VIGNY Benno - SHAKESPEARE WilliamLivre Rare Book
775 résultats
1944réf. 1433Comédie cinématographique d'après William Shakespeare. Dessins et lithographies de Benno Vigny.Edition tirée à 375 exemplaires. Exemplaire n°94, sur vélin blanc de Rives à la forme au format Raisin in-4°.Paris, Robert Laffont 1944.Pages volantes sous emboitage. Manque le dessus de l'emboitage. Pas de rousseur. Bon état. Format in-folio (35x27).
réf. 446069Robert Laffont Marseille 1944 Grand in-4 carré ( 335 X 260 mm ) de 168 pages, plein chagrin noisette, filets à froid sur les plats se prolongeant sur le dos avec titre doré en long "à la chinoise", tête dorée, couverture et dos conservés, étui bordé. Ouvrage illustré de dessins et lithographies de Benno VIGNY ( Ce cinéaste franco-allemand fut le compagnon de la mère de Charles TRENET ). Comédie cinématographique d'après William SHAKESPEARE. Tirage limité à 375 exemplaires numérotés, celui-ci un des 350 exemplaires numérotés sur vélin blanc de Rives à la forme. Dos légèrement éclairci, bel exemplaire.
1920réf. kb758C.013GB: Robert Riviere 1920. Not dated but about 1920. Half dark green leather with five raised bands on spines heavily decorated in gold and green cloth. Top edges gold. A superb completely umarked set. . Hardback. nrFine/No DW. Robert Riviere Hardcover
réf. 42503LONDON FOLIO SOCIETY 2001. FIRST PRINTING. A FINE COPY IN A VERY GOOD SLIPCASE SOME FADING. ILLUSTRATED BY W. HEATH ROBINSON. SCARCE. LONDON, FOLIO SOCIETY, 2001 unknown
1785réf. 11026John Bell. London. 1785. Two works in one volume. Early and first edition. 8vo. 5.8 x 3.6 inches. First work; 90pp. second work: 99pp. Some brown offsetting from the glue used in the binding to the first and last couple of leaves otherwise generally very good copies in an attractive late 18th century leather binding of half dark brown calf. Spine with decorative gilt bands. A new red leather title label lettered in gilt has been added to replace the missing original. Marbled paper on the boards. Some rubbing to the edges and the top hinge cracked but holding firm. Overall a pretty little volume. -- Early printing of Johnson & Steeven's Midsummer Nights Dream and First edition of their Annotations. John Bell. London. 1785 hardcover
réf. 172070Longmans Green and Co. 1868. 1st edn. Folio 12¾ x 9½ ins. Original bevelled-edged decorative cream cloth top edge gilt worn at head and tail of spine and boards lightly stained. Pp. 87 illus 24 with b&w plates gutters perished and pages loose; prelims rather toned; no inscriptions. Longmans Green and Co., 1868 unknown
1920réf. 007425LONDON/NY: WILLIAM HEINEMAN / DOUBLEDAY PAGE 1920. SEVENTH PRINTING . Hardcover. Very Good/NoNE. RACKHAM ARTHUR. 40 BEAUTIFUL COLOR TIPPED IN PLATES BY ARTHUR RACKHAM ALL WITH PLATE COVERS OTHER RACKHAM DRAWINGS IN BLACK AND WHITE BOUND IN BLUE/ GREEN WITH VERY NICE COMPLETE GILT LETTERING AND GILT DESIGN ON FRONT COVER SOLID BINDING A LOVELY EDITION OF THIS SHAKESPEARE WORK SMALL NEAT PERIOD PREVIOUS OWNERS INSCRIPTION WEAR AND BUMPING TO ALL CORNERS PRIVATELY OWNED ILLUSTRATED PLATES HAVE SOME AGE TONING TO THE MARGINS WITH SOME BLEED OVER TO TEXT TEXT IS OTHERWISE VERY BRIGHT LIGHT WEAR TO TOP AND BOTTOM OF SPINE A REALLY GRAND BOOK IPHONE PICTURES AVAILABLE WILLIAM HEINEMAN / DOUBLEDAY PAGE hardcover
1888réf. 9014Ernest Nister. London. Printed in Nuremberg. ND. 1888. FIRST AND ONLY PRINTING OF THIS EDITION. Folio. 15 x 11.7 inches. Illustrated with six stunning full colour chromolithographic plates and twenty-seven sepia vignettes throughout the text. The artist is Julius Höppner a master of fairy and fantasy illustration. Original white cloth with elaborate full gilt decoration to spine and front board which also has a sunken panel with a bevelled gilt tooled edge where a full colour illustration is placed. Silk patterned paper endpapers. All edges gilt. Binding a bit loose. The board edges are rubbed and marked & there is some minor foxing to most pages but overall this is a near to very good copy of a truly beautiful book. Ernest Nister. London. Printed in Nuremberg. ND. 1888 hardcover
