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1855réf. 63625Kjøbenhavn Reitzel 1855. 8vo. 22 pp. 1 blank f. Original gift-binding of the black glitted paper with single gilt lines to spine. Spine worn slightly restored and with a bit of loss of paper. Boards with a little rubbing and wear along edges. A bit of brownspotting internally. With the exlibris of both Georg Nygaard and J.H. Groth-Andersen to inside of front board and with Georg Nygaard’s neat hand-written pencil-inscription to front fly leaf stating in Danish that “This book is one of / Søren Kierkegaard’s / complimentary copies. / Given to me by / editor Frejlif Olsen / October 1910 / Georg Nygaard”. Also a neat pencil-annotation from a later owner to inside of back board stating that this is Kierkegaard’s personal copy and the only known copy in a gift-binding referencing the auction catalogue no. 2186. There is also a laid-in note in the same hand explaining that at the auction there was merely one copy of this title and that no presentation-copies of the present work are known to exist. One of the extremely rare gift-copies either a presentation-copy given by Kierkegaard to one of his dedicatees or the copy he had in his possession when he died. It seems likely as explained by the previous owner that this will have been Kierkegaard’s own copy i.e. no. 2186 of the auction catalogue. If not it is the only presentation-copy of this work known to exist. No matter what this is arguably the best copy of the present title that one can find. “The Changelesness of God” constitutes Kierkegaard’s final separate publication and the final work of the separately published pamphlets of the Church Feud-triad. It was published on Sept. 1st 1855 between the 7th and 8th installments of “The Moment”. “The Changelessness of God” is a discourse that Kierkegaard gave as a sermon on May 18 1851 in the Citadel Church in Copenhagen but it had not previously been published. It has the Epistle text of James 1 17-21 as its basis a text that Kierkegaard had also used in his Upbuilding Discourses of 1843. It contains one of his favourite passages from the Bible: “Every good thing bestowed and every perfect gift is from above coming down from the Father of lights with whom there is no variation or shifting shadow”. In his journal from May 1851 after having given the sermon he refers to the text basis as “my first dear Jacob” and says about his sermon that he felt he preached “passably” but so weakly that he could barely be heard” NB 24:74. As most of Kierkegaard’s religious writings this too is called a discourse and for this his final separate publication Kierkegaard uses again the printed dedication that he first used in his upbuilding discourses from 1843 that for his father: “To the late Michael Pedersen Kierkegaard formerly a clothing merchant here in the city my father these discourses are dedicated.” Those who had been in doubt as to his mental health due to the publications in “The Moment” had now finally been disproven or persuaded that there was absolutely nothing wrong with his sanity. This piece constitutes a lucid and calm sermon a continuation of his upbuilding discourses which had been of pivotal importance to him since 1843. “It also served the purpose as H. Johnson notes of demonstrating that Kierkegaard’s attack was from within the church as a believer—a fact that many have failed to notice especially since his anti-ecclesiastical tracts were translated later in places where readers had not been exposed to the rest of his writings. Kierkegaard in fact always considered his upbuilding discourses to be even more important than his philosophical writings.” D. Anthony Storm. The year 1855 marks the definitive turn in Kierkegaard’s life and in his career. It is the year that he publishes his final four publications and the year that he dies. In his earlier works For Self Examination and Practice in Christianity from 1850 and 1851 respectively Kierkegaard had already addressed the topic of true Christianity as opposed to the official and institutionalized Christendom. Back then he had done so not subtly but also not as a full-blown attack. After a publishing hiatus of more than three years this was going to change. At the end of his life Kierkegaard embarked on a controversial and fierce attack upon the Danish Church that would have immense consequences for the development and comprehension of the official Church the priesthood and Christianity itself. The Danish State Church epitomized all that he found wrong with Christendom as a whole and he did not embark on his quest lightly. Throughout his writings Kierkegaard had maintained that the belief in Christ required a leap of faith and all of one’s person. The Danish Lutheran church on the other hand claimed that all Danes were born Lutheran and were thus Christians unless they actively chose not to be. The Danish Church had moved increasingly towards transforming Christianity into a profane state religion. It is still the case in Denmark today that when you are born a Dane you are also born a member of the Church. This equivalence between Church and State was extremely far from what Kierkegaard believed Christianity to be. Kierkegaard felt that the Church had betrayed the Christianity of the New Testament and he was willing to fight till his death to defend what he understood true Christianity to be. We were well beyond thoughts of reformation. It needed to be torn down and completely rebuilt. The war was waged in newspaper articles in the paper The Fatherland and in the “periodical” Kierkegaard himself founded with the sole purpose of attacking the Church “Øieblikket” i.e. The Moment. Kierkegaard’s assault on official Christendom and the Danish Church was based upon his notion that Christendom had departed too far from the Christianity of The New Testament. For the outraged Kierkegaard Bishop Mynster typified the complacent and established “official” Christianity but the relationship with Mynster was complicated. He and Kierkegaard had always been closely intertwined. Few people played as important a role in Kierkegaard’s life as Mynster who Kierkegaard would constantly relate and refer to. Kierkegaard’s “mild” attack on the Church and the established Christianity in Denmark in Training in Christianity 1851 hit Mynster harder than anyone else and the two theological giants never reconciled after the publication of that work. But Kierkegaard