3.773 Ergebnisse
1960Best.-Nr. 46227Cleveland: American Weave 1960. First edition. 37 pp. Fine in sewn wrappers. Work selected and arranged by Felix Stefanile. Cleveland: American Weave unknown books
1969Best.-Nr. 29581New Rochelle: Elizabeth Press 1969. First edition. Unpaginated. Fine in wrappers and dust jacket with printed cover label. One of 500 copies. New Rochelle: Elizabeth Press unknown books
1977Best.-Nr. 29578New Rochelle: Elizabeth Press 1977. First edition. Unpaginated. Fine in wrappers and printed dust jacket. One of 200 copies. New Rochelle: Elizabeth Press unknown books
1997Best.-Nr. 28733Boston: Godine 1997. First US edition. 160 pp. Fine in fine dust jacket. Translated from the German by John Barrett. Boston: Godine unknown books
1973Best.-Nr. 26560New Rochelle: The Elizabeth Press 1973. First edition. 56 pp. Fine in printed paper-covered boards. One of 400 copies. INSCRIBED by Weil “for Ray Souster- / All good always / from Jim.” New Rochelle: The Elizabeth Press hardcover books
1969Best.-Nr. 29579New Rochelle: Elizabeth Press 1969. First edition. Unpaginated. Fine in wrappers and dust jacket with printed cover label. One of 500 copies. New Rochelle: Elizabeth Press unknown books
1976Best.-Nr. 13993West Lafayette: Sparrow Press 1976. First edition. 26 pp. Fine in stitched wrappers and printed integral dust jacket. One of 300 copies on Mohawk Superfine paper. SIGNED by Weil at the colophon. West Lafayette: Sparrow Press unknown books
1976Best.-Nr. 26563West Lafayette: Sparrow Press 1976. First edition. 26 pp. Fine in wrappers and printed dust jacket. One of 300 copies. SIGNED by Weil on the title page. West Lafayette: Sparrow Press unknown books
1974Best.-Nr. 30195New Rochelle: Elizabeth Press 1974. First edition. 11 pp. Fine in wrappers and integral printed dust jacket. One of 200 copies printed letterpress on Magnani rag paper by Stamperia Valdonega. A minature book 7.6 x 10 cm collecting three short poems. New Rochelle: Elizabeth Press unknown books
1981Best.-Nr. 26561West Lafayette: Sparrow Press 1981. First edition. 49 pp. Fine in wrappers and fine integral printed dust jacket. Frontis etching by Eugene G. Canade. Printed at Stamperia Valdonega. West Lafayette: Sparrow Press, unknown books
1977Best.-Nr. 29577New Rochelle: Elizabeth Press 1977. First edition. Unpaginated. Fine in wrappers and printed dust jacket. One of 200 copies. New Rochelle: Elizabeth Press unknown books
1973Best.-Nr. 26562New Rochelle: Elizabeth Press 1973. First edition. 55 pp. Fine in wrappers and near fine integral dust jacket with light tanning to spine and a short tear to crown. INSCRIBED by Weil on the front free endpaper “For Michael Tarachow/ my very best / Jim Weil.” New Rochelle: Elizabeth Press unknown books
1973Best.-Nr. 18452New Rochelle: Elizabeth Press 1973. First edition. 56 pp. Fine in printed paper covered boards. Very good publisher's slipcase with a sticker scar to one lower corner. One of 400 copies printed on Magnani rag paper by Stamperia Valdonega in Verona. New Rochelle: Elizabeth Press hardcover books
1997Best.-Nr. 9654New York: Vincent FitzGerald & Co 1997. One of 50 copies all on Fabriano Artistico paper each signed by the artist on the colophon. Page size: 4-7/8 inches x 4-7/8 inches; 31 individual leaves cards including "Joker" and 2 "Wild Cards" titlepage and colophon. Bound: housed in red cloth clamshell box by BookLab with title printed in silver gilt on front cover new. The calligraphy is by Jerry Kelly who has printed it letterpress at Kelly / Winterton Press. There are 59 etchings of body parts - some hand watercolored - by Susan Weil from her drawings that were blind-drawn on copper a technique that Weil has used for more than 50 years. The double-sided cards can be shuffled and dealt in any pattern which contributes to the humorous possibilities in the title pun. Further the cards can be re-arranged by simply turning them over creating a new figure. The simple line etchings become incredibly complicated upon closer inspection. Playful and sly touching and always imaginative Ms. Weil gives us her unique view of the human condition touching on varieties of emotions and stages of life with an artist's eye. Vincent FitzGerald & Co unknown books
2006Best.-Nr. 9813New York: Vincent FitzGerald & Company 2006. One of 10 copies only on J.B. Green paper each signed and numbered in pencil on the colophon by the artist Susan Weil. Page size: irregular but about 7 inches x 9 inches; 7 individual collages each hand water colored cut out and assembled by the artist Susan Weil and the publisher Vincent FitzGerald. On the reverse of each individual work of art is a "secret" hand written by the artist. Because they are secrets the reader / viewer can see words but there is no way to read the secret. Bound: loose in translucent plexi-glass box with sliding cover printed colophon in black with title in red visible through side of box new. The images created by Weil are so full of life - one is instantly drawn into the full world of this talented artist who has always included others in her life - children partners pets - all lovingly viewed through her aesthetic. The colors are vivid blues bright yellows gold and silver and the reader / viewer engages with them - knowing they will be unknowable and all the more intriguing. Vincent FitzGerald & Company unknown books
