O'Hara, FrankBiblio.com
2 386 résultats
1957réf. 140946273New York: Grove Press 1957. Limited First Edition. Near Fine. First edition limited hardcover issue. Number 15 of a limited 75 copies signed by Frank O'Hara. An association copy additionally inscribed on the front free endpapaer by poet Ann Waldman and presented to her then husband poet Lewis Warsh "For you Lewis - far but near Love Ann Dec. 1969" Bound in publisher's green cloth lettered in black lacking the slipcase. Near Fine with slight lean to binding; minor fading to spine and light soiling to cloth. Foxing to endsheets. An interesting association copy between three major poets of the 60's. Ann Waldman and Lewis Warsh both New York natives met at the Berkeley Poetry Conference in 1965. Together they founded the short-lived small press and magazine Angel Hair. This is Frank O'Hara's third collection of poems. In 1989 Anne wrote "A Phonecall from Frank O'Hara" - a testament to their friendship on his sudden passing. Grove Press unknown
1957réf. 140946273New York: Grove Press 1957. Limited First Edition. Near Fine. First edition limited hardcover issue. Number 15 of a limited 75 copies signed by Frank O'Hara. An association copy additionally inscribed on the front free endpapaer by poet Ann Waldman and presented to her then husband poet Lewis Warsh "For you Lewis - far but near Love Ann Dec. 1969" Bound in publisher's green cloth lettered in black lacking the slipcase. Near Fine with slight lean to binding; minor fading to spine and light soiling to cloth. Foxing to endsheets. An interesting association copy between three major poets of the 60's. Ann Waldman and Lewis Warsh both New York natives met at the Berkeley Poetry Conference in 1965. Together they founded the short-lived small press and magazine Angel Hair. This is Frank O'Hara's third collection of poems. In 1989 Anne wrote "A Phonecall from Frank O'Hara" - a testament to their friendship on his sudden passing. Grove Press unknown books
1960réf. ABSTRACT013461Tiber Press New York. 1960. First editions. Folio. The Poems by John Ashbery illustrated by Joan Mitchell; Odes by Frank O'Hara illustrated by Michael Goldberg; Permanently by Kenneth Koch illustrated by Alfred Leslie; Salute by James Schuyler illustrated by Grace Hartigan. Each volume has four screenprints by the respective artist and is one of 200 copies numbered in the press and signed by both the author and the artist. Cloth-backed illustrated boards. All the poets and artists were based in New York and had known each other for several years. The publisher left the choice of partners to the individuals themselves.A fine set in the original acetate dustwrappers and cloth slipcase. Tiber Press, New York. hardcover
1960réf. 140946279New York: Tiber Press 1960. First Edition. Fine. First edition. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 77 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with trivial shelf wear. A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown
1960réf. 140946279New York: Tiber Press 1960. First Edition. Fine. First edition. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 77 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with trivial shelf wear. A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown books
1960réf. 140940127New York: Tiber Press 1960. First Edition. Fine. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 47 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with light shelf wear. A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown
1960réf. 140940127New York: Tiber Press 1960. First Edition. Fine. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 47 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with light shelf wear. A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown books
réf. CNAP032aSan Francisco: The Arion Press 1990. New. Dine Jim. 22 by 15 inches issued as unbound sheets in portfolio. The poem was set by hand in 22 point Spectrum. Over proofs of the poetry Dine drew inter-weaving images. Between the text pages are leaves with illustrations only. The images were printed by duotone offset lithography and the text overprinted by letterpress. The portfolio box is covered in red cloth. The essay and glossary issued as a booklet 11 by 7-1/2 inches is contained in a recessed pocket of the portfolio. The paper is English mouldmade T. H. Saunders Waterford hot-press finish. The lithographic printing was by Phelps-Schaefer Brisbane California. Numbered and signed by the artist. Edition of 150 copies. With an extra suite of eight prints by Jim Dine selected from images in Biotherm printed by gravure on sheets of Waterford 30 by 22 inches and is presented in a separate portfolio. The intaglio printing was done by R. E. Townsend Inc. Georgetown Massachusetts. The prints are numbered and signed by the artist. Edition of 25 suites plus 5 artist's proofs and 5 publisher's proofs sold with the book. Biotherm is the last long poem of Frank O'Hara whose accidental death in 1966 at age forty deprived America of one of its most vital and innovative poets. The poet and critic Bill Berkson to whom the poem is addressed provided an essay and compiled a glossary to explicate the references in the poem and to recount the circumstances of its writing. The artist Jim Dine knew O'Hara and admired his work. Challenged by O'Hara's brilliant experimentation in "Biotherm" Dine's prints pay a vibrant homage to the poet and engage themes in the poem. "Biotherm" a true livre d'artiste is the sixth collaboration between Jim Dine and Andrew Hoyem. ___POSTAGE: International customers please note that additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press unknown
