8 420 résultats
1786réf. 4439France 1786. Hand-colored etched folding paper fan printed on the recto of two joined sheets backed in plain paper mounted on 15 later plain wooden sticks the open leaf measuring approx. 112 x 460 mm. total fan height 260 mm. The etching shows two couples and a small dog and table with wine carafe and glass flanking a female figure in white Grecian robes and a green wreath holding in one hand a heart at her breast and with the other hand ceremoniously setting alight a bundle of wood a fagot on a small pedestal or altar above which is the wreathed inscription Institution des fagotiers a auteuil le 2 avril 1786 / On prete serment sur un fagot de pratiquer toute sa vie cinq vertus : cordial franchise amitié générosité obeisance sic et tendresse; at top a star with the initials T L A and a banner lettered Vertus des fagotiers surmounted by the caption Ronde joyeuse des fagotiers/ Air: c’est la petite Theresse sic; on either side of this scene are four verses within two green-outlined oval cartouches within stenciled blue and yellow decorative border. Some wear and slight splitting along a few folds a couple of small tears at mounts. A mildly licentious pre-Revolutionary printed fan possibly commemorating a real event a “festival of the wood-gatherers” fagotiers held in Auteuil on April 2 1786 but of which there appears to be no historical record. Rather than a guild the fagotiers may have been a local association or club. The symbolism of the image and verses seems to be along the lines of Carpe diem carnally for death is around the corner — heavy sentiments for a feather-light fan. One of the men is gesturing toward his partner’s crotch and the verses on either side of the central scene are dotted with sexual innuendo. The first stanza “Let us sing of the burning fagot a bundle of small wood lit by friendship / he who backs away from it knows her i.e. friendship only half-way / without her life is nothing / with her one is deified” could be understood as innocuous but the second stanza celebrates the joys of Déduit an archaic term for the pleasures of love or coïtus. Stanza three brings in Death in the form of Charon: “amiable fellow let us sing his good humor his boat may lead to the devil but his spirit leads to happiness / with his worthy ardor the fire burns in our hearts.” The last stanza declares that the “august fagotine law” allows us to include women we need not hide everyone kiss your partner etc. I locate one other example of this fan held by the Musée Carnavelet in Paris. It is digitized on their website with the description “The Genie of Friendship lights the pyre on which the couples will take the oath of friendship.” The stenciled border of our copy differs from that of the Carnavelet example which is in pink; here it is in two colors and includes two birds perched on branches. unknown books
1786réf. 4439France 1786. Hand-colored etched folding paper fan printed on the recto of two joined sheets backed in plain paper mounted on 15 later plain wooden sticks the open leaf measuring approx. 112 x 460 mm. total fan height 260 mm. The etching shows two couples and a small dog and table with wine carafe and glass flanking a female figure in white Grecian robes and a green wreath holding in one hand a heart at her breast and with the other hand ceremoniously setting alight a bundle of wood a fagot on a small pedestal or altar above which is the wreathed inscription Institution des fagotiers a auteuil le 2 avril 1786 / On prete serment sur un fagot de pratiquer toute sa vie cinq vertus : cordial franchise amitié générosité obeisance sic et tendresse; at top a star with the initials T L A and a banner lettered Vertus des fagotiers surmounted by the caption Ronde joyeuse des fagotiers/ Air: c’est la petite Theresse sic; on either side of this scene are four verses within two green-outlined oval cartouches within stenciled blue and yellow decorative border. Some wear and slight splitting along a few folds a couple of small tears at mounts. A mildly licentious pre-Revolutionary printed fan possibly commemorating a real event a “festival of the wood-gatherers” fagotiers held in Auteuil on April 2 1786 but of which there appears to be no historical record. Rather than a guild the fagotiers may have been a local association or club. The symbolism of the image and verses seems to be along the lines of Carpe diem carnally for death is around the corner — heavy sentiments for a feather-light fan. One of the men is gesturing toward his partner’s crotch and the verses on either side of the central scene are dotted with sexual innuendo. The first stanza “Let us sing of the burning fagot a bundle of small wood lit by friendship / he who backs away from it knows her i.e. friendship only half-way / without her life is nothing / with her one is deified” could be understood as innocuous but the second stanza celebrates the joys of Déduit an archaic term for the pleasures of love or coïtus. Stanza three brings in Death in the form of Charon: “amiable fellow let us sing his good humor his boat may lead to the devil but his spirit leads to happiness / with his worthy ardor the fire burns in our hearts.” The last stanza declares that the “august fagotine law” allows us to include women we need not hide everyone kiss your partner etc. I locate one other example of this fan held by the Musée Carnavelet in Paris. It is digitized on their website with the description “The Genie of Friendship lights the pyre on which the couples will take the oath of friendship.” The stenciled border of our copy differs from that of the Carnavelet example which is in pink; here it is in two colors and includes two birds perched on branches. unknown
2013ill., ril. Una toccante storia sulla perdita del cane di famiglia. Un valido aiuto per affrontare il tema della morte con i bambini. Età di lettura: da 5 anni.