1632réf. 29673London: by Thomas Cotes for Robert Allot 1632. From the Second Folio of Shakespeare. A sheet rescued from a single folio still bearing a copy of its original title page naming Robert Allot who was owner of the rights to sixteen plays. Bi-Folium a complete bifolium 4 pp. 29 30 31 32. A large and very well preserved copy of this very rare and unusual survival original sewing holes and any other tiny imperfections expertly perfected according to the exacting standards established by the American Institute of Conservation. A RARE OFFERING FROM THE SECOND FOLIO. Made at Thomas Cotes' print shop located at the Signe of the Blacke Beare in Pads Church-yard. this is an example that few have ever seen but for the original 17th century purchasers and binders of Cotes' loose sheets and in later centuries folio conservators or binders working on the rare individual sheet that only remained in sheet form until being rebound back into its folio for use as numbered pages. It also originates from one of the first two folio editions of 1623 and 1632 of which only 1500 or so total combined copies were printed. With the hindsight of 400 years sheets were something that no one thought to preserve in 1632 These folio sheets were printed specifically for binding into complete copies of the Second Folio. Ironically extra sheets would probably have been considered "printer's waste" and discarded or perhaps given away as "mementos". [by Thomas Cotes for Robert Allot] unknown
1632réf. 29674London: by Thomas Cotes for Robert Allot 1632. From the Second Folio of Shakespeare. A sheet rescued from a single folio still bearing a copy of its original title page naming Robert Allot who was owner of the rights to sixteen plays. Bi-Folium a complete bifolium with two folio leaves still attached and unseparated. 4 pp. 75 76 81 82. A large and very well preserved copy of this very rare and unusual survival original sewing holes and any other tiny imperfections expertly perfected according to the exacting standards established by the American Institute of Conservation. A RARE OFFERING FROM THE SECOND FOLIO. Made at Thomas Cotes' print shop located at the Signe of the Blacke Beare in Pads Church-yard. this is an example that few have ever seen but for the original 17th century purchasers and binders of Cotes' loose sheets and in later centuries folio conservators or binders working on the rare individual sheet that only remained in sheet form until being rebound back into its folio for use as numbered pages. It also originates from one of the first two folio editions of 1623 and 1632 of which only 1500 or so total combined copies were printed. With the hindsight of 400 years sheets were something that no one thought to preserve in 1632 These folio sheets were printed specifically for binding into complete copies of the Second Folio. Ironically extra sheets would probably have been considered "printer's waste" and discarded or perhaps given away as "mementos". [by Thomas Cotes for Robert Allot] unknown
1632réf. 29671London: by Thomas Cotes for Robert Allot 1632. From the Second Folio of Shakespeare. A sheet rescued from a single folio still bearing a copy of its original title page naming Robert Allot who was owner of the rights to sixteen plays. The text on this bifolium includes one of the great lines of Shakespeare one which we all love to quote see the provided close-up image to find it. Bi-Folium a complete bifolium with two folio leaves still attached and unseparated. 4 pp. 273 274 275 276. A large and very well preserved copy of this very rare and unusual survival original sewing holes and any other tiny imperfections expertly perfected according to the exacting standards established by the American Institute of Conservation. A RARE OFFERING FROM THE SECOND FOLIO. A RARE OFFERING FROM THE SECOND FOLIO. Made at Thomas Cotes' print shop located at the Signe of the Blacke Beare in Pads Church-yard. this is an example that few have ever seen but for the original 17th century purchasers and binders of Cotes' loose sheets and in later centuries folio conservators or binders working on the rare individual sheet that only remained in sheet form until being rebound back into its folio for use as numbered pages. It also originates from one of the first two folio editions of 1623 and 1632 of which only 1500 or so total combined copies were printed. With the hindsight of 400 years sheets were something that no one thought to preserve in 1632 These folio sheets were printed specifically for binding into complete copies of the Second Folio. Ironically extra sheets would probably have been considered "printer's waste" and discarded or perhaps given away as "mementos". [by Thomas Cotes for Robert Allot] unknown
1944réf. 6199First edition of 'Antony and Cleopatra' translated by Pasternak. This is the only separate edition of his translation. Printed during wartime approved for printing on June 3 1944. This is the third Shakespeare play translated by Boris Pasternak 1890-1960 commissioned by the Moscow Art Theatre. He began work on it immediately after completing the translation of 'Romeo and Juliet'. By the end of June 1943 the translation was ready for printing. Soviet literary critic Mikhail Morozov described this translation as 'the most successful' emphasizing that it transcended mere translation to become a poetic dialogue between two poets. Pasternak himself likened Cleopatra to 'the Nastasya Filippovna of antiquity' drawing parallels with heroines such as Anna Karenina and Madame Bovary. Illustrations were created by Mikhail Pikov 1903-1973 a student of VKhUTEMAS under Vladimir Favorsky known for his mastery of woodcut techniques. Zakharenko 1995. # 114. OGIZ, Goslitizdat paperback
