Weil, EricLivre Rare Book
Weil ELivre Rare Book
Hegel et la philosophie du droit
1979ref. 100136926Puf 1979 160 pages 381x69x559cm. 1979. Broché. 160 pages.
Un Autre Monde · Val Couoesnon, Francia26,00 €
3823 resultados
1986ref. 43878Librairie philosophique J. Vrin Couverture souple Paris 1986
1984ref. 284950Paris: Nouev. cite Rencontres 1984. 202S. Br. *eine Ecke min. bestossen* gutes Expl.*.
1975ref. 30694Gelnhausen, Burckhardthaus-Verlag, 1975. 152 S. 21 x 15 cm, Broschur
1979ref. 100136926Puf 1979 160 pages 381x69x559cm. 1979. Broché. 160 pages.
1909ref. 512503Albert fontemoing 1909 614 pages in8. 1909. Broché. 614 pages. Livre contenant des tampons et étiquette de bibliothèque de garnison Couverture usagée Manque premier dernier plat et dos ; bordure abîmée rognée en marge sur les 50 première pages texte bon quand même pas de rousseurs
1944ref. 014788Masson & Cie reliure Rigide Décorative Paris 1944 720 pages en format 14 - 20 cm - reliue rigide en percaline avec dorures - TBE
ref. 9782228933360Payot
1967ref. 544824Chicago: The Modern Poetry Association 1967. Softcover. Very Good. Volume 109 Number 6. Pictorial blue wrappers. 357-420pp. Light foxing on page edges spine age-toned very good being Larry Lieberman's copy with his printed address torn from an envelope taped onto contents page. Contributions by Denise Levertov John Logan Tom Clark John Woods Thomas McGrath Edward Dorn Barry Spacks Etta Blum James L. Weil John Ingwersen Louise Gluck Frank Samperi Laurence Lieberman Hayden Carruth Donald W. Baker Robert Sward and Philip Legler. The Modern Poetry Association unknown books
1938ref. 525253New York: Crawford Music Corporation 1938. Softcover. Near Fine. Sheet music. Two nested bifolia making eight pages. Light toning and very light edgewear else near fine. For voice and piano with chord charts for guitar. OCLC locates five holdings. Crawford Music Corporation unknown books
1997ref. 176359Stockholm: Nationalmuseum 1997. Paperback. VG. Illustrated wraps with black lettering. 61 pp. BW and color illustrations. Text in Swedish and English. Catalogue of an exhibition from September 19 to November 16 1997. Nationalmuseum paperback books
1997ref. 501473Boston: Verba Mundi / David R. Godine 1997. Softcover. Near Fine. Uncorrected proof of first American edition with a signed letter from the publisher laid in. Translated from the German by John Barrett. Printed wrappers. Topedge a trifle foxed with a slightly sunned spine near fine. Verba Mundi / David R. Godine unknown books
1973ref. 528601Rushden Northamptonshire: Sceptre Press 1973. Unbound. Fine. First edition. Single sheet folded once to make four pages. Fine. One of 150 numbered copies. Sceptre Press unknown books
1980ref. 597735Notting Bedford: Martin Booth 1980. Softcover. Fine. First edition. 16mo. Stitched wrappers. Fine. One of 125 numbered copies. Martin Booth unknown books
1989ref. 313325New York: Kelly-Winterton Press 1989. Softcover. Fine. First edition. Fine in sewn wrappers. One of 75 copies. Kelly-Winterton Press unknown books
1997ref. 312239New York: Kelly-Winterson Press 1997. Softcover. Fine. First edition. Fine in sewn wrappers. One of 75 copies printed on Gutenberg laid paper. Kelly-Winterson Press unknown books
1978ref. 311832New Rochelle New York: Elizabeth Press 1978. Hardcover. Fine. First edition. Fine housed in a fine card stock slipcase. One of 200 copies. Elizabeth Press hardcover books
1976ref. 589259Knotting: The Sceptre Press 1976. Softcover. Fine. First edition. 16mo. 5pp. Stapled wrappers. Fine. This is one of 150 numbered copies. The Sceptre Press unknown books
1988ref. 557567New York: Farrar Straus & Giroux 1988. Softcover. Near Fine. Uncorrected proof of first American edition. Preface by Philip Roth. Translated from the Czech by Ruzena Kovarikova and Roslyn Schloss. Printed green wrappers. Small abrasion on cover affecting a bit of title near fine. Farrar, Straus & Giroux unknown books
1985ref. 105397NY:: Atheneum. Very Good in Very Good dust jacket. 1985. Hardcover. 0689311060 . Illustrated by the author. Stated first edition. Previous owner's name on front paste-down else very good in a very good a few short closed edge tears on rear panel age toning previous owner's name on front flap dust jacket. . Atheneum, hardcover books
1974ref. 214612University Park: Pennsylvania State University Press 1974. Hardcover. VG. Light shelfwear to jacket otherwise clean and unmarked. Oblong quarto. Hardcover. Bound in brown cloth with cream jacket with black titles. 160 pages illustrations 23 x 29 cm. Pennsylvania State University Press hardcover books
1983LIGUORI 1983 273 PP. FONDO DI MAGAZZINO: SEGNI DEL TEMPO ALLA COPERTINA, COME DA FOTO, VOLUME INTONSO, MAI SFOGLIATO.
ref. L7371Ed. Claire Paulhan, 2019. In-12 br. 7 lettres échangées entre S. Weil et J. Bousquet en 1942. Edition établie, préfacée et annotée par F. de Lussy et M. Narcy. E.O.
1980ref. 124106Slatkine, coll. « Ressources », n° 62 1980 In-8 broché 21 cm sur 13. 431 pages. Couverture avec tâche marginale de peinture, sans gravité. Bon état d’occasion.
1924ref. 160342Stuttgart: J. F. Steinkopf 1924. LX, 802, 230 Seiten. Frakturdruck. Mit Porträtfrontispiz und 57 Sinnbildern, gezeichnet von J. Schnorr. Gr. 8° (22,5-25 cm). Orig.-Leinenband mit goldgeprägtem Rückentitel. [Hardcover / fest gebunden].
2019Nessun filosofo può sottrarsi al rischio di rimanere preda dei paradossi che arriva a vedere e pensare, al rischio di esplodere in volo un attimo dopo averli sfiorati con le proprie ali. Come Kierkegaard testimonia e come Jean Luc Marion sottolinea “un pensatore senza paradosso è come l’amante senza passione, pura mediocrità”. Il pensiero di Simone Weil non può che sottrarsi a qualsiasi sospetto in tal senso: la sua idea di Dio propone paradossi incalzanti cui la sua stessa vita rimase a lungo sospesa e il fatto stesso che per lei Dio possa manifestarsi solo tramite la sua assenza risulta fondamentale per poter comprendere il suo rapporto con la fede cristiana. L’esperienza della sventura ha proprio la prerogativa di rendere “Dio assente per un certo tempo”, un tempo in cui, “bisogna che l’anima continui ad amare a vuoto, o almeno a voler amare, seppure con una parte infinitesimale di se stessa. Allora un giorno Dio le si mostrerà e svelerà la bellezza del mondo, come accade a Giobbe”. La sventura è per la Weil un dispositivo semplice: raduna tutto il male e lo raccoglie in un unico punto per trasfigurare il dolore di cui l’essere umano è capace in una dimensione impersonale. Autori: Gustavo Micheletti.