1984In-16 (cm. 17.50), similpelle editoriale, titolo oro al dorso, sovracoperta, cofanetto, pp. LVI, 765, (9). In buono stato (good copy).
1951In-8 (cm. 21), tela editoriale, titoli in oro su tasselli al dorso, pp. XII, 630, (2), con un ritratto dell’Autore in bianco e nero in antiporta. A cura di Giuseppe Donnini. Conservata la scheda bibliografica editoriale. Carte minimamente brunite, soprattutto ai tagli; peraltro, volume in ottimo stato (nice copy).
2010LIGUORI 2010 666 PP. FONDO DI MAGAZZINO: PERFETTO E INTONSO Tra la fine del XVIII e i primi decenni del XIX secolo, nell'età delle rivoluzioni (politiche, economiche, culturali), l'Europa fu attraversata da trasformazioni storiche ed antropologiche essenziali. Nell'ambito della cultura e delle arti, il movimento che più di altri seppe riflettere lo "spirito del tempo" fu il Romanticismo, tendenza che auspicava sia il recupero della tradizione che una propria identità controcorrente. La ricostruzione messa a punto in questo volume fa ben emergere come, nell'età romantica, l'arte (attraverso le poetiche di artisti quali Goya, Friedrich, Géricault, Delacroix, Turner, Fontanesi...) si sia manifestata secondo modalità plurali e perciò, di volta in volta, come naturalistica, storica, simbolica. Un'arte radicata nella civiltà filosofica, letteraria e musicale del tempo, le cui espressioni costituiscono uno degli archetipi fondamentali della creatività estetica dell'Occidente. Alfredo De Paz Insegna Metodologia della critica d´arte e Fenomenologia degli stili nell´Università di Bologna. Ha scritto numerosi saggi e libri teorici e storici sull´arte dell´Ottocento e del Novecento. Pur non trascurando i suoi molteplici interessi disciplinari, in una direzione che si dimostra assai sensibile alla storia delle idee, da molti anni è, fra l´altro, impegnato con passione analitica a interpretare l´arte e la cultura del romanticismo europeo in una prospettiva di proiezione contemporanea e postmoderna. INDICE Prologo Significati storici ed estetici dell´arte europea nell´età del Romanticismo Parte prima L´area spagnola. Goya, un annunciatore “solitario” della Modernità Parte seconda L´area tedesca. Naturalismo mistico e sentimento cosmico Parte terza L´area francese. Critica della classicità, mitologie e coscienza storica Parte quarta L´area inglese. Immaginazione visionaria e fenomenologia della natura Parte quinta L´area italiana. Permanenze neoclassiche, rievocazioni storiche e “verismo” naturalistico Epilogo Frammenti critici per una teoria generale dell´arte romantica Illustrazioni Bibliografia Indice dei nomi
réf. 18673Seuil Intégrale Seuil, Coll. l'Intégrale, 3 volumes, 1979-1981, cartonnage éditeur sous jaquette et rhodoïd, environ 22x17cm, haut des jaquette effrangé sans déficit, 425+566+558 pages illustrées de quelques reproductions en noir et blanc. Très agréable ensemble. Sain, frais et propre.
1937réf. 20330Barcelona, Editorial Nuestro Pueblo (Talleres Gráficos Ramón Sopena), 1937 ; in-16 (164 mm), broché ; 79, [1] pp., couverture crème décorée imprimée en rouge ; 7 dessins de Juan Antonio y compris le frontispice.
1962Mm 170x240 Volume in copertina rigida con titolo in oro al dorso, custodia originale figurata a colori, 412 pagine intercalate da tavole in nero e a colori non comprese nel testo. Prima edizione. Ottima copia, spedizione in 24 ore dalla conferma dell'ordine.