1997Best.-Nr. 9655New York: Vincent FitzGerald & Co 1997. One of 20 copies all on Antique JB Green and Japanese Gampi paper signed and numbered by the artist in pencil on each of the 5 etchings. The names of the subject of each portrait is etched in the plate itself. The authors are: Gertrude Stein James Joyce Franz Kafka and Virginia Woolf. The artist is of course Matisse. Each etching measures 12-1/4 inches x 17 inches fine. The etchings were printed by Lothar Osterburg and Vincent FitzGerald. Susan Weil's aesthetic predecessors are portrayed in these blind-drawn etchings created around the same time as BLIND MAN'S BLUFF. She has captured the key element in the features of each. Vincent FitzGerald & Co unknown books
2002Best.-Nr. 9651New York: Vincent FitzGerald & Co. 2002. One of 20 copies all on special paper handmade by Paul Wong at Dieu Donne Papermill each signed and numbered on the colophon by Susan Weil. The artist has titled signed numbered and dated each print as well at the bottom in pencil. Page size: 16 x 16 inches; 6 images plus colophon. Housed in orange silk custom-made clamshell box with inset of blueprint image by the artist of broken glasses printed in white on blue fabric box made by Priscilla Spitler at Hands on Bookbinding new. The colophon was printed by Daniel Keleher at Wild Carrot Letterpress. Vincent FitzGerald & Company did the collage work. The prints are described by the publisher as follows: 1 blueprint image on cover; 2 "Umbrella" photograph which puts the umbrella structure directly on the paper; 3 "Secrets" A collaged blueprint. These private words are layered then cut in strips and woven. The back of the strips are water colored red reflecting slightly. 4 "Grace's Lace" The lace squares are treated with chemicals for a brown print and developed with ultraviolet light. This is mounted on handmade paper which has been water colored pale gray. 5 "Catenary" This is a blueprint collage. The two blueprint hands hold a copper string. The handmade paper is water colored pale green. 6 "Woven Wineglasses" This is a photograph collage. Several direct wineglass images are simply woven into a box form making this study of water and shadows into an abstraction. 7 "Haphazard" This is a formal blue print configuration of glass rectangles. The haphazard quality comes from the unpredictability of the beautiful breaks in the glass. Susan Weil returns to a medium she used in the late 1940's and early 1950's with her then husband Robert Rauschenberg at Black Mountain College where they had studied with Josef Albers. Carla Schulz-Hoffman notes in her article on Susan Weil in the exhibition catalogue MIND'S EYE 1989 the origins of this art form. In subsequent visits to Black Mountain they began experimenting with blueprint paper. Rauschenberg writes "Sue and I experimented with light-sensitive papers partly because of their low cost.". Schulz-Hoffman writes "In 1951 their son Christopher was born and in that same year 'Life' magazine published a three page article including reproductions of their spectacular 'Blueprints'. Similar to Man Ray's rayographs the blueprints used blueprint-paper and a sunray lamp to capture life-sized silhouettes." She notes "For this reason it is not always possible to credit one particular individual with the discovery of innovations which would prove decisive in precipitating the fall of Abstract Expressionism and in shaping the course which the entire New York School would eventually take. Although many of the results of Weil's productive collaborations with Rauschenberg and Jasper Johns cannot be attributed exclusively to one or another of these artists nevertheless a typically one-sided art historical scholarship tends to ignore Weil or consign her a marginal role.". As well as blueprint images Weil began to use collage in an especially creative way. Her complete mastery of these techniques can be seen in these images. Vincent FitzGerald & Co. unknown books
2001Best.-Nr. 9656New York: Vincent FitzGerald & Co 2001. Portfolio of five etchings by Susan Weil signed by Weil on the colophon in pencil and initialed by her with the print number in pencil on each print. Printed on Japanese Gampi paper chine colle on Hahnemuhle Copper paper by Peter Pettengill at Wingate Studio. The etchings are taken from re-strikes of the Rembrandt Self-Portrait etchings purchased by Susan Weil while studying art in Paris at the Academie Julien in the 1940's. For this suite she has cut up the etchings and collaged them to achieve the images herein. The images were made from photogravue plates made by Jon Goodman. Ms. Weil has been experimenting with the use of images made from blueprint paper since 1951 when she and her then husband Robert Rauschenberg were working at Black Mountain College. Her use of collage has dated from this time as well. She has obviously has made these mediums her own. Vincent FitzGerald & Co unknown books
