791 risultati
1928rif. 35100London: Printed at the Chiswick Press for Robt. Riviere and Son Ltd. 1928. First Edition. Decorated throughout with capital letters printed in blue. 8vo handsomely bound by Riviere in full blue polished calf gilt tooled double fillet borders on both covers elaborate gilt tooled panel designs to the compartments of the spine raised bands gilt decorated red morocco lettering label gilt gilt turnovers and board edges marbled end-leaves all edges gilt. 154 pp. A very handsome copy the binding tight and strong clean and bright a very finely preserved copy of this beautiful printing. BEAUTIFULLY BOUND AND PRESENTED FIRST EDITION. A RIVIERE BINDING FOR THIS VERY SCARCE RIVIERE PRINTING. A beautiful production and as finely produced a twentieth century Shakespeare SONNETS as one might wish to find. The fine handmade papers used for this production are of great quality and show no effects of aging whatsoever. The design type and paper selection is very pleasing to the senses. A scarce item and one of a very few printed and bound especially for Riviere and Son. Robert RiviÄre founded his bindery in Bath in 1829 and George Bayntun followed his example in 1894. In 1939 Bayntun bought RiviÄre and merged the two firms. Bayntun-RiviÄre is now the last of the great Victorian trade binderies still in family ownership and prides itself on continuing to bind entirely by hand. The Chiswick Press was founded by Charles Whittingham I 1867-1840. The management of the Press was taken oer in 1840 by the founder's nephew Charles Whittingham II 1795-1876. The name was first used in 1811 and the Press continued to operate until 1962. The Press had becme very influential in English printing and typography under Charles Whittingham II who most notably published some of the early designs of William Morris. The Chiswick Press deserves conspicuous credit for the reintroduction of quality printing into the trade in England when in 1844 it produced The Diary of Lady Willoughby set in the reign of Charles I. Printed at the Chiswick Press for Robt. Riviere and Son, Ltd. hardcover
1918rif. 040312Paris: L'Édition D'Art 1918. Hardcover Half Leather. Very Good Condition. Edmond Dulac. Finely rebound in a half leather art deco binding of gilt ruled green morocco with geometrical inlays on the spine of red and blue morocco in a marbled slipcase edged in leather. Undated ca. 1918 with 40 tipped in plates by Dulac one loose but present. Pages are very slightly browned otherwise unmarked. Lightly rubbed on the spine hinges and corners; slipcase worn at edges. Bookplate to a front endpaper. First Illustrated Edition or first by this illustrator and in this format. Size: Quarto 4to. Text is clean and unmarked. Illustrator: Edmond Dulac. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Theatre & Plays; Antiquarian & Rare. Inventory No: 040312. L'Édition D'Art hardcover
1895rif. 11818G Napier & Co Birmingham and Tylston & Edwards Marsden London. Printed at the press of the Birmingham Guild of Handicraft. 1895. Printed by the Birmingham Guild of Handicraft. Large 8vo. 9 x 7.2 inches. iv154ppi Colophon. Decorative wood-cut Initial letters and borders on the text pages. Early leather binding by Seaford Bindery Sussex of half dark green morocco leather. Spine with four raised bands the compartments with blind ruled lines & also ruled and decorated in gilt. Decorative floral devices and ruled lines in gilt on the morocco panels on the boards with the front board also lettered in gilt. Top edge of the boards with gilt ruled lines. Marbled paper on boards. Marbled endpapers. Top edge gilt the others untrimmed as published. Spine is faded but still overall the whole book is very good indeed. This is a beautifully produced edition in the arts and crafts style of the period in a very good quality and attractive early leather binding. G Napier & Co, Birmingham, and Tylston & Edwards Marsden, London. Printed at the press of the Birmingham Guild of Handi hardcover
1911rif. 30764London: J.M. Dent and Sons Limited 1911. 3 volumes. First of the edition and first with the illustrations by Sullivan. Beautifully illustrated with 39 gravures after original illustrations by E.J. Sullivan. Thick 8vo very handsomely bound in full red morocco and signed by Bayntun Riviere & Son with edges gilt the covers bordered with gilt fillet lines spines with raised bands with gilt rules at the borders separating the compartments which are decorated with center tools in gilt picturing symbols of the stage two compartments with gilt lettering feathered marbled endpapers all edges gilt. 14 848; 8 887; 8 982 pp. A marvelous set all gilt still handsome and bright the bindings as pristine and without wear. A VERY FINE AND HANDSOME SET. This is a well-glossed and intelligently edited set of Shakespeare’s plays complete with a biographical section about Shakespeare. This edition also contains a plethora of intricate and delightful illustrations by E.J. Sullivan. A truly beautiful set. J.M. Dent and Sons, Limited hardcover