2018Mm 125x205 Collana "Intersezioni". Volume nella sua brossura originale con alette, 290 pagine. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
2020brossura
1981réf. 31496Paris Belfond 1981 In-8 Collection "Les dossiers Belfond" - 283 pp - reproductions photographiques (au milieu du livre) non comprises dans la pagination
1958Features: Bare Hands & Fury - Man Against Cougar on Vancouver Island; Sportsmen's Shows in Toronto and Montreal; It's March - Be Kind; .22 Semi-Automatic; The English Setter; J.B. Crucq's Target of the Year; Nice ad on back cover announces winners in the Third Annual Thomas Adams Ontario Deer Hunting Competition; and more. Average wear. A sound copy. Book
1966Ponson du Terrail Rocambole (VIII episodio) La Morte Nell'abisso. , Garzanti 1966, La copertina presenta vaghe fioriture soprattutto sui piatti interni.Rilegatura precaria. Le pagine sono in buone condizioni Mediocre (Poor) . 237
réf. 10601Les Editions du Cèdre In-8, broché, couverture en papier toilé unie et titrage en vert, 159 pages, bon ensemble en belle condition.
1928réf. 93776sans nom 1928 1 vol. broché 2 plaquettes en un vol. in-8, demi-basane bleu nuit, dos lisse, pagination non continue, 4 photographies hors-texte. 2 plaquettes à la mémoire de Robert de Fontainemarie tombé pour la France en 1918 et de son fils Edouard emporté par une maladie en 1928 à l'âge de 15 ans. L'exemplaire a été établi avec une lettre autographe à propos du décès de Robert et une image pieuse in-fine. Ex-libris de l'éditeur Henri Laurens.
1928réf. 93776sans nom 1928 1 vol. broché 2 plaquettes en un vol. in-8, demi-basane bleu nuit, dos lisse, pagination non continue, 4 photographies hors-texte. 2 plaquettes à la mémoire de Robert de Fontainemarie tombé pour la France en 1918 et de son fils Edouard emporté par une maladie en 1928 à l'âge de 15 ans. L'exemplaire a été établi avec une lettre autographe à propos du décès de Robert et une image pieuse in-fine. Ex-libris de l'éditeur Henri Laurens.
2006Mm 145x215 Volume rilegato in mezza pelle, titolo in oro al dorso, 156 pagine, illustrazioni a colori e in nero. Ottimo stato. Spedizione entro 24 ore dalla conferma dell'ordine.
19818vo., First Edition; green cloth, gilt back, a near fine copy in price-clipped dustwrapper.
1692réf. 1212[Rouen, 1692] ; in-12 de 78 pp, reliure de l’époque maroquin rouge à la Duseuil, dos à nerfs orné, tranches dorées.
2010New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 82 p. Contents: Preface On the Notion of Death The Sociological Dimension of Death: Tradition of Condolence The Objective of the Research - The Methodology of the Research Condolence as a Social Body The Tradition of Condolence in the East and Southeast Anatolia The Commencement of the Condolence: Announcement of the Death - Psychological Support: First hours of the Family after the Death - Areas Deferred in Modern Life: Cemetery Rituals - A Place Donated by the Memories of the Deceased: The Condolence Location - Condolence and Daily Life - The Roles and Places of Wailing Women within the Tradition of Condolence: Lament - Condolence as a Social Interaction - Case Study 1: The Tradition of Condolence among Arabs in Siirt - Case Study 2: The Tradition of Condolence among Syriac and Yazidi communities - Case Study 3: A Case from an Alawi Village in Mus Varto The Changing Face of Condolence The New Location of Condolence: The House of Condolence - The Portable Location of Condolence: The Condolence Tent - Changing Patterns in the Tradition of Condolence The Tradition of Condolence in Photographs Conclusion Bibliography.
1969Book shows light wear to covers, some edge wear. Binding is solid and square, text/interior is clean and free of marking of any kind. Previous owner's name or sticker in front section of the book. 213 pages with b&w photos throughout. Contents include: Planes of classification in a ritual of life and death, Paradoxes of twinship in Ndembu ritual, Communitas: model and pocess, etc.
2015ill., br. Un libro per creare tanti uccelli diversi in stile naturalistico con gli acrilici.
1999ill.
