Multiple ContributorsMareMagnum
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1967Contents: Israel Blitz - war coverage - alleging U.S.S. Liberty "accidentally attacked" - with photos of "the death of Egypt's Air Force"; Violence in Grenada; Pathology - Inflammation; The Boeing 747; and much more. Centerfold ad loose but present Unmarked. Average wear. Book
195496 pages. Features: Nice color-photo ad for Italian Cruise Lines inside front cover; Nice color one-page ad for the 1954 Ford V-8 Crestline Sunliner - featuring a red convertible; McCarthy's case #54 and economist Val Rogin Lorwin; Death aboard the U.S.S. Bennington - six die after below-deck explosion - with photo of the deceased; Two pages of photos of the Delta Mission in Indo-China (Vietnam); Sir Gerald Templer of Malaya; Wonderful one-page color vintage ad for Sweet Caporal cigarettes featuring lady in white dress holding bouquet; Mayor Giorgio La Pira of Florence; Photo of publisher Angelo Rizzoli and story about fake letters he published; Photo of Marshal Tito celebrating a birthday; New folding money coming to Canada from the Bank of Canada; The art of Moritz Liebling - 51 of his charcoal and pencil drawings from Auschwitz 2are displayed in Montreal; The passing of Lionel Conacher; TV wedding of Mr. Peepers (Wally Cox); Nice one-page two-color ad for Babcock boilers features their new installation at Ford's new Oakville plant; Feature article on Humphrey Bogart with photos; Nice one-page illustrated ad for the Trans-Canada Telephone System (Long Distance); Article and photo of boxer Tommy "Hurricane" Jackson; The passing of photographer Robert Capa - article with photo; Sentational vintage one-page color IBM ad features illustrations of tube electronics, man operating a new 701 computer, and Chinese man using abacus; Color paintings by frontier reporter George Catlin; Sculptor Jacques Lipchitz - article with photo; Nice color ad for English Electric inside back cover shows large manufacturing project; color Johnnie Walker ad on back cover. Average wear. Unmarked. A sound copy of this nice issue. Magazine
1967Contents: New Haven urban renewal; Urban Coalition; A Program for Cities; George Lincoln Rockwell and the National Socialist White People's Party, and Rockwell's murder by John Patler (Patsalos); Photo of maiden flight of Navy F-111B; Trainees at For Sill P.O.W. Course - preparing for the worst - with photo; Marine Gunnery Sergeant Jimmie E. Howard awarded Medal of Honor - with photo; Smoking and Safety; Forest fires in the Northwest; Vietnam War update; Macnamara on Bombing the North; Arab Refugees after war with Israel; Review of Israel's victory; Photo of North American Aviation's XB-70 and X-15 supersonic aircraft; Ch'u Silk Manuscript; Photo after marriage of George Scott Romney, oldest son of Michigan Governor George Romney; Photo of Bobbie Gentry; Bus Mosbacher; Swimmer Debbie Meyer; Gaylord Perry and the Spitball; Sandy Dennis - article with photos; Photo of Edgar M. Bronfman who purchased shares in MGM from Philip J. Levin; The death of Henry John Kaiser - story with photos; "Alligators" - LaCoste sports shirts; Clarence Jackson of Phoenix, AZ and his fight with Sears; and much more. Unmarked. Above-average wear to cover. Book
1967Contents: Photo of LBJ and his Vietnamese election observers; Photos from the DMZ; Photo of Westmoreland greeting Romney and other Governors in Saigon; Time Essay - The Pleasures and Pain of the Single Life; The Vietnam election; Photo of the Thieu Family at their Saigon home; Photo of Ky with wife Mai and family at Nha Trang; Photo of Viet Cong dead and a salvaged marine copter; Death of Joe Orton; Nice color photo ad for the Chrysler Imperial; Henry Miller and his fifth wife Hoki Tokuda; Decorating the derricks off Long Beach; *Stunning* Chrysler colour-photo centerfold shows the '68 300 2-door hardtop; Photo of Billie Jean King; Photo of Richard Petty - Winner at Darlington; Terrible forest fires in northwest; Full-page color-photo ad for the Wilson Companies features Gale Sayers; Photo of mouth-to-mouth resuscitation attempt to save lineman Charles Whited at top of pole who touched high-voltage line; Photos of new car models including the Buick Skylark, the Dodge Charger and the Plymouth Road Runner; Photo of John Diebold in his Manhattan office; Dl & H. Cohen Ltd. (Denis Bonchy Cohen) - the world's largest maker of kilts; and much more. Unmarked. Average wear. Book
rif. 0664325319.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. ANAIS-0523416369Pinnacle Books 1982. paperback. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Pinnacle Books [1982] paperback
rif. 59060Miller complains about an award ceremony: The program had been endless painful.I belive Jophn's was the last prize. I wanted to simply hand it to him and congratulate him. I said something like "Now that everyone else has said absolutely all there is to say please accept congratulations for yet another award for your great work and let us hurry home." Miller is probably talking about an award given to John Huston who directed the movie "The Misfits" based on Miller's script. unknown
rif. 59060Miller complains about an award ceremony: The program had been endless painful.I belive Jophn's was the last prize. I wanted to simply hand it to him and congratulate him. I said something like "Now that everyone else has said absolutely all there is to say please accept congratulations for yet another award for your great work and let us hurry home." Miller is probably talking about an award given to John Huston who directed the movie "The Misfits" based on Miller's script. unknown books
rif. 135-Eo.J. Feder in Braun, braun laviert, mit einzelner brauner Federlinie umrandet, oben rundbogig geschlossen, auf Velin, links unten signiert, bezeichnet und datiert ?F Nadorp inve. del. Romae 1842?. 23,5:15,9 cm. Verso: Heiliger Nikolaus von Myra, stehend und von zwei Engeln flankiert. Feder in Braun, braun laviert. Vertikale und horizontale Mittelfalte geglättet, kleine Fehlstelle ergänzt.