1908rif. 10595Heinemann. London. 1908. FIRST RACKHAM EDITION. 1st printing. 4to. 10.1 x 7.7 inches. Colour frontis and thirty nine tipped-in colour plates each with a printed tissue paper guard and 30 fine line drawings by Rackham throughout the text some full page. Finely bound in recent full tan morocco. Spine with raised bands the compartments ruled decorated and lettered in gilt. Red title label gilt. Some light foxing throughout but still a very good copy of this beautiful book in an attractive leather binding. Rackham at his very best. Heinemann. London. 1908 hardcover
1883rif. 11751William Paterson Edinburgh. 1883. LIMITED EDITION. 8 volumes - Complete. One of only 550 numbered sets this number 30 with limitation leaf in each volume. 8vo 7.9 x 5.3 inches. Illustrated with a total of 38 plates a portrait of Shakespeare in Volume one and 37 etchings by M. Monzies from the original designs of M. Pille as well as several woodcut decorations and initials throughout the text. A fine and clean set throughout. Attractive early bindings for Henry Bumpus of High Holborn London of half burgundy straight grained morocco. Spines with five wide raised bands each with triple gilt ruled lines. Compartments lettered and decorated in gilt. Green paper on boards with gilt ruled borders on the leather. Plain green paper endpapers. All edges gilt. A clean and bright copy in attractive leather bindings with some minor rubbing to the extremities but overall very good indeed. Volume I: The Tempest; The Two Gentlemen of Verona; The Merry Wives of Windsor; Measure for Measure; The Comedie of Errors and Much adoe about Nothing. Volume II: Loves Labour's Lost; A Midsommer Nights Dreame; The Merchant of Venice; As you Like it and The Taming of the Shrew. Volume III: All's Well that Ends Well; Twelfe Night Or what you will; The Winters Tale; The life and death of King John and The life and death of King Richard the Second. Volume IV: The First and Second Part of Henry the Fourth; The Life of Henry the Fift and The First Part of Henry the Sixt. Volume V: The Second and Third Part of Henry the Sixt; The Tragedy of Richard the Third and The Life of King Henry the Eight. Volume VI: The Tragedy of Troylus and Cressida; The Tragedy of Coriolanus; The Lamentable Tragedy of Titus Andronicus and The Tragedy of Romeo and Juliet. Volume VII: The Life of Tymon of Athens; The Tragedie of Julius Caesar; The Tragedie of Macbeth; The Tragedie of Hamlet. Volume VIII: The Tragedie of King Lear; The Tragedie of Othello; The Tragedie of Anthonie and Cleopatra; The Tragedie of Cymbeline. William Paterson, Edinburgh. 1883 hardcover
rif. 26291THE SWALLOW PRESS 1975. FOLIO LIMITED TO 300 NUMBERED COPIES THIS BEING NUMBER 115. FULLY BOUND IN NIGER LEATHER BY SANGORSKI AND SUTCLIFFE PUBLISHED BY THE SWALLOW PRESS DESIGNED BY EDWARD BURRETT WITH DRAWINGS BY CLARKE HUTTON WITH A PREFACE BY ROBERT GRAVES. SIGNED BY ROBERT GRAVES EDWARD BURRETT AND CLARKE HUTTON. A FINE EXAMPLE OF A SCARCE BOOK. COMPLETE WITH ORIGINAL SLIPCASE WORN. THE SWALLOW PRESS, 1975 hardcover
1858rif. 15651London: George Routledge & Co. Farringdon Street 1858. 3 volumes. First edition edited by Howard Staunton and illustrated by John Gilbert. Engraved frontispiece of the Bard and a great profusion of engraved illustrations throughout both within the text and as full page plates. 8vo original midnight-blue three-quarter morocco edged in gold over pebbled cloth boards spines richly gilt separated into compartments with gilt lettering gilt ruled raised bands and elaborately decorated gilt panel designs within the compartments marbled endpapers a.e.g. lxviii 746; 768; 816 pp. A fine set all gilt and all bindings still very handsome and bright with only expected minor foxing to the prelims. A HANDSOME SET INDEED. Staunton has painstakingly researched Shakespeare’s original language and manuscripts when possible in an attempt to wrap himself around the Bard’s mind “to explain his obscurities to disentangle his intricacies and to illustrate his allusions” preface. The result is a well-glossed and intelligently edited set of Shakespeare’s plays complete with an extensive biographical section about Shakespeare miscellaneous documents relating to his estate and a reprint of his famous will in which he bequeaths to his wife his “second best bed with the furniture.” This edition also contains a plethora of intricate and delightful illustrations by John Gilbert. A truly beautiful set. George Routledge & Co. Farringdon Street hardcover
