Marcel ProustBiblio.com
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1932rif. 150661New York: Random House 1932. First Edition; First Printing. Hardcover. Very Good in boards. Owner bookplate on front pastedown. Volume 2. Random House hardcover
1934rif. 150662New York: Random House 1934. First Edition; First Printing. Hardcover. Very Good in boards. Owner bookplate on front pastedown. Volume 1. Random House hardcover
rif. 0140389032.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1723rif. D2474Oxford: Stephani Fletcher 1723. Hardcover. Very Good. 8vo 195 x 119mm. 6 317pp. 23. Portraits. Contemporary calf; light occasional stains; calf torn to upper cover and spine somewhat chipped corners bumped. Ciceros important classic and esteemed edition of Jacques Proust author of Diderot et LEncylopedie. Ciceros De oratore On the Orator is a moral and political dialogue written by Cicero in 55 BCE. It is set in 91 BCE when Lucius Licinius Crassus died just before a social war and civil war broke out between Marius and Sulla and during which Marcus Antonius Orator the other great orator of this dialogue died. Cicero wrote De Oratore to describe the idyllic Marcus Antonius and imagine him as a philosophic and moral guide of the state. Stephani Fletcher hardcover
1723rif. D2474Oxford: Stephani Fletcher 1723. Hardcover. Very Good. 8vo 195 x 119mm. 6 317pp. 23. Portraits. Contemporary calf; light occasional stains; calf torn to upper cover and spine somewhat chipped corners bumped. Ciceros important classic and esteemed edition of Jacques Proust author of Diderot et LEncylopedie. Ciceros De oratore On the Orator is a moral and political dialogue written by Cicero in 55 BCE. It is set in 91 BCE when Lucius Licinius Crassus died just before a social war and civil war broke out between Marius and Sulla and during which Marcus Antonius Orator the other great orator of this dialogue died. Cicero wrote De Oratore to describe the idyllic Marcus Antonius and imagine him as a philosophic and moral guide of the state. Stephani Fletcher hardcover books
rif. 15511VG oversize hc w/dj edges fraying w/ a slight tear--an early manifestation of the ATGET volume Macmillan USA hardcover
1912rif. 1408983Valencia: Pubul y Morales 1912. First Spanish Edition. Hardcover. Octavo four volumes. In Good plus condition. Quarter-bound in red leather with red paper boards. Paneled spines with gilt ornamentation and titling. Boards have chipping to extremities stains to some surfaces and bumping to corners. Volume 3 has denting to fore edges. Textblocks have foxing light age toning and soiling throughout. Shelved in Room A. 1408983. Special Collections. Pubul y Morales hardcover
1912rif. 1408983Valencia: Pubul y Morales 1912. First Spanish Edition. Hardcover. Octavo four volumes. In Good plus condition. Quarter-bound in red leather with red paper boards. Paneled spines with gilt ornamentation and titling. Boards have chipping to extremities stains to some surfaces and bumping to corners. Volume 3 has denting to fore edges. Textblocks have foxing light age toning and soiling throughout. Shelved in Room A. 1408983. Special Collections. Pubul y Morales hardcover books
1981rif. ABE-1507063180734Random House 1981 3 vols in nice box Contains Swann's Way Within a Budding grove The Guermantes Way Cities of the Plain The Captive The Fugative Time regained trans by Andreas Mayor. Translated by CK Moncrieff and Terence Kilmartinty54 Language: eng Language: eng Language: eng. Hardcover. Very Good. Random House hardcover
1981rif. 693New York: Random House 1981. First thus. Hardcover. Near fine. Considering how many lists of "great books" as "Remembrance of Things Past" has landed on not that many people seem to have actually it. That could be because its sheer size and reputation for "greatness" is so intimidating. Take a couple of pointers from someone who is working their way through it: First it's just not that hard. Long yes but actually a relatively light read compared to so much of the modern literature it inspired. It's an impressionistic meandering study of a man's life in late nineteenth and early twentieth century France actually a covert autobiography of author Marcel Proust himself with added fiction told in the first person. The narrator is at least as interested in the characters places and milieus he encounters along the way as he is in his own story. Plot simply isn't that important; people are. What that means is that it is