1995Best.-Nr. 106607New York: The Grolier Club 1995. paperback. 6 x 9 inches. paperback. 39 pages. This catalogue commemorates the third exhibition hosted by the Club posthumously marking an important anniversary in the life of John Keats. It displays several different phases of Keats's work from poetry drafts fair copies and early printings in magazines to private letters to friends presentation copies and more. The catalogue contains a foreword by Jack Stillinger and two full-page illustrations. The exhibition was held from September 19 to November 22 1995. The Grolier Club unknown books
1933Best.-Nr. 47787Philadelphia: Lea & Febiger 1933. First edition 8vo pp. viii 2 17-335 1; 260 text illustrations mostly biopsies; red cloth with gilt title on spine; toned and bumped very good overall. Lea & Febiger hardcover books
1973Best.-Nr. 2488glsWashington: USGPO 1973. DA PAM 550-164. First Edition. Octavo green cloth xii 189 pp. USGPO, 1973. DA PAM 550-164. First Edition. hardcover books
1999Best.-Nr. 68620Amherst:: University of Massachusetts Press. Very Good in Very Good dust jacket. 1999. Hardcover. 1558491988 . First edition. Bumped corners else very good in a very good dust jacket. . University of Massachusetts Press, hardcover books
1923Best.-Nr. SB2158San Francisco: The Book Club of California printed by The Grabhorn Press 1923. Limited Edition. Hardcover. Very Good Plus. Lange Dorothea; H. Von Schmidt. No. 136 of 400 quarto size 140 pp. A tribute to Oscar Weil 1839-1921 born in New York and educated as a musician. When the Civil War started he enrolled in the Northern cause as a private and by the end of the war he was a Major; however injuries received during the war meant he could no longer be a violinist. He therefore turned to composing and settled in San Francisco where he also served as the music critic for the Argonaut newspaper; he was a man much loved by the community as attested to by this memoir. Frontispiece a tipped-in photograph by Dorothea Lange from a painting of Oscar Weil by Olga M. Ackerman; when this photograph was taken Dorothea Lange 1895-1965 was living in Berkeley having recently married the western painter Maynard Dixon. Printed by the Grabhorn Press the renowned publishers/printers Edwin and Robert Grabhorn. ___DESCRIPTION: Brown laid paper boards with a black cloth spine red paper spine label with gold lettering and border red paper label on the front board with gold lettering and decorative border over a slightly larger black pastedown fore- and bottom edges uncut plain endpapers tissue-guarded frontispiece the photograph by Dorothea Lange of a painting of Oscar Weil as referred to above title page in red and black almost every page of text has red lettering for marginal notes and capital letters some of which are blue; quarto size approximately 11.5" tall pagination: i-xiv 1-119 blank 120 sectional title page "Compositions of Oscar Weil" 121 blank 122 3 pp. of compositions 123-125 colophon page 126. ___CONDITION: Overall in near fine condition with a strong square text block solid hinges straight corners with no rubbing the interior is clean and bright and entirely free of prior owner markings; there is a minor spot or two of soiling to the front board some light rubbing to the paper label on the front board a hint of rubbing to the head and tail of the spine the corners are straight with some light rubbing and the spine label is somewhat faded. ___CITATION: BCC 100 no. 19; Grabhorn Bibliography no. 58. ___POSTAGE: International customers please note that additional postage may apply please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Book Club of California [printed by The Grabhorn Press] hardcover books
1923Best.-Nr. 8289San Francisco: The Book Club of California 1923 One of 400 copies printed by the Grabhorn Press. A Memoir of the author by Flora J. Arnstein Albert I. Elkus and Stewart W. Young. Words spoken at the funeral of the author by Stewart W. Young. Quarto. 11½x7¾ inches. 18 3-119 7 pp. Photographic frontis portrait within gold rules by Dorothea Lange from a painting by Olga M. Ackerman. Title design by H. von Schmidt. Black cloth-backed brown cloth gilt-lettered red paper labels on cover and spine. Spine label faded photographic portrait with heavy silvering as usual else a fine copy. Oscar Weil 1839-1921 was a well-known musicologist who spent much of his life in San Francisco. Includes his contributions to "The Argonaut" commentaries for programs at the Greek Theater of the University of California plus a bibliography of his compositions. One of the Fifty Books of the Year. We have seen any number of copies of this title; the frontis photo is always "silvered". The Book Club of California hardcover books
1927Best.-Nr. 40821NY:: Platt & Munk. Very Good in Very Good dust jacket. 1927. Hardcover. No statement of printing. Very good in a very good minor shelf wear dust jacket. . Platt & Munk, hardcover books