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1844Best.-Nr. 13899Ubeskåret i orig. hollanderet bd. m. den bogtrykte titeletiket. Forperm lidt løs. Sidste 30 sider m. skjold. Noget brunplettet.
1844Best.-Nr. 62093Kjøbenhavn, C.A. Reitzel, 1844. 8vo. A splendid copy in contemporary full cloth with blindstamped decorations to boards and gothic gilt lettering to spine. Light damp stains to back board and a bit of wear to capitals. Internally unusually nice and clean. 110, (1) pp. With an inscription for Josephine Bidoulac (later married to Welhaven), from Emil Wedel, to front fly-leaf. Pencil annotations by Jonas Skovgaard to front free end-paper.
1844Best.-Nr. 62263Kjøbenhavn, Reitzel, 1844. Small 8vo. 110, (1) pp. Completely uncut in the original blue cardboard-binding. Minimal wear to capitals, and hinges with a tiny tear to front upper and back hinge. Minute paper loss to capitals, and minimal loss to one corner. The printed title-label preserved in its entirety. Brownspotting due to the quality of the paper.A truly magnificent copy in completely original state – almost looks like it came straight off the press.
1844Best.-Nr. 62263Kjøbenhavn Reitzel 1844. Small 8vo. 110 1 pp. Completely uncut in the original blue cardboard-binding. Minimal wear to capitals and hinges with a tiny tear to front upper and back hinge. Minute paper loss to capitals and minimal loss to one corner. The printed title-label preserved in its entirety. Brownspotting due to the quality of the paper.A truly magnificent copy in completely original state – almost looks like it came straight off the press. First edition of Kierkegaard's most humorous book Prefaces in the very rare original blue binding in truly magnificent state and with the printed title-label preserved in its entirety. Published simultaneously with The Concept of Anxiety Prefaces can be viewed as its companion piece. It represents an altogether different genre and is the most humorous of all of Kierkegaard’s works but the two fictional authors of the works interestingly contrast each other. Although having been eclipsed by the now notoriously famous Concept of Anxiety Prefaces was in fact more popular when it appeared and sold many more copies. Written under the pseudonym of Nicolaus Notabene the “author” name indicates that despite its humorous approach Prefaces is still something serious – something to be noted. And it certainly is. It is here that we find Kierkegaard’s sarcastic roasting of the Hegelian system and of the Danish Hegelians with Johan Ludvig Heiberg as the main representant. Through Notabene he makes fun of Heiberg and Hegel who both want to explain everything and want to be mediators of understanding. Just as Hafniensis in The Concept on Anxiety poses that “how sin came into the world each man understands solely by himself. If he would learn it from another he would misunderstand it” p. 51 so Notabene in Prefaces states that “My frame my health my entire constitution do not lend themselves to mediation” p. 45. In Prefaces we also find Kierkegaard’s thoughts about the relationship between the reading public and the author and his fierce criticism of literary critics and reviewers among these also Heiberg as well as Martensen who famously reviewed Either-Or and Repetition respectively. And in the very amusing preface to the Prefaces we are given another glimpse into Kierkegaard’s thoughts on marriage and the dilemma he found himself in with Regine – the inner struggle between he who is the husband and he who is the author; can one be both With its challenging notions on the idea of the book and the interaction of the book with its readers his little ironic masterpiece is a clear forerunner of Postmodernism. “Kierkegaard’s ‘Prefaces’ is a brief though not unimportant work. Themes he develops elsewhere at greater length here are presented with characteristic insight and wit. This richly suggestive text has never received the attention it deserves. William McDonald’s fine translation now makes it possible to assess the importance of ‘Prefaces’ for Kierkegaard’s œuvre and to appreciate its significance for philosophical literary and theological issues that are still with us.” From the review of William McDonald’s 1989 edition of Prefaces in English in the Kierkegaard and Postmodernism-series. Written under a pseudonym and without Kierkegaard’s name appearing as publisher or indeed as anything else he was unable to give away presentation-copies of the work due to his own strict set of rules for this. Thus not a single presentation copy of the work exists. A single copy of the book was in the auction catalogue of his book collection after his death. Himmelstrup 70. The present copy is no. 28 in Girsel's "Kierkegaard" The Catalogue which can be found here. unknown
