18 856 résultats
1978réf. 59464Forest Grove OR: Champoeg Press 1978. First edition 1/2000 copies. 8vo. xv 169 pp. Map 16 plates from photographs some in color in pocket on rear pastedown illustrated endpapers. Fine. Gilt-stamped decorated light green cloth plain parchment dust jacket. #6738. Champoeg Press unknown books
1974réf. 33453Beaverton OR: Touchstone Press 1974. First edition 1/1200 copies. 8vo. 195pp. Illustrated color plates. Signed by the author on the dedication leaf. Green imitation leather-backed tan cloth. Gift inscription else fine. Touchstone Press unknown books
1848réf. 36970London: T. McLean 1848. Hardcover. Very Good. Hardcover. English architect Charles James Richardson 1788 - 1875 studied under Sir John Soane and designed the Earl of Harrington's mansion in Kensington Palace Gardens. He also conducted multiple design studies while traveling around England including this impressive set which features drawings of architectural elements such as stairways entrances ceilings and ironwork as well as decorative pieces of furniture vases silverwork etc. from multiple English Mansions. Some of the mansions were studied while in disrepair or partial ruin. Includes the Gorhamburg House in Hertfordshire Montacute House in Somersetshire Old Town Hall in Nantwich Charlton House in Wiltshire and many more. Elephant Folios. All four volumes are bound in matching quarter red leather over green moire cloth covered boards with gilt titles to spines. Ex-library with remnants of white markings to spines and inconspicuous number stamps to top margins of title pages in each volume. All volumes have wear and rubbing to joints edges corners and spine ends. Rubbing and minor soiling to boards and spines. Foxing to margins of many pages heaviest on first and last few pages of each volume. A few non-consecutive plates in various volumes have dampstaining to margins which suggests this may have occured prior to binding. Occasional smudge marks and spots of soiling. Occasional small pencil markings to margins. Star sticker partially covering penned ownership name to each front pastedown. Partial loss to edge of front pastedown in fourth volume. All plates have tissue guards; however some are creased and some have small tears. The first volume includes a small bound in descriptive four page booklet that offers details about each of the unnumbered 25 plates. It accounts for 25 plates; however one of them is actually a double plate. The other three volumes include plates with descriptive text of the mansions depicted bordered with architectural details. Aside from the booklet in the first volume there are no lists of plates the plates are unnumbered and there is no pagination. Some plates are in black and white; however most are in duotone and a few are in color. Volume I: title page dedication page 25 plates including a double 2 page plate; Volume II: title page full color dedication page 35 pages; Volume III: title page dedication page 38 plates including a double or 2 page plate; Volume IV: title page dedication page 37 plates. Size: 19.75 x 13.5 inches. Unpaginated. ARCH/122623. T. McLean hardcover books
1776réf. 1360300London: John Donaldson 1776. Seventh Edition. Hardcover. Octavos 2 vii-ix 3 345 2 Vol. 1; 315 1 Vol. 2; 223-2991 Vol. 3; 3-308 1 Vol. 4; 3-324 1 Vol. 5; 3-320 Vol. 6; 3-322 Vol. 7; 3-346 1 Vol. 8. Good; bound in contemporary leather with burgundy and gilt spine titles some areas of discoloration to covers wear and slight tears to spine edges and corners all volumes are in protective plastic covers; some boards slightly shaken bindings else tight; text blocks age toned but clean; pages clean; half-title in Vol. 1 only; previous owner names in ink on ffeps "Jannett McCurdy's;" "AH Has ; J.C. Jennings;" long transcription of an extract from Chateaubriand in ink to front matter of Vol. 1 and dedication see Notes. Shelved above WWI. Samuel Richardson 1689 - 1761 was an English writer and printer known for his epistolary novels. He printed almost 500 works including journals and magazines working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer whose daughter he eventually married. He lost her along with five sons but remarried and had four daughters who reached adulthood but had no male heirs to continue the print shop. As it ran down he wrote his first novel at the age of 51 and joined the admired authors of his day. via Wikipedia Much like the Bertrams in Mansfield Park Jane Austen and her siblings were fond of putting on "theatricals" at home