GEORG FRIEDRICH WILHELM HEGELMareMagnum
19732 AGILI VOLUMI Laterza 1973 TRADUZIONE E PREFAZIONE DI BENEDETTO CROCE NOTA BIOGRAFICA GLOSSARIO E INDICE DEI NOMI CITATI A CURA DI NICOLAO MERKER. 600 PP. + INDICE. FONDO DI MAGAZZINO: SEGNI DEL TEMPO, MACCHIE DI LUCE E LIEVI FIORITURE AL DORSO E AI TAGLI, VOLUMI INTONSI, MAI SFOGLIATI.
Best.-Nr. 7299La Découverte Broché au format 14x20cm,bel exemplaire,237 pages.
2017brossura Il libro è il risultato della personalissima interpretazione del lago Maggiore da parte di Stefano Vanetti, da sempre appassionato di fotografia. Attraverso l'obiettivo della macchina fotografica ha riscoperto in un'ottica nuova i luoghi in cui è cresciuto, e con questa pubblicazione ci regala un viaggio emozionale davvero suggestivo sulle sponde del lago Maggiore.
1846in-4 (mm 194x125), pp.4. Carta vergellata. La prima pagina comprende la sentenza di morte proclamata in seguito alla tentata grassazione a danno di Teresa Santi vedova Donò con barbaro omicidio di Martino Ferello, suo servo, la sera dell'11 febbraio 1846, contro Boglietti Michele, di anni 27, di Bussolino di Gassino, oste; Fossati Giovanni Battista, di anni 30, di Racconigi, scalpellino; Fossati Pietro, 23 anni, di Fini di Pinerolo, scalpellino; Capriolo Giacomo, 27 anni, di Sommariva Perno, calzolaio e portinaio; Basano Andrea, di 31 anni, di Baldissero d'Alba, lisciatore di marmi; Gallo Giovanni Battista, di 38 anni, di S. Benedetto, contadino; Masante Antonia, di 30 anni, nata a Farigliano, indotata e moglie del Gallo. Nelle pagine seguenti la descrizione del malfatto e dell'omicidio: i cinque malviventi riescono a farsi aprire la porta in quanto due di loro travestiti da carabinieri, ma vengono subito smascherati dal servitore, che viene quindi ucciso crivellato da venticinque ferite inferte con due diversi coltelli. Il fatto avviene nella collina torinese, in Val Pattonera, presso la vigna di una villa. Pietro Fossati e Michele Boglietti sono condannati alla pena di morte. Michele Boglietti viene impiccato il giorno 16 giugno 1846 a Torino, con l'assistenza di San Giuseppe Cafasso e della Arciconfraternita della Misericordia di Torino. A differenza di molti altri condannati del periodo precedente al 1848, Michele Boglietti viene più volte ricordato dalla stampa, da svariate pubblicazioni agiografiche e dalla letteratura popolare. Il conte progressista Battista Giovanni Michelini gli dedica un articolo nel fascicolo del 15 agosto 1846 della rivista Letture di Famiglia, pubblicata da Lorenzo Valerio. Michele Boglietti è poi ricordato nelle biografie da San Giuseppe Cafasso, sia in quelle antiche che in quelle moderne, come quella di Aldo Cazzullo (I torinesi da Cavour a oggi, Roma 2002). Esemplare in buono stato di conservazione, lieve macchia di umido nel bordo superiore.. .
2008La battaglia di un padre perchè sia riconosciuta alla figlia il dirittto di libertà di cura e di terapia...
1858Opuscolo ricavato da originaria raccolta miscellanea (33f).
1858Opuscolo ricavato da originaria raccolta miscellanea (33f).
2018brossura Più che elogio del suicidio, elogio della libertà di scelta, anche di quella più estrema. Oggi nel mondo ogni 40 secondi una persona commette suicidio: circa un milione di morti all'anno. La maggior parte di queste persone è costretta da una società ipocrita a ricorrere a metodi incerti e strazianti, perché quelli per ottenere una morte rapida e indolore non sono messi a disposizione di tutti, ma tenuti nascosti e resi illegali. La società si fregia della propria mancanza di compassione negando a chi non vuole più vivere il diritto di scegliere una morte più dolce, in nome di un rispetto della vita che si traduce in sopraffazione del più debole. Non si preoccupa di quelle vite, e ben poco può per prevenire quelle morti, si preoccupa solo di rendere inaccessibili tutti i mezzi in grado di garantire un trapasso certo e sereno, rendendo le sofferenze di chi si uccide un trofeo alla propria ipocrisia. Forse è giunta l'ora di infrangere il tabù del suicidio e di accoglierlo come uno dei tanti fatti della vita.