1844Best.-Nr. 62093Kjøbenhavn C.A. Reitzel 1844. 8vo. A splendid copy in contemporary full cloth with blindstamped decorations to boards and gothic gilt lettering to spine. Light damp stains to back board and a bit of wear to capitals. Internally unusually nice and clean. 110 1 pp. With an inscription for Josephine Bidoulac later married to Welhaven from Emil Wedel to front fly-leaf. Pencil annotations by Jonas Skovgaard to front free end-paper. The uncommon first edition in a lovely copy of Kierkegaard's most humorous work. Published simultaneously with The Concept of Anxiety Prefaces can be viewed as its companion piece. It represents an altogether different genre but the two fictional authors of the works interestingly contrast each other. Although having been eclipsed by the now notoriously famous Concept of Anxiety Prefaces was in fact more popular when it appeared and sold many more copies. Written under the pseudonym of Nicolaus Notabene the “author” name indicates that despite its humorous approach Prefaces is still something serious – something to be noted. And it certainly is. It is here that we find Kierkegaard’s sarcastic roasting of the Hegelian system and of the Danish Hegelians with Johan Ludvig Heiberg as the main representant. Through Notabene he makes fun of Heiberg and Hegel who both want to explain everything and want to be mediators of understanding. Just as Hafniensis in The Concept on Anxiety poses that “how sin came into the world each man understands solely by himself. If he would learn it from another he would misunderstand it” p. 51 so Notabene in Prefaces states that “My frame my health my entire constitution do not lend themselves to mediation” p. 45. In Prefaces we also find Kierkegaard’s thoughts about the relationship between the reading public and the author and his fierce criticism of literary critics and reviewers. And in the very amusing preface to the Prefaces we are given another glimpse into Kierkegaard’s thoughts on marriage and the dilemma he found himself in with Regine – the inner struggle between he who is the husband and he who is the author; can one be both With its challenging notions on the idea of the book and the interaction of the book with its readers his little ironic masterpiece is a clear forerunner of Postmodernism Himmelstrup 7. hardcover
1844Best.-Nr. 13899Ubeskåret i orig. hollanderet bd. m. den bogtrykte titeletiket. Forperm lidt løs. Sidste 30 sider m. skjold. Noget brunplettet. Originaludgave. Himmelstrup 70. Har tilhørt Vilhelm Grønbeck. unknown
1844Best.-Nr. 165730Copenhagen: C. A. Reitzel 1844. First edition of the Prefaces - eight prefaces to non-existent works satirical essays and reviews aimed at Copenhagen's literary establishment particularly at the Hegelian philosopher J. L. Heiberg. As with other of Kierkegaard's works it was published under an obvious pseudonym. Octavo. Original boards printed paper label to spine. Joints discreetly repaired. A little worn and soiled. A very good copy. Himmelstrup 70; McGill p. 51. hardcover
1844Best.-Nr. 152252Copenhagen: C. A. Reitzel 1844. First edition of the Prefaces - eight prefaces to non-existent works satirical essays and reviews aimed at Copenhagen's literary establishment particularly at the Hegelian philosopher J. L. Heiberg. As with other of Kierkegaard's works it was published under an obvious pseudonym. Octavo 170 x 119 mm. Contemporary quarter sheep smooth spine lettered in gilt marbled sides light blue endpapers. Ownership signature dated 1886 to front free endpaper. Very light rubbing and wear at extremities contents a little browned and foxed as usual; a very good copy. Himmelstrup 70; McGill p. 51. unknown
Best.-Nr. 1024906493.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1919København, Christians=Pressens Forlag, 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard, stukket af Knud Hendriksen, trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 71 af 325 eksemplarer.
1919København, Christians=Pressens Forlag, 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard, stukket af Knud Hendriksen, trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 67 af 325 eksemplarer.
1919Best.-Nr. 42723København, Christians=Pressens Forlag, 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard, stukket af Knud Hendriksen, trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 71 af 325 eksemplarer.
1919Best.-Nr. 53318København, Christians=Pressens Forlag, 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard, stukket af Knud Hendriksen, trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 67 af 325 eksemplarer.
