3981 risultati
1923rif. 110473Chatto & Windus 1923. Hardcover. Very Good. May 1923 Chatto & Windus second impression 2 volume set in matching blue cloth. Bumped corners pencil to flyleaf vol 1. Light fox to end papers. Tight bindings text unmarked. No jackets. oversized and overweight. E22 Please email for photos. Chatto & Windus hardcover
1930rif. 007625Paris: The Black Sun Press 1930. First Edition. Wraps. Custom cloth clamshell box. Near FIne. Beautifully printed as the hallmark of The Black Sun Press. Issued shortly after the murder suicide by co-founder of the Press Harry Crosby which was then carried on by his wife Caresse. 4to. 27 by 23 cm. Spine darkened with touch of this darkening spilling over to the front cover. Fore-edge has a few light fox marks and some touch edge of leaf front. Otherwise clean crisp a beautiful copy housed now in a modern clamshell case which protects this book the more vulnerable because of its having a wrap cover. The Black Sun Press unknown
In 4° gr., solida legatura editoriale Piena Tela a due colori, con titoli oro al dorso e fregio oro al piatto ant., pp. XVII, 260 (2 bianche), con 64 tavv. f.t. ciascuna con velina protettiva. Splendido esemplare su carta a bordi intonsi, stampato in soli 300 esemplari. Il pittore Laszlo (1869-1937) fu celebre ritrattista. Robert de Montesquiou fu noto dandy che visse a cavallo fra '800 e '900, amico di Proust, a cui ispirò il personaggio del Baron de Charlus nella Recherche.
2012rif. BN333877Rybka 2012. 2012. Hledání ztraceného casu. I.-VII. díl Hledání ztraceného casu. I.-VII. díl Marcel Proust Rybka unknown
rif. BN599372Reclam Philipp. Softcover. Auf der Suche nach der verlorenen Zeit Auf der Suche nach der verlorenen Zeit Marcel Proust Reclam, Philipp paperback
1927rif. 84865Sous étui et chemise cartonnés signés BOICHOT. Couverture souple imprimée. Non rogné.
1896rif. 87055Heugel & Cie Au Ménestrel | Paris 1896 | 28 x 37.50 cm | en feuilles sous couverture
1896rif. 87754Heugel & Cie Au Ménestrel | Paris 1896 | 28 x 37.50 cm | en feuilles sous couverture
1989rif. 22408Marseille, Les Bibliophiles de Provence, 1989 in-4 en feuilles (25 X 37 cm) couverture rempliée muette sur japon nacré, chemise, étui. 84 pp.
1930rif. 013381Paris Editions Kra - collection "Vingtième siècle". 1930 In-12 carré Broché, couverture rempliée.
1936rif. RO20237084NRF - Librairie Gallimard. 1931-1936. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. Entre 250 et 350 pages par volume. Papier cristal sur chaque tome en bon état. Non coupés.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1952rif. CLL-791Paris, N.R.F., 1952 3 volumes in-8 carrés (219 x 171 mm), brochés sous couvertures imprimées.
rif. alb431c426df34ef804Proust M. In Search of Lost Time. (Millennium). Complete cycle of novels in 7 volumes. Translated from French by N. Lyubimov, A.N. Smirnova. Entry. Stat. A.N. Taganov. Note by S. L. Fokina, O.E. Volchek. In Russian /Prust M. V poiskakh utrachennogo vremeni. (Millennium). Polnyy tsikl romanov v 7 tomakh. Per. s frants. N. Lyubimova, A.N. Smirnovoy. Vstup. Stat. A.N. Taganova. Primech. S.L. Fokina, O.E. Volchek SPb Amphora 1999-2001. 3200s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb431c426df34ef804.
2002rif. 81015Couverture souple à rabats. En partie non coupé.
1992rif. 67167Editions de Fallois | Paris 1992 | 14 x 19.50 cm | broché
1953rif. 81869Couverture souple rose rempliée. A grandes marges. Avec 6 illustrations hors-texte et une lettre en fac-similé.
1952rif. 41734Couverture souple imprimée.Intérieur d'une belle fraicheur. Non coupé.
rif. 20822Paris , André Sauret 1981. HUIT volumes in-4° pleine reliure maroquinée bleu, dos à 4 nerfs, premier plat orné d'une compositions rouge chagrinée, têtes dorées, étuis bordés (reliure de l'éditeur). 72 lithographies originales de Jacques PECNARD et signature de l'artiste dans sa dédicace en garde. Exemplaire numéroté sur vélin ivoire. Menus frottement sur les étuis.
rif. 18842P., Gallimard, 1956, In-8, br., non coupé.( petite trace au dos et cerne sur la dernière page).
rif. 409950Gallimard NRF Paris 1952 3 volumes in-12 de 336, 342 et 336 pages, brochés sous couvertures imprimées. EDITION ORIGINALE, 1 des 85 exemplaires numérotés sur vergé de Hollande ( N°73 ). Très beaux exemplaires, en parfait état, non coupés.
