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1851Kjøbenhavn, C. A. Reitzel, 1851. Indbundet i et pænt nyere halvmaroquin med forgyldt rygtitel. Håndsyede kapitælbånd og fladstrøgne kapitæler. (Sign. Axel Jensen). Nogle spredte brunpletter især på de første og sidste blade. (6),92 pp.
1851K., 1851. Slidt samtt. hldrbd. Sidste halvdel skjoldet, noget plettet. (IV)+92pp.
rif. 64989Milano, Edizioni di Comunita, 1948. 14 x 23, 149 pp., broché (brossura/paperback), très bon état (in ottimo stato).
1851rif. 63621Kjøbenhavn, Reitzel, 1851. 8vo. 32 pp. Original gift-binding of the black glitted paper, all edges gilt, and printed on fine paper. Capitals chipped, front hinge with a bit of wear and a few smaller spits on front board towards hinge restored with black colour. Light overall wear. Light brownspotting.
1851rif. 63621Kjøbenhavn Reitzel 1851. 8vo. 32 pp. Original gift-binding of the black glitted paper all edges gilt and printed on fine paper. Capitals chipped front hinge with a bit of wear and a few smaller spits on front board towards hinge restored with black colour. Light overall wear. Light brownspotting. First edition - one of the extremely rare gift-copies either a presentation-copy given by Kierkegaard to one of his dedicatees or one of the copies he had in his possession when he died. This small pamphlet constitutes a turning point in Kierkegaard’s life and work. Twice in his career Kierkegaard considered his authorship over. The first time was with the publication of “Concluding Unscientific Postscript” from 1846. The second termination of his authorship came with “Two Discourses at the Communion on Fridays” which appeared on August 6 1851 marking the end of that which we consider his second authorship. As we know from 1848 Kierkegaard stops altogether making lavish presentation-bindings and begins standardizing his presentation practice. From then on he only gives away copies of his books in the black glitted paper-bindings. “Two Discourses at the Communion on Fridays” not only marks an authorial turn in Kierkegaard’s career it also marks a bibliophilic and more personal one namely the discontinuation of writing presentation-inscriptions in his works. “One Upbuilding Discourse” from the previous year is the last work in which Kierkegaard wrote a handwritten presentation inscription. Thus no presentation-inscription of the present work exists. We also do not have a letter accompanying a copy of this work so even though Kierkegaard did give away copies of his works from 1851 and onwards as is evidenced from the presentation-bindings that he had made it is extremely rare to find copies of the works after 1850 in a presentation-binding the dedicatee of which can be traced. One can ask why Kierkegaard stopped writing inscriptions in his books but we will probably not find a precise answer. We find it most likely that the changed practice signals the fact that with the present publication he considered his career over and that it would thus be inappropriate to continue the practice of written presentation inscriptions. Some consider it an aesthetic choice. Whatever the exact reason it was undoubtedly a very well-thought-out decision that can be compared to his decision of how to word the preface to the work. As Cappelørn notes in his “Forligelsen” p. 477 “That it caused Kierkegaard great troubles to give the preface exactly the wording that he wished is understandable. This was the preface for the writing that was to end his authorship. In a journal entry presumably from May 1849 he writes what he had also previously hinted at: that his understanding of the entire authorship “points definitively to Discourses at the Communion on Fridays”. That apprehension was finally fulfilled in August 1851 with the publication of Two Discourses at the Communion on Fridays.” translated from Danish. That Kierkegaard himself saw the present work as the conclusion of his authorship is also evident from his preface: “An authorship that began with Either/Or and advanced step by step seeks here its consummating place of rest at the foot of again underlining the fact that this constitutes the conclusion of his authorship and again embracing all the pseudonymous works in this religious conclusion. The altar where the author personally most aware of his own imperfection and guilt certainly does not call himself a witness to the truth but only a singular kind of poet and thinker who «without authority» has had nothing new to bring but «has wanted to read through once again if possible in a more inward way the original text of individual human existence-relationships the old familiar text handed down from the fathers.” cf. my post script to Concluding Postscript”.” SKS 12 p. 281. Kierkegaard’s reference to the postscript of Concluding Unscientific Postscript is interesting in determining his own view of these two works as being on par with each other in their concluding manner – and in their underlining the equivalence between Kierkegaard himself and his pseudonyms. It is highly interesting that Kierkegaard now in his “final work” refers to his pseudonymity in the preface although this is a religious discourse. What is also interesting about this concluding work is the printed dedication which reads “To One Unnamed whose name shall one day be named is dedicated along with this little work the whole of the authorship from the very beginning” The “unnamed” is Regine with whom Kierkegaard considered reconciliation on numerous occasions. In his journals he wrote much about her and his thoughts about reconciling with her during the period when writing Two Discourses at the Communion on Fridays. As we know the reconciliation never took place but that did not prevent Kierkegaard from dedicating his entire authorship to her with the present publication. Although Kierkegaard had begun working on the publication already in 1849 “Two Discourses at the Communion on Fridays” appeared simultaneously with “On My Work as an Author” on August 6 1851. Kierkegaard had five copies of the work in his collection when he died see Auction Catalogue no. 2173-77 all in black glitted paper bindings. Himmelstrup 130. The present copy is no. 83 in Girsel's "Kierkegaard" The Catalogue which can be found here. unknown
1851Kjøbenhavn, C. A. Reitzel, 1851. Indbundet i et smukt nyere papbind med forgyldt titeletiket på forpermen. (Sign. Erik Olsen). Enkelte spredte brunpletter. 32pp.
