Shakespeare William, Ridley M.R.Livre Rare Book
779 risultati
1946rif. RO60146699J.M. Dent & sons/ E.P. Dutton & co. 1946. In-16. Relié toilé. Etat passable, Couv. convenable, Dos satisfaisant, Papier jauni. 129 pages. Quelques rousseurs. Titre en doré au dos. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1908rif. RO60113019Humphrey Milford - Oxford University Press. 1908. In-16. Relié. Etat d'usage, Tâchée, Dos fané, Intérieur acceptable. 128 pages. Gravure (portrait) et fac-similé en noir et blanc en frontispice. Dos du 1er plat abîmé.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
rif. CS-16044International. Brand New. Brand New unknown
1940rif. RO60027925Didier. 1940. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Déchirures. 23 pages. Premier plat illustré d'un dessin en couleur. Illustré de dessins en noir et blanc dans le texte. Dessin en noir et blanc en frontispice. Dessins d'enfant en couleur au dos des plats et en page de garde. Pages 11-12 déchirées, sans altération de la lecture.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1935rif. RO60108224Henri Didier. 1935. In-12. Broché. Etat d'usage, Couv. légèrement passée, Agraffes rouillées, Intérieur acceptable. Plaquette de 23 pages. Dessin en noir et blanc en frontispice. Illustré de nombreux dessins en noir et blanc dans le texte. Quelques tampons et annotations de bibliothèque.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1937rif. RO60144854Henri Didier. 1937. In-12. Broché. Etat d'usage, Coins frottés, Agrafes rouillées, Papier jauni. 21 pages. Nombreuses illustrations en noir et blanc, in et hors texte. Texte en anglais. Dos frotté. Tampon en page de garde. Frontispice illustré en noir et blanc.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1935rif. RO40137132Henri Didier. 1935. In-12. Broché. Bon état, Couv. convenable, Agraffes rouillées, Intérieur frais. 29 pages. Dessin en noir et blanc en frontispice. Illustré de dessins en noir et blanc dans le texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1965rif. RO60060560New American Library. 1965. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 240 pages. Tampon en page de titre.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1928rif. 35100London: Printed at the Chiswick Press for Robt. Riviere and Son Ltd. 1928. First Edition. Decorated throughout with capital letters printed in blue. 8vo handsomely bound by Riviere in full blue polished calf gilt tooled double fillet borders on both covers elaborate gilt tooled panel designs to the compartments of the spine raised bands gilt decorated red morocco lettering label gilt gilt turnovers and board edges marbled end-leaves all edges gilt. 154 pp. A very handsome copy the binding tight and strong clean and bright a very finely preserved copy of this beautiful printing. BEAUTIFULLY BOUND AND PRESENTED FIRST EDITION. A RIVIERE BINDING FOR THIS VERY SCARCE RIVIERE PRINTING. A beautiful production and as finely produced a twentieth century Shakespeare SONNETS as one might wish to find. The fine handmade papers used for this production are of great quality and show no effects of aging whatsoever. The design type and paper selection is very pleasing to the senses. A scarce item and one of a very few printed and bound especially for Riviere and Son. Robert RiviÄre founded his bindery in Bath in 1829 and George Bayntun followed his example in 1894. In 1939 Bayntun bought RiviÄre and merged the two firms. Bayntun-RiviÄre is now the last of the great Victorian trade binderies still in family ownership and prides itself on continuing to bind entirely by hand. The Chiswick Press was founded by Charles Whittingham I 1867-1840. The management of the Press was taken oer in 1840 by the founder's nephew Charles Whittingham II 1795-1876. The name was first used in 1811 and the Press continued to operate until 1962. The Press had becme very influential in English printing and typography under Charles Whittingham II who most notably published some of the early designs of William Morris. The Chiswick Press deserves conspicuous credit for the reintroduction of quality printing into the trade in England when in 1844 it produced The Diary of Lady Willoughby set in the reign of Charles I. Printed at the Chiswick Press for Robt. Riviere and Son, Ltd. hardcover