had saved something much worse for later. For his own enormous respect for Mynster it also meant a great deal that Mynster was the last person to talk to Kierkegaard’s father before he died and that his father had always held him in extremely high regard. In his Journal from 1853 he writes “.I have something upon my conscience as a writer. Let me indicate precisely how I feel about it. There is something quite definite I have to say and I have so much upon my conscience that as I feel I dare not die without having uttered it. For the instant I die and so leave this world so I understand it I shall in the very same second so frightfully fast it goes! in the very same second I shall be infinitely far away in a different place where still within the same second frightful speed! the question will be put to me: “Hast thou uttered the definite message quite definitely” And if I have not done so what then. There is something quite definite I have to say. But verily I am not eager to say it. On the contrary I would so infinitely prefer that another should say it— which however would not help me since as I understand it it was and remains my task. For it is not a cheerful message this definitive thing and I cannot but think that there are several persons dear to me to whom it would be unwelcome to hear it said. Above all there is a right reverend old man a consideration which has constantly held me back laid a restraint upon my tongue and upon my pen a consideration for the highest dignitary of the Church a man to whom by the memory of a deceased father I felt myself drawn with an almost melancholic affection—and I must think that to him especially it will be very unwelcome that this is said.” Pap. X 6 B: 371. This excellently sums up one the one hand the necessity Kierkegaard felt in saying what needed to be said about the state of Christianity in Denmark and on the other hand why he was reluctant to say it. He knew it would offend but most of all hurt especially Mynster for whom he still had great affection. At the same time it was also Bishop Mynster who was responsible for the approach Kierkegaard considered so dangerous to true Christianity the person who personified the weak and complacent established “official” Christianity that disregarded the true Christianity of The New Testament – the kind of tame Christianity in which the priests tell the congregation what they want to hear. What was he to do Kierkegaard’s journals and papers are full of entries that reflect the conundrum. The defining moment occurred when Mynster had died which happened on January 30th 1854. The Sunday before the funeral Professor of Theology H.L. Martensen Court Preacher at Christiansborg Slotskirke gave a commemorative sermon for Mynster in which he included him in a series of holy men going back to the apostles and called him a “witness to the truth” and a “martyr” in Danish “Blodvidne”. Kierkegaard could not take it. He finally broke his silence and protested with an article in The Fatherland where he called Mynster a “frail pleasure-seeker who was great only as an orator” and presented his own version of a “witness to the truth” namely “A witness to the truth a real witness to the truth is a man who is skinned alive abused dragged from one prison to the next and in the end … crucified beheaded burned at the stake or fried on a grill his soulless body left unburied and sprawling … in some remote place—that’s how a witness to the truth is buried!” Var Biskop Myster et ”Sandhedsvidne”… December 18 1854. And thus the crusade against the established Danish Church had begun. Kierkegaard continued his fight against Martensen against the priests against the official Christianity of Denmark and against the Church in articles in The Fatherland in “The Moment” and in his final separate publications. Although Kierkegaard’s illness and soon to follow death on November 11 ended Kierkegaard’s writing and continued attacks it did not end the storm on the Church that the epigons continued. Kierkegaard’s authorship before 1851 had made him famous in both Denmark and abroad as one of the greatest living philosophers and theologians. His attack on official Christianity however had a more direct effect upon his own kingdom but also upon the neighbouring countries Norway Sweden and Germany. Kierkegaard’s Church Feud continued for years after his death and kept affecting the Church severely. One must remember that this fierce attack came from one of the most respected thinkers of the period – of all periods – and it came from within not from an atheist. It came from a believer a more profound believer than most. Kierkegaard had a single copy of The Changelessness of God in his possession when he died Auction Catalogue # 2186 where there is no description of appearance. Himmelstrup 200 The present copy is no. 94 in Girsel's "Kierkegaard" The Catalogue which can be found here. hardcover
1843réf. 62941Kjøbenhavn, Philipsen, 1843-45. 8vo. (4), 52 + 62 (+ 1 blank leaf) + 84 + 59 (including the blank leaf between the title-page and the preface!) + 70 (+ 1 blank leaf) + 111 pp. Completely uncut in the original brownish grey boards with original printed title-label to spine (fully intact). Boards a bit brownspotted and a larger damp stain to top of front board. A couple of smaller stains (lacquer or wax) to spine. A few horizontal creases to spine with paper almost invisibly glued back on to hold tight. Occasional brownspotting, mostly to the first and last leaves. But overall splendidly preserved.
1849réf. 62135Kjøbenhavn, Reitzel, 1849. 8vo. XIV, (2), 320" (4), 250 pp + final blank. Both volumes in one – the original blue cardboard binding (“hollanderet bind”) with the original printed paper title-label (preserved in its entirety) to the spine. Slight loss to the paper to upper capital and to lower front hinge, but amazingly well preserved, fresh, and crisp. Completely uncut (23,5 x 14,5 cm., making it ab. 1,5 + 1 cm larger than other well margined copies). Some brownspotting (as always), mostly quite light. Old owner’s name to inside of front board. Housed in a beautiful marbled paper box with a richly gilt red Morocco spine. The gilding is in the style of Kierkegaard’s most lavishly decorated full calf bindings and with the title in gilt Gothic lettering. The box is signed “Anker Kysters Efterf. And the gilding by Hagel Olsen. Front board with the gilt super ex libris of the previous owner.