for their friends and neighbors. In 1793 at the age of eighteen Jane Austen began writing and shortly afterwards abandoned a dramatic adaptation of this work entitled "Sir Charles Grandison or the happy Man a comedy in 6 acts." She completed it in 1800. Extract copied into Volume 1: "Of all representations of madness says dr. Joseph Warton that of Clementina's is most deeply interesting. I know not whether even the madness of Lear is wrought up and expressed by so many little strokes of nature & passion - it is absolute pedantry to prefer and compare the madness of Orestes in Euripides to this of Clementina" Richardson has founded the excellence of his good characters entirely upon a Christian basis. He has exemplified the beautiful ideal of human nature -- the character of Clementina Sir Charles Grandison and Clarissa Harlowe are the most virtuous amiable accomplish'd and noble that can well be imagined -- they are supported with strict propriety & elevated by uncommon dignity -- and charm the reader while they command his admiration -- they show that mankind are truly happy only in proportion as they listen to the dictates of conscience and follow the path of duty --- where could Richardson a bookseller and a printer immersed in the occupation of his shop and his press acquire such a correct acquaintance with high life and refined society such exalted sentiments of religion honor love freindship and philanthropy as he has displayed in his works -- Where did he acquire such a command over our feelings such a power "to open the sacred source of sympathetic tears" The best answer to these questions is -- that he deriv'd those treasures from the rich resources of his own mind from the study of the bible and a quick insight into human nature & character. He has been justly styled "the great master of the human heart" -- "the Shakespeare of romance." -- Clarissa Harlowe -- & Sir Charles Grandison are long works because they are designed to develop the springs of human action and give a distinct view of the progressive various and complex movement of the human mind - Prolixity is made the pretext of the frivolous novel readers of the present age to neglect these invaluable works - alltho if they be weighed in the balance of literary justice they will be found to comprise as much if not more sterling excellence than half the novels that have been written since their publication." Transcribed from The Beauties of Christianity pp. 103-104 by Chateaubriand tr. 1813 Frederic Shoberl There is a dedication in the same hand as the extract _______ "from her dear mother" on the recto of the title facing page. The dedicatee's name has been scratched out. 1360300. Shelved Dupont Bookstore. John Donaldson hardcover books
1824réf. 008222London: Hurst Robinson and Co 1824. Book. Very Good Plus. Hardcover. First Edition. 8vo - over 7¾" - 9¾" tall. Edinburgh : Printed by James Ballantyne & Co. Ballantyne's Novelist's Library v. 6-8.edited by Sir Walter Scott. Three volumes bound in contemporary full polished calf the backs with two brown calf labels lettered in gilt and three sections ornately decorated in gilt printer's name in gilt at tail edges marbled prior owner name and small gift inscription in pencil light wear at edges mild toning approx. 25 pp. Vol. III with creasing a Very Good Plus set. RARE the last copy sold at auction 1972 RBH. The first editions of these novels published 1740-1742. . "Pamela" is considered by most to be the first novel published in English. A heavy set please be advised added shipping charges will be requested for priority mail and international orders please inquire before ordering. v. 1. Pamela or Virtue Rewarded. The History of Clarissa Harlowe in a series of letters -- v .2. The History of Clarissa Harlowe -- v. 3. The History of Sir Charles Grandison Bart. in a series of letters. Hurst, Robinson, and Co Hardcover books
1964réf. 18255Barre: Barre Publishers 1964. Hardcover. Very Good in Good dj. Knowles Katharine photographs. Knowles Katharine photographs. Hardcover. 8vo. SIGNED BY AUTHOR. Includes laid-in letter from publisher. Green illustrated paper covered boards with white title to spine. Clean tight interior with many illustrations. Tight binding. Publisher's clear jacket with white title printed to front panel. Large chips and a large open tear to jacket. Massachusetts State History. 73 pages. STA/073106. Barre Publishers hardcover books