1922rif. 20498AB1922. Regensburg Habbel 1922. 32 : 25 cm. 2 leaves with coloured original woodcut 16 plates with 16 b/w original woodcuts by Alfred Zacharias. Originla half cloth portfolio title on front cover. One of 100 numbered copies of the deluxe edition numbered and signed by the artist on the title-page. - Alfred Zacharias 25. März 1901 in Regensburg; 3. November 1998 in Gauting was a German teacher graphic artist and poet. He worked mainly in woodcut and his first works were published in the journal 'Die Sichel' hardcover
1842rif. 26384o.O., o.Verlag, 1842. 24,//20,5 cm. 4 S. z.T. gering stockfleckig.
1974In-16 (cm. 19.50), cartonato editoriale, sovracoperta editoriale illustrata, pp. (4), 124, (2). Prima edizione. Lievissime tracce d’uso alla sovracoperta. Etichetta di Libreria al piatto posteriore, sempre della sovracoperta; peraltro in buono stato (good copy). .
1696rif. 5532Frankfurt: Heirs of Matthäus Merian 1696. SECOND EDITION THUS. Fifth edition overall. This edition is based on Merian's own 1649 edition which was the first to include these revised images and a number of the supplementary texts. Hardcover. Fine. Bound in original tanned sheepskin light surface wear corners bumped lower edge of rear board abraded faithfully and almost imperceptibly rebacked the new spine richly tooled in gold and with a red morocco label. Internally an attractive copy with minor soiling and discoloration to margins of the title page scattered mild soiling in the text mainly marginal a few small rust spots and light blemishes a discreet contemporary repair to one blank margin a small tear in the margin no loss of leaf G1 a clean tear barely entering the image no loss on leaf M1; Memento Mori plate lightly soiled. There is a curious feature in this copy: there is light offsetting -from the text of different book- on one side of the 3 sheets that made up gatherings H S and Cc probably the result of those sheets having been laid upon sheets of the other book while still damp. With the collector's stamp of Johann Carl Conrad Oelrichs 1722-1798 on the title verso. A series of engravings with accompanying text by Matthäus Merian the Elder depicting the Grossbasler Totentanz the 60-meter long Dance of Death mural painted circa 1439 which adorned the inner face of the cemetery wall adjoining the Dominican convent and Predigerkirche in Basel. It was along with the Danse Macabre murals painted in the arcades of the Paris Cimetière des Innocents one of the two earliest painted Dance of Death fresco cycles. The Basel frescoes were lost in 1805 when the wall was destroyed. Only 19 fragments survive. The murals depicted a communal dance between cadavers and people from all strata of society from pope to peasant including members of various trades and professions from physician to fool. The list of those who join -unwillingly- their macabre dance masters in this dance to the grave are in order of appearance: pope emperor empress king queen cardinal bishop duke duchess count abbot knight lawyer councilman church canon physician nobleman noblewoman merchant abbess lame man hermit young man usurer maiden minstrel herald mayor executioner fool peddler blind man Jew heathens a man and a woman cook peasant painter and a mother holding her child. The dance is preceded by the images of a preacher delivering a sermon and a group of skeletons emerging from a charnel house playing instruments this image was probably added over the actual ossuary in the cloister during the restoration of 1616. "The figures of Death were depicted in all kinds of contortions suggesting movement and presumably intended to evoke an association between the represented action and the variety of dance being performed particularly round dances Reigen popular at that time. This is all the more probable because the introductory part of the dance of death which did not survive quite likely depicted figures of Death making music."Dreier Der Totentanz p. 47 "Beneath the pictures was a band containing addresses by Death and replies by the individual representatives of the estates each of four lines in Basel or eight lines in Paris. These verses were written in the local idiom generally in iambic rhyming couplets or alternating rhyme. In the verses the encounter between Death and the human representative was cast as a dialogue in which Death reminded human beings that in the face of mortality everything worldly was transitory and vain. Following Erwin Koller's outstanding philological investigations. it may be assumed that the blockbook produced in Basel around 1460 now preserved in Heidelberg University Library under the shelfmark cpg 438 is a contemporary virtually identical transcription of the