1851réf. 63623Kjøbenhavn Reitzel 1851. 8vo. 6 20 pp. Original gift-binding of the black glitted paper all edges gilt and printed on fine paper. Excellently rebacked barely noticeable in almost perfect pastiche but erroneously “recreating” double gilt lines. A wonderful copy with very light overall wear and a bit of bumping to capitals. Internally a bit of brownspotting. First edition one of the extremely rare gift-copies either a presentation-copy given by Kierkegaard to one of his dedicatees or one of the copies he had in his possession when he died. Described by Hong & Hong as written with “the metaphorical imagination of a poet the thoughtfulness of a philosopher and theologian the whimsy of the humourist and the ardour of the lover and believer” The Essential Kierkegaard p. 393 “For Self-Examination” is widely considered one of Kierkegaard’s most accessible works and his most readily comprehended book. Thus although written at the end of his career it serves as an excellent introduction to his thought. “For Self-examination” is particularly famous for its well-known passages on Socrates and its critique of the established order of Christendom that was first hinted at in “Training in Christianity”. The work appeared on September 12 1851 about a month after “Two Discourses at the Communion on Fridays” and “On My Work as an Author” but as opposed to those two works the genesis of which was protracted over almost two years the present work was an act of idea to reality in a single summer that of 1851. In this direct and approachable work published under Kierkegaard’s own name he returns to the inward and the personal to the individual before God. The work is divided into three sections that comprise a sort of trinity; the first is entitled What is Required in Order to Look at Oneself with True Blessing in the Mirror of the Word and the two following sections are on Christ and the Holy Spirit respectively. The book sold well as is evidenced by a second edition appearing already in February 1852. There are no copies with presentation-inscriptions but Kierkegaard still had copies printed on special paper and bound in gift-bindings. He had five of these in his collection when he died. The others he gave away as presentation-copies with no inscription but presumably accompanied by a letter none of which is known to exist. Himmelstrup 136. The present copy is no. 89 in Girsel's "Kierkegaard" The Catalogue which can be found here. unknown
1851réf. 63623Kjøbenhavn, Reitzel, 1851. 8vo. (6), 20 pp. Original gift-binding of the black glitted paper, all edges gilt, and printed on fine paper. Excellently rebacked, barely noticeable in almost perfect pastiche (but erroneously “recreating” double gilt lines). A wonderful copy with very light overall wear and a bit of bumping to capitals. Internally a bit of brownspotting.
1844réf. 62260Kjøbenhavn, Reitzel, 1844. 8vo. (8), 184 pp. Lovely contemporary brown half calf with richly gilt spine. Light wear to hinges, capitals, and corners, but overall very nice. First leaves with a bit of brownspotting, but also internally unusually nice.
1844réf. 62260Kjøbenhavn Reitzel 1844. 8vo. 8 184 pp. Lovely contemporary brown half calf with richly gilt spine. Light wear to hinges capitals and corners but overall very nice. First leaves with a bit of brownspotting but also internally unusually nice. An absolutely lovely copy in contemporary binding of this notoriously rare first edition. It is this classic of Existentialism that introduced the notion of “Angst” anxiety in philosophy. If Kierkegaard had written nothing else The Concept of Anxiety alone would have cemented him as one of the most important thinkers since antiquity. Nowhere else can one find an account of the concept of anxiety that comes close in importance to the one Kierkegaard gives in the present work. Using the Fall in the Garden of Eden as the foundation of the analysis he succeeds in describing what no-one has been able to before or since. “Long before modern psychology had entered puberty Kierkegaard unfurled advanced psychological concepts that in many senses were Freudian before Freud was around. In his primary psychological work The Concept of Anxiety he presents his detailed analyses of the relationship of anxiety to phenomena such as freedom sexuality original sin and history.” The Søren Kierkegaard Research Centre. Being one of his most important and influential philosophical works The Concept of Anxiety is essential to all later existentialist writers. It was arguably this work that more than any other influenced Existentialism. The work bears a printed dedication to his beloved Poul Martin Møller one of the most beautiful and moving dedications in a philosophical work. Poul Martin Møller was his philosophy professor but more than that he was a moral mentor and one of a few people that Kierkegaard truly admired and cared for. Poul Martin Møller died in 1838 leaving almost no published works behind; he is the only person outside of Kierkegaard’s immediate family here including Regine who had been honoured with a printed dedication in any of his books. Apart from the title Sixteen Upbuilding Discourses the amputated Eighteen Upbuilding Discourses – without the two that were quickly sold out The Concept of Anxiety is by far the scarcest of Kierkegaard’s works – “The Concept of Anxiety was only printed in 250 copies!” Textspejle p. 58 translated from Danish which is ca half of most of the other works. It is interestingly the only one of the pseudonymous writings from the period that was reprinted despite the poor sales numbers of the first issue. In the summer of 1847 when Reitzel buys the remainders of the first issue a mere 165 copies of what is arguably now considered Kierkegaard’s most important work had been sold. The Concept of Anxiety is not only notorious for its pivotal importance in the history of philosophy and for essentially being the theoretical foundation of Existentialism; among Kierkegaard collectors and bibliophiles in general it is also notorious for its scarcity having been printed in a mere ca 250 copies. Furthermore like Fear and Trembling not a single presentation-copy of the work is known to exist. Himmelstrup 62. unknown
1847réf. 63612Kjøbenhavn Reitzel 1847. 8vo. Original black glitted full cloth binding with gilt lines and gilt Gothic lettering to spine. Hinges and capitals neatly restored. All edges gilt and printed on fine vellum-paper. Internally completely fresh and clean. 2 224; 203 pp. Kierkegaard’s own copy of the second edition of Works of Love being one of the two copies Høedt bought at the auction after Kierkegaard’s death auction catalogue no. 2150 or 51 the one later belonging to Hans Wilhelm Saxild as also described in the auction catalogue. Apart from the second edition of Either-Or and a second issue of Training in Christianity this is the only second edition of any of his own works that Kierkegaard kept in his collection. No presentation-copies are known of the second edition of Works of Love explained by the fact that Kierkegaard stopped giving away presentation-copies of his books in 1850 see XXVIII below. From then on the books he gave away would not carry an inscription but would be accompanied by a letter instead. No accompanying letter to a second edition of Works of Love is known to exist either. Laid in the book is a letter from Kühle to Saxild dated 1943 explaining which of Kierkegaard’s own books from his own collection Høedt bought at the auction of Kierkegaard’s book collection after his death. Due to its penetrating illuminating analysis of the forms and sources of love Works of Love constitutes the monumental highpoint for Kierkegaard’s concept of love. It is the central work for understanding both the various kinds of love and the conditions of love that Kierkegaard identifies and uses as a basis for his thoughts on Christianity. Although the concept of love is a theme throughout many of his writings from Either-Or 1843 through to On the Changelessness of God’s Love 1855 it is in the present work that it receives its full form. The work is made up of 18 speeches that each explore the many aspects of love. The dominating theme is the commandment to love God and one’s neighbor as one loves oneself. It is through this choice to love that one ideally expresses one’s relationship to God. All the obstacles that stand between this choice of love are also explored in full. But it is cemented that love is that which upbuilds and develops the individual and provides the courage to live a life true to oneself. Only if one loves oneself can one love another. These thoughts are fundamental to Kierkegaard’s philosophy and to his Christianity. As such Works of Love constitutes one of his most important and fundamental works. “This work is marked by Kierkegaard’s Socratic awareness of the reader both as the center of awakened understanding and as the initiator of action. Written to be read aloud the book conveys a keenness of thought and an insightful poetic imagination that make such an attentive approach richly rewarding. Works of Love not only serves as an excellent place to begin exploring the writings of Kierkegaard but also rewards many rereadings.” from the Hong-edition. The present copy is no. 56a in Girsel's "Kierkegaard" The Catalogue which can be found here. hardcover
1847réf. 63612Kjøbenhavn, Reitzel, 1847. 8vo. Original black glitted full cloth binding with gilt lines and gilt Gothic lettering to spine. Hinges and capitals neatly restored. All edges gilt and printed on fine vellum-paper. Internally completely fresh and clean. (2), 224" 203 pp.
