[DUBOUT] - PAGNOL (Marcel)Livre Rare Book
1587 risultati
rif. 40650Lausanne, Henri Kaeser, 1948-52. 4 volumes gr. in-8°, 280-228-284-266p. Brochés, couvertures rempliées
1941rif. 012415Paris Fasquelle éditeur 1941 In-12 Broché
1944rif. 41308Paris: Oeuvres Sociales du Cinéma 1944. First edition. Softcover. g- to vg. Octavo 8 1/2 x 7 1/4". Unpaginated. Original spiral bound illustrated wrappers by Gilberte Vigué. Laid in the first two pages of a four-page program for the 1944 edition of "La Nuit du Cinéma" a French event whose primary purpose was the raising of funds to help the unemployed of the movie industry. Bound in at rear is a tombola-ticket for the above mentioned event. This elegant brochure was published to comemorate the fourth year of the "Comité d'Organisation de l'Industrie Cinématographique" COIC: Committee for the Organization of the Cinema Industry an organization created by the Nazis in the first months of the occupation. The COIC was to oversee and manage film production in occupied France. "Cinéma 1944" is profusely illustrated throughout with 22 pages of b/w photographic reproductions five original lithographs by Jean Colin Grau Sala Touchagues Ray Bret Koch Jean Effel and features a series of delightful b/w and color sketched portraits of some of the most celebrated French actors of the period such as: - Raimu; Pierre-Richard Willm; actor and singer Tino Rossi; Claude Genia; actor and director Sacha Guitry; Noel Roquevert; Raymond Rouleau; Michèle Alfa; Jeanne Fusier-Gir; Fernandel; Michel Simon; Charles Vanel; Jean Tissier; Fernand Ledoux; Fernand Gravey; Mila Parely; Suzy Carrier and Jacques Dumesnil. The brochure contains also a preface and a photo-illustrated article on the fiftieth anniversary of the French movie industry as well as advertisement pages for the following movie companies: - Gaumont Pathé Cinéma France-Actualités Minerva Tobis ACE Consortium du Film Continental Films UFA Continental Films Francinex Films Roger Richebé Regina Scalera Film Sirius Eclair Les Films Raoul Ploquin and Les Productions Camille Tramichel. Includes advertisements for the following movies: - Les Visiteurs du Soir; L'Eternel Retour; Paméla; Le Merle Blanc; Le Ciel est à Vous La Nuit Fantastique Les Visiteurs du Soir Pontcarral Les Anges du Péché Goupi Mains Rouges Le Corbeau Paméla: l'Enigme du Temple etc. Also includes advertisements for the following magazines and newspapers: - "Sensations" "Actu" "Le Film Complet" "Vedettes" "Ciné-Mondial" "Le Petit Parisien" "Le Miroir des Sports" "Ciné-Miroir" Paris-Soir" and "Le Matin." The last section contains advertisements for high end Parisian fashion jewelry and fragrance companies Lucien Lelong Rolex Paquin Phebel Worth Marin Jeanne Lanvin Cherigan A la Ville du Puy Kriegck L. Larsen & Co. Renoir Chanel Robel Armand Gabriel La Samaritaine de Luxe Heyraud etc. as well as restaurants cabarets and French mineral water wines and spirits Chateau Bagatelle Bar François Ier Champagne de Saint-Marceaux Calvados Blanchard Perrier Cognac Rouyer Kressmann Chateau Cheval Blanc St. Emilion Cognac Larsen St. Emilion Jean-Jacques Galhaud Chateau d'Yquem St. Emilion Chateau Ausone St. Emilion Chateau Belair and Cognac Camus. Wrappers partly foxed and age-toned. Fore-edge of front cover partly and slightly water-stained. Text in French. Wrappers in overall good- interior in good to very good condition. Oeuvres Sociales du Cinéma unknown