1852réf. 23313New York: Harper & Brothers 1852. Cloth. Very Good. A solid copy of the 1852 1st American edition. Tight and VG to VG in its dark boards with decorative blindstamped bordering along the panels and bright gilt-titling at the spine. Light wear to the spine ends with just a bit of loss at the spine crown. Small vintage Troy NY bookseller blindstamp at the front free endpaper light foxing to the preliminaries pages otherwise very bright and crisp including the 8 woodcuts and various tables sprinkled throughout the text. Thick octavo with sections at the rear including "Eskimo" "Kutchin" "Chepewyan" "Dog-Rib" and "Mauvais Monde" vocabularies. And finally a number of pages devoted to "valuable works in the departments of biography and history" and "fresh books of travel and adventure" all published and offered by Harper & Brothers. Harper & Brothers unknown books
1885réf. 23649London: Crosby Lockwood and Co 1885. Decorative Cloth. Very Good. The 1885 1st edition of this uncommon study of architectural modelling published out of London. Solid and VG in its olive-green cloth with decorative blindstamping to the panels. Light fading at the panels tender --but still perfectly sturdy-- inner hinge mild chipping to the paper title label along the spine. Light former owner stamp "R.G. Millar Designer" appearing at several spots throughout the text. Still though very presentable. 12mo a vast catalogue at the rear over 30 pgs. of recent titles issued by the publisher Crosby Lockwood and Co. Crosby Lockwood and Co unknown books
1927réf. 22014New York: Greenberg 1927. Cloth. Very Good/Very Good -. A solid very presentable copy of the uncommon 1927 1st edition IN ITS SCARCE DUSTJACKET. Tight and VG to Near Fine in a crisp bright VG dustjacket with several very small closed tears and a touch of mild chipping at the tips. Quarto compiled by Ethel Park Richardson edited and arranged by the formidable Sigmund Spaeth. "The songs are arranged in four groups: I: Ballads -- Americanized and American; II: Lonesome and Love Tunes; III: Spirituals; and IV: Nonsense Songs Greenberg unknown books
1920réf. 3150New York: Robert M. McBride & Co 1920. Decorative Cloth. Collectible; Very Good. A VG/VG- copy in its decorative green cloth 1920. Light rubbing and offsetting to the front panel small former owner stamp and catalogue entry to front pastedown. Quarto 120 pgs. Handsomely illustrated thruout in crisp black-and-white. Robert M. McBride & Co unknown books
1975réf. 2869New York: Crown Publishers 1975. 1st. Cloth. Collectible; Fine/Fine. A crisp very clean copy of the 1975 stated 1st edition. Near Fine in a bright price-intact Near Fine dustjacket. Octavo unpaginated. Nicely illustrated by William Sauts Bock. Crown Publishers unknown books
réf. 06388Chicago: P.F. Volland & Co. 1915. The Classic American "Mother Goose" Inscribed by the Frederick Richardson to his Grandchildren RICHARDSON Frederick illustrator. GROVER Eulalie Osgood editor. Mother Goose. The Volland Edition. Arranged and Edited by Eulalie Osgood Grover. Illustrated by Frederick Richardson. Chicago: Published by P.F. Volland & Co. 1915. First Volland edition inscribed by Frederick Richardson to his Grandchildren. Large quarto 11 15/16 x 8 15/16 inches; 304 x 227 mm. 120 pp. With 108 full-page color illustrations by Frederick Richardson printed on coated stock in the rich and luminous palette characteristic of Volland productions. Original light blue cloth front cover with a large and elaborately die-cut pictorial onlay laid into a matching blind-stamped panel a distinctive feature of Volland's decorative bindings. Color pictorial endpapers. Apart from some light fading to the spine and edges and the most minor evidence of handling an unusually well-preserved and highly attractive example of a book seldom found in such pleasing condition. Provenance: Inscribed on the front free endpaper:"To / My dear Grandchildren / from / Grandpa Fred / Christmas 1915" and additionally signed below in full "Fred Richardson." A charming and highly personal presentation copy bringing the book directly into the illustrator's own family circle-an association of particular intimacy and rarity. A quintessential example of the Volland "Happy Children Books" aesthetic combining durability with exceptional visual appeal through high-quality color printing and imaginative design. Richardson's illustrations-softly modeled decorative and imbued with warmth-rank among the most appealing American interpretations of the Mother Goose tradition harmonizing perfectly with Grover's thoughtful arrangement of the classic nursery rhymes. Frederick