1851réf. 63622Kjøbenhavn, Reitzel, 1851. 8vo. 20 pp. Original gift-binding of the black glitted paper with single gilt lines to spine, all edges gilt, and printed on fine paper. An excellent copy with just a bit of overall rubbing to boards and slightly retouched corners. Very light brownspotting and a few leaves with light pencil-underlinings.
1851réf. 63622Kjøbenhavn Reitzel 1851. 8vo. 20 pp. Original gift-binding of the black glitted paper with single gilt lines to spine all edges gilt and printed on fine paper. An excellent copy with just a bit of overall rubbing to boards and slightly retouched corners. Very light brownspotting and a few leaves with light pencil-underlinings. First edition - one of the extremely rare gift-copies either a presentation-copy given by Kierkegaard to one of his dedicatees or the copy he had in his possession when he died. Published on the same day day as "Two Discourses on the Communion on Fridays" "On my Work as an Author" constitutes Kirkegaard's first of three works on his authorship. It is the shortest of the three works but the only one published in his lifetime. The work begins with "The Accounting" and is dated March 1849. Added to this is a supplement dated November 1850 entitled "My Position as a Religious Writer in 'Christendom' and my Strategy". In 1846 Kierkegaard had started using a protocol as his journal. This is the first of the journals denoted NB that he continued throughout the rest of his life. These journal entries amounting to 36 volumes in all are filled with attempts at understanding himself his purpose the meaning of his writings and not least how he himself understood his authorship and wished for it to be understood in posterity. These latter considerations are the basis of the work "The Point of View for My Work as an Author" of which "On My Work as an Author" is a short resumé – the resumé that he wrote of a larger work he was afraid might be misunderstood by his contemporaries and thus could not publish. In short the present work constitutes the essence of what Kierkegaard found necessary to be said about his own authorship before he died. Kierkegaard had merely one copy of this title in his collection when he died Auction Record no. 2178. Himmelstrup 132. The present copy is no. 86 in Girsel's "Kierkegaard" The Catalogue which can be found here. hardcover
1843réf. 62091Kjøbenhavn C.A. Reitzel 1843. 8vo. Two nice slightly later ca. 1870'ies brown uniform half calf bindings with gilt spines. Corners and spines with a bit of wear and internally some brownspotting to some leaves as usual due to the quality of the paper mostly in the beginning and mostly to volume one. Volume one also a little weak in the stitching. Overall a very nice copy with the often lacking half-titles. XX 2 470; 8 368 pp. A very nice fully complete copy of the first edition of the work that founded existentialism by the greatest Scandinavian philosopher of all times who "is now generally considered to be however eccentric one of the most important Christian philosophers" PMM 314. Kierkegaard's monumental magnum opus is now not only the title of Kierkegaard’s most famous and widely read work it is also a phrase that summarizes much of the thinking for which he is best known. It is a cornerstone of what we now characterize as Existentialism and it seminally influenced later as well as contemporary philosophy. It quite simply ranks as one of the most important works of philosophy of modern times. It could be argued that Either-Or – Kierkegaard’s magnum opus the foundational work of Existentialism and an inevitable classic in the history of philosophy – needs no further introduction. Who does not know this epochal work that founded Existentialism and introduced among many other theories Kierkegaard’s stage theory It seems however a little off not to mention a few points about this groundbreaking work that has so profoundly influenced the way we view the world. Either-Or is the earliest of Kierkegaard’s major works and the work with which he begins his pseudonymous authorship. Kierkegaard’s pseudonymity is an entire subject unto its own. The various cover names he uses play a significant role in his way of communicating and are essential to the understanding of his philosophical and religious messages. And it all properly begins here with his groundbreaking magnum opus. Conjuring up two distinctive figures with diverging beliefs and modes of life – the aesthetic “A” of Part One and the ethical B note that this is the first “pseudonym” that Kierkegaard uses in his earliest articles/Judge Vilhelm of Part Two Kierkegaard presents us with the most basic reflections on the search for a meaningful existence seen from two completely different philosophical views. This masterpiece of duality explores the foundational conflict between the ethical and the aesthetical providing us along the way with the now so famous contemplations on music Mozart drama boredom pleasures virtues and probably most famously seduction and rejection – The Seducer’s Diary. It is primarily Judge Vilhelm from Part Two of Either-Or that has bestowed upon Kierkegaard the reputation as the Father of Existentialism. His emphasis on taking ownership of oneself and the importance of making choices has made him the first personification of Existentialism and the idea that one does not passively develop into the self that he or she should be or ought to become. Kierkegaard went to great lengths to ensure that the public would not know the identity of the author was of Either-Or. He even had the draft of the work done by several hands so that employees at the printer’s would also be deceived. Despite his efforts however it did not take long for the public to guess that Kierkegaard had written this astounding work. But Kierkegaard himself kept up the façade and did not accept authorship until several years later. "Either-Or" is very rarely seen in nice contemporary or near contemporary bindings and when it is it is very rarely in good condition. Himmelstrup 20 PMM 314. unknown
1843réf. 62091Kjøbenhavn, C.A. Reitzel, 1843. 8vo. Two nice slightly later (ca. 1870'ies), brown uniform half calf bindings with gilt spines. Corners and spines with a bit of wear and internally some brownspotting to some leaves (as usual, due to the quality of the paper), mostly in the beginning, and mostly to volume one. Volume one also a little weak in the stitching. Overall a very nice copy, with the often lacking half-titles. XX, (2), 470" (8), 368 pp.
