A WEILBiblio.com
3773 risultati
rif. BN369667Birkhäuser. Number Theory. AN APPROACH THROUGH HISTORY. From Hammurapi to Legendre Number Theory. AN APPROACH THROUGH HISTORY. From Hammurapi to Legendre A WEIL Birkhäuser unknown
2019rif. Manohar-9780367203252Routledge 2019. Hardcover. New. Routledge hardcover
2019rif. Manohar-9780367203252Routledge 2019. Hardcover. New. Routledge hardcover
2012rif. NEWMAY2017-321795733-241Routledge 2012-06-29. Hardcover. New. 0x0x0. New US Edition Textbook Ships with Emailed Tracking from USA Routledge hardcover
1975rif. 43600(Leipzig, Verlag Philipp Reclam jun., 1975). Fol. Mit 3 doppelblattgr. sign. Orig.-Farbholzschnitten v. HAP Grieshaber, 2 sign. Orig.-Lithographien v. Bernhard Heisig u. 4 Orig.-Holzschn.-Schriftblättern v. Albert Kapr. Lose Bögen in typogr. OKart.-Umschlag u. lädiertem Kart.-Schuber.
rif. 1244164 numéros en 64 livraisons. Est joint le rare tiré-à-part DIOGÈNE (1952-1977), bilan des cent premiers numéros, perspectives davenir. Ensemble en bon état. /// Textes de Theodor W. Adorno, Jean-Paul Aron, Raymond Aron, Emile Benvéniste, Marcel Brion, Roger Caillois, Georges Canguilhem, Noam Chomsky, Michel Collinet, Mircea Eliade, Jacques Ellul, Etiemble, Michel Foucault, Jean Fourastié, Maurice de Gandillac, Jean Hyppolite, Roman Jacobson, Karl Jaspers, Bertrand de Jouvenel, Alexandre Koyré, Claude Lévi-Strauss, François Le Lionnais, Jacques Madaule, Herbert Marcuse, Jacques Merleau-Ponty, Alfred Métraux, Georges Mounin, Roger Munier, José Ortega y Gasset, Jean Piaget, Gaëtan Picon, Léon Poliakov, Louis Renou, Alfred Sauvy, Gershom Scholem, Léopold Sédar Senghor, Jean Starobinski, Jan de Vries, Eric Weil, etc
rif. 44615BERTELSMANN CARL. 1. hardcover. Tausend und eine Nacht BERTELSMANN, CARL hardcover
1889rif. 008376Stuttgart Germany: Rieger'sche Verlagsbuchhandlung 1889. Four volumes in original red linen front covers and spines wonderfully illustrated decorative end papers. Near Fine end papers uniformly browned light scattered toning. viii 408 412 421 1 362 2 adverts. With 200 illustrations. A gorgeous set. Will require additional shipping charges for priority and international mail- Please inquire before ordering. . First Edition Thus. Decorative Cloth. Near Fine/No Jacket As Issued. 8vo - over 7¾" - 9¾" tall. Rieger'sche Verlagsbuchhandlung Hardcover books
1980rif. 6452Portland OR: Sara Kirschenbaum 1980. Number 13 of 25 copies. 10x8" loose sheets 1 24pp. housed in black paper box signed and numbered by Kirchenbaum. 14 mounted or full page photographs of the American Museum of Natural History. Pages curled some scattered foxing. Very good. A very interesting artist's book from Portland area writer and visual artist and daughter of Susan Weil Sara Kirschenbaum b. 1959. Consists of short pieces both poem and prose accompanied by photographs of the American Museum of Natural History in New York. The verso of the title sheet credits help from artists Christopher Rauschenberg Kirschenbaum's half brother Jan Håfström and her mother Susan Weil. The surreal and at times grotesque historical photographs detail the building of exhibits of mammoths elephants and other large creatures. Kirschenbaum has been published in literary journals such as Tin House and has had art exhibitions in Portland and Lucerne Switzerland. She has collaborated with Weil on at least one other artist's book Cycles of Poems which is held by only the National Museum of Women in the Arts according to OCLC. As far as we can see this project is not held and we find little mention of it elsewhere. . Sara Kirschenbaum unknown
2000rif. BN535836Böhlau Köln 2000. 2000. Herrschaftsanspruch und soziale Wirklichkeit: Zwei sächsische Betriebe in der DDR während der Honecker-Ära zwei sächsische Betriebe in der DDR während der Honecker-Ära Herrschaftsanspruch und soziale Wirklichkeit: Zwei sächsische Betriebe in der DDR während der Honecker-Ära zwei sächsische Betriebe in der DDR während der Honecker-Ära Weil Dr. Francesca Böhlau Köln unknown
rif. DADAX0060902264Brand: HarperCollins paper 0000-00-00. First Edition. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: HarperCollins (paper) paperback
rif. ZB1355615Routledge and Kegan Paul Ltd. 1952. First British edition 288 pp. original blue cloth hardcover previous owner's name to front free endpaper some faint wear to cover edges else very good in a chipped dust jacket. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Routledge and Kegan Paul Ltd. hardcover
