Mort, Click & James GunnBiblio.com
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2014ref. 110714Last Gasp. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2014. 0867198087 . Last Gasp hardcover
2000ref. 70834Rutledge Hill Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 196 pp. one foldout with 112 col. Ills. And 88 col. Reference ills. 31 x 24 cm. -- with a bonus offer-- . 2000. 1558538178 . Rutledge Hill Press hardcover
1935ref. 32681New York: Dell Publishing Co. Inc. 1935. Mild tanning to text paper covers appear trimmed clear tape at upper and lower corners a bright nearly fine copy. 32681. Octavo single issue cover by Rudolph Zirm pictorial wrappers. Pulp magazine. Series character first appeared in All-Detective Magazine. "The Gray Creatures" by Harold Ward writing as "Zorro." Reference: Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 186-87. Dell Publishing Co., Inc. unknown
ref. 51-4368Paris: La veuve Chéreau circa 1780. Suite of 24 engravings on laid paper. 13.3 x 21cm. sheet size.Reference: Charles Auffret Une Famille d'Artistes Brestois au xviiie siècle: Les Ozanne 1891 pp. 83-84 no. XV.XV. CAHIERS DE VINGT-QUATRE PLANCHES. Diverses manœuvres de vaisseaux dessinées au naturel par Ozanne l'aîné et gravées par Ozanne le cadet. 84 LES OZANNE A Paris chez la V ve Chéreau. — 2 cahiers de 24 pi. chaque. Voici la nomenclature de l'un d'eux : 1 2 3 : Vaisseaux mouillés. — 4 : Vaisseaux vent arrière. — 5 0 7 8 : Vaisseaux vent largue. — 9 10 il 12 : Vaisseaux au plus près. — 13 14 15 16 : Vaisseaux en panne. — 17 18 19 20 : Vaisseaux arrivant — 21 22 23 24 : Vaisseaux virant vent devant. Chaque série porte en outre A B C. Ces manœuvres ont été reproduites avec quelques variantes comme nous le verrons plus loin dans la description de l'œuvre de Pierre. .Pierre a beaucoup moins gravé que son frère et son burin a plutôt reproduit des œuvres de Nicolas ou de J. Vernet que les siennes propres. A en juger par les pièces qui nous ont passé sous les yeux il reproduisait mieux les petites scènes maritimes que les grands paysages : ainsi les cahiers de marine les manœuvres de petits vaisseaux d'après les dessins de son frère sont d'un trait fin délicat ; fidèle interprète de la manœuvre il ne lui sacrifie rien. Mais" dès qu'il aborde les planches de grandes dimensions ou elles restent inachevées en certains points ou bien la taille en est dure heurtée disons le mot médiocre.Le Gonaz est mort à Paris le 12 j uin 1816. De son mariage avecM“° Jeanne Ozanne il avait eu deux fils qui sont morts avant luietune filleMarie-Amelie née à Paris en 17 7 2 et mariée en 1794 à J . J .Coiny. Leur popostérité est éteinte. Expertise by Yves Salmon 56760 Pénestin France. Paris: La veuve Chéreau, circa 1780. unknown
1927ref. 123017Paris Simon Kra 1927 1 vol. broché in-4, broché, couverture illustrée rempliée, non coupé, non paginé (44 ff.). Edition originale de cette danse macabre des années folles illustrée de 21 pochoirs par Yan B. Dyl. Tirage limité à 325 exemplaires, celui-ci numéroté sur vélin. Quelques rares et pales rousseurs, mais bel exemplaire de ce bel illustré "Art déco".
1927ref. 123017Paris Simon Kra 1927 1 vol. broché in-4, broché, couverture illustrée rempliée, non coupé, non paginé (44 ff.). Edition originale de cette danse macabre des années folles illustrée de 21 pochoirs par Yan B. Dyl. Tirage limité à 325 exemplaires, celui-ci numéroté sur vélin. Quelques rares et pales rousseurs, mais bel exemplaire de ce bel illustré "Art déco".