1843réf. 1006Kierkegaard's Famous "Either-Or" Challenge to Life – PMM 314 KIERKEGAARD Sören. Enten-Eller. Et Livs-Fragment. udgivet af Victor Eremita Either-Or A Fragment of Life C.A. Reitzel Kjøbenhavn 1843. Volume 1: Half-title TP V-XX = Forord XXI = Indhold half-title 3-470 2 blank leaves; Volume 2: Half-title TP 1 leaf = Inhold half-title 1-368 1 blank leaf Octavo First Edition Himmelstrup 20. Printing and the Mind of Man 314 With the often missing half-titles present. This is one of only 525 copies printed of this work. "Kierkegaard's third published book and the first of many pseudonymous 'aesthetic' works. Generally regarded as the first major statement of his own unsystematic philosophy this 'fragment' is a literary and philosophical tour de force incorporating a stunning array of subject matter literary effects and moods including melancholy aphorisms and personal meditation elaborate musical dramatic and literary criticism lyrical effusions odd essays on unhappiness and boredom a strange 'Seducer's Diary' and in the second volume an extended treatise on marriagethe human personality and the ethical life in the form of a letter from a Judge to a younger man capped by a sermon sounding a note of radical doubt about both the aesthetic and ethical justifications for existence." Wronoski p. 11 "Enten-Eller was written before he was twenty-nine. It is a curious bundle of papers essays semi-dialogues and notes seemingly ill-assorted but in fact dialectically arranged. Adopting what he called an 'aesthetic attitude' he held that this consisted in balancing possibilities and that in matters religious and ethical it was up to the individual to make his choice. Choice as the title of his work suggests was at the root of Kierkegaard's theory. There can be no system of existence only a system of ideas. From this he develops his thesis of 'Existence" since taken up by the modern Existentialist in which human beings considered as subjects not objects are the only real existence: their reflective as opposed to active nature being focused on the 'acts' of making perpetual decisions" PMM pp. 190-91 CONDITION: Very good in original contemporary quarter cloth with marbled boards. Minimal edgewear. Handwritten spine labels light spotting to pages. Housed in protective cloth clamshell box. C.A. Reitzel hardcover
1851réf. 63621Kjøbenhavn, Reitzel, 1851. 8vo. 32 pp. Original gift-binding of the black glitted paper, all edges gilt, and printed on fine paper. Capitals chipped, front hinge with a bit of wear and a few smaller spits on front board towards hinge restored with black colour. Light overall wear. Light brownspotting.
1851réf. 63621Kjøbenhavn Reitzel 1851. 8vo. 32 pp. Original gift-binding of the black glitted paper all edges gilt and printed on fine paper. Capitals chipped front hinge with a bit of wear and a few smaller spits on front board towards hinge restored with black colour. Light overall wear. Light brownspotting. First edition - one of the extremely rare gift-copies either a presentation-copy given by Kierkegaard to one of his dedicatees or one of the copies he had in his possession when he died. This small pamphlet constitutes a turning point in Kierkegaard’s life and work. Twice in his career Kierkegaard considered his authorship over. The first time was with the publication of “Concluding Unscientific Postscript” from 1846. The second termination of his authorship came with “Two Discourses at the Communion on Fridays” which appeared on August 6 1851 marking the end of that which we consider his second authorship. As we know from 1848 Kierkegaard stops altogether making lavish presentation-bindings and begins standardizing his presentation practice. From then on he only gives away copies of his books in the black glitted paper-bindings. “Two Discourses at the Communion on Fridays” not only marks an authorial turn in Kierkegaard’s career it also marks a bibliophilic and more personal one namely the discontinuation of writing presentation-inscriptions in his works. “One Upbuilding Discourse” from the previous year is the last work in which Kierkegaard wrote a handwritten presentation inscription. Thus no presentation-inscription of the present work exists. We also do not have a letter accompanying a copy of this work so even though Kierkegaard did give away copies of his works from 1851 and onwards as is evidenced from the presentation-bindings that he had made it is extremely rare to find copies of the works after 1850 in a presentation-binding the dedicatee of which can be traced. One can ask why Kierkegaard stopped writing inscriptions in his books but we will probably not find a precise answer. We find it most likely that the changed practice signals the fact that with the present publication he considered his career over and that it would thus be inappropriate to continue the practice of written presentation inscriptions. Some consider it an aesthetic choice. Whatever the exact reason it was undoubtedly a very well-thought-out decision that can be compared to his decision of how to word the preface to the work. As Cappelørn notes in his “Forligelsen” p. 477 “That it caused Kierkegaard great troubles to give the preface exactly the wording that he wished is understandable. This was the preface for the writing that was to end his authorship. In a journal entry presumably from May 1849 he writes what he had also previously hinted at: that his understanding of the entire authorship “points definitively to Discourses at the Communion on Fridays”. That apprehension was finally fulfilled in August 1851 with the publication of Two Discourses at the Communion on Fridays.” translated from Danish. That Kierkegaard himself saw the present work as the conclusion of his authorship is also evident from his preface: “An authorship that began with Either/Or and advanced step by step seeks here its consummating place of rest at the foot of again underlining the fact that this constitutes the conclusion of his authorship and again embracing all the pseudonymous works in this religious conclusion. The altar where the author personally most aware of his own imperfection and guilt certainly does not call himself a witness to the truth but only a singular kind of poet and thinker who «without authority» has had nothing new to bring but «has wanted to read through once again if possible in a more inward