1944rif. 41308Paris: Oeuvres Sociales du Cinéma 1944. First edition. Softcover. g- to vg. Octavo 8 1/2 x 7 1/4". Unpaginated. Original spiral bound illustrated wrappers by Gilberte Vigué. Laid in the first two pages of a four-page program for the 1944 edition of "La Nuit du Cinéma" a French event whose primary purpose was the raising of funds to help the unemployed of the movie industry. Bound in at rear is a tombola-ticket for the above mentioned event. This elegant brochure was published to comemorate the fourth year of the "Comité d'Organisation de l'Industrie Cinématographique" COIC: Committee for the Organization of the Cinema Industry an organization created by the Nazis in the first months of the occupation. The COIC was to oversee and manage film production in occupied France. "Cinéma 1944" is profusely illustrated throughout with 22 pages of b/w photographic reproductions five original lithographs by Jean Colin Grau Sala Touchagues Ray Bret Koch Jean Effel and features a series of delightful b/w and color sketched portraits of some of the most celebrated French actors of the period such as: - Raimu; Pierre-Richard Willm; actor and singer Tino Rossi; Claude Genia; actor and director Sacha Guitry; Noel Roquevert; Raymond Rouleau; Michèle Alfa; Jeanne Fusier-Gir; Fernandel; Michel Simon; Charles Vanel; Jean Tissier; Fernand Ledoux; Fernand Gravey; Mila Parely; Suzy Carrier and Jacques Dumesnil. The brochure contains also a preface and a photo-illustrated article on the fiftieth anniversary of the French movie industry as well as advertisement pages for the following movie companies: - Gaumont Pathé Cinéma France-Actualités Minerva Tobis ACE Consortium du Film Continental Films UFA Continental Films Francinex Films Roger Richebé Regina Scalera Film Sirius Eclair Les Films Raoul Ploquin and Les Productions Camille Tramichel. Includes advertisements for the following movies: - Les Visiteurs du Soir; L'Eternel Retour; Paméla; Le Merle Blanc; Le Ciel est à Vous La Nuit Fantastique Les Visiteurs du Soir Pontcarral Les Anges du Péché Goupi Mains Rouges Le Corbeau Paméla: l'Enigme du Temple etc. Also includes advertisements for the following magazines and newspapers: - "Sensations" "Actu" "Le Film Complet" "Vedettes" "Ciné-Mondial" "Le Petit Parisien" "Le Miroir des Sports" "Ciné-Miroir" Paris-Soir" and "Le Matin." The last section contains advertisements for high end Parisian fashion jewelry and fragrance companies Lucien Lelong Rolex Paquin Phebel Worth Marin Jeanne Lanvin Cherigan A la Ville du Puy Kriegck L. Larsen & Co. Renoir Chanel Robel Armand Gabriel La Samaritaine de Luxe Heyraud etc. as well as restaurants cabarets and French mineral water wines and spirits Chateau Bagatelle Bar François Ier Champagne de Saint-Marceaux Calvados Blanchard Perrier Cognac Rouyer Kressmann Chateau Cheval Blanc St. Emilion Cognac Larsen St. Emilion Jean-Jacques Galhaud Chateau d'Yquem St. Emilion Chateau Ausone St. Emilion Chateau Belair and Cognac Camus. Wrappers partly foxed and age-toned. Fore-edge of front cover partly and slightly water-stained. Text in French. Wrappers in overall good- interior in good to very good condition. Oeuvres Sociales du Cinéma unknown books