original Basel text."Dreier p. 48 Merian made his engravings based on his drawings of the Basel frescoes in 1616. He then either gave or sold his engravings to his nephew Johann Jakob Merian. The first two editions appeared in 1621 one of them printed by Johann Schröter the other by Matthäus Mieg who re-published the book in 1625. The artist himself reworked the plates in 1649 adding atmospheric elements and background details and printed them with a greatly expanded text. This 1696 edition by Merian's heirs reprints the images and text of that edition. For the 1649 expanded edition Merian added a 10-page history of the Basel mural the now-iconic Memento Mori engraving an hourglass with a skull a burning candle and wilting flowers the Adam and Eve engraving and the dual-portrait engraving which when viewed right side up shows a bearded man and when turned upside down show a death's head. Merian also added as announced on the title 42 pages of "Admonitions concerning Human Mortality the Fleeting Nature of This Present Life and the Vanity of All Earthly Things; concerning the Burial and Resurrection of the Dead; concerning the Last Judgment; concerning Hell and the Damnation of the Godless; and concerning Eternal Life.". Heirs of Matthäus Merian hardcover
1696rif. 5532Frankfurt: Heirs of Matthäus Merian 1696. SECOND EDITION THUS. Fifth edition overall. This edition is based on Merian's own 1649 edition which was the first to include these revised images and a number of the supplementary texts. Hardcover. Fine. Bound in original tanned sheepskin light surface wear corners bumped lower edge of rear board abraded faithfully and almost imperceptibly rebacked the new spine richly tooled in gold and with a red morocco label. Internally an attractive copy with minor soiling and discoloration to margins of the title page scattered mild soiling in the text mainly marginal a few small rust spots and light blemishes a discreet contemporary repair to one blank margin a small tear in the margin no loss of leaf G1 a clean tear barely entering the image no loss on leaf M1; Memento Mori plate lightly soiled. There is a curious feature in this copy: there is light offsetting -from the text of different book- on one side of the 3 sheets that made up gatherings H S and Cc probably the result of those sheets having been laid upon sheets of the other book while still damp. With the collector's stamp of Johann Carl Conrad Oelrichs 1722-1798 on the title verso. A series of engravings with accompanying text by Matthäus Merian the Elder depicting the Grossbasler Totentanz the 60-meter long Dance of Death mural painted circa 1439 which adorned the inner face of the cemetery wall adjoining the Dominican convent and Predigerkirche in Basel. It was along with the Danse Macabre murals painted in the arcades of the Paris Cimetière des Innocents one of the two earliest painted Dance of Death fresco cycles. The Basel frescoes were lost in 1805 when the wall was destroyed. Only 19 fragments survive. The murals depicted a communal dance between cadavers and people from all strata of society from pope to peasant including members of various trades and professions from physician to fool. The list of those who join -unwillingly- their macabre dance masters in this dance to the grave are in order of appearance: pope emperor empress king queen cardinal bishop duke duchess count abbot knight lawyer councilman church canon physician nobleman noblewoman merchant abbess lame man hermit young man usurer maiden minstrel herald mayor executioner fool peddler blind man Jew heathens a man and a woman cook peasant painter and a mother holding her child. The dance is preceded by the images of a preacher delivering a sermon and a group of skeletons emerging from a charnel house playing instruments this image was probably added over the actual ossuary in the cloister during the restoration of 1616. "The figures of Death were depicted in all kinds of contortions suggesting movement and presumably intended to evoke an association between the represented action and the variety of dance being performed particularly round dances Reigen popular at that time. This is all the more probable because the introductory part of the dance of death which did not survive quite likely depicted figures of Death making music."Dreier Der Totentanz p. 47 "Beneath the pictures was a band containing addresses by Death and replies by the individual representatives of the estates each of four lines in Basel or eight lines in Paris. These verses were written in the local idiom generally in iambic rhyming couplets or alternating rhyme. In the verses the encounter between Death and the human representative was cast as a