1831rif. 25030London: William Pickering 1831. The fine and very scarce Pickering edition in one volume. This copy WITH FINE PROVENANCE having come from the library of Austin Dobsin with his decorative plate and identifying ownership label. Thick 8vo in a beautiful English binding of three-quarter crimson morocco over feather marbled boards lined in gilt at the turnovers the spine with raised bands dividing the compartments which are decorated with gilt framed panels and lettered in gilt in two of the compartments t.e.g. others untrimmed. 4 763 pp. A very fine and bright copy beautifully preserved the morocco binding in excellent condition and the text-block too in very fine condition. A BEAUTIFULLY BOUND EARLY PRINTING OF THE MASTER’S WORKS THIS COPY WITH FINE PROVENANCE HAVING BEEN OWNED BY AUSTIN DOBSIN. The fine Pickering production of Shakespeare’s plays is still one of the most famous of the early 19th century printings and this copy is especially attractive in fine binding and ownership history. ‘Austin Dobson was distinguished as both poet and biographer. Those who study his work are struck by its maturity. It was about 1864 that he turned his attention to writing original prose and verse and some of his earliest work was his best. It was not until 1868 that the appearance of St Paul's a magazine edited by Anthony Trollope gaveDobson an opportunity and an audience; and during the next six years he contributed some of his favourite poems including "Tu Quoque" "A Gentleman of the Old School" "A Dialogue from Plato" and "Une Marquise." Many of his poems in their original form were illustrated—some indeed were written to support illustrations. By the autumn of 1873 Dobson had produced enough verse for a volume and published Vignettes in Rhyme which quickly went through three editions. During the period of their appearance in the magazine the poems had received unusual attention George Eliot among others encouraging the anonymous author. The little book immediately introduced him to a larger public. The period was an interesting one for a first appearance since the air was full of metrical experiment. Swinburne's bold excursions into classical metre had broken new ground; it was hopeless to attempt to compete and the poets of the day were looking for fresh forms and variations. Early in 1876 a small body of English poets discovered the French forms of Théodore de Banville Clement Marot and François Villon and determined to introduce them into English verse. Austin Dobson who had already made successful use of the triolet was at the head of this movement and in May 1876 he published in The Prodigals the first original ballade written in English. This he followed by English versions of the rondel rondeau and villanelle. An article in the Cornhill Magazine by Edmund Gosse "A Plea for Certain Exotic Forms of Verse" appearing in July 1877 simultaneously with Dobson's second volume Proverbs in Porcelain drew the general eye to the possibilities and achievements of the movement. The experiment was deemed a success. In 1883 Dobson published Old-World Idylls which contained some of his most characteristic work. By this time his taste was gradually settling on the period with which it has since become almost exclusively associated; and the spirit of the 18th century was revived in "The Ballad of Beau Brocade" and in "The Story of Rosina" as nowhere else in modern English poetry. In "Beau Brocade" the pictorial quality of his work is at its very best. He has been compared with Randolph Caldecott with which it has much in common; but Dobson's humour was not so "rollicking" and his portraiture not so broad as that of the illustrator of John Gilpin. His appeal was more intellectual. After 1885 Dobson was engaged mainly in critical and biographical prose by which he added considerably to the general knowledge of his favourite 18th century. His biographies of Henry Fielding 1883 Thomas Bewick 1884 Richard Steele 1886 Oliver Goldsmith 1888 Horace Walpole 1890 and William Hogarth 1879-1891-1897-1902-1907 are studies marked alike by assiduous research sympathetic presentation and sound criticism. In Four Frenchwomen 1890 in the three series of Eighteenth-Century Vignettes 1892-1894-1896 and in The Paladin of Philanthropy 1899 which contain unquestionably his most delicate prose work the accurate detail of each study is relieved by a charm of expression which could only be attained by a poet. In 1901 he collected his hitherto unpublished poems in a volume entitled Carmina Votiva.’ William Pickering hardcover
1958rif. 4042Paris, Tériade, 1958. In-folio en feuilles de 113-[8] pages, couverture blanche imprimée à rabats, sous chemise et étui carton. Belle condition.