1987réf. x-033342784XPalgrave Macmillan 1987. Paperback. New. 104 pages. 8.50x5.50x0.25 inches. Palgrave Macmillan paperback
réf. 9500307243.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1887réf. 901973London: Macmillan & cO 1887 A very solid 3 volume set The Victoria Edition produced by Macmillan & Co. Full leather bound. The boards are the orignal boards as are the endpapers however the spines have been rebound in matching leather and the original paper spines pasted on. Vol 1 shows a little more wear thanthe other two volumes its front free endpaper present but loose. Each volume has a previos owners book plate on the front pastedown. The orignal gilt is very bright and the gilt decor around the inner boards still vright. Minor shelfwear bumping to corners. It would be appear that they were repaired ealry 1900's but the the repair is excellent and all volumes are very solid and clean. Macmillan & cO hardcover
réf. PrakashN-9781626860988PENGUIN BOOKS INDIA. PAPER BACK. New. ENGLISH PENGUIN BOOKS INDIA unknown
réf. PrakashN-9781626860988PENGUIN BOOKS INDIA. PAPER BACK. New. ENGLISH PENGUIN BOOKS INDIA unknown
réf. Prakash-9781435154476Sterling. HARD BACK. New. ENGLISH Sterling hardcover
réf. Prakash-9781435154476Sterling. HARD BACK. New. ENGLISH Sterling hardcover
réf. CS-6022International. Brand New. Brand New unknown
réf. cbs 9780521294027US Edition. New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
1734réf. 33904London: J. Tonson 1734. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine some minor mellowing and some minor spotting in places internally. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.” The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.” Cymbeline contains famous quotations among which are: Boldness be my friend: Arm me audacity from head to foot! Iachimo Act 1 Scene 6 The game is up. Belarius Act 3 Scene 3 I have not slept one wink. Pisanio Act 3 Scene 4 I see a man’s life is a tedious one. Innogen Act 3 Scene 6 All gold and silver rather turn to dirt. Arviragus Act 3 Scene 6 Play judge and executioner all himself. Guiderius Act 4 Scene 2 J. Tonson unknown
1883réf. 11751William Paterson Edinburgh. 1883. LIMITED EDITION. 8 volumes - Complete. One of only 550 numbered sets this number 30 with limitation leaf in each volume. 8vo 7.9 x 5.3 inches. Illustrated with a total of 38 plates a portrait of Shakespeare in Volume one and 37 etchings by M. Monzies from the original designs of M. Pille as well as several woodcut decorations and initials throughout the text. A fine and clean set throughout. Attractive early bindings for Henry Bumpus of High Holborn London of half burgundy straight grained morocco. Spines with five wide raised bands each with triple gilt ruled lines. Compartments lettered and decorated in gilt. Green paper on boards with gilt ruled borders on the leather. Plain green paper endpapers. All edges gilt. A clean and bright copy in attractive leather bindings with some minor rubbing to the extremities but overall very good indeed. Volume I: The Tempest; The Two Gentlemen of Verona; The Merry Wives of Windsor; Measure for Measure; The Comedie of Errors and Much adoe about Nothing. Volume II: Loves Labour's Lost; A Midsommer Nights Dreame; The Merchant of Venice; As you Like it and The Taming of the Shrew. Volume III: All's Well that Ends Well; Twelfe Night Or what you will; The Winters Tale; The life and death of King John and The life and death of King Richard the Second. Volume IV: The First and Second Part of Henry the Fourth; The Life of Henry the Fift and The First Part of Henry the Sixt. Volume V: The Second and Third Part of Henry the Sixt; The Tragedy of Richard the Third and The Life of King Henry the Eight. Volume VI: The Tragedy of Troylus and Cressida; The Tragedy of Coriolanus; The Lamentable Tragedy of Titus Andronicus and The Tragedy of Romeo and Juliet. Volume VII: The Life of Tymon of Athens; The Tragedie of Julius Caesar; The Tragedie of Macbeth; The Tragedie of Hamlet. Volume VIII: The Tragedie of King Lear; The Tragedie of Othello; The Tragedie of Anthonie and Cleopatra; The Tragedie of Cymbeline. William Paterson, Edinburgh. 1883 hardcover
réf. 2234046289.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 9500307898.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