way the original text of individual human existence-relationships the old familiar text handed down from the fathers.” cf. my post script to Concluding Postscript”.” SKS 12 p. 281. Kierkegaard’s reference to the postscript of Concluding Unscientific Postscript is interesting in determining his own view of these two works as being on par with each other in their concluding manner – and in their underlining the equivalence between Kierkegaard himself and his pseudonyms. It is highly interesting that Kierkegaard now in his “final work” refers to his pseudonymity in the preface although this is a religious discourse. What is also interesting about this concluding work is the printed dedication which reads “To One Unnamed whose name shall one day be named is dedicated along with this little work the whole of the authorship from the very beginning” The “unnamed” is Regine with whom Kierkegaard considered reconciliation on numerous occasions. In his journals he wrote much about her and his thoughts about reconciling with her during the period when writing Two Discourses at the Communion on Fridays. As we know the reconciliation never took place but that did not prevent Kierkegaard from dedicating his entire authorship to her with the present publication. Although Kierkegaard had begun working on the publication already in 1849 “Two Discourses at the Communion on Fridays” appeared simultaneously with “On My Work as an Author” on August 6 1851. Kierkegaard had five copies of the work in his collection when he died see Auction Catalogue no. 2173-77 all in black glitted paper bindings. Himmelstrup 130. The present copy is no. 83 in Girsel's "Kierkegaard" The Catalogue which can be found here. unknown
1843réf. 1311161843. First Edition. KIERKEGAARD S¿ren. Enten-Eller. Et Livs-Fragment. Kjobenjavn Copenhagen: C.A. Reitzel 1843. Two volumes. Octavo contemporary violet ribbon-embossed cloth elaborately gilt-decorated spines. $9500.First edition of Kierkegaard's first significant work one of only 525 copies printed and published by the philosopher under the pseudonym ""Victor Eremita.""Kierkegaard's earliest major work Enten-Eller Either/Or contrasts two ways of life: the aesthetic and the ethical. The book comprises ""a curious bundle of papers essays semi-dialogues and notes seemingly ill-assorted but in fact dialectically arrangedÉ the chief advantage of this method seems to have been to give Kierkegaard the opportunity of letting different sides of his mind converse as individuals with each other in a semi-Socratic fashionÉ Choice as the title of his work suggests was at the root of Kierkegaard's theory. There can be no system of existence only a system of ideas. From this he develops his thesis of 'Existence' since taken up by the modern ExistentialistsÉ As a thinker Kierkegaard had to wait for the twentieth century to find his audience; he is now generally considered to be however eccentric one of the most important Christian philosophers"" PMM 314. With the scarce half titles. Kierkegaard's name inked in an early hand under the author line on the half title of volume I; partially removed oval stamp on title page of volume II.Contents with occasional light foxing small area of offsetting from inked author name; spines evenly toned to brown boards with spots of toning cloth slightly rubbed at corners and spine ends. A very good copy. hardcover
1843réf. 1311161843. First Edition. KIERKEGAARD S¿ren. Enten-Eller. Et Livs-Fragment. Kjobenjavn Copenhagen: C.A. Reitzel 1843. Two volumes. Octavo contemporary violet ribbon-embossed cloth elaborately gilt-decorated spines. $9500.First edition of Kierkegaard's first significant work one of only 525 copies printed and published by the philosopher under the pseudonym ""Victor Eremita.""Kierkegaard's earliest major work Enten-Eller Either/Or contrasts two ways of life: the aesthetic and the ethical. The book comprises ""a curious bundle of papers essays semi-dialogues and notes seemingly ill-assorted but in fact dialectically arrangedÉ the chief advantage of this method seems to have been to give Kierkegaard the opportunity of letting different sides of his mind converse as individuals with each other in a semi-Socratic fashionÉ Choice as the title of his work suggests was at the root of Kierkegaard's theory. There can be no system of existence only a system of ideas. From this he develops his thesis of 'Existence' since taken up by the modern ExistentialistsÉ As a thinker Kierkegaard had to wait for the twentieth century to find his audience; he is now generally considered to be however eccentric one of the most important Christian philosophers"" PMM 314. With the scarce half titles. Kierkegaard's name inked in an early hand under the author line on the half title of volume I; partially removed oval stamp on title page of volume II.Contents with occasional light foxing small area of offsetting from inked author name; spines evenly toned to brown boards with spots of toning cloth slightly rubbed at corners and spine ends. A very good copy. hardcover books
1843réf. 140946922Copenhagen: C. A. Reitzel 1843. First Edition. Very Good. First edition of Soren Kierkegaard's best-known work Either/Or. Octavo. Two volumes bound in contemporary half-calf over marbled boards; bound without the half-titles. Text in Danish. Very Good rubbing and wear to bindings neatly rebacked with old spines preserved. Former owner names to preliminary blacks and owner's rubber stamp to title pages. Contents tanned sporadically foxed and occasionally lightly stained. A lovely set. Either/Or Danish philosopher Søren Aabye Kierkegaard's groundbreaking first published work. Only 525 copies of this edition were published in 1843 under an editorial pseudonym "Victor Emerita" at the author's own expense. It was mostly written during his stay in Berlin where he took notes on Schelling's Philosophy of Revelation. It includes essays of literary and music criticism and a set of romantic-like-aphorisms as part of his larger theme of examining the reflective and philosophical structure of faith. He is widely considered to be the first existentialist philosopher. "As a thinker Kierkegaard had to wait for the twentieth century to find his audience; he is now generally considered to be however eccentric one of the most important Christian philosophers" write Carter and Muir in Printing and the Mind of Man. C. A. Reitzel unknown