1926rif. 046869London: William Heinemann and Doubleday 1926. First Edition. Hardcover Quarter Vellum. Near Fine Condition/Near Fine. Rackham Arthur. Vellum backed boards. Very slight discoloration to boards - just about fine in a very slightly age toned jacket Number 314 of 520 1-260 for the U.K. 261-520 for the U.S. 21 color plates one of which did not appear in the trade edition. Latimer 61 Size: Quarto 4to. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. Top edge gilt in good condition. Illustrator: Rackham Arthur. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Theatre & Plays; Signed by Illustrator. Inventory No: 046869. William Heinemann and Doubleday hardcover
1913rif. 34878London: J.M. Dent 1913-1917. 40 volumes bound into 20. A very handsomely bound and early set of the Temple gift edition of "pocket" volumes of Shakepeare's plays and poems. Each play the sonnets and poems with frontispiece engraving very nicely done with captioned tissue-guards and each with its own unique handsomely decorated title-page printed in black and red all are in a style reminiscent of the Kelmscott Press featuring central vignettes or portraits within elaborate borders headlines throughout printed in red and with black and yellow emblems of the edition on each pastedown. 12mo beautifully bound by Bumpus of Oxford England in full light-brown polished calf the spines lettered in gilt between raised bands the covers tooled in blind at the borders and turnovers silk ribbon markers to each volume all edges gilt. A very pleasing and beautifully preserved set of this highly stylized library collection the text printed on fine paper is clean and fresh the bindings are tight and strong and without any wear to speak of a very fine set. A VERY APPEALING SET OF THESE LITTLE GEMS Dent's very popular TEMPLE SHAKESPEARE provides a wonderful way to read the great Bard's works. Each of the thirty-nine plays is presented in a attractive manner the headlines in bright red the text in black all easily used and read; a final volume provides us with the poems and sonnets. The plays and poems all in handsome bindings executed by Bumpus. The text of the plays and poems are from the Cambridge Shakespeare and each play with a fine preface glossary and notes by Israel Gollancz British philologist and academic who was a scholar of early English literature and of William Shakespeare. He was Professor of English Language and Literature at King's College London from 1903 to 1930. He was a founder member and the first Secretary 1902–1930 of the British Academy and of the committee for a Shakespeare Memorial Theatre which eventually became the Royal National Theatre in London and he was the Director of the Early English Text Society. He edited the "Temple" Shakespeare a uniform edition of the complete works in pocket-size volumes which was the most popular Shakespeare edition of its day. In 1916 as Honorary Secretary of the Shakespeare Tercentenary Committee he also edited A Book of Homage to Shakespeare an anthology of responses to Shakespeare from scholars thinkers and other prominent figures from around the world. J.M. Dent hardcover
1821rif. 27348London: F.C. and J. Rivington; et al 1821. 21 volumes. The ‘Boswell’s Malone’ Edition first thus. With engraved frontispiece portraits of Shakespeare in Volume I and II and III engraved illustration of the Globe and folding leaves in Vol. III with steel-engraved plate in Vol. VIII a large folding engraved plate in Vol. XVI and printed music in Vol. XVII. 8vo handsomely bound in contemporary full smooth tan calf boards gilt ruled gilt decorated board edges spines attractively gilt tooled in panels between raised gilt tooled bands lettering labels in two panels of dark green and buff morocco smaller morocco volume labels at the tails all labels lettered in gilt a.e.g. A very handsome and stately set in proper bindings internally very fresh bindings with some minor age evidence some cracking to hinges on some volumes one cover detached and easily repairedstill a pleasing and handsome set. AN IMPORTANT AND EARLY PRINTING OF THE WORKS. This variorum edition not only forms a fine summery of the cumulative scholarship on Shakespeare during the 18th century but has time and again been called the foundation of modern Shakespearean scholarship. James Boswell the son of Johnson’s biographer had a hard task in ordering Malone’s papers - “I may add” he states in his 50 page introduction “that it is not everyone who could have deciphered his notes.” Along with all of Malone’s material this set contains three full volumes of scholarly works including the prefaces of all of the major editions of the previous century more then one life of Shakespeare Boswell’s life of Malone histories of the stage Shakespeare’s will Coat of Arms and other relative documents to the Bards life and extensive notes on and from the modern editions. In addition to all of this material is the extensive and very useful ‘Glossarial Index’ and an Addenda. No less then 35 publishers joined forces to produce these volumes and it is alone among the variorum editions to include a volume of Poems. Its influence was such that many years later the Sette of Odd Volumes a renowned bibliophile dining club limited its membership to 21 stating this in its list of rules; “The Sette of Odd Volumes to consist of twenty one this being the number of volumes of the variorum Shakespeare of 1821”. F.C. and J. Rivington; et al hardcover
1943rif. 213Lausanne, André Gonin, (1943). Un volume in-4 (37.4 x 27.6) en feuilles sous emboîtage.