réf. CNAP032aSan Francisco: The Arion Press 1990. New. Dine Jim. 22 by 15 inches issued as unbound sheets in portfolio. The poem was set by hand in 22 point Spectrum. Over proofs of the poetry Dine drew inter-weaving images. Between the text pages are leaves with illustrations only. The images were printed by duotone offset lithography and the text overprinted by letterpress. The portfolio box is covered in red cloth. The essay and glossary issued as a booklet 11 by 7-1/2 inches is contained in a recessed pocket of the portfolio. The paper is English mouldmade T. H. Saunders Waterford hot-press finish. The lithographic printing was by Phelps-Schaefer Brisbane California. Numbered and signed by the artist. Edition of 150 copies. With an extra suite of eight prints by Jim Dine selected from images in Biotherm printed by gravure on sheets of Waterford 30 by 22 inches and is presented in a separate portfolio. The intaglio printing was done by R. E. Townsend Inc. Georgetown Massachusetts. The prints are numbered and signed by the artist. Edition of 25 suites plus 5 artist's proofs and 5 publisher's proofs sold with the book. Biotherm is the last long poem of Frank O'Hara whose accidental death in 1966 at age forty deprived America of one of its most vital and innovative poets. The poet and critic Bill Berkson to whom the poem is addressed provided an essay and compiled a glossary to explicate the references in the poem and to recount the circumstances of its writing. The artist Jim Dine knew O'Hara and admired his work. Challenged by O'Hara's brilliant experimentation in "Biotherm" Dine's prints pay a vibrant homage to the poet and engage themes in the poem. "Biotherm" a true livre d'artiste is the sixth collaboration between Jim Dine and Andrew Hoyem. ___POSTAGE: International customers please note that additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press unknown books
1951réf. 13180N. Y.: Tibor De Nagy Gallery 1951. First edition of O'Hara's first book the birth of the New York School of Poetry. One of 20 copies printed by hand in Bodoni types on Japanese Kochi paper by Ruthven Todd for Editions of the Tibor de Nagy Gallery specially bound with an original drawing by Larry Rivers as a frontispiece; this copy number 8. The drawing in this copy a beautiful drawing of a reclining nude woman is signed by Rivers. According to the colophon A City Winter was published in March-April 1952 in an edition of 150 numbered copies in two forms: a regular issue of 130 copies printed on French Arches paper copies 21-150 and a deluxe issue printed on Japanese Kochi paper with an original drawing by Larry Rivers copies 1-20. However according to Brad Gooch 280 "folded paper" copies were printed in addition to the copies on Kochi paper. The regular issue bound in blue paper wrappers sold for $1.00; the deluxe hardbound issue on Kochi paper with an original drawing by Rivers for $20.00. Gooch City Poet p. 213. Not all of the copies in the regular issue were bound a fact probably explained by the large over-run of 130 copies of the regular issue - twice the number specified in the colophon. These additional copies for which there may not have been enough of the decorative blue paper used for the original wrappers appear to have been distributed as unnumbered "folded paper" copies that is as "folded and gathered sheets". Of the copies that have come on the market in the past twenty-five years the majority of copies have been in the form of unbound sheets. O'Hara gave Rivers full credit for getting the book published: "I doubt very much if John Myers would ever have published my first pamphlet A City Winter if one of his artists Larry Rivers hadn't wanted him to and wanted to do the drawings for it." Rivers was one of the artists represented by the Tibor de Nagy Gallery and its favorite owing to John Bernard Myers' infatuation with him. "No matter how large Myers' stable of artists became Rivers was . . . always the showpiece." - Brad Gooch City Poet: The Life and Times of Frank O'Hara N. Y.: Alfred A. Knopf 1993 p. 199. Between 1951 and 1961 with the exception of two years Myers devoted the gallery's December show to Rivers' work. Covers a bit faded otherwise a fine copy. RIVERS Larry. Tall 8vo original frontispiece drawing & reproductions of two drawings by Larry Rivers original cloth-backed decorated boards. Covers a bit faded otherwise a fine copy. Tibor De Nagy Gallery unknown
1951réf. 13180N. Y.: Tibor De Nagy Gallery 1951. First edition of O'Hara's first book the birth of the New York School of Poetry. One of 20 copies printed by hand in Bodoni types on Japanese Kochi paper by Ruthven Todd for Editions of the Tibor de Nagy Gallery specially bound with an original drawing by Larry Rivers as a frontispiece; this copy number 8. The drawing in this copy a beautiful drawing of a reclining nude woman is signed by Rivers. According to the colophon A City Winter was published in March-April 1952 in an edition of 150 numbered copies in two forms: a regular issue of 130 copies printed on French Arches paper copies 21-150 and a deluxe issue printed on Japanese Kochi paper with an original drawing by Larry Rivers copies 1-20. However according to Brad Gooch 280 "folded paper" copies were printed in addition to the copies on Kochi paper. The regular issue bound in blue paper wrappers sold for $1.00; the deluxe hardbound issue on Kochi paper with an original drawing by Rivers for $20.00. Gooch City Poet p. 213. Not all of the copies in the regular issue were bound a fact probably explained by the large over-run of 130 copies of the regular issue - twice the number specified in the colophon. These additional copies for which there may not have been enough of the decorative blue paper used for the original wrappers appear to have been distributed as unnumbered "folded paper" copies that is as "folded and gathered sheets". Of the copies that have come on the market in the past twenty-five years the majority of copies have been in the form of unbound sheets. O'Hara gave Rivers full credit for getting the book published: "I doubt very much if John Myers would ever have published my first pamphlet A City Winter if one of his artists Larry Rivers hadn't wanted him to and wanted to do the drawings for it." Rivers was one of the artists represented by the Tibor de Nagy Gallery and its favorite owing to John Bernard Myers' infatuation with him. "No matter how large Myers' stable of artists became Rivers was . . . always the showpiece." - Brad Gooch City Poet: The Life and Times of Frank O'Hara N. Y.: Alfred A. Knopf 1993 p. 199. Between 1951 and 1961 with the exception of two years Myers devoted the gallery's December show to Rivers' work. Covers a bit faded otherwise a fine copy. RIVERS Larry. Tall 8vo original frontispiece drawing & reproductions of two drawings by Larry Rivers original cloth-backed decorated boards. Covers a bit faded otherwise a fine copy. Tibor De Nagy Gallery unknown books