1843réf. 140946922Copenhagen: C. A. Reitzel 1843. First Edition. Very Good. First edition of Soren Kierkegaard's best-known work Either/Or. Octavo. Two volumes bound in contemporary half-calf over marbled boards; bound without the half-titles. Text in Danish. Very Good rubbing and wear to bindings neatly rebacked with old spines preserved. Former owner names to preliminary blacks and owner's rubber stamp to title pages. Contents tanned sporadically foxed and occasionally lightly stained. A lovely set. Either/Or Danish philosopher Søren Aabye Kierkegaard's groundbreaking first published work. Only 525 copies of this edition were published in 1843 under an editorial pseudonym "Victor Emerita" at the author's own expense. It was mostly written during his stay in Berlin where he took notes on Schelling's Philosophy of Revelation. It includes essays of literary and music criticism and a set of romantic-like-aphorisms as part of his larger theme of examining the reflective and philosophical structure of faith. He is widely considered to be the first existentialist philosopher. "As a thinker Kierkegaard had to wait for the twentieth century to find his audience; he is now generally considered to be however eccentric one of the most important Christian philosophers" write Carter and Muir in Printing and the Mind of Man. C. A. Reitzel unknown books
1843réf. 62137Kjøbenhavn, Reitzel, 1843. 8vo. VIII, 135 pp. Completely uncut in the original blue cardboard binding. Spine and front hinge neatly restored, preserving part of the original printed title-label. Brownspotting as usual. Overall a very nice copy indeed. Old owners’ names to inside of front board (N. Pedersen 18/8 1879 and C. Wegener).
1843réf. 62137Kjøbenhavn Reitzel 1843. 8vo. VIII 135 pp. Completely uncut in the original blue cardboard binding. Spine and front hinge neatly restored preserving part of the original printed title-label. Brownspotting as usual. Overall a very nice copy indeed. Old owners’ names to inside of front board N. Pedersen 18/8 1879 and C. Wegener. A splendid copy of one of Kierkegaard's most splendid and most sought-after works in the original binding which is extremely rare. The spines of the original Kierkegaard cardboard bindings are always just thin paper directly glued on the block making them extremely fragile and the original paper-labels are hardly every preserved. Although Fear and Trembling is evidently printed in the same number of copies as almost all the other works by Kierkegaard i.e. ca 525 this is one of the most difficult of his works to find in the first edition. Perhaps later research will show whether unsold copies were destroyed which seems unlikely however. We know that in July or August 1847 321 copies of Fear and Trembling had been sold. What we also know is that it is highly sought-after by collectors and much less frequently on the market than most of Kierkegaard’s other works. It is very odd that not a single copy on special paper or in a gift-binding presentation-copy or anything like that has been located or registered. For this title a Kierkegaard-collector will have to make do with a “normal” copy. The present copy in the original binding and completely uncut is the best copy we have come across over the last many decades. FEAR AND TREMBLING is one of Kierkegaard’s most important works. And it is also one of his most difficult. It deals – in forceful brevity – with the relationship between reason and faith and provides us with Kierkegaard’s most thorough exposition of the religious stage which he considered the most meaningful form of existence. Setting the scene in his Preface with the punchy opening lines: “Not merely in the realm of commerce but in the world of ideas as well our age is organizing a regular clearance sale. Everything is to be had at such a bargain that it is questionable whether in the end there is anybody who will want to bid.”Preface Walter Lowrie’s translation 1941 Kierkegaard begins the work with a rendering of the biblical tale of Abraham and Isak from the Old Testament using it to illustrate how religious reasons can triumph over ethical. It is here that Kierkegaard introduces the “tragic hero” and contrasts it to the “Knight of Faith” who both ignore their own wishes for a higher good. These two essential figures epitomize the ethical and the religious and pave the way for the understanding of these stages in Kierkegaard’s philosophy. It is arguably also here that the idea of the essential leap of faith is introduced for the first time. The Knight of Faith sacrifices his son at the command of God and thus sets aside an ethical demand in in order to attain a higher goal that exists beyond the ethical. This teleological suspension of the ethical requires a leap of faith that is only possible through faith in virtue of the absurd. In many ways Fear and Trembling is the most forceful of Kierkegaard’s works as is also indicated by the title. Kierkegaard himself also considered it one of his most significant productions and wrote in his posthumously published Notebooks: “Oh once I am dead Fear and Trembling alone will be enough for an imperishable name as an author. Then it will be read translated into foreign languages as well. The reader will almost shrink from the frightful pathos in the book.” NB 12:147 1849. This splendidly dense work which so magnificently weaves together existential concerns with biblical interpretation is responsible for the introduction of many of the concepts that are most fundamental to Kierkegaard’s philosophy and is essential to the understanding of his thought. Not a single presentation-copy of the work is known to exist and none has ever been registered nor identified. We know from the auction catalogue that Kierkegaard had two copies in his collection one in “dainty binding” but neither copy has been located. Himmelstrup 48 The present copy is no. 18 in Girsel's "Kierkegaard" The Catalogue which can be found here. unknown
1849réf. 63616Kjøbenhavn, Reitzel, 1849. 8vo. (8), 136 pp. Original gift-binding of the black glitted paper and printed on fine paper. Neatly rebacked in a slightly more brownish black tone, recreating the gilt lines of the original spine. Edges slightly bumped and light signs of wear overall. Light scattered brownspotting. With the ownership signature of N. Chr. M. Bredsdorff to front free end-paper.