1896rif. 87754Paris: Heugel & CieAu Ménestrel 1896. Fine. Heugel & Cie Au Ménestrel Paris 1896 28 x 37.50 cm en feuilles sous couverture First edition of this rare fascicle unnumbered published in a small number of copies on Dutch laid paper. Work illustrated with a portrait of Albert Cuyp after Maurin. In sheets under grey-green publisher's wrappers printed in black and red 5 pages of lithographed music Imp. Delanchy publisher's blind stamp on verso of final blank leaf. Very small tears to margins of spine and boards handsome copy. Poetic and musical portrait of the Dutch Golden Age painter Albert Cuyp created collaboratively by Marcel Proust and Reynaldo Hahn who accompanies the writer's verses with a piano melody. This is the first of four portraits of painters that Proust and Hahn admired at the Louvre they devoted the following ones to Paul Potter Anton Van Dyck and Antoine Watteau. The luxurious fascicles were sold separately as indicated on the printed wrapper. For each of them Proust's verses specially composed for the occasion are printed in italic characters beneath reproductions of old engravings offering portraits of the painters evoked. The poems would be published the same year in the first edition of Plaisirs et les Jours. Hahn's melodies were premiered at Madeleine Lemaire's on May 28 1895 in the presence of prestigious spectators including Princess Edmond de Polignac Count Robert de Montesquiou José Maria de Heredia to whom the poems were dedicated Count Primoli as well as Anatole France. ""The interposition of the poem between painting and music has therefore proven an excellent conductor between the arts thanks to the fact that Hahn scrupulously respected the spirit of the poem while preserving his autonomy in his composition. The link between music and painting is revealed after the other materials unite among themselves; it is in this alliance that an astonishing complementarity then operates sought upon the soothing light of Albert Cuyp"" Nicolas Vardon Precious copy of utmost rarity a superb manifestation of the immense artistic complicity between Marcel Proust and Reynaldo Hahn. Heugel & CieAu Ménestrel hardcover
1896rif. 87055Paris: Heugel & CieAu Ménestrel 1896. Fine. Heugel & Cie Au Ménestrel Paris 1896 28 x 37.50 cm en feuilles sous couverture First edition of this rare fascicle unnumbered and printed in a small number on Dutch laid paper. Illustrated with a portrait of Albert Cuyp after Maurin. In sheets under gray-green publisher's wrapper printed in black and red 5 pages of lithographed music Imp. Delanchy publisher's wet stamp on blank verso of last leaf. Very small nicks at head and tail of soft cover spine copy in pristine condition. Poetic and musical portrait of the Dutch Golden Age painter Albert Cuyp created jointly by Marcel Proust and Reynaldo Hahn who accompanies the writer's verses with a piano melody. This is the first of four portraits of painters that Proust and Hahn admired at the Louvre they devoted the following ones to Paul Potter Anton Van Dyck and Antoine Watteau. The luxurious fascicles were sold separately as indicated on the printed cover. For each of them Proust's verses specially composed for the occasion are printed in italic characters under reproductions of old engravings offering portraits of the painters evoked. The poems would be published the same year in the first edition of Plaisirs et les Jours. Hahn's melodies were premiered at Madeleine Lemaire's on May 28 1895 in the presence of prestigious spectators including Princess Edmond de Polignac Count Robert de Montesquiou José Maria de Heredia to whom the poems were dedicated Count Primoli as well as Anatole France. ""The interposition of the poem between painting and music has therefore proven to be an excellent conduit between the arts thanks to the fact that Hahn scrupulously respected the spirit of the poem while preserving his autonomy in his composition. The link between music and painting reveals itself after the other materials unite with each other; it is in this alliance that an astonishing complementarity then operates desired on the soothing light of Albert Cuyp"" Nicolas Vardon Precious copy of utmost rarity a superb manifestation of the immense artistic complicity between Marcel Proust and Reynaldo Hahn. Heugel & CieAu Ménestrel paperback
rif. DADAX041515913XNew unknown
1949rif. 868191949 Paris, Gallimard, NRF, 1946-1947, 15 volumes in 12, cartonnages crème de l'éditeur d'après la maquette de Mario PRASSINOS ; deux dos insolés ; infimes défauts d'usage.
rif. 51803Plon.1970-1993.21 vols.in-8,cartonnage rouge éditeur sans jaquette.Parfait état.Texte établi et annoté par Philip Kolb.