rif. 75711London: Routledge and Kegan Paul Ltd 1952. Philosophy FIRST UK EDITION. Octavo 23 x 15cm pp.xv 1 288. Publisher's light blue cloth red label with gilt titles to spine. With the typographic dust-jacket priced at 18s to front flap. Top edge red. Moderate spotting - mostly to endpapers jacket flaps and margins/textblock edges. Bookplate label adhered to front flyleaf. Toning to jacket spine. A few open and closed tears to jacket extremities minor loss. Very good. A discussion of the certain 'roots' a society deems fundamental to its existence and whether those roots are as permanent as the word suggests. With a preface written by T.S. Eliot. London: Routledge and Kegan Paul Ltd, 1952 unknown
2007rif. 54502Sans lieu (Paris) La Compagnie Typogra 2007 In-4, en feuilles, tiquette imprime colle sur le premier plat de la couverture (embotage de l'diteur).Trs lgante dition typographique de ce texte crit en 1939 et 1940, comportant des passages de l'Iliade traduits du grec en franais par Simone Weil elle-mme. Dans cette dition, la traduction a t accompagne du texte original compos en grec, tir d'une dition de 1556. La prface indite de Jacqueline de Romilly a t compose la main en Garamond italique, le texte de Simone Weil en Univers, le texte d'Homre et sa traduction respectivement en Grecs du roi et en petites capitales Garamond. L'ouvrage se termine par un alphabet grec imprim sur plusieurs colonnes donnant les caractres usuels et accentus. Tirage limit 100 exemplaires numrots sur papier Zerkal. 42me livre dit par La Compagnie Typographique.
1923rif. 260827002San Francisco: The Book Club of California printed by The Grabhorn Press 1923. Limited Edition. Leather bound. Fine. Lange Dorothea; H. Von Schmidt. One of 400 copies quarto size 140 pp. in a deluxe binding with slipcase. A tribute to Oscar Weil 1839-1921 born in New York and educated as a musician. When the Civil War started he enrolled in the Northern cause as a private and by the end of the war he was a Major; however injuries received during the war meant he could no longer be a violinist. He therefore turned to composing and settled in San Francisco where he also served as the music critic for the Argonaut newspaper; he was a man much loved by the community as attested to by this memoir. Frontispiece a tipped-in photograph by Dorothea Lange from a painting of Oscar Weil by Olga M. Ackerman; when this photograph was taken Dorothea Lange 1895-1965 was living in Berkeley having recently married the western painter Maynard Dixon. Printed by the Grabhorn Press the renowned publishers/printers Edwin and Robert Grabhorn. This copy in a deluxe leather binding beautifully executed but with no binder's stamp or ticket that we can find. ___DESCRIPTION: Bound in full tan leather both boards with horizontal ruled borders one gilt and one black gilt lettering on the spine the spine bands extending slightly onto both boards with their tips decorated with a gilt star top edge gilt fore- and bottom edges uncut pastepaper endpapers tissue-guarded frontispiece the photograph by Dorothea Lange of a painting of Oscar Weil as referred to above title page in red and black almost every page of text has red lettering for marginal notes and capital letters some of which are blue; binding quarto size 11 1/2" by 7 3/4" pagination: i-xiv 1-119 blank 120 divisional title page "Compositions of Oscar Weil" 121 blank 122 3 pp. of compositions 123-125 colophon page 126 issued in an edition of 400 copies this no. 343. Housed in a slipcase covered with pastepaper with the opening trimmed in leather. ___CONDITION: The volume fine the leather smooth and supple and utterly without wear the corners straight and unrubbed a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; a stunning example. The slipcase near fine strong and sturdy with no splits to the seams the paper covering the case mostly clean other than a few light stray spots and showing minimal wear the leather guarding the opening well-rubbed at the top edge. ___CITATION: BCC 100 no. 19; Grabhorn Bibliography no. 58. ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Book Club of California [printed by The Grabhorn Press] unknown