1849réf. 63616Kjøbenhavn Reitzel 1849. 8vo. 8 136 pp. Original gift-binding of the black glitted paper and printed on fine paper. Neatly rebacked in a slightly more brownish black tone recreating the gilt lines of the original spine. Edges slightly bumped and light signs of wear overall. Light scattered brownspotting. With the ownership signature of N. Chr. M. Bredsdorff to front free end-paper. Excellent copy of the first edition in the original gift-binding presumably being one of the five copies that Kierkegaard had in his possession when he died. This is with all likelihood one of the copies Kierkegaard had bound to give away but then never did meaning that it was to be found in the auction of his books after he died. Only one buyer of any of the five copies he had in his collection was registered the other four are registered as having paid cash and are not registered by name. This is presumably one of those four copies possibly bought by Bredsdorff who was out of a family of priests and himself became a theologian. Sickness unto Death is one of the main works of Christian existentialism. It is this monumental work which introduces the new pseudonym of Anti-Climacus that we find Kierkegaard’s concept of despair and it is here that he develops his theory of “the sin of despair”. Together with Training in Christianity Kierkegaard considered Sickness Unto Death ”the most valuable I have produced” and indeed many consider this work the most perfect of all of his works. Here Christianity is expressed in its most idealized form. Kierkegaard suffered daily from worries that publishing the work would convey that he was himself an ideal Christian and he long left it unpublished. Finally after more than a year of worries and considerations he decided that as with his major philosophical works this too would have a pseudonymous author and himself merely as the publisher. The pseudonym here however had another purpose than the earlier ones. Instead of deceiving or qualifying the work esthetically the pseudonym is chosen for Kierkegaard not to present himself as the perfect Christian. He chose a new pseudonym that perfectly contrasted the author of Philosophical Fragments and Concluding Unscientific Postscript Johannes Climacus who did not see himself as a Christian namely Johannes Anti-Climacus and finally after more than a year of hesitation Kierkegaard could publish his religious masterpiece with peace of mind. “Anti-Climacus is also the author of Practice in Christianity. He might be considered the author of Kierkegaard’s greatest religious works just as Johannes Climacus is the author of the great pseudonymous esthetic works. H. Hong remarks “The prefix Anti- does not mean ‘against.’ An old form of ‘ante’ before as in ‘anticipate’ the prefix denotes a relation of rank as in ‘before me’ in the First Commandment”. In his journals Kierkegaard said “Climacus is lower denies he is a Christian. Anti-Climacus is higher a Christian on an extraordinarily high level”. Kierkegaard considered this work and Practice in Christianity to be among his most important. The Sickness Unto Death is a companion piece to the Concept of Anxiety which is also a “psychological” work and moves beyond the earlier preliminary psychological considerations of anxiety in the face of freedom or anxiety derived from and leading to sin. Like its companion this work is short but very dense. Here Kierkegaard considers the spiritual aspects of despair. As anxiety is related to the ethical despair is related to the religious that is to the eternal.” D. Anthony Storm Commentary on Kierkegaard. Kierkegaard had six copies of Sickness Unto Death in his possession when he died Auction Catalogue 2159-63 all in gift bindings i.e. the black glitted paper bindings. The present copy is no. 70 in Girsel's "Kierkegaard" The Catalogue which can be found here. unknown
1843réf. 1008Spectacular First Edition of Kierkegaard's Revolutionary Existential Classic in Original Blue Boards. KIERKEGAARD Søren. Frygt og Bæven.Dialektisk Lyrik af Johannes de silentio. Fear and Trembling A Dialectical Lyric by John the Silent Copenhagen C. A. Reitzel 1843. TP III –VIII = Forord 1-135 Octavo. First Edition.Himmelstrup 48. First edition of Fear and Trembling Kierkegaard's early and magisterial integration of his philosophical perspective withScriptural exegesis built around Abraham and his 'sacrifice' of Isaac and the problem of faith.The work begins with a meditation on the faith of Abraham when he was commanded by God to sacrifice his son Isaac.Silentio gives four alternative re-tellings in which Abraham fails the test of his faith and contrasts them with his own interpretation of the story of Abraham and the faith therein demonstrated. Silentio professes to admire Abraham's faith but he is utterly incapable of comprehending it. Following the Preface and Prelude there is a Panegyric Upon Abraham and a series of three Problemata which address three specific philosophical questions that Kierkegaard sees having been raised by the story of Abraham's sacrifice: Is there a teleological suspension of the ethical That is can Abraham's intent to sacrifice Isaac be considered "good"even though ethically human sacrifice is unacceptable; Is there an absolute duty to God In other words beyond that which is ethical; Was it ethically defensible for Abraham to have concealed his purpose from Sarah Eleazar and Isaac CONDITION: Very good to near fine in original blue cardboard covers with original paper-label to spine. Moderate wear to boards and spine some loss to spine as expected. Pages uncut fully in the original condition. Housed in a custom cloth archival box. A spectacularly well-reserved copy of arguably Kierkegaard's most important work. C. A. Reitzel