1956rif. 92492Grasset | Paris 1956 | 12 x 19 cm | Broché
1965rif. 92197Editions de Provence | s. l. 1965 | 12 x 18.5 cm | Broché
rif. 0552900 Une lettre manuscrite de une page, 15 lignes finement manuscrite à l'encre noire par Marcel Pagnol (avec une belle écriture, et signée: Marcel), adressée à : '' Mon beau Michel '', feuillet à l'en-tête imprimé de l'Académie Française, de dimension: 26,5 cms x 20,5 cms. Marcel Pagnol, Aubagne (Bouches-du-Rhône) 1895 - Paris 1974, écrivain, dramaturge, et cinéaste français. Intéressant document relatif à l'exploitation des films français et américain de Marcel Pagnol: '' C'est vrai que mes films français sont arrêtés pour une année, pour faciliter l'exploitation du film américain..', et à leur conservation
rif. GF20873Lettre relative à une pièce "Burlesque" que Pagnol n'a pas voulu livrer, l'estimant trop mauvaise - Pagnol se dit "littéralement empoisonné par l'affaire Burlesque" et l'explique: "J'ai signé avec la Marwyn un contrat pour traduire Burlesque, pièce américaine - La Marwyn a signé avec Mr Rozenberg un contrat pour produire Burlesque à l'Athénée - J'ai dit que ni Rozenberg ni Soria ne pouvaient jouer le rôle....- ...la seule scène ..qui m'interessait...avait déjà été mise dans Broadway" - C'est pourquoi il a demandé l'annulation du contrat ce qui avait été accepté - Mais il apprend que "Rosenberg parlait de [le] poursuivre en cinq cent mille francs de dommages et intérêts!!!" - Il assure que si on le force à livrer Burlesque, il n'en fera qu'une traduction littérale, que la pièce est mauvaise et que Charles Méré va faire jouer Music Hall "qui enlevera à Burlesque toute la nouveauté du milieu dans lequel se passe l'action puisque c'est le même"-
rif. 35103Paris Editions Terres Lati sans date Ensemble 3 volumes in-8, en feuilles, couvertures illustres (embotages de l'diteur).Edition illustre de nombreuses aquarelles en couleurs de Gaston Barret. Un des 1.800 exemplaires numrots sur alfa teint.
1958rif. 1826MONTE-CARLO. PASTORELLY. 1958-1960-1965. 3 VOLUMES IN-8 (19,5 X 25,5 X 11 CENTIMETRES ENVIRON) DE 271, 279 ET 341 PAGES, RELIURE D’EPOQUE 1/2 MAROQUIN HAVANE A COINS, DOS A QUATRE NERFS SOULIGNES DE FILETS DORES, TITRE DORE, COUVERTURE ET DOS CONSERVES, SOUS ETUI BORDE. ILLUSTRE DE 21, 22 ET 28 COMPOSITIONS HORS TEXTE EN COULEURS DE DUBOUT. PREMIER TIRAGE, LIMITE A 5000 EXEMPLAIRES TOUS NUMEROTES SUR VELIN SUPERIEUR SATINE, CELUI-CI PORTANT LES NUMEROS 3201, 2152 ET 2234. PETITS DEFAUTS SUR UN DOS, SINON TRES BEL EXEMPLAIRE.
1946rif. 50989BBParis, Les nouvelles Éditions Fournier (1946). 4°. 241 p. Avec 43 illustrations dans le texte, dont 4 en pleine page coloriés au pochoir par Beaufumé. Demi-parchemin. Titre doré au dos. Prmier plat de la couverture conservée.