Richardson 1862 - 15 January 1937 was an American illustrator of the late nineteenth and early twentieth centuries perhaps best remembered for his illustrations of Mother Goose and the works by L. Frank Baum. His first illustrated book was L. Frank Baum's Queen Zixi of Ix which was published serially in St. Nicholas Magazine in 1904 and 1905 and in book form 1905. Richardson also drew pictures for Baum's "A Kidnapped Santa Claus" which first appeared in The Delineator in December 1904. His artwork also appears in the California State Series "Third Reader". He followed that initial work with many other book-illustration projects including editions of the works of Hans Christian Andersen Aesop's Fables Mother Goose Pinocchio and East of the Sun and West of the Moon and two volumes in the series of Andrew Lang's Fairy Books. Richardson also did an abundant amount of work for the Chicago publisher P. F. Volland; in illustrating collections of tales by Georgene Faulkner he varied his usual artistic style imitating Japanese art for her Little Peachling and Other Tales of Old Japan 1928 and Indian art for her The White Elephant and Other Tales from Old India 1929. Chicago: P.F. Volland & Co., 1915 unknown books
1950réf. 23596Laramie: Top-of-the-World Press 1950. Limited edition. Hardcover. Very good. 4to. vii 1 752pp. Red buckram spine title in gilt. Illustrated with photographs and facsimiles. Spine sunned gilt darkened else this is a very good copy. With the stamp of Revue Productions and the signature of Lillian Rose on the front pastedown. Rose was a scriptwriter for Revue known for her scripts for Death Valley Days and The Lone Ranger. Limited edition one of 1000 numbered copies; This is number 575. Signed by all three authors on the title page. The fairly definitive history of pioneer ranches and ranchers in the Laramie Plains of Wyoming in the 19th and early 20th centuries. Top-of-the-World Press hardcover books
réf. 01915Londres Paris: Chez Jean Osborne Didot 1742. Virtue Rewarded - and Fully Told" The First Complete French Edition of Richardson's Pamela A Superb Copy in Contemporary French Mottled Calf RICHARDSON Samuel. Paméla ou la vertu recompensée. Traduit de l'anglois. Londres Paris: Chez Jean Osborne Didot 1742. First complete edition first printing in French of Richardson's celebrated epistolary novel incorporating the continuation published in English as Parts III and IV in 1741. The translation traditionally attributed to the Abbé Prévost has also been attributed by modern scholarship to François-Alexandre Aubert de La Chesnaye des Bois. Four twelvemo volumes 6 7/16 x 3 3/4 inches; 165 x 94 mm. xxiii 1 271 1; 4 324; 4 298; 4 302 pp. Title-pages printed in red and black. Two leaves belonging at the end of Volume III misbound into the final gathering of Volume IV; the text is complete. Contemporary French mottled calf covers with blind-ruled borders. Spines with five gilt-tooled raised bands dividing six compartments each decorated with an unusual gilt floral tool of a lily with eight leaves and central annular dot enclosed within a double-fillet frame with foliate sprigs as corner-pieces. Maroon morocco spine labels lettered in gilt; volume labels decorated with gilt roseates with lateral floral volutes above and below the lettering. Original French marbled endpapers. All edges stained red. Original green silk bookmark ribbons. Small oval stain 1 3/4 x 1 1/4 inches to upper board of Volume IV otherwise an absolutely stunning set tight bright and clean inside and out. The first complete French edition of one of the foundational novels of eighteenth-century literature published only two years after Richardson's original English edition and almost immediately after the appearance of its continuation. Samuel Richardson's Pamela; or Virtue Rewarded first appeared in London in 1740. Written principally in the form of letters by its young heroine Pamela Andrews the novel recounts her determined resistance to the sexual advances of her employer Mr. B. and her eventual transformation from servant into wife. Richardson's epistolary technique allowing his characters seemingly to record their thoughts and experiences almost as events occur gave the narrative an extraordinary immediacy and proved enormously influential upon the development of the eighteenth-century novel. The success of Pamela was immediate and sensational. Editions followed rapidly together with imitations unauthorized continuations attacks and parodies - not least Henry Fielding's