1972rif. 44498AB1972. Montreal/ London McGill-Queen's University Press 1972. 21cm. X167 pages. Original hardcover with illustrated hardcover in Protective Mylar. Excellent condition with only very minor signs of external wear. Søren Aabye Kierkegaard 5 May 1813 11 November 1855 was a Danish philosopher theologian poet social critic and religious author who is widely considered to be the first existentialist philosopher.He wrote critical texts on organized religion Christendom morality ethics psychology and the philosophy of religion displaying a fondness for metaphor irony and parables. Much of his philosophical work deals with the issues of how one lives as a "single individual" giving priority to concrete human reality over abstract thinking and highlighting the importance of personal choice and commitment.He was against literary critics who defined idealist intellectuals and philosophers of his time and thought that Swedenborg Hegel Goethe Fichte Schelling Schlegel and Hans Christian Andersen were all "understood" far too quickly by "scholars".Kierkegaard's theological work focuses on Christian ethics the institution of the Church the differences between purely objective proofs of Christianity the infinite qualitative distinction between man and God and the individual's subjective relationship to the God-Man Jesus the Christ which came through faith. Wikipedia hardcover
rif. 6059Paris, Gallimard, idées NRF,1949. in 12 : 256 pp. dos collé carré.
rif. R150090378GALLIMARD .. 1932.. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur acceptable. 255 pages. Etiquette sur le dos. Tampon sur la 1ère de couverture et sur la page de titre.. . . . Classification Dewey : 890-Littératures des autres langues
rif. R150101278GALLIMARD .. 1968.. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 252 pages.. . . . Classification Dewey : 890-Littératures des autres langues
1969rif. RO40184612Gallimard. 1969. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur acceptable. 252 pages.. . . . Classification Dewey : 890-Littératures des autres langues
rif. 5322Traduit du danois par Knud Ferlov et Jean Gateau. P. Gallimard, 1949. In-12, 252 pages. Broché.
rif. 9782070324774Gallimard
rif. KN3273GALLIMARD POCHE EN TRÈS BON ÉTAT. PLIURE AU DOS.
rif. 102.758Paris, Gallimard, 1949. 12 x 19, 255 pp., broché, bon état (papier jauni).
rif. 24068Format d'un livre de poche. Couverture souple. 252 pages. Bon état. Une expédition par Mondial Relay vous sera proposée 1978 Gallimard. Idée
rif. 5137Paris, Gallimard., Les Essais, 1954. In-12, broché, 252 pp.
1932rif. 144563Gallimard NRF Gallimard 1932, In-12 broché, 255 pages non coupées. Traduit du danois par Knud Ferlov et Jean J. Gateau. Exemplaire numéroté 47 du Service de Presse. Dos légèrement bruni. Edition originale.
rif. 14200Gallimard, Idées, 1980, 252 pp., poche, traces d'usage, tranches brunies, état correct.
rif. 482000Gallimard Paris 1932 In-8 ( 190 X 120 mn ) de 236 pages, broché sous couverture imprimée. Traduit du Danois par Knud Perlov et Jean J. Gateau. Exemplaire de Service de Presse. Bel exemplaire.
rif. 96737-JB106Gallimard 1949
rif. 45695PARIS, Gallimard -1932 - Edition numéroté - In-12 - Broché - 255 pages - Envoi rapide et soigné
1995rif. RO80237703Folio essais. 1995. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 251 pages.. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES
1961Mm 150x215 Collana Saggi. Brossura editoriale di 522 pagine, buono stato. Spedizione entro 24 ore dalla conferma dell'ordine.
1947rif. 513423Princeton University Press 1947. Hardcover with Dust Jacket. VERY GOOD/Good. Later printing. xxvii 275pp. 12mo black cloth gilt spine lettering. Clean sound copy with no markings; DJ tips worn and torn spine toned with splotchy dampstain. Princeton University Press hardcover