1777In-8 p. (mm. 207x169), cartonato rustico coevo (dorso restaur.), pp. (12),LXII, fregio tipografico xilografato al frontespizio. "Prima edizione", dedicata dall’A. al Barone Giuseppe De Sperges e Palenz (Cavaliere dell’Insigne Reale Ordine di Santo Stefano d’Ungheria, etc.). Trattato suddiviso in 16 paragrafi che contengono: “Della necessità, del fine, e della misura delle Pene in generale - Di alcune Nazioni, le quali non hanno dato la Pena di Morte - Pretesa contradizione della Pena di Morte - Se la Religione diminuisca l’impressione della Pena di Morte - Incovenienti della troppo grande estensione della Pena di Morte - Delle leggi, le quali decretano la Pena di Morte contro il Furto, ecc.”. “Il milanese Paolo Vergani (1750-1821) approfondì gli studi in storia e diritto canonico divenendo prelato. Si formò nell’ambiente intellettuale e culturale milanese dei fratelli Pietro e Alessandro Verri, oltre che di Cesare Beccaria, dal quale successivamente in parte prese le distanze. D’impronta moderata e illuminista, nel 1777 pubblicò con l’editore Malatesta "Della pena di morte", in cui si poneva l’obiettivo di elaborare una sorta di difesa del sistema criminale allora vigente, nella convinzione dell’ineluttabilità della pena di morte. La sua posizione oscillava, tuttavia, tra la necessità che la pena di morte venisse inflitta esclusivamente nei casi di maggiore gravità, in presenza di prove certe, e l’effetto intimidatorio insito nella stessa per la repressione dei reati. Anche per Vergani le leggi penali dovevano avere come fine l’utilità sociale ma, diversamente da Beccaria, sosteneva quanto le disuguaglianze delle condizioni sociali potessero giustificarne l’inflizione.. Ricevette per quest’opera il plauso su riviste come il “Journal encyclopédique”. Così Diz. Biograf. Ital., vol. 98. Fresco esemplare ben conservato, con bell’ex-libris al risguardo.
1935ref. 32680New York: Dell Publishing Co. Inc. 1935. Mild tanning to text paper several tiny edge tears to front cover clear tape to upper right front corner/spine right edge likely trimmed a bright nearly fine copy. 32680. Octavo single issue cover by Rudolph Zirm pictorial wrappers. Pulp magazine. Series character first appeared in All-Detective Magazine. "12 Must Die" by Harold Ward writing as "Zorro." Reference: Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 186-87. Dell Publishing Co., Inc. unknown
1786ref. 4439France 1786. Hand-colored etched folding paper fan printed on the recto of two joined sheets backed in plain paper mounted on 15 later plain wooden sticks the open leaf measuring approx. 112 x 460 mm. total fan height 260 mm. The etching shows two couples and a small dog and table with wine carafe and glass flanking a female figure in white Grecian robes and a green wreath holding in one hand a heart at her breast and with the other hand ceremoniously setting alight a bundle of wood a fagot on a small pedestal or altar above which is the wreathed inscription Institution des fagotiers a auteuil le 2 avril 1786 / On prete serment sur un fagot de pratiquer toute sa vie cinq vertus : cordial franchise amitié générosité obeisance sic et tendresse; at top a star with the initials T L A and a banner lettered Vertus des fagotiers surmounted by the caption Ronde joyeuse des fagotiers/ Air: c’est la petite Theresse sic; on either side of this scene are four verses within two green-outlined oval cartouches within stenciled blue and yellow decorative border. Some wear and slight splitting along a few folds a couple of small tears at mounts. A mildly licentious pre-Revolutionary printed fan possibly commemorating a real event a “festival of the wood-gatherers” fagotiers held in Auteuil on April 2 1786 but of which there appears to be no historical record. Rather than a guild the fagotiers may have been a local association or club. The symbolism of the image and verses seems to be along the lines of Carpe diem carnally for death is around the corner — heavy sentiments for a feather-light fan. One of the men is gesturing toward his partner’s crotch and the verses on either side of the central scene are dotted with sexual innuendo. The first stanza “Let us sing of the burning fagot a bundle of small wood lit by friendship / he who backs away from it knows her i.e. friendship only half-way / without her life is nothing / with her one is deified” could be understood as innocuous but the second stanza celebrates the joys of Déduit an archaic term for the