easy to put down and then pick back up later without feeling lost but still get completely absorbed into the narrator's intellectual bourgeoisie world while reading. It doesn't hurt that Proust based a number of the characters on historical figures and friends-one character is based on a combination of author Anatole France and another author for instance; a painter in the book is more than reminiscent of Claude Monet; many prominent Parisian socialites of the era appear in the book in various guises; etc. On the other hand while Proust tells us the stories of these characters and their worlds he also tells us narrator's thoughts about and reactions to them. It's a story about a world at the same time it is a story about interiority. In that way it is easy to see why it broke new ground in modernism. Our second point: owning only one volume of a multi-volume set-the form in which this book is inevitably published-won't do you any good either as a collector or as a reader. The original was progressively published in seven volumes and has been published in many other versions since. The first volume came out in 1913; the last in 1927 all with individual titles but with the over-arching title of "À la recherche du temps perdu." This Random House publication which arranges things into three reasonable-sized hardbacks in one slipcase is a wonderful way to attack the work. For one thing it starts with what may be called the authoritative version of those original seven volumes which wasn't always in existence. Proust left things in a mess when he died in 1922 the last volume still unfinished and the two previous volumes still unpublished. His copious notes were nearly illegible but of course no one could consult him as to his intent which meant for decades there was no "definitive" book. In 1954 that very thing finally came out now called "the Pléiade edition" after its French publisher. That edition is what Random House used as the basis for this release. Translation however is its own can of worms one which Random House also approached well. C. K. Scott Moncrieff was the first to translate all seven of Proust's original volumes into English. His set the standard though there have been arguments against it and new translations since. He is the one who named the book "Remembrance of Things Past" which is not literal. You are more likely to see it referred to as "In Search of Lost Time" these days. Ironically he died while translating Proust's final volume.the one Proust himself left uncompleted because of his death. Andreas Mayor receives the translation credit for that. Random House kept the bulk of the Scott Moncrieff translation but had Terence Kilmartin make revisions and although it says this nowhere in the title page or copyright page from the translator's note it sounds as if Kilmartin also served as an overall editor. Random House arranged Proust's original seven volumes this way: The first two "Swann's Way" and "Within a Budding Grove" are in the first hardback simply labeled "Volume I." Volume II contains "The Guermantes Way" and "Cities of the Plain." Finally Volume III has "The Captive" The Fugitive" and "Time Regained." Yes it's a lot. Yes it's worth it. After all it's not like you have to read it all in one sitting! Our set is Near Fine. All three volumes are bound in black cloth. The cover lettering and decoration match in kind for all three volumes. They have silver stamping on the front covers and spine. The author's name is stamped within a frame at the very top of the front cover. A silver vertical box is stamped on the top half of the spine with the lettering and lines coming through in black relief. All of it has an Art Nouveau feel to it. The cover stamping is quite bright but the silver on the spines shows some wear slight on Volumes I and II but more pronounced on Volume III. All of the bindings are remarkably free of wear but there is some light soiling particularly on Volume III. The slipcase is in very solid but with some minor wear such as bumping at the front corners and slight rubbing at the back panel. It is silver colored with black lettering and gorgeous Art Nouveau decoration on the sides and back. The identical sides provide the information of a cover page with the title of the entire work the translators' and author's names and the titles within each of the volumes. The text blocks are tight and square and all of the pages are untorn and uncreased. The only mark is a light fingerprint at the bottom of the blank page before the notes of the third volume. There is some light soiling at the bottom corner of all three text blocks indicating the books have been read. This is a version of this great work that is not only highly attractive but highly approachable. Photos are forthcoming or available upon request. Random House hardcover