2018brossura Più che elogio del suicidio, elogio della libertà di scelta, anche di quella più estrema. Oggi nel mondo ogni 40 secondi una persona commette suicidio: circa un milione di morti all'anno. La maggior parte di queste persone è costretta da una società ipocrita a ricorrere a metodi incerti e strazianti, perché quelli per ottenere una morte rapida e indolore non sono messi a disposizione di tutti, ma tenuti nascosti e resi illegali. La società si fregia della propria mancanza di compassione negando a chi non vuole più vivere il diritto di scegliere una morte più dolce, in nome di un rispetto della vita che si traduce in sopraffazione del più debole. Non si preoccupa di quelle vite, e ben poco può per prevenire quelle morti, si preoccupa solo di rendere inaccessibili tutti i mezzi in grado di garantire un trapasso certo e sereno, rendendo le sofferenze di chi si uccide un trofeo alla propria ipocrisia. Forse è giunta l'ora di infrangere il tabù del suicidio e di accoglierlo come uno dei tanti fatti della vita.
Best.-Nr. 52226aafColoniae Munatianae (Basel), sumptibus Emanuelis Thurneisen, 1784, in-8vo, Titelbl. mit Druckermarke (an den vertik. Rändern ausgebessert) + 38 S. + 4 Bl., verziert mit einigen dekorat. Vignetten, vereinzelt leicht wasserfleckig am Rand, leicht gebräunt, gestoch. Wappen-Exlibris ‘Ignace de Billieux Chanoine, Directeur des Etudes’, Halblederband mit Ecken, Buntpapier auf den Deckeln, hs. Titel-Etikett oben am Rücken, Rotschnitt.
1854Best.-Nr. vb2367Librairie Charpentier Broché 1854 In-8 (14,2 x 22,5 cm), broché, 229 pages ; réparation à la colle au dos et mors supérieur, bords des plats usés, rousseurs aux plats et à l'intérieur, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1932Sensational vintage compilation of thirty-five 1930s lumberjack songs from the Pacific Northwest. Elmore Vincent was known as "The Northwest Shanty Boy" and the front cover art features his image superimposed over a scene of tall timber being brought down by hand, as chainsaws were but a dream at that time. 64 pages. Includes lyrics, guitar chords and piano sheet music for these songs: A Lumber Lad's Love, Ballad of the Lumberjack, Billy the River Driver, Canaday-I-O, Come With Me In My Little Canoe, Darling Janet, Down in That Lonely Valley, Drinking Song, Fair Charlotte, Grizzly Hogan, Lonesome Lumberjack, Lumberjack Memories, Moose Meat, Smart Johnny the Logger, Song of the Lumberjack, Strawberry Lane, The Death of George Phalen, The Flying Cloud, The Gambling Lumberjack and the Jim Creek Girl, The Good Old Times, The Great Fit, The Green River Girl, "The Jam at Gerry's Rock", The Lakes of Pontchartrain, Three Leaves of Shamrock, The Little Brown Bulls, The Lumberjack and the Pretty Girl, The Lumberjack's Alphabet, The Lumberjack's Bible, The Lumberjack in Town [as sung on Seattle's "Skid Road" by Syd Johnson], The Sandy Stream Song, The Stranger and the Maiden Fair, The Two Sisters, Who Feeds Us Beans, and Yodeling Lumberjack. Most songs have several verses or more. Unmarked with above-average wear. Binding intact. A rare and wonderful musical memento of the glory days of Northwest lumberjacking. Book
1957Best.-Nr. 2090502113714912Not Available 1957. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1900Best.-Nr. 4922N.p. France: No printer for Joseph Vitta 1900. FIRST STATE of two before the addition of the artist's signature in the plate. Hardcover. Fine. Printed on laid paper with watermarks "A. Portabeuf" and "Arches". Most margins untrimmed with their deckled edges preserved. Light marginal soiling to some plates one plate with light foxing in lower margin not touching the image one plate with foxing to blank verso not visible on the printed recto final plate with light crease to blank margin and soiling to blank verso. Very light dust-soiling to the tips of the deckles and occasional very small tears in the margins. Housed in a custom box. This copy formerly with David Carritt Limited Artemis Group Ltd. London. A complete set of Albert Besnard's striking suite of 26 etchings on the theme of death signed by the artist in graphite. The edition was limited to nine impressions five of them on paper. At least one paper set and one vellum set were dispersed the National Gallery of Art Washington D.C. has a set comprising a single vellum leaf the other 25 are mixed states on paper. In this set nine prints Delteil 131 136 139 148 150-152 155 156 have watermark "Arches"; the others have the watermark "A. Portabeuf". "Les épreuves de ce premier état tirées 'à fleur de métal' sont d'une remarquable qualité Elles sont toutes signées de l'artiste."Delteil "The title of the series of prints Elle refers to Death La Mort. The series is considered one of Albert Besnard's most significant works in printmaking and depicts the omnipresence of death among the living. In this series Death is shown in several scenes in the disguise of the mistress of the household of a courtesan or of a lover. Death appears in all aspects of daily life striking when one least expects it on the path of a horse rider or as a couple embraces in a garden. One scene is particularly cruel as Death stands in front of a mother with two young children