pleasures of love or coïtus. Stanza three brings in Death in the form of Charon: “amiable fellow let us sing his good humor his boat may lead to the devil but his spirit leads to happiness / with his worthy ardor the fire burns in our hearts.” The last stanza declares that the “august fagotine law” allows us to include women we need not hide everyone kiss your partner etc. I locate one other example of this fan held by the Musée Carnavelet in Paris. It is digitized on their website with the description “The Genie of Friendship lights the pyre on which the couples will take the oath of friendship.” The stenciled border of our copy differs from that of the Carnavelet example which is in pink; here it is in two colors and includes two birds perched on branches. unknown
1786ref. 4439France 1786. Hand-colored etched folding paper fan printed on the recto of two joined sheets backed in plain paper mounted on 15 later plain wooden sticks the open leaf measuring approx. 112 x 460 mm. total fan height 260 mm. The etching shows two couples and a small dog and table with wine carafe and glass flanking a female figure in white Grecian robes and a green wreath holding in one hand a heart at her breast and with the other hand ceremoniously setting alight a bundle of wood a fagot on a small pedestal or altar above which is the wreathed inscription Institution des fagotiers a auteuil le 2 avril 1786 / On prete serment sur un fagot de pratiquer toute sa vie cinq vertus : cordial franchise amitié générosité obeisance sic et tendresse; at top a star with the initials T L A and a banner lettered Vertus des fagotiers surmounted by the caption Ronde joyeuse des fagotiers/ Air: c’est la petite Theresse sic; on either side of this scene are four verses within two green-outlined oval cartouches within stenciled blue and yellow decorative border. Some wear and slight splitting along a few folds a couple of small tears at mounts. A mildly licentious pre-Revolutionary printed fan possibly commemorating a real event a “festival of the wood-gatherers” fagotiers held in Auteuil on April 2 1786 but of which there appears to be no historical record. Rather than a guild the fagotiers may have been a local association or club. The symbolism of the image and verses seems to be along the lines of Carpe diem carnally for death is around the corner — heavy sentiments for a feather-light fan. One of the men is gesturing toward his partner’s crotch and the verses on either side of the central scene are dotted with sexual innuendo. The first stanza “Let us sing of the burning fagot a bundle of small wood lit by friendship / he who backs away from it knows her i.e. friendship only half-way / without her life is nothing / with her one is deified” could be understood as innocuous but the second stanza celebrates the joys of Déduit an archaic term for the pleasures of love or coïtus. Stanza three brings in Death in the form of Charon: “amiable fellow let us sing his good humor his boat may lead to the devil but his spirit leads to happiness / with his worthy ardor the fire burns in our hearts.” The last stanza declares that the “august fagotine law” allows us to include women we need not hide everyone kiss your partner etc. I locate one other example of this fan held by the Musée Carnavelet in Paris. It is digitized on their website with the description “The Genie of Friendship lights the pyre on which the couples will take the oath of friendship.” The stenciled border of our copy differs from that of the Carnavelet example which is in pink; here it is in two colors and includes two birds perched on branches. unknown books
1955ref. 009647Paris (Gretry Wols) 1955 En feuilles, sous chemise cartonnée bleue éditeur.
1724ref. 000220Paris Imprimerie d'Antoine Urbain Coustelier 1724
2009ref. C86916Caja De Ahorros De La Inmaculada. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- INCLUDES CD-ROM. Text in Spanish. 446 pages with many illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 2009. 849686927X . Caja De Ahorros De La Inmaculada hardcover
1930ref. 1180Paris, Editions EOS, 1930 ; in-4 en feuillets, couverture rempliée rouge-brique, sous chemise cartonnée à larges rabats et lacets de soie de même couleur et illustrée d’un grand bois gravé bistre, dos en percaline bistre ; (4) feuillets, 88 pages, (4) feuillets ; 20 bois gravés en couleurs dont dix hors-texte, six vignettes et culs-de-lampe et un grand bois illustrant l’étui et la couverture.
