, 649 - 962. Piccoli strappetti marginali alle sovraccoperte; per il resto in condizioni molto buone.
In Firenze, nella stamperia di Giuseppe Manni, 1717-1718-1718, voll. 2, in-4, leg. coeva in piena pergamena (mancanza di circa 3 cm. al dorso e alla parte inferiore della copertina posteriore del volume secondo), pp. XXIII, [1], 478, [2] - XIX, [1], 494, [2], 12. Camminamento di tarlo con perdita di testo a 15 carte del volume primo. Tracce di tarlo al margine bianco interno del volume secondo. Solo 3 esemplari segnalati in ICCU. Allegato antico ex-libris manoscritto: "Quiescit hic, et ab antiquo Guidacciiorum Familiae".
1999ill.
1932A clean, unmarked book with a tight binding. Light wear and marks on full black cloth cover. Previous owner's bookplate inside. A later printing. "Hemingway became a bullfighting aficionado after seeing the Pamplona fiesta in the 1920s, which he wrote about in The Sun Also Rises. In Death in the Afternoon, Hemingway explores the metaphysics of bullfighting the ritualized, almost religious practice that he considered analogous to the writer's search for meaning and the essence of life. In bullfighting, he found the elemental nature of life and death." [Wikipedia]
2018A clean, unmarked book with a tight binding. Full gray cloth spine. Slightly bumped corners. 11 1/8"w x 11 1/4"h. 96 pages. Color photographs, often full-page. "Published in connnection with the Museum's reinstallation of highlights of its African collection."
2006Staple-bound magazine of alternative clip art, social philosophy. Packed full of vintage and contemporary black and white graphics on the themes of death, telephones, and scissors. Includes TV Guide parody at rear. 100 pages. Revised Second Edition, 2006.
1971DJ is price-clipped. Dustjacket has wear to corners. Front inner hinge is cracked exposing webbing. Book is still solid. ; Describes burial customs and attitudes toward death in the ancient Roman world-- pagan, Jewish and Christian. First deals with burial rites and tombs among the Etruscan antecedents of the Romans, then gives an account of beliefs in the Roman era of life beyond the grave and the problems of the widespread change from cremation to inhumation. Chapters on practices, cemeteries, tombs, funerary gardens, gravestones, and tomb furniture. ; Aspects of Greek and Roman life; 336 pages
2020ill. L'autore esamina i periodi storici e i motivi che diedero inizio alla produzione di dipinti di nature morte, fermandosi agli anni '30-'40 del '600, quando il nuovo genere pittorico si era ormai affermato. Per chi pensa che la natura morta sia nata nelle Fiandre, sarà forse una sorpresa scoprire che, contemporaneamente verso la fine del '500 vi fu una produzione anche a Francoforte, Toledo, Milano e Roma, ognuna con diverse modalità iconografiche. Il volume termina con una disamina dei motivi che determinarono la definizione dispregiativa di "natura morta" volta a indicare un genere pittorico inferiore, nonché con l'analisi del linguaggio simbolico che all'epoca caratterizzava tali dipinti.