on her lap and the title of the print elucidates what is at stake: Lequel Which One. In Après sa visite After the Visit a man and a woman hide their faces in despair. On the other hand in L'Importune Importunate a doctor by a patient's bedside pushes her away. In Danger passé Danger Passed a horse rider continues on unscathed. Other prints demonstrate the benevolence of Death who can bring relief. In one scene Death brings together a couple under her cloak. "In 1900 the French banker collector and patron Baron Joseph Vitta 1860-1940 commissioned the series Elle from Besnard. The series was to include 50 plates of which only 26 were editioned. A 27th plate titled L'homme suivant la Mort was realized but destroyed after only two proofs were pulled. Vitta controlled the preliminary drawings the plates and the printed impressions and limited the size of the edition. The first printing of the series comprised only nine proofs of each plate. A second state of the series with the addition of Besnard's monogram was printed in nineteen impressions in 1921. An additional set of impressions of the 1921 issue was offered to the printer of the series Auguste Vernant. The plates were then cancelled impressions of the cancelled plates are at the Bibliothèque nationale in Paris. "Born in Paris Albert Besnard entered the École des Beaux-Arts in 1866. He exhibited at the Salon of 1868 and won the Prix de Rome in 1874. While in Rome he met Charlotte Dubray 1854-1931 the daughter of the sculptor Vital Dubray 1813-1892 and a sculptor herself who benefited from the sponsorship of the Duke and Duchess of Sutherland to study sculpture in Rome. After their marriage in 1879 the couple moved to London. There Dubray had numerous contacts and Besnard received numerous commissions as a portrait painter. He also studied printmaking with Alphonse Legros. Their four children three sons and a daughter became artists. Besnard was the director of the Académie de France in Rome from 1913-1921 and the director of the École des Beaux-Arts in Paris from 1922 to 1932. He became the first painter to be given a state funeral in France."Getty "With Elle Besnard resurrected and modernized the ancient dance of death adapting its imagery to current tastes while retaining the themes of the power of death and the equality of all before it. Death portrayed by Besnard the eponymous 'She' of the title is an omnipresent force that circulates among the members of modern society. Lurking in the bushes and gutters she occasionally takes on the features of a prostitute or a lover. She is a tenacious and patient adversary usually triumphing over her prey through trickery or duplicity. She is everywhere at once; she strikes arbitrarily and mercilessly. "Besnard's images illustrate only a few of the countless occasions when Death manifests itself. Many scenes are imbued with black humor the effect of surprise and macabre turns of events. Some are poignant others terrifying. All remind us that death plays a very real and very active role in every aspect of our lives."Musée des Beaux-Arts du Canada www.beaux-arts.ca Besnard himself established the order of the prints: Exigeante D. 131; Dans la Foule D. 132; L'Accident D. 133; L'Obstacle D. 134; Danger Passé D. 135; L'Inconnue D. 136; Importune D. 137; L'Enigme D. 138; Le Mystère D. 139; Après sa Visite D. 140; Ponctuelle D. 141; Aux Aguets D. 142; Le Coup de Filet D. 143; Musicienne D. 144; Le Vertige D. 145; Lequel D. 146; La Possession D. 147; Discrète D. 148; Le Duel D. 149; la Présentation D. 150; L'Orgie D. 151; Charitable D. 152; Coquette D. 153; L'Avertissement D. 154; Elle consacre l'Amour D. 155; Indifférente D. 156. No printer [for Joseph Vitta] hardcover
1900Best.-Nr. 4922N.p. France: No printer for Joseph Vitta 1900. FIRST STATE of two before the addition of the artist's signature in the plate. Hardcover. Fine. Printed on laid paper with watermarks "A. Portabeuf" and "Arches". Most margins untrimmed with their deckled edges preserved. Light marginal soiling to some plates one plate with light foxing in lower margin not touching the image one plate with foxing to blank verso not visible on the printed recto final plate with light crease to blank margin and soiling to blank verso. Very light dust-soiling to the tips of the deckles and occasional very small tears in the margins. Housed in a custom box. This copy formerly with David Carritt Limited Artemis Group Ltd. London. A complete set of Albert Besnard's striking suite of 26 etchings on the theme of death signed by the artist in graphite. The edition was limited to nine impressions five of them on paper. At least one paper set and one vellum set were dispersed the National Gallery of Art Washington D.C. has a set comprising a single vellum leaf the other 25 are mixed states on paper. In this set nine prints Delteil 131 136 139 148 150-152 155 156 have watermark "Arches"; the others have the watermark "A. Portabeuf". "Les épreuves de ce premier état tirées 'à fleur de métal' sont d'une remarquable qualité Elles sont toutes signées de l'artiste."Delteil "The title of the series of prints Elle refers to Death La Mort. The series is considered one of Albert Besnard's most significant