1774ref. 6518Mexico 1774. Very good. Broadside 23.5 x 16.5 inches. Untrimmed. Printed on two joined sheets. Previously folded. Contemporary manuscript docketing on blank verso. Minor edge wear and scattered faint foxing. A rare ecclesiastical edict addressing the burial of deceased infants issued by the Archdiocese of Mexico on March 15 1774. The broadside responds to complaints from parish priests that numerous baptized children were being buried without notification to their parishes depriving the churches of both jurisdictional oversight and the burial fees set by the ecclesiastical tariff. The document sheds light on the social realities of infant mortality and poverty in eighteenth-century Mexico City. It notes that many families were unable to afford burial expenses resulting in unrecorded deaths and in some cases the abandonment of children's bodies at the doors of churches. Particularly noteworthy is its condemnation of the custom of dressing deceased children as angels clerics bishops or cardinals and displaying them publicly before burial. The edict denounces these practices as abuses and orders that all burials whether of children or adults be conducted only with the knowledge and authorization of the proper parish priest. The present copy bears the manuscript rubrics of Josef Ruiz de Conejares Vicar General of the Archdiocese and Joaquín de Sasturain Chief Notary and the complete wafer seal of Archbishop Alonso Núñez de Haro. unknown
1774ref. 6518Mexico 1774. Very good. Broadside 23.5 x 16.5 inches. Untrimmed. Printed on two joined sheets. Previously folded. Contemporary manuscript docketing on blank verso. Minor edge wear and scattered faint foxing. A rare ecclesiastical edict addressing the burial of deceased infants issued by the Archdiocese of Mexico on March 15 1774. The broadside responds to complaints from parish priests that numerous baptized children were being buried without notification to their parishes depriving the churches of both jurisdictional oversight and the burial fees set by the ecclesiastical tariff. The document sheds light on the social realities of infant mortality and poverty in eighteenth-century Mexico City. It notes that many families were unable to afford burial expenses resulting in unrecorded deaths and in some cases the abandonment of children's bodies at the doors of churches. Particularly noteworthy is its condemnation of the custom of dressing deceased children as angels clerics bishops or cardinals and displaying them publicly before burial. The edict denounces these practices as abuses and orders that all burials whether of children or adults be conducted only with the knowledge and authorization of the proper parish priest. The present copy bears the manuscript rubrics of Josef Ruiz de Conejares Vicar General of the Archdiocese and Joaquín de Sasturain Chief Notary and the complete wafer seal of Archbishop Alonso Núñez de Haro. unknown books
1936ref. 015728Paris EDITION ORIGINALE. Tirage à 1012 exemplaires numérotés. Un des 35 sur Hollande van Gelder mis dans le commerce, second papier après vingt-cinq Japon . Bel exemplaire relié à l'époque : demi-maroquin noir à coins et filets or, dos à nerfs et pièce de titre rouge et lettre or, tête dorée, couverture et dos conservés. 1936 fort in-8 Broché Edition originale
2009ref. 86916Caja De Ahorros De La Inmaculada. New. 2009. Hardcover. 849686927X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- INCLUDES CD-ROM. Text in Spanish. 446 pages with many illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee -- with a bonus offer . Caja De Ahorros De La Inmaculada hardcover
1615ref. 002850Paris, Chez Toussainct du Bray, 1615
ref. 006479Paris C. L. F. Panckoucke 0 6 volumes in-8 Demi-veau tabac Edition originale
