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2021Best.-Nr. BIBSD0137242262021. Full Leather Bound. NEW. Size: 14.60 x 22.86 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1911 and this unique edition is Reprinted in 2021 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Spanish Pages 207. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
1909Best.-Nr. 34589London: Hodder and Stoughton 1909. First Edition First Printing with the Thomson Illustrations. With 24 mounted colour plates by Thomson including a frontispiece each with a cptioned tissued guard. Quarto handsomely bound in the publisher's original green cloth with gilt titles to the spine and red titles with dark green pictorial decorations to the upper cover. xxxvi 143 1 pp. A beautiful copy bright and fresh the binding is very attractive and finely preserved internally well preserved with some of the usual spotting occasional to the foredges a bit of mellowing the plates and tissue guards all in excellent condition. SHAKEPEARE'S PLEASANT WORK PRESENTED IN aS PLEASING AN ILLUSTRATED format as one could hope to find. Hugh Thomson’s delightfully detailed and skillful illustrations would be hard to surpass making this a true gem in its pretty binding. Thomson's pen-and-ink drawings are in much the same style as those he did for works by Jane Austen and Charles Dickens. As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain though a performance at Wilton House in 1603 the house having been a focus for literary activity under Mary Sidney for much of the later 16th century has been suggested as a possibility. The play follows its heroine Rosalind as she flees persecution in her uncle's court accompanied by her cousin Celia to find safety and eventually love in the Forest of Arden. In the forest they encounter a variety of memorable characters notably the melancholy traveller Jaques who speaks one of Shakespeare's most famous speeches "All the world's a stage" and provides a sharp contrast to the other characters in the play always observing and disputing the hardships of life in the country. Hodder and Stoughton hardcover
1870Best.-Nr. 3588Ireland and co. London and Manchester.ND circa 1870's. Large 8vo. iv920pp. Text printed in double column. A very good copy in publishers red cloth with highly decorative gilt stamped spine. Author and title lettered within elaborate design. The whole housed with a double ruled border. Boards with blind stamped corner decorations with a triple ruled border. Brown endpapers. Top of spine has a small stain accross about a quarter inch of the cloth. Overall a near fine copy in a highly decorative victorian cloth binding. A scarce edition unrecorded in the British Library or the Copac library catalogues. Ireland and co. London and Manchester.,ND (circa 1870's) hardcover
Best.-Nr. 1020034939.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1910Best.-Nr. 4812William Heinemann. London. 1910. FIRST THOMSON EDITION. 4to. Illustrated throughout with forty fine full colour plates each mounted onto thicker art paper and with a printed tissue guard cover. A very good copy in a fine leather binding of half dark blue morocco spine with raised bands ruled lettered & decorated in gilt. Blue cloth on the boards. To edge gilt. William Heinemann. London. 1910 hardcover
Best.-Nr. 1359396365.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1960Best.-Nr. 155227Torino: Einaudi 1960. Tre volumi di cm. 215 pp. 3000 ca. complessive. Con tavole fuori testo. Legatura edit. in tela con sovracoperta acetato di protezione ed entro custodia rigida editoriale. Segni d'uso al cofanetto e qualche ombreggiatura ai dorsi peraltro in ottimo stato di conservazione. Collana "I millenni". Einaudi hardcover
1960Best.-Nr. 151101Torino.: Einaudi 1960. Tre volumi di cm. 215 pp. 3000 ca. complessive. Con tavole fuori testo. Legatura edit. in tela. Entro custodia. Privo di sovracoperta. Ottima conservazione. Collana "I millenni". Einaudi unknown
Best.-Nr. 54025Paris: Les Heures Claires s.a. anni '70. Cm. 235 pp. 222 4. Con tavole f.t. a colori di Léonor Fini. Bella legatura in piena pelle rossa dorso a nervi e decori in oro ai piatti taglio di testa dorato sguardie in seta con dentelles. Legatura italiana firmata Codina. Perfetta conservazione. Edizione stampata in tiratura limitata e numerata su carta "vélin chiffon de Rives". Les Heures Claires unknown
1980Best.-Nr. 150117Torino.: Einaudi 1980. Tre volumi di cm. 215 pp. 3000 ca. complessive. Con tavole fuori testo. Legatura editoriale in tela con sovracoperta illustrata entro cofanetto in cart. edit. ill. Perfetta conservazione in stato di nuovo. Einaudi hardcover