rif. 72405James L. Weil Publisher / Origin Press et al. First edition first printing / Broadside / Limited Editiions / Keepsake Series. 15 items sold as a set. William Bronk Ñ "Bare Bones" James l. Weil Publisher 1995 First edition. James L. Weil Publisher 1994 First edition first printing One of only 50 copies. Quite lovely and beautifully designed with a snowy cover in sewn wraps. James Weil was quite close to William Bronk and often issued exquisite copies for his friend // "Beethoven : The Late Sonatas" James L. Weil Publisher 1990 First edition first printing One of 60 and this is a little higher range for the usual Keepsake Editions which we have. A lovely deckled beauty in sewn wraps. Has become scarce // "Sizes" James L. Weil Publisher 1991 First edition first printing One of 50 copies. Lovely copy in sewn wraps. Part of the Keepsake issues of James Weil issued for his good friend William Bronk. Sent as a gift to his friend the poet Bob Arnold with a typed note to Bob regarding the book with some interesting insight on James Weil's personal business card. // "For All We Know" James L. Weil 1998 First edition first printing One of only 50 copies beautifully presented on ragged edge paper and sewn wraps. Lovely // "Lite". James Weil 1995 First edition first printing One of only 50 copies Fine bright side-stapled wraps with deckled edge and lovely all around // "In Private" James Weil 1996 First edition first printing One of only 50 copies. Exquisite edition. Also with the publisher's short business card and noted affectionate inscription to the poet Bob Arnold from James Weil the two were friends poets and publisher colleagues. Fine bright tall sewn wraps and lovely deckled edge. // "Sizes" James L. Weil Publisher 1991 First edition first printing Fine bright sewn wraps printed in only 50 keepsake copies at the Kelly-Winterton Press in 1991. Handsome all around. // "Literal Speech" James L. Weil 1997 First edition first printing One of 50. Lovely sewn wraps new. // "The Fife" James L. Weil 2002 First edition first printing One of only 50 copies. Printed in memoriam for the poet's 84th birthday in 2002. As new and bright sewn wraps. Lovely copy. // " Exemplaries" James L. Weil 1994 First edition first printing One of 50. Lovely deckled edge gatefold warps with a warm inscription to the poet Bob Arnold from James Weil on his business card. Bob Arnold and James Weil were close friends and colleagues. //// Kearns Sherry Ñ "The Ginko at 57 Pearl St." James L. Weil Publisher 2005 First edition first printing Unusual design and publication from James Weil. One poem on deckled edge papers booklet and quite exquisite printed at Kelly-Winterton to commemorate William Bronk's 87th birthday 17 February 2005. Inscribed affectionately on the publisher's business card to another poet tipped in. A fine association copy between the two poets. As new sewn wraps. //// Lyman Henry Ñ "Bill's Room" James L. Weil 2003 First edition first printing One of 50 copies only printed at the Kelly-Winterton Press to celebrate the 85th birthday of William Bronk. Fine bright all around sewn wraps. //// Morse Samuel French "Life Supports" James L. Weil Publisher 2000 First edition first printing One or only 50. As new and bright lovely sewn warps to celebrate in memoriam the 82nd birthday of William Bronk sent to the poet and publisher at Longhouse Bob Arnold from his good friend the publisher James L Weil who has tipped in a card with a greeting to Bob Arnold. A fine association copy. //// Weil James Ñ "Westchester Walls for William Bronk" 1994 Broadside Broadside printed in 76 keepsakes copies to celebrate the 76th birthday of William Bronk September 17 1994. Roughly 6 x 9 deckled edge and ideal for framing. Two color broadside. Affectionately inscribed by James Weil to the poet Bob Arnold. James Weil and Bob Arnold were close associates both as poets and publishers. //// Weil James L. Ñ "Really" Origin Press 2001 First edition first printing One 50 copies printed elegantly and celebrating William Bronk's 83rd birthday. New and bright sewn wraps from Cid Corman's Origin Press and printed at the Kelly-Winterton Press. Fine bright sewn wraps to celebrate in memorial the 83rd birthday of William Bronk. Uncommon and quite scarce. Please inquire for shipping costs and insurance James L. Weil, Publisher / Origin Press et al paperback
2020rif. SBBI-mon0000139513Penguin Classics 2020. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Penguin Classics paperback
1920rif. 65907Wien, WILA / WEAG, 1920. Farb. lithogr. Plakat (ca. 94 x 62 cm).