1783ref. 002461Paris, Bastien, 1783
1902[20], 644 pages. Index. Twenty-six black and white photographic plates. Leather binding. "Comprising a history of Egypt, with a comprehensive and authentic account of the antiquity of masonry resulting from many years of personal investigation and exhaustive research in India, Persia, Syria and the Valley of the Nile." - title page. After first receiving the Light in India, the author was moved to "investigate, to the fullest extent, the meaning and purport of the numerous hieroglyphic inscriptions, symbols and characters found upon the ancient tombs and temples, so that the Masonic Fraternity might understand, appreciate and apply the teachings of the hierophants and sages of bygone days." - Preface. Chapters: Alexandria - the Antiquity of Masonry; Ruined Temples - Masonry and Masonic Symbols; Ancient Cities - Soirian Myth - Karma; the Nile - Origin of the Name Free Mason - Scottish Rite Philosophy; Ancient Mysteries - Scottish Rite philosophy; Suez Canal - The Druses, Their Manners and Customs; Agriculture - Irrigation - Lotus - Papyrus; The Supreme Architect of the Universe; Mosques - Tombs - Massacre of Mamelukes - Heliopolis; Esoteric Teaching of the Scottish Rite - Brain and Thought; Pyramids - Sphinx - Tombs; Solomon - Death of Hiram - Cross - Swastica; Mummification - Transmigration - Re-incarnation; Sixteen Saviours - Lost Knowledge; The Golden Fleece - Roman Eagle - Masonic Apron - What it Teaches; Pyramids of Sakkarah - Lisht - Medum - The Fayum - Labyrinth; Sun Worship - Zodiac - Masonic Allegories; A Voyage up the Nile - Description of Tombs and Temples - Pro Doric Columns; Ineffable degrees - Thoughts on Ecclesiastes - I.N.R.I. - Voyaging up the Nile - examining Tombs and Temples - Paintings - Sculptures; Masonic teachings - Hindu beggar - Roman Catholicism; Thebes - Colossi - Der-El-Bahari - Luxor - Karnak; Ceremonies - Initiation - Blue Lodge - Transmigration - Mystery Language; The Gawazee - exploring Temples and tombs - Philae and its ruins - Nubia; Jewish Traditions and customs - Cable tow - Ceremonies of ancient Initiation - book of the Law; Circumsision - upon what the Ancient Craftsmen were obligated - the lost word. All edges gilt. Protected frontis portrait of author. Ornately embossed boards. Raised bands to spine. Partially rubbed gilt lettering and decoration upon back strip. Marbled endpapers. Hinges intact internally, open or opening externally. Front board partially detached. Somewhat above-average wear to boards. Unmarked. A worthy original copy of this monumental work. 12" x 9.5" x 2.5". 11 pounds. Book
ref. 127885aafBasel, (u.a.) Getruckt bey - Jacob Werenfels - J. Bertsche - J.-J. Decker - G. Decker - J.R Genath - J.H. Meyer / Auch (n° XVI:) Winterthur J. R, Meyers / (XXXIX) Frankfurt, Jonae Rosen 1617 / (n° XL, Tauffprädigt) Heidelberg, J. Lancellot, 1618, 28 S. + 2 Bl., um 1655-68, in-4to, Vorgebunden 3 Bl. mit hs. ‘Index Textum - Index Authorum - Nomina Defunctorum’ + 2 Bl. leer + 879 Bl. (= 1758 S.) + 2 Bl. mit handschr. Notizen, teils etwas gebräunt u. fleckig, hs. auf Spiegel ‘Tomus XX’ & ‘Ex Bibliotheca Johann Leonhardi Schopferi, V.D.M. collectus Sangalli Ao 1668’, Prgt. d. Zt. (Bestossen, gebräunt u. fleckig, Kanten tls. etw. beschabt).
ref. 059-Ao.J. Kupferstich, 1614, nach Barthel Beham, auf Bütten. 5,7:8,2 cm. Im rechten Rand gering flecking. Literatur: Hollstein 559. Ganz ausgezeichneter und klarer Abdruck mit leichtem Plattenton und mit Rand um die Plattenkante.
1662In-4to piccolo, (36), 121, (1) pp., 10 tavole. Completo delle 56 silografie nel testo (molte delle quali a piena pagina) e delle 10 tavole incise in rame fuori testo, una delle quali (cuore) con volvelle. Vitello coevo, dorso ben restaurato.