1925Best.-Nr. 88833Milano: Treves 1925-1934. Trentanove volumi di cm. 19 pp. 300 circa per ciascun volume. Solida ed elegante legatura coeva in mezza pergamena con punte dorsi lisci con titoli in oro su doppi tasselli. Esemplare genino e ben conservato. Opera completa. Treves unknown
1960Best.-Nr. 80868Torino.: Einaudi 1960. Tre volumi di cm. 215 pp. 3000 ca. complessive. Con tavole fuori testo. Legatura edit. in tela con sovracoperta acetato di protezione ed entro custodia rigida edit. illustrata. Perfetta conservazione. Collana "I millenni". Einaudi hardcover
1980Best.-Nr. 60403Torino.: Einaudi 1980. Tre volumi di cm. 215 pp. 3000 ca. complessive. Con tavole fuori testo. Legatura editoriale in tela con sovracoperta illustrata entro cofanetto in cart. edit. ill. Qualche segno d'uso esterno peraltro ben conservato. Einaudi hardcover
Best.-Nr. 54024Paris: Les Heures Claires s.a. anni '70. Cm. 235 pp. 209 3. Con tavole f.t. a colori di Carzou. Bella legatura in piena pelle rossa dorso a nervi e decori in oro ai piatti taglio di testa dorato sguardie in seta con dentelles. Legatura italiana firmata Codina. Perfetta conservazione. Edizione stampata in tiratura limitata e numerata su carta "vélin chiffon de Rives". Les Heures Claires unknown
1960Best.-Nr. 87794Torino.: Einaudi 1960. Tre volumi di cm. 215 pp. 3000 ca. complessive. Con tavole fuori testo. Legatura edit. in tela con sovracoperta. Privo di custodia. Ottima conservazione. Collana "I millenni". Einaudi hardcover
Best.-Nr. 54023Paris: Les Heures Claires s.a. anni '70. Cm. 235 pp. 320 2. Con tavole f.t. a colori di Douking. Bella legatura in piena pelle rossa dorso a nervi e decori in oro ai piatti taglio di testa dorato sguardie in seta con dentelles. Legatura italiana firmata Codina. Perfetta conservazione. Edizione stampata in tiratura limitata e numerata su carta "vélin chiffon de Rives". Les Heures Claires unknown
1926Best.-Nr. 046869London: William Heinemann and Doubleday 1926. First Edition. Hardcover Quarter Vellum. Near Fine Condition/Near Fine. Rackham Arthur. Vellum backed boards. Very slight discoloration to boards - just about fine in a very slightly age toned jacket Number 314 of 520 1-260 for the U.K. 261-520 for the U.S. 21 color plates one of which did not appear in the trade edition. Latimer 61 Size: Quarto 4to. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. Top edge gilt in good condition. Illustrator: Rackham Arthur. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Theatre & Plays; Signed by Illustrator. Inventory No: 046869. William Heinemann and Doubleday hardcover
Best.-Nr. 2234046289.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. PrakashN-9781604336153HCCP. Hardcover. New. ENGLISH HCCP hardcover
Best.-Nr. PrakashN-9781604336153HCCP. Hardcover. New. ENGLISH HCCP hardcover
1821Best.-Nr. 32498London: F.C. and J. Rivington; et al 1821. 21 volumes. The First Edition of ‘Boswell’s Malone’ Edition a highly important printing of the bard's works. This copy with very interesting and established provenance. The set was owned by Edward Weeks member of an old Boston and New England family and long-time editor of The Atlantic where he wrote a column for many years entitled "The Perpatetic Reviewer." Previous to Mr. Weeks the set was owned by the aviator Louis Bleriot the first person to fly across the English Channel. His signature is in one of the volumes. With engraved frontispiece portraits of Shakespeare in Volume I II and III engraved illustration of the Globe and folding leaves in Vol. III with steel-engraved plate in Vol. VIII a large folding engraved plate in Vol. XVI and printed music in Vol. XVII. 8vo handsomely bound in contemporary full smooth tan polished calf the covers gilt decorated at the borders with a roll-tooled chain pattern gilt decorated board edges the spines attractively gilt decorated in elaborate panels within the compartments raised bands gilt ruled contrasting lettering labels in red and green in three compartments. A very handsome and stately set in proper bindings internally very fresh bindings with some minor age evidence some restoration to some hinges on some volumes. A handsome and pleasing set. AN IMPORTANT AND EARLY PRINTING OF THE WORKS. This variorum edition not only forms a fine summery of the cumulative scholarship on Shakespeare during the 18th century but has time and again been called the foundation of modern Shakespearean scholarship. James Boswell the son of Johnson’s biographer had a hard task in ordering Malone’s