Shamela. Richardson himself continued Pamela's story in two further volumes published in 1741 and concerned with her married life and conduct in high society. The First Complete Pamela in French: The French publication history is particularly interesting. A translation containing the first two parts had appeared in 1741. It was published after the fifth English edition at precisely the time when Richardson was revising his text for the handsome English octavo edition. According to the translator's preface Richardson himself supplied a number of additions and corrections for incorporation into the French text. The present four-volume edition of 1742 is the first French edition to contain the complete work incorporating the continuation represented by Richardson's English Parts III and IV. The circumstances surrounding its appearance in France are equally intriguing. The edition was already being offered for sale by January 12 1742 when fifty copies were seized from the bookseller Guérin. It subsequently appears to have circulated with the tacit consent of the authorities and was offered at six livres in sheets. The "Londres: Chez Jean Osborne" imprint was false. Evidence for its actual production in Paris by Didot was discovered in an advertisement leaf preserved with an incomplete copy at the British Library listing a number of Didot publications for sale. The Translator: The identity of the French translator has long been the subject of bibliographical uncertainty. The translation was traditionally attributed to Antoine-François Prévost the celebrated author of Manon Lescaut. It has subsequently also been attributed to François-Alexandre Aubert de La Chesnaye des Bois 1699-1783 the prolific author compiler and former Capuchin friar. Modern cataloguing continues to associate both names with the translation. It is therefore preferable to acknowledge the competing attributions rather than assign the work categorically to either translator. What is certain is that the French Pamela became an important vehicle for Richardson's extraordinary reception on the Continent. The appearance of this complete translation in 1742 scarcely two years after the English first edition demonstrates both the speed with which Richardson's reputation crossed the Channel and the remarkable international demand for the novel. The present copy is especially desirable for its condition. Complete eighteenth-century sets of the edition are scarce and the survival of all four volumes in such handsome uniform contemporary French mottled calf retaining their original marbled endpapers red edges and green silk bookmark ribbons is particularly appealing. A superb copy of the first complete French edition of Richardson's masterpiece - an important document in the European dissemination of the English novel. Sale 15n p. 29; Rochedieu pp. 279-280. Londres [Paris]: Chez Jean Osborne [Didot], 1742 unknown books
1931réf. 1729821931. WELLS & RICHARDSON COMPANY INC. Color craft: a manual that helps you decide what color and how to use it. 61 pp. illustrated throughout. 8vo 152 x 226 mm publisher's illustrated wrappers. Burlington Vt. Diamond Dyes 1931. A delightful and rare American work on colour. OCLC lists Yale Hagley and 1 in Canada unknown books
1947réf. 556619New York: Harper & Brothers 1947. Hardcover. Near Fine. Reprint. 256pp. Ex-library with a label on the spine and opposite the title page and a stamp on the front fly. Near fine with lightly bumped upper corners a flap from the dust jacket laid in lacking the dust jacket. Harper & Brothers hardcover books
1982réf. 548335The Edwin Mellen Press 1982. Softcover. Near Fine. An offprint from volume three of the Hopkins-Richardson Translation of the Treatises of Anselm of Canterbury. Trade paperback. P.49-137pp. Ex-library stamp and label inside front wrapper and on first page with spine label near fine. The Edwin Mellen Press unknown books
1933réf. 549518New York: Instituto de las Españas en los Estados Unidos 1933. Softcover. Very Good. First edition. Octavo. 243pp. ads. Printed wrappers with yapped edges. Neat owner name inside cover. Binding slightly cocked wrappers toned and with a bit of soil yapped edges with nicks and tiny tears very good. Briefly Inscribed on the front blank: "A mis buenos amigos Peggy and Dick Stickney. Ruth Richardson." According to the preface: "This study aims to acquaint North Americans with the interesting and important but little known drama of the Argentine and Uruguay. Instituto de las Españas en los Estados Unidos unknown books