1984rif. 195MÜLLER KARL 1984. 1. hardcover. Tausend und eine Nacht Über 700 Illustrationen! Erstmalig aus dem Urtext vollständig treu übersetzt und umgearbeitet! MÜLLER, KARL hardcover
1982rif. 2257EDITION C.O.L.S. 1982. 7.ND. hardcover. Tausend und eine Nacht Über 700 Illustrationen! Erstmalig aus dem Urtext vollständig treu übersetzt! Neu umgearbeitet! EDITION C.O.L.S. hardcover
rif. Z1-C-061-01670Raintree Publishers. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Raintree Publishers unknown
1914rif. 1820Various places in Germany mostly Darmstadt as well as England Holland the Atlantic Ocean New York and Allentown 1914. Good plus. 144pp. with ten original photographs and printed document mounted at rear. Quarto commercial journal. Black cloth boards edges dyed red. Spine perished boards attached with amateur tape repairs. Text block solid. Minor offsetting from photographs; a bit of soiling to first leaf; light even tanning. Accomplished for the most part in highly legible hand; approximately 17500 words in total. A remarkable manuscript travel journal that documents the European trip of a 22-year-old Pennsylvania woman its interruption by the outbreak of World War I her subsequent stranding in Germany and her trials in securing passage back to the United States. Anna F. Weil b. about 1892 the daughter of an Allentown grocer John Weil departed New York on June 29 1914 aboard the S.S. Rotterdam a 3400 passenger luxury cruise liner operated by the Holland America Line. She arrived in Rotterdam Germany on July 9th and proceeded to connect with family and sightsee in Germany and the Netherlands with plans to proceed to Switzerland and Germany which were cut short by the declaration of war between Germany and England: "Wed. July 29. To-day war was declared I have many postal cards written to send to American but was told not to send them as they would not reach their destination so all communication with outside countries is cut off. The harbor is closed and no ships can leave or enter German ports. The English cut the German cable a few days ago before war was declared so now we can't even send a telegram from Germany." p.68 At first the war is present in daily life but still seems some distance from it: "On Sunday Aug. 23. I saw the first wounded French soldiers saw a wagon full but there were well treated by the Germans and the people expressed pity for them as they were a sad looking party. We were at Frankenstein's Castle a ruin on the mountain which can be seen way in the distance from Darmstadt. It was a very nice ramble through the woods and part of the castle is used as a restaurant where we had some thing to eat and drink before resuming our ramble in and about the castle. When at the top of the town it was nice to look over the tops of the trees over the fields and see the villages and the city away off in the distance." The reality of the situation however quickly becomes more evident and more pressing: "Aug. 28. Friday. Received a letter from Angeline dated July the 23d. also one from Frank dated August the 4th. Saw hundreds and hundreds of horses which are taken and sent to battle with the men. Saw many companies leaving it was a beautiful sight to see them march as one man. As they passed through the streets the women came and greeted them and gave them flowers. Horses wagons men every thing was covered with the acorn leaves the German emblem of victory and as the women gave the flowers they were placed among the acorn leaves and so they left their homes families and country with flowers and song and their flags waving high above them. It was a beautiful and inspiring sight to see them go but to think of their return made one's heart grow sad. One company that I saw Company 115 had but 30 men left after the battle the rest were dead or wounded." Throughout the account her German heritage shapes a favorable view of the Germans in the war: "In Belgium the Germans were very much ill treated they had to flee the country in 1 hours notice and leave every thing back Elizabeth Buehler and her brother as well as other Germans who were living in Belgium in the city of Antwerp had to flee for their lives and all their belongings were taken from them they arrived in Darmstadt with nothing but what they had on their bodies. When the war first broke out the Russians who were in Germany threw bombs and tried various ways of doing mischief. So all were given a chance to leave and got to their own country. Those who refused and did any mischief were taken into custody and placed under guard until the war is over. Those who did any wrong were sentenced to death were shot. This was at least more human that the way some of the Belgians and Russians treated and mutilated the Germans when they had done no wrong and deserved no punishment. War is war and there are rules which we cannot change and are considered honest in warfare but I don't think it right to torture or mutilate a wounded soldier