papers - “I may add” he states in his 50 page introduction “that it is not everyone who could have deciphered his notes.” Along with all of Malone’s material this set contains three full volumes of scholarly works including the prefaces of all of the major editions of the previous century more then one life of Shakespeare Boswell’s life of Malone histories of the stage Shakespeare’s will Coat of Arms and other relative documents to the Bards life and extensive notes on and from the modern editions. In addition to all of this material is the extensive and very useful ‘Glossarial Index’ and an Addenda. No less then 35 publishers joined forces to produce these volumes and it is alone among the variorum editions to include a volume of Poems. Its influence was such that many years later the Sette of Odd Volumes a renowned bibliophile dining club limited its membership to 21 stating this in its list of rules; “The Sette of Odd Volumes to consist of twenty one this being the number of volumes of the variorum Shakespeare of 1821”. F.C. and J. Rivington; et al hardcover
1821Best.-Nr. 27348London: F.C. and J. Rivington; et al 1821. 21 volumes. The ‘Boswell’s Malone’ Edition first thus. With engraved frontispiece portraits of Shakespeare in Volume I and II and III engraved illustration of the Globe and folding leaves in Vol. III with steel-engraved plate in Vol. VIII a large folding engraved plate in Vol. XVI and printed music in Vol. XVII. 8vo handsomely bound in contemporary full smooth tan calf boards gilt ruled gilt decorated board edges spines attractively gilt tooled in panels between raised gilt tooled bands lettering labels in two panels of dark green and buff morocco smaller morocco volume labels at the tails all labels lettered in gilt a.e.g. A very handsome and stately set in proper bindings internally very fresh bindings with some minor age evidence some cracking to hinges on some volumes one cover detached and easily repairedstill a pleasing and handsome set. AN IMPORTANT AND EARLY PRINTING OF THE WORKS. This variorum edition not only forms a fine summery of the cumulative scholarship on Shakespeare during the 18th century but has time and again been called the foundation of modern Shakespearean scholarship. James Boswell the son of Johnson’s biographer had a hard task in ordering Malone’s papers - “I may add” he states in his 50 page introduction “that it is not everyone who could have deciphered his notes.” Along with all of Malone’s material this set contains three full volumes of scholarly works including the prefaces of all of the major editions of the previous century more then one life of Shakespeare Boswell’s life of Malone histories of the stage Shakespeare’s will Coat of Arms and other relative documents to the Bards life and extensive notes on and from the modern editions. In addition to all of this material is the extensive and very useful ‘Glossarial Index’ and an Addenda. No less then 35 publishers joined forces to produce these volumes and it is alone among the variorum editions to include a volume of Poems. Its influence was such that many years later the Sette of Odd Volumes a renowned bibliophile dining club limited its membership to 21 stating this in its list of rules; “The Sette of Odd Volumes to consist of twenty one this being the number of volumes of the variorum Shakespeare of 1821”. F.C. and J. Rivington; et al hardcover
Best.-Nr. Prakash-9781435154476Sterling. HARD BACK. New. ENGLISH Sterling hardcover
Best.-Nr. Prakash-9781435154476Sterling. HARD BACK. New. ENGLISH Sterling hardcover
1895Best.-Nr. 10452G Napier & Co Birmingham and Tylston & Edwards Marsden London. Printed at the press of the Birmingham Guild of Handicraft. 1895. Printed by the Birmingham Guild of Handicraft. Large 8vo. 8.8 x 7.2 inches. iv154ppi Colophon. Decorative wood-cut Initial letters and borders on the text pages. Neat two line inscription on the title page. Early leather binding of half dark blue morocco. Spine which has been re-laid ruled lettered and decorated in gilt. Double gilt ruled lines on the morocco edges bordering blue cloth panels on the boards. Marbled endpapers with a strip of plain paper to both inner hinges where the book has been professionally re-cased. Top edge gilt. Some rubbing to the edges of the binding. A beautifully produced edition in the arts and crafts style of the period in a skilfully repaired but very good quality and still attractive early leather binding. G Napier & Co, Birmingham, and Tylston & Edwards Marsden, London. Printed at the press of the Birmingham Guild of Handi hardcover