1895rif. 11818G Napier & Co Birmingham and Tylston & Edwards Marsden London. Printed at the press of the Birmingham Guild of Handicraft. 1895. Printed by the Birmingham Guild of Handicraft. Large 8vo. 9 x 7.2 inches. iv154ppi Colophon. Decorative wood-cut Initial letters and borders on the text pages. Early leather binding by Seaford Bindery Sussex of half dark green morocco leather. Spine with four raised bands the compartments with blind ruled lines & also ruled and decorated in gilt. Decorative floral devices and ruled lines in gilt on the morocco panels on the boards with the front board also lettered in gilt. Top edge of the boards with gilt ruled lines. Marbled paper on boards. Marbled endpapers. Top edge gilt the others untrimmed as published. Spine is faded but still overall the whole book is very good indeed. This is a beautifully produced edition in the arts and crafts style of the period in a very good quality and attractive early leather binding. G Napier & Co, Birmingham, and Tylston & Edwards Marsden, London. Printed at the press of the Birmingham Guild of Handi hardcover
1895rif. 10452G Napier & Co Birmingham and Tylston & Edwards Marsden London. Printed at the press of the Birmingham Guild of Handicraft. 1895. Printed by the Birmingham Guild of Handicraft. Large 8vo. 8.8 x 7.2 inches. iv154ppi Colophon. Decorative wood-cut Initial letters and borders on the text pages. Neat two line inscription on the title page. Early leather binding of half dark blue morocco. Spine which has been re-laid ruled lettered and decorated in gilt. Double gilt ruled lines on the morocco edges bordering blue cloth panels on the boards. Marbled endpapers with a strip of plain paper to both inner hinges where the book has been professionally re-cased. Top edge gilt. Some rubbing to the edges of the binding. A beautifully produced edition in the arts and crafts style of the period in a skilfully repaired but very good quality and still attractive early leather binding. G Napier & Co, Birmingham, and Tylston & Edwards Marsden, London. Printed at the press of the Birmingham Guild of Handi hardcover
rif. 26291THE SWALLOW PRESS 1975. FOLIO LIMITED TO 300 NUMBERED COPIES THIS BEING NUMBER 115. FULLY BOUND IN NIGER LEATHER BY SANGORSKI AND SUTCLIFFE PUBLISHED BY THE SWALLOW PRESS DESIGNED BY EDWARD BURRETT WITH DRAWINGS BY CLARKE HUTTON WITH A PREFACE BY ROBERT GRAVES. SIGNED BY ROBERT GRAVES EDWARD BURRETT AND CLARKE HUTTON. A FINE EXAMPLE OF A SCARCE BOOK. COMPLETE WITH ORIGINAL SLIPCASE WORN. THE SWALLOW PRESS, 1975 hardcover
rif. 2572London: Geo. W. Jones 1916. . Large 8vo stiff buff wrappers with laurel wreath motif printed in black and red on front cover; bottom edges of covers chipped and small segment of front lower outer corner missing. slightly soiled A Three other copies located: one holding in OCLC Bibliotheque national Paris COPEC adds British Library and Cambridge University. A tour de force by this master printer. [London: Geo. W. Jones, 1916]. unknown books
rif. 2572London: Geo. W. Jones 1916. . Large 8vo stiff buff wrappers with laurel wreath motif printed in black and red on front cover; bottom edges of covers chipped and small segment of front lower outer corner missing. slightly soiled A Three other copies located: one holding in OCLC Bibliotheque national Paris COPEC adds British Library and Cambridge University. A tour de force by this master printer. [London: Geo. W. Jones, 1916]. unknown
1972rif. RO60073460Penguin Books - Pelican Books. 1972. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 144 pages. Annotation en page de garde.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1734rif. 33902London: J. Tonson 1734. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.” The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.” Henry VI Part II contains famous quotations among which are: Could I come near your beauty with my nails I'd set my ten commandments in your face. Eleanor Act 1 Scene 3 The fox barks not when he would steal the lamb. Suffolk Act 3 Scene 1 For where thou art there is the world itself With every several pleasure in the world: And where thou art not desolation. Suffolk Act 3 Scene 2 Small things make base men proud. Suffolk Act 4 Scene 1 True nobility is exempt from fear. Suffolk Act 4 Scene 1 The first thing we do let's kill all the lawyers. Dick the butcher Act 4 Scene 2 J. Tonson unknown