1793rif. 20837London: Printed for and Under the Direction of John Bell 1793. 20 volumes. The important Bell’s Shakespeare with the Prefaces by Pope Theobald Hanmer Warburton and Johnson and with both Rowe’s and Malone’s Life of Shakespeare and with many other important essays notes and emendations. Engraved frontispiece portraits of Shakespeare and of the Prince of Wales of Pope Warburton Hanmer and Johnson as well as others of Shakespeare’s house and with a profusion of finely engraved plates throughout the volumes 12mo beautifully bound in full red Regency straight-grain morocco with handsome gilt ruling to the borders of the upper and lower covers the spine with compartments separated by gilt bands gilt tooled Regency decorative motifs and lettering in gilt within the compartments gilt tooled edges and gilt rolled turnovers marbled end-leaves all edges gilt. An excellent and important set very handsome beautifully preserved fresh and clean. AN IMPORTANT PRESSING OF THE SHAKESPEARE PLAYS AND OF THE SCHOLARLY WRITINGS AND DISCUSSIONS UP TO THE CURRENT TIME. The plays are from Steevens' and Johnson's Scholarly Edition of Shakespeare 1773. This edition prints a two volume Prolegomena which consists of prefaces written for Shakespeare's plays over many years. A PROLEGOMENA TO THE DRAMATICK WRITINGS OF WILL. SHAKSPER includes along with all the most important prefaces both Rowe’s and Malone’s ‘Lives of Shakespeare’ the 1623 preface of Heming and Condell as well as Shakespeare's Will Commendatory Verses and an attempt to determine the original order of the plays. With 97 portraits vignettes and character plates including a foldout of signatures on Shakespeare's Will in Vol. II "an example of fans" in the Merry Wives' Annotations a foldout of the Morris Dancers in Henry IV part 1's Annotations and an extra vignette in Titus Andronicus. This the "Literary" Shakespeare was published serially beginning in 1785 and collected in 20 vols. What distinguishes this edition from the others by Bell is the elaborateness of the presentation. This was the culmination of a 15 year effort to publish an edition of the Bard's works which had a high cultural value due to its edition annotation and beauty of its typography and illustration. Indeed this edition proved a social triumph for Bell with his assembled 1800 subscribers including the Royal Family ex-cept for the Sovereign along with the Queen of France monsieur the Kings brother and a collection of 70 nobles. The edition was printed on smooth wove paper gilt edges and handsomely bound in calf probably in Bell's own bindery. In this edition Bell first replaced the long s � with the modern small rounded s an innovation which quickly caught on. There are many more portraits in this edition than in the earlier "acting" editions of Shakespeare. In the Prolegomena alone there are 8 portraits as well as several engravings of places and things related to Shakespeare. Throughout the rest of the collection each play has between 2 and 4 character portraits featuring prominent actors in the roles. In contrast to the engravings of the earlier edition these portraits have oval borders and lush backgrounds. The actors themselves are rendered in a much softer more romantic style. The artists Bell commissioned were all under the age of 25 and relatively unknown. Most notable among them was the young Johan Heinrich Ramberg who had come to England from Hanover under the patronage of George III. It is because of these young artists that these portraits are so different from those in the "acting" edition. Ramberg brought with him a European aesthetic and all the artists brought the burgeoning romantic artistic trends to the drawing boards. Printed for and Under the Direction of John Bell hardcover
1632rif. 19044London: by Thomas Cotes for Robert Allot 1632. From the famed Second Folio of Shakespeare. Folio quarter brown calf and marbled boards gilt lettered and ruled on the spine. 251-302. A very handsome and large copy the binding in excellent order the text in nice condition and with only typical or occasional mild spotting or light aging the last two leaves of Hamlet supplied from a different folio then the rest. RARE AND HIGHLY IMPORTANT. Two of Shakespeare's most famous plays extracted from the Second Folio edition of his COMEDIES HISTORIES AND TRAGEDIES a cornerstone--and some would say foundation--of English literature. While the complete Second Folio is one of the book collector's great prizes a status well reflected in its price these days this is an opportunity to acquire two of the best plays from the volume bound separately. THE ESSENCE OF SHAKESPEARE and truly the earliest obtainable printings of HAMLET or MACBETH that one could purchase. This 2nd Folio printing of MACBETH is the second time only that this great play was printed. MACBETH is a tragedy so great that for centuries it has been considered bad luck to even speak its name inside a theatre thus it is almost universally referred to by stage actors simply as “the Scottish play”. HAMLET contains the great line “to be or not to be” considered the most often quoted of all of the Bard’s many many well quoted lines. In either case these are the earliest obtainable printings of Shakespeare’s greatest plays. [by Thomas Cotes for Robert Allot] hardcover