1956rif. 92492Paris: Grasset 1956. Fine. Grasset Paris 1956 12 x 19 cm Broché First edition one of 200 numbered hors commerce copies on alfa paper reserved for review copies.Fine copy complete with the publisher's review slip.Signed presentation copy from Marcel Pagnol to Jacques Jaujard. Grasset unknown
1937rif. 133241N.p.: N.p. 1937. Vintage double weight photograph from the 1938 film. A candid on-the-set photograph by the film's credited still photographer Roger Corbeau of a cafe scene featuring the film's principal character actor Raimu with the camera crew just to the left in the shadows the borders of the studio set clearly visible. With Roger Corbeau's photo credit "PHOTO ROGER CORBEAU" at the bottom left of the frame. On the verso is a rubber stamp for the Cinemonde Archives. An extraordinary "fourth wall" shot demonstrating at once the method and the magic of Pagnol's filmmaking as well as his relentless interest in provincial life in France. In this film a new baker Aimable Raimu settles down in a small French village. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he cannot work anymore. The villagers who initially laugh at his cuckoldry soon take the matter very seriously they want the bread and organize a plan to find Aurelie and to bring her back to the bakery and her husband. In a custom museum-quality frame archivally mounted with UV glass. 9.25 by 7 inches. Four tiny single pinholes at the corners within the white marginal border. Near Fine overall. N.p. unknown
1930rif. 39324Paris: Fasquelle 1930. First edition. A SPECTACULAR LARGE-PAPER COPY ON JAPON IMPERIAL OF PAGNOL'S MASTERPIECE. 287 pp. From a total edition of 1000 numbered copies this is ONE OF ONLY 75 ON IMPERIAL JAPANESE PAPER. 4to. Beautifully bound in quarter morocco and decorated boards. Wrappers and backstrip preserved. Top edge gilt other edges uncut. FINE AND BRIGHT WITH NO DEFECTS. Fasquelle hardcover
1937rif. 133241N.p.: N.p. 1937. Vintage double weight photograph from the 1938 film. A candid on-the-set photograph by the film's credited still photographer Roger Corbeau of a cafe scene featuring the film's principal character actor Raimu with the camera crew just to the left in the shadows the borders of the studio set clearly visible. With Roger Corbeau's photo credit "PHOTO ROGER CORBEAU" at the bottom left of the frame. On the verso is a rubber stamp for the Cinemonde Archives. An extraordinary "fourth wall" shot demonstrating at once the method and the magic of Pagnol's filmmaking as well as his relentless interest in provincial life in France. In this film a new baker Aimable Raimu settles down in a small French village. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he cannot work anymore. The villagers who initially laugh at his cuckoldry soon take the matter very seriously they want the bread and organize a plan to find Aurelie and to bring her back to the bakery and her husband. In a custom museum-quality frame archivally mounted with UV glass. 9.25 by 7 inches. Four tiny single pinholes at the corners within the white marginal border. Near Fine overall. N.p. unknown books
1922rif. H2901Marseille: Editions de 1922. First printing. Wraps. Good. Inscribed by Pagnol to Eugene Silvain doyen of the Comédie Francaise and a very well known actor and author in 1923. Pagnol notes that this is the last copy he has of the original printing. Small quarto wraps good plus copy some shelfwear and soil to wraps and what looks like old streaks of glue to rear wrap contents tanning. Possibly Pagnol's first book he also published a novel “Pirouettes” in 1922 from his earliest time in Paris when he was still teaching English. Although he first started working on this play in 1913 completing it in 1920 it was not published until 1922. In 1928 Pagnol proposed staging it at the Theatre Silvain with Eugene Silvain playing the title role but although Silvain was friendly with the Pagnol he declared that Pagnol had "no sense of theater." Pagnol was at that time an overnight success because of his play Topaze so it might have been professional jealousy on Silvain's part as he came from an older generation and tradition. In any case a superb association copy between a young playwright and an older and established actor and author. Pagnol went on to become France’s first “auteur” filmmaker and the first filmmaker elected to the Academie Francaise. There was a brief revival of interest in Pagnol in the late 1980s when two of his books were made into critically and commercially successful films by director Claude Berri: “Jean de Florette” and “Manon des Sources.”. Editions de unknown