1905rif. RO60006966Blackie & Son Ltd. 1905. In-16. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur bon état. 122 pages. Reliure d'éditeur bordeaux, avec titre et motifs dorés sur le dos et motif doré sur le 1er plat. Tranche de tête dorée. Annotation en page de garde.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1903rif. RO60004015J.M.Dent & Co. 1903. In-16. Relié. Etat d'usage, Tâchée, Dos satisfaisant, Mouillures. 125 pages. Frontipiece: an engraving aqua-fortis in black & white: from the Heminge & Condell Monument, by CJ Allen, 1896. Golden edge on the top.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1837rif. 35093London: William Pickering 1837. From the Aldine Poets series the first to include the Memoir by Alexander Dyce. With an engraved portrait frontispiece. 8vo contemporary full stiff vellum with all-over gilt tooling on the spine black lettering label t.e.g. lxxxix 288 pp. A very good and handsome copy the binding strong the text-block clean. A PLEASING EDITION. The edition includes a chronological list of Shakespeare's plays Shakespeare's will and of course Dyce's Memoir. Included in the work are Venus and Adonis The Rape of Lucrece Sonnets A Lover's Complaint The Passionate Pilgrim Verses and Songs from the Plays of Shakespeare. William Pickering hardcover
rif. ria9783337845926_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Plays and Poems of William Shakspeare - In Sixteen Volumes - Collated Verbatim with the Most Authentick Copies and Revised with the Corrections and Illustrations of Various Commentators. Vol. 10 is an unchanged high-quality reprin paperback
1821rif. 32498London: F.C. and J. Rivington; et al 1821. 21 volumes. The First Edition of ‘Boswell’s Malone’ Edition a highly important printing of the bard's works. This copy with very interesting and established provenance. The set was owned by Edward Weeks member of an old Boston and New England family and long-time editor of The Atlantic where he wrote a column for many years entitled "The Perpatetic Reviewer." Previous to Mr. Weeks the set was owned by the aviator Louis Bleriot the first person to fly across the English Channel. His signature is in one of the volumes. With engraved frontispiece portraits of Shakespeare in Volume I II and III engraved illustration of the Globe and folding leaves in Vol. III with steel-engraved plate in Vol. VIII a large folding engraved plate in Vol. XVI and printed music in Vol. XVII. 8vo handsomely bound in contemporary full smooth tan polished calf the covers gilt decorated at the borders with a roll-tooled chain pattern gilt decorated board edges the spines attractively gilt decorated in elaborate panels within the compartments raised bands gilt ruled contrasting lettering labels in red and green in three compartments. A very handsome and stately set in proper bindings internally very fresh bindings with some minor age evidence some restoration to some hinges on some volumes. A handsome and pleasing set. AN IMPORTANT AND EARLY PRINTING OF THE WORKS. This variorum edition not only forms a fine summery of the cumulative scholarship on Shakespeare during the 18th century but has time and again been called the foundation of modern Shakespearean scholarship. James Boswell the son of Johnson’s biographer had a hard task in ordering Malone’s papers - “I may add” he states in his 50 page introduction “that it is not everyone who could have deciphered his notes.” Along with all of Malone’s material this set contains three full volumes of scholarly works including the prefaces of all of the major editions of the previous century more then one life of Shakespeare Boswell’s life of Malone histories of the stage Shakespeare’s will Coat of Arms and other relative documents to the Bards life and extensive notes on and from the modern editions. In addition to all of this material is the extensive and very useful ‘Glossarial Index’ and an Addenda. No less then 35 publishers joined forces to produce these volumes and it is alone among the variorum editions to include a volume of Poems. Its influence was such that many years later the Sette of Odd Volumes a renowned bibliophile dining club limited its membership to 21 stating this in its list of rules; “The Sette of Odd Volumes to consist of twenty one this being the number of volumes of the variorum Shakespeare of 1821”. F.C. and J. Rivington; et al hardcover