1988réf. 533392Baltimore: The Johns Hopkins University Press 1988. Softcover. Very Good. Second printing. Trade paperback. 394pp. Poe expert Daniel Hoffman's penciled marginalia and underlining throughout spine crease very good. The Johns Hopkins University Press unknown books
1920réf. 5360171920. Hardcover. Near Fine. Oblong octavo 8 ½" x 5". Contemporary screw-bound black pebbled cloth covers. Contains 132 gelatin silver prints 3" x 4" including some gold toned neatly mounted on the rectos and versos of black paper leaves. Without captions or dates. Slight silvering at the edges of some prints else fine. A remarkable album of female nudes photographed by H.R. Cremer as goddesses and sprites. His images feature one two or three nude women in various subtle or striking poses taken outdoors in various gardens and wooded areas including lakes on open fields and hilltops and along an ocean coast. Among the models are several images of an Asian woman. Also included are six early studio portraits of individual female nudes. A third generation photographer based in Philadelphia and New York Cremer studied at the Pennsylvania Academy of Fine Arts and first exhibited his photographs in 1924. Inspired by the Art Deco aesthetic Cremer incorporated Native American motifs Aztec and Maya as well as Greek and Roman mythology in his photographs of women. A beautiful well-preserved album in fine condition featuring Cremer's best work from the 1920s-30s. hardcover books
1901réf. 501474New York: Wall Street Library Publishing Co 1901. Hardcover. Very Good. First edition. Illustrated with caricatures by Homer C. Davenport. Small square octavo. Red cloth gilt. 129pp. Tiny bookstore ticket on rear pastedown light foxing on the topedge with a small stain on the rear board very good. A nice copy of a scarce Wall Street title. Wall Street Library Publishing Co hardcover books
1989réf. 506515New York: St. Martin's Press 1989. Hardcover. Very Good/Near Fine. First American edition. Spotting on the page edges thus very good in a near fine dust jacket with edgewear. Playwright-detective Gus Maltravers investigates the murder of Charles Carrington who was in possession of an unpublished Sherlock Holmes story given to him by A. Conan Doyle. St. Martin's Press hardcover books
1929réf. 456363New York: W.W. Norton & Co 1929. Hardcover. Very Good. First American edition. Spine sunned and spine ends lightly bumped a very good copy lacking the dustwrapper. An Australian novel. W.W. Norton & Co hardcover books
1969réf. 460504New York: Springer Publishing Company 1969. Hardcover. Fine/Fine. First edition American issue. Octavo. 180pp. Ownership stamp and signature of noted American psychologist and anthropologist Henry Guze a founder of the American Academy of Psychotherapists the Society for Clinical and Experimental Hypnosis and co-founder of the Society for the Scientific Study of Sex on the front fly else fine in very slightly age-toned else fine dustwrapper. Springer Publishing Company hardcover books
réf. 439014Unbound. Near Fine. A small archive documenting the attendance of the approximately 10-year old Ada M. Cowart at the Freehold Young Ladies' Seminary in 1870 and 1871. The Seminary prepared young ladies from 1845 until 1897 at which time it was closed and reopened as the Freehold Military School. Amos Richardson was the first principal eventually bought the school and served as principal until his death in 1881. The Archive includes: 1. Partially printed report card for Ada Cowart Signed by A. Richardson dated November 1 1870 with grades filled in by hand. Old folds as mailed else fine. Cowart had reasonably good grades. 2. Original envelope dated November 1 1870 in which the above report card was mailed. Opened else near fine. 3 Partially printed report card for Ada Cowart Signed by A. Richardson dated February 14 1871 with grades filled in by hand. Old folds as mailed else fine. Cowart improved her grades dramatically with most being above 90; However she also had several unexplained absences or tardies! 4. One page Autograph Letter Signed by the principal A. Richardson to Ada's father the farmer E.L. Cowart dated March 23 1871. Written on one-page of a folded leaf with advertising for the school on the first leaf printed at the Democrat Office in Freehold and soliciting a tuition payment so they are "meeting payments as to our teachers on the 28th to enable them to leave town for vacation the next morning." Old folds from mailing else very near fine. unknown books