1938rif. 539870Paris: Les Éditions Marcel Pagnol 1938. Hardcover. Very Good. First photoplay edition. Small octavo. 148pp. Illustrated with several black and white plates of film stills. Text in French. Bound with wrappers including the spine still connected to the lower wrap in cloth and papercovered boards. Binding with a lightly toned spine and modest edgewear a bit of interior toning very good. Inscribed by the director on the half-title: "To Howard Barnes Sincerely Marcel Pagnol. 1950." Collection "Les Films Qu'on Peut Lire." Based on the 1932 novel Jean le Bleu by Jean Giono; the text of the film version is published here. Les Éditions Marcel Pagnol hardcover
1938rif. 539870Paris: Les Éditions Marcel Pagnol 1938. Hardcover. Very Good. First photoplay edition. Small octavo. 148pp. Illustrated with several black and white plates of film stills. Text in French. Bound with wrappers including the spine still connected to the lower wrap in cloth and papercovered boards. Binding with a lightly toned spine and modest edgewear a bit of interior toning very good. Inscribed by the director on the half-title: "To Howard Barnes Sincerely Marcel Pagnol. 1950." Collection "Les Films Qu'on Peut Lire." Based on the 1932 novel Jean le Bleu by Jean Giono; the text of the film version is published here. Les Éditions Marcel Pagnol hardcover books
1958rif. 46407Grasset | Paris 1958 | 14.50 x 19.50 cm | broché
1977rif. 89548Julliard | Paris 1977 | 15 x 22 cm | broché
1965rif. 92197n. l.: Editions de Provence 1965. Fine. Editions de Provence n. l. 1965 12 x 18.5 cm Broché First edition on ordinary paper.Spine very lightly sunned a trivial defect.Signed autograph inscription from Marcel Pagnol to Mr. R. Bouchard on the printed dedication page. Editions de Provence unknown
rif. 75820Paris, éd. France-Empire, 1961, EDITION ORIGINALE, fot pt. in-8, cartonnage toilé chagriné bordeaux éd., jaquetteill. coul sur fond blanc éd., 316 pp., très nb. photos en noir, préface de Marcel Pagnol, "Ma Provence en Cuisine n'est pas un livre de cuisine. Manger est une nécessité. Chez nous, le soleil et le ciel bleu, les aromates de nos collines, thym, romarin, laurier, sauge, fenouil, genièvre, etc nous ont aidés à transformer cette nécessité en plaisir. Entre amis, nous parlons de ce plaisir. Nous aimons bavarder cuisine entre hommes. Nous ne vivons quand même pas pour manger, ne pas confondre, mais nous respectons l'usage qui veut « un rien de sauge » dans telle préparation plutôt que du romarin. Ce régime pourtant simple n'engendre pas la tristesse. Il y a la vie, avec les événements, les incidents qui la pimentent, les départs, les rencontres, les mille et un changements du hasard qui nous fait des farces. C'est ce que j'ai écrit, en pensant à mes amis et à notre amitié. Un bon plat ne se mange jamais seul" (4e de couverture).Voilà la vraie cuisine du Sud et de la Provence par le célèbre acteur (1902-1967) qui a tourné avec Raimu, Pagnol, Pierre Fresney, Charpin, Pierre Brasseur et bien d'autres. INTROUVABLE !!! Très bon état de la reliure et du papier; la jaquette est légèrement défraîchie
1948rif. 20293Monte-Carlo, Editions du livre, 1948. 3 volumes grand in-8 de 279-[3]; 227-[3] et 283-[3] pages. Demi-maroquin bordeaux à coins, dos à nerfs, têtes dorées, couvertures et dos conservées, étui bordé de maroquin bordeaux.
rif. DADAX0865473110Brand: North Point Press 0000-00-00. First Edition. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: North Point Press hardcover
rif. 2469To Mr. E. Fasquelle editor Pagnol writes about film. "I had two parts in my film. One where I had my characters speak. The other where I left that to the cinematography and to Honnegger's sic music. The musical segments are very boring I am told. I am in the process of cutting out as many as I can but it is a delicate thing because of Honnegger sic who is a charming lad." He signs in full "Marcel Pagnol" then adds a note about having received payment. Pagnol most likely refers to his 1937 film "Regain" "Harvest" for which Swiss composer Arthur Honegger composed the music. The Marius trilogy Marius Fanny and Cesar filmed between 1931 and 1936 are viewed as Pagnol's most important cinematic contribution. unknown