works in printmaking and depicts the omnipresence of death among the living. In this series Death is shown in several scenes in the disguise of the mistress of the household of a courtesan or of a lover. Death appears in all aspects of daily life striking when one least expects it on the path of a horse rider or as a couple embraces in a garden. One scene is particularly cruel as Death stands in front of a mother with two young children on her lap and the title of the print elucidates what is at stake: Lequel Which One. In Après sa visite After the Visit a man and a woman hide their faces in despair. On the other hand in L'Importune Importunate a doctor by a patient's bedside pushes her away. In Danger passé Danger Passed a horse rider continues on unscathed. Other prints demonstrate the benevolence of Death who can bring relief. In one scene Death brings together a couple under her cloak. "In 1900 the French banker collector and patron Baron Joseph Vitta 1860-1940 commissioned the series Elle from Besnard. The series was to include 50 plates of which only 26 were editioned. A 27th plate titled L'homme suivant la Mort was realized but destroyed after only two proofs were pulled. Vitta controlled the preliminary drawings the plates and the printed impressions and limited the size of the edition. The first printing of the series comprised only nine proofs of each plate. A second state of the series with the addition of Besnard's monogram was printed in nineteen impressions in 1921. An additional set of impressions of the 1921 issue was offered to the printer of the series Auguste Vernant. The plates were then cancelled impressions of the cancelled plates are at the Bibliothèque nationale in Paris. "Born in Paris Albert Besnard entered the École des Beaux-Arts in 1866. He exhibited at the Salon of 1868 and won the Prix de Rome in 1874. While in Rome he met Charlotte Dubray 1854-1931 the daughter of the sculptor Vital Dubray 1813-1892 and a sculptor herself who benefited from the sponsorship of the Duke and Duchess of Sutherland to study sculpture in Rome. After their marriage in 1879 the couple moved to London. There Dubray had numerous contacts and Besnard received numerous commissions as a portrait painter. He also studied printmaking with Alphonse Legros. Their four children three sons and a daughter became artists. Besnard was the director of the Académie de France in Rome from 1913-1921 and the director of the École des Beaux-Arts in Paris from 1922 to 1932. He became the first painter to be given a state funeral in France."Getty "With Elle Besnard resurrected and modernized the ancient dance of death adapting its imagery to current tastes while retaining the themes of the power of death and the equality of all before it. Death portrayed by Besnard the eponymous 'She' of the title is an omnipresent force that circulates among the members of modern society. Lurking in the bushes and gutters she occasionally takes on the features of a prostitute or a lover. She is a tenacious and patient adversary usually triumphing over her prey through trickery or duplicity. She is everywhere at once; she strikes arbitrarily and mercilessly. "Besnard's images illustrate only a few of the countless occasions when Death manifests itself. Many scenes are imbued with black humor the effect of surprise and macabre turns of events. Some are poignant others terrifying. All remind us that death plays a very real and very active role in every aspect of our lives."Musée des Beaux-Arts du Canada www.beaux-arts.ca Besnard himself established the order of the prints: Exigeante D. 131; Dans la Foule D. 132; L'Accident D. 133; L'Obstacle D. 134; Danger Passé D. 135; L'Inconnue D. 136; Importune D. 137; L'Enigme D. 138; Le Mystère D. 139; Après sa Visite D. 140; Ponctuelle D. 141; Aux Aguets D. 142; Le Coup de Filet D. 143; Musicienne D. 144; Le Vertige D. 145; Lequel D. 146; La Possession D. 147; Discrète D. 148; Le Duel D. 149; la Présentation D. 150; L'Orgie D. 151; Charitable D. 152; Coquette D. 153; L'Avertissement D. 154; Elle consacre l'Amour D. 155; Indifférente D. 156. No printer [for Joseph Vitta] hardcover books
1989276 pages. The story of an energetic, involved woman. Her life divides into two phases. As the wife of John Graves Simcoe, Elizabeth is a sensible lady of the Age of Reason, pursuing the picturesque with sketch book and water colours. Following Simcoe's death, her long life as a widow finds meaning in fostering the well-being of her church. Average wear. Usual library markings. Book
Best.-Nr. 1961059169.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 49827240like new. unknown
Best.-Nr. 1025629299.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0124405509.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0471076961.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. LDM0029187We ship worldwide. 100% guarentee. BRAND NEW unknown
Best.-Nr. 1390400174.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 365910194X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 66974aafPubl. del Patronato de la Cuevas prehistoricas de la provincia de Santander, 1954, gr. in-8vo, 48 p. ill., + 1 planche dépl. brochure originale.