Best.-Nr. 85049Kjøbenhavn Christians-Pressens Forlag 1919. 163 s. Portrett. Orig. helskinnbd. med 3 opphøyde bind og dekor i blindpreg. Ex libris på forsats. Topp gullsnitt ellers ubeskåret. Rygg og forperm svakt falmet. Ryggen litt skrapet. . Nr. 97 av 325 numm. eks. unknown
1919Best.-Nr. 53318København Christians=Pressens Forlag 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard stukket af Knud Hendriksen trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 67 af 325 eksemplarer. unknown
1919Best.-Nr. 42723København Christians=Pressens Forlag 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard stukket af Knud Hendriksen trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 71 af 325 eksemplarer. unknown
1990Best.-Nr. 9033682Princeton: Princeton 1990. 1st. Hardcover. Fine/Fine. Volume XXI of "Kierkegaard's Writings" series. Edited and translated with introduction and notes by Howard and Edna Hong. 5 1/2 x 8 1/2 inches. 296 pages plus prefatory material. Princeton hardcover books
1958Best.-Nr. 13321Princeton NJ: Princeton University Press 1958. Third Printing. Original Wraps. Very Good in Wraps. Third Printing. Original Wraps. Underlining by Oliver Sacks. Dr. Sacks often made comments in the margins or had conversations with the author in the text. From the library of Dr. Oliver Sacks the renowned neurologist author and educator. He was in his life celebrated for his contributions to the understanding of the human brain and his ability to communicate complex scientific concepts to a broader audience. In doing so he highlighted the profound impact of neurological disorders on human identity and experience. His library is a reflection of this remarkable polymath's questing mind. Shelfwear/toning else tight bright and unmarred. Pictorial wrappers. 8vo. 242pp. All underlining emphasis and notations are in the hand of Dr. Oliver Sacks. Princeton University Press unknown books
Best.-Nr. 68894295-6Princeton University Press. Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Princeton University Press unknown
1990Best.-Nr. 9033682Princeton: Princeton 1990. 1st. Hardcover. Fine/Fine. Volume XXI of "Kierkegaard's Writings" series. Edited and translated with introduction and notes by Howard and Edna Hong. 5 1/2 x 8 1/2 inches. 296 pages plus prefatory material. Princeton hardcover
2019Best.-Nr. G0691622604I4N00Princeton University Press 2019. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Princeton University Press paperback
Best.-Nr. DADAX0691656541Princeton University Press 2019-04-30. hardcover. New. 6.50x0.75x9.50. Buy with confidence. Excellent Customer Service & Return policy. Princeton University Press hardcover
Best.-Nr. DADAX0691622604Princeton University Press 2019-04-30. paperback. New. 6.00x0.75x9.00. Buy with confidence. Excellent Customer Service & Return policy. Princeton University Press paperback
1971Best.-Nr. 373224US: Augsburg Pub 1971. Augsburg Pub 1971 4th Printing Very Good/ Subtitle: Recommended for the Times. Originally published in Danish in 1851. Originally Published in English in 1940. Translated by Hong Edna and Howard from the Danish. Light wear to cover. Tight lightly tanned unmarked pages. Spine reinforced with clear library tape Front hinge reinforced with clear library tape. 8104 pages. 5.9 ounces. Size: 7 3/4 x 5 1/4 x 3/8 inches. 4th Printing. Paperback. Very Good. Augsburg Pub Paperback
1958Best.-Nr. 13321Princeton NJ: Princeton University Press 1958. Third Printing. Original Wraps. Very Good in Wraps. Third Printing. Original Wraps. Underlining by Oliver Sacks. Dr. Sacks often made comments in the margins or had conversations with the author in the text. From the library of Dr. Oliver Sacks the renowned neurologist author and educator. He was in his life celebrated for his contributions to the understanding of the human brain and his ability to communicate complex scientific concepts to a broader audience. In doing so he highlighted the profound impact of neurological disorders on human identity and experience. His library is a reflection of this remarkable polymath's questing mind. Shelfwear/toning else tight bright and unmarred. Pictorial wrappers. 8vo. 242pp. All underlining emphasis and notations are in the hand of Dr. Oliver Sacks. Princeton University Press unknown