1932rif. bing87np009Random House 1932. no dustjacket hardcover. acceptable; used. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes 8vo;1141 pages and 1124 pages; acceptable hardcovers no dustjacket; two book set with display box; display box fading tanning ripped and torn; both books tanning and stain spine area; scuff to face boards; board tips bumped; some chipping to edges; deckled; some tanning; foxing stains; spine starting; faint stain bottom edge; top edge factory coloring some fading; otherwise clean pages; prompt shipping with tracking Random House hardcover
rif. 028057New York : The Modern Library. Reprint . Hardcover. Very Good/Very Good. 16mo - over 5¾ - 6¾" tall. 7 volumes complete: Swann's Way Within a Budding Grove The Guermantes Way Cities of the Plain The Captive The Sweet Cheat Gone The Past Recaptured. Uniform Modern Library editions. Very small transparent address labels on front free endpapers of volumes 1 and 3. Previous owner's faint signature on front free endpaper of volume 7. Price-clipped DJs volumes 5 and 7. Minor wear to DJ ends. Some random white marks to volume 3 DJ front panel. Overall DJs are bright and look great in new mylar protectors. All interiors are clean and unmarked. Solid bindings. A very nice set. The Modern Library hardcover
rif. 41114NY: Viking. NF in NF dust jacket. First Edition Thus; First Printing. Hardcover. First edition just a hint of shelfwear in a protected DJ. . Viking hardcover
1932rif. 91288Albert & Charles Boni. Good with no dust jacket. 1932. First American Edition. Hardcover. Textured black boards with gilt fleur-de-lis and a tan cloth back-strap with a black nameplate. Heavy rubbing bumps to the spine ends corners and edges lettering on nameplate worn nameplate cracked. Interior pages unmarked with some yellowing. Photos upon request. International shipping billed at cost.; 8vo 8" - 9" tall; 402 pages . Albert & Charles Boni hardcover
1898rif. 44468Paris Goupil & Cie 1898. Small folio. Bound uncut in a fine contemp. hmorocco raised bands gilt lettering. 102 pp. textillustr. in photogravure 1 colourplate and 100 fine plates in photogravure. Tirages de Luxe. No 165 of 425 copies texte et gravures sur Hollande. hardcover
1898rif. 44468Paris, Goupil & Cie, 1898. Small folio. Bound uncut in a fine contemp. hmorocco, raised bands, gilt lettering. 102 pp., textillustr. in photogravure, 1 colourplate and 100 fine plates in photogravure. Tirages de Luxe. No 165 of 425 copies (texte et gravures sur Hollande).
1995rif. 86683Le Grand Livre du Mois 1995 In-8. Reliures éditeur simili-cuir bleu marine, environ 200 pp. par volume. Ensemble en excellent état.
rif. 9095München Piper 1930. 8° 432 u. 398 S. 1 S. Anzeigen OLwd. m. Präg. Farbkopfschnitt Lwd. min fleckig etw. schiefgelesen Papier min. gebräunt innen tadellos. EA dieser Übersetzung des «dritten Romans» von «Die Suche nach der verlorenen Zeit» durch Walter Benjamin und Franz Hessel. 010 München, Piper, 1930 unknown
1970rif. 603313New York: Random House 1970. First Edition; Tenth Printing. Hardcover. Both volumes Very Good in boards. Spines bowing. Light staining on spines. Light rubbing on bottom text block edges. Light bumping on spine heel of Volume I.; 8vo 8" - 9" tall; 1140 pages. Random House hardcover
rif. 2070111369.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1971rif. 26390Pyramid Communications January 1971. Trade Paperback. Used - Very Good. Clean and bright. Light wear. No stamps or interior markings. Neat pencil marking of previous owner to front flyleaf. Pyramid Communications paperback
2000rif. 2091202133211067Suhrkamp 2000. Soft Cover. Fine. Number of books: 3 books in total Suhrkamp paperback
rif. 2070106500.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 2878621417.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1951rif. 175228New York: Modern Library 1951. 1st Modern Library Edition; First Printing. Hardcover. Very Good in a Very Good clipped dust jacket. All 4 flap corners clipped price remains inked over. Light chip at spine crown and both bottom panel corners. Modern Library hardcover