whether friend or foe." She remained with family at an estate on Dieburger Strasse in Darmstadt Germany until she was able to secure an emergency passport from the American Consul in Frankfurt on September 15th. The return passage was fraught as Holland America misplaced her reservation the ship was delayed and she was forced to find temporary lodgings in Rotterdam when she arrived on October 1st: "When we got there the proprietor said all was taken this made the porter cross and he said he would find some kind of place for us but we were not going to take any kind of a make shift so we turned and hurried back to the station the porter took hold of my arm and tried to detain us but I broke loose and Mrs. Kramer and I ran as fast as could when we reached the station we were just in time to catch the other four who were driving away in carriages. The eldest one saw us running and stopped the team and waited for us. We got in and such a time till we found lodgings. Every thing was taken which was due to so many Americans and fleeing Belgians. We succeeded in finding a place at 2.30 am where all six of us stayed. Then there was trouble with the driver and one of the Americans went out and called a police-man and settled the trouble and we retired at 3am." She eventually landed back in The States after a return trip that saw rough seas and an intense scrutiny of passengers upon landing in New York: "At Staten Island the doctor came to our ship with a yacht flying the yellow flag. Here we stopped for some time the mail ship came and all mail bags were given over to this ship. Then another yacht crowded with American custom officers arrived on the scene and boarded our ship. Then we all had a hurried lunch as there was no time for supper. All had to go on deck until the dining room was in readiness for the officers. It was dark by this time and the ship under way again. When all was ready we had to stand in line with our yellow tickets. Only a few at a time were allowed to enter the dining-room. When once inside we had to look about for the table bearing the number of our ticket. Here we were interviewed by the officer at that table. Some people had a great deal of trouble and were sent from one table to another. Others were refused admission into the United Sates and some had to go to Ellis Island." The rear pages of the journal are illustrated by 10 mounted original photographs of her initial journey family some sightseeing and her return passage; also tipped in are her emergency passport and a typed letter from the American consul. Overall the journal is a detailed and eventful original woman's travel manuscript as well as a rich primary record of an American civilian caught in Europe during the outbreak of the Great War. A partial transcription with additional excerpts is available upon request. unknown books
1943rif. 16547London 1943. Weil Ernst 1891-1965. Complete set nos. 1-33 of Weil's rare book catalogues. Approx. 1320pp. total. Plates. London: E. Weil 1943-1965. 218 x 138 mm. Bound in 3 volumes recent cloth red leather spine labels; original printed wrappers present. Fine. Herbert M. Evans' Copies with his purchase notes on the front wrappers of several catalogues and his signature or initials on one or two front wrappers. Typed letter signed from Weil to Evans dated 19 May 1953 bound into Catalogue 20. First Editions of these important catalogues issued by one of the foremost 20th-century dealers of rare books in medicine and science. These copies are from the library of Herbert M. Evans 1882-1971 co-discoverer of Vitamin E and one of the pioneering collectors of rare medical and scientific books. Many of the catalogues in this set bear Evans's pencil or ink notes on their front covers and Catalogue 20 1953 has a typed letter signed from Weil to Evans bound in discussing a possible purchase of four items. Ernst Weil a native of Germany was influenced by his cousin the bookseller Heinrich Eisemann to collect and eventually to sell early printed books. In 1924 he founded with Hans Taeuber the firm of Taeuber & Weil in Munich; in 1933 he moved his family to London where he entered into partnership with E. P. Goldschmidt. In 1943 he began selling books under his own name issuing 33 catalogues before his death in 1965. Although modestly produced his catalogues contain much research and original observation particularly on hitherto ignored medical and scientific books. See E. Weil "A doctor and his books: Harvey Cushing and his library. The formation of the Harvey Cushing Collection" Journal of the History of Medicine 1 1946: 234-246. . unknown books
1937rif. 008688London: E. P. Goldschmidt 1937 8vo 21.5 cm 24 pp. Printed wrappers both wrappers and paper inside are slightly toned. This is a limited first edition restricted to 100 copies featuring Einstein's bibliography. It includes 174 entries encompassing papers collections of papers and their translations. E. P. Goldschmidt paperback