dialogue in which Death reminded human beings that in the face of mortality everything worldly was transitory and vain. Following Erwin Koller's outstanding philological investigations. it may be assumed that the blockbook produced in Basel around 1460 now preserved in Heidelberg University Library under the shelfmark cpg 438 is a contemporary virtually identical transcription of the original Basel text."Dreier p. 48 Merian made his engravings based on his drawings of the Basel frescoes in 1616. He then either gave or sold his engravings to his nephew Johann Jakob Merian. The first two editions appeared in 1621 one of them printed by Johann Schröter the other by Matthäus Mieg who re-published the book in 1625. The artist himself reworked the plates in 1649 adding atmospheric elements and background details and printed them with a greatly expanded text. This 1696 edition by Merian's heirs reprints the images and text of that edition. For the 1649 expanded edition Merian added a 10-page history of the Basel mural the now-iconic Memento Mori engraving an hourglass with a skull a burning candle and wilting flowers the Adam and Eve engraving and the dual-portrait engraving which when viewed right side up shows a bearded man and when turned upside down show a death's head. Merian also added as announced on the title 42 pages of "Admonitions concerning Human Mortality the Fleeting Nature of This Present Life and the Vanity of All Earthly Things; concerning the Burial and Resurrection of the Dead; concerning the Last Judgment; concerning Hell and the Damnation of the Godless; and concerning Eternal Life.". Heirs of Matthäus Merian hardcover books
1875rif. 18253AB1875. Basel Schneider 1875. 13 : 11 cm. 44 Leaves with 42 woodcuts. Half calf in contemporary style gilt tile on back top edge gilt Original wrappers bound in Showing the famous woodcuts. - Text in French English and German. - A bit stained. unknown
1881rif. 3623662(Luzern, Eglin, 1881). Quer-kl.-8vo. Illustrierter Titel, 58 Tafeln in (Photo?-)Lithographie, 1 Bl. Tafelverzeichnis. Moderner Hlwdbd mit aufgezogenem illustriertem OVorderumschlag (Umschlag mit mehreren größeren Schabspuren, Titel etwas begriffen, Tafeln gering gebräunt, wenige mit geringen Verfärbungen, 5 Tafeln mit geringen, teils hinterlegten Randläsuren, 2 Tafeln oben am Falz zusammengeklebt).
rif. BN322457Anaya Touring. Tokio y Kioto INTERCITY GUIDES - Internacional Tokio y Kioto INTERCITY GUIDES - Internacional Anaya Touring et Marc Aitor Morte Ustarroz Anaya Touring unknown
rif. 200601872, Glénat, 1991 ; in-4, 48 pp., cartonnage de l'éditeur. Eo.
rif. 200601871, Glénat, 1991 ; in-4, 48 pp., cartonnage de l'éditeur. Eo.
rif. 90548Lyon, Henry Georg, Libraire-Editeur, Imp. Mougin-Rusand, Coll. Lyonnaise, 11 volumes, 1878-1882, plus ou moins 100 p. par volume, brochés sous couverture rempliées imprimées en rouge et noir, feuillets non rognés. Tirage à 100 exemplaires. Des rousseurs dans 4 volumes, couvertures légèrement salies ou insolées, bon état pour le reste.
2017rif. 154464P.S. Artbooks 2017. Hard Cover. Near Fine/Pictorial Boards. Book is in excellent condition. Binding is solid and square covers have sharp corners exterior shows no blemishes but a few small marks lower back cover otherwise Fine. Text/interior is clean and free of marking of any kind. Comics in full color throughout chronologically arranged with covers Charles Atlas & Amazing Values ads at back etc. illustrated endpapers. Unpaginated about 200 pages. Stated ""First Edition"" on publisher's page. Contains November / January 1954 - September November 1954 May/June 1955 - September/October 1955 P.S. Artbooks hardcover
2001rif. Q-0439305780Scholastic 2001-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Scholastic paperback
1925rif. 1016Feist Building New York: Leo. Feist Inc 1925. Ephemera no binding. Very good. Ray HENDERSON. 12 1/8" x 9 1/4"; 5 1pp; color pictorial front wrapper; ad for "You Can't Go Wrong With These 'Feist' Songs" on rear wrapper; very good. A Powerful and Appealing Ballad with Ukulele Accompaniment. Featured by Helen Moretti. Leo. Feist, Inc unknown books
rif. 0917201019.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 58.1aafDiese Kopie in Aquarell, die früheste, die wir vom Zyklus kennen, trägt die Signatur A. Krafft 1878. Es handelt sich um eine Zusammenstellung von 23 Einzelblättern, je 10 x 14 cm, die auf Karton aufgeklebt sind, das ganze Blatt ist 67 x 90 cm (oben am Bildrand, Karton etwas gerissen). Die Aquarelle zeigen die einzelnen Totentanzszenen, deren soziale Rangstellung von oben nach unten und von links nach rechts abnimmt, von Papst und Kaiser bis unten hin zum Handwerker und Landmann. In Holzrahmen mit Glas.