1911rif. 30764London: J.M. Dent and Sons Limited 1911. 3 volumes. First of the edition and first with the illustrations by Sullivan. Beautifully illustrated with 39 gravures after original illustrations by E.J. Sullivan. Thick 8vo very handsomely bound in full red morocco and signed by Bayntun Riviere & Son with edges gilt the covers bordered with gilt fillet lines spines with raised bands with gilt rules at the borders separating the compartments which are decorated with center tools in gilt picturing symbols of the stage two compartments with gilt lettering feathered marbled endpapers all edges gilt. 14 848; 8 887; 8 982 pp. A marvelous set all gilt still handsome and bright the bindings as pristine and without wear. A VERY FINE AND HANDSOME SET. This is a well-glossed and intelligently edited set of Shakespeare’s plays complete with a biographical section about Shakespeare. This edition also contains a plethora of intricate and delightful illustrations by E.J. Sullivan. A truly beautiful set. J.M. Dent and Sons, Limited hardcover
1858rif. 15651London: George Routledge & Co. Farringdon Street 1858. 3 volumes. First edition edited by Howard Staunton and illustrated by John Gilbert. Engraved frontispiece of the Bard and a great profusion of engraved illustrations throughout both within the text and as full page plates. 8vo original midnight-blue three-quarter morocco edged in gold over pebbled cloth boards spines richly gilt separated into compartments with gilt lettering gilt ruled raised bands and elaborately decorated gilt panel designs within the compartments marbled endpapers a.e.g. lxviii 746; 768; 816 pp. A fine set all gilt and all bindings still very handsome and bright with only expected minor foxing to the prelims. A HANDSOME SET INDEED. Staunton has painstakingly researched Shakespeare’s original language and manuscripts when possible in an attempt to wrap himself around the Bard’s mind “to explain his obscurities to disentangle his intricacies and to illustrate his allusions” preface. The result is a well-glossed and intelligently edited set of Shakespeare’s plays complete with an extensive biographical section about Shakespeare miscellaneous documents relating to his estate and a reprint of his famous will in which he bequeaths to his wife his “second best bed with the furniture.” This edition also contains a plethora of intricate and delightful illustrations by John Gilbert. A truly beautiful set. George Routledge & Co. Farringdon Street hardcover
1794rif. 61264Dublin: Printed By John Exshaw. 1794. Hardcover. Very Good. 363pp sl water staining of prelims sm piece torn from margin of last page. Bound in full leather rubbed chipped and scraped; Octavo . Printed By John Exshaw hardcover
1821rif. 27348London: F.C. and J. Rivington; et al 1821. 21 volumes. The ‘Boswell’s Malone’ Edition first thus. With engraved frontispiece portraits of Shakespeare in Volume I and II and III engraved illustration of the Globe and folding leaves in Vol. III with steel-engraved plate in Vol. VIII a large folding engraved plate in Vol. XVI and printed music in Vol. XVII. 8vo handsomely bound in contemporary full smooth tan calf boards gilt ruled gilt decorated board edges spines attractively gilt tooled in panels between raised gilt tooled bands lettering labels in two panels of dark green and buff morocco smaller morocco volume labels at the tails all labels lettered in gilt a.e.g. A very handsome and stately set in proper bindings internally very fresh bindings with some minor age evidence some cracking to hinges on some volumes one cover detached and easily repairedstill a pleasing and handsome set. AN IMPORTANT AND EARLY PRINTING OF THE WORKS. This variorum edition not only forms a fine summery of the cumulative scholarship on Shakespeare during the 18th century but has time and again been called the foundation of modern Shakespearean scholarship. James Boswell the son of Johnson’s biographer had a hard task in ordering Malone’s papers - “I may add” he states in his 50 page introduction “that it is not everyone who could have deciphered his notes.” Along with all of Malone’s material this set contains three full volumes of scholarly works including the prefaces of all of the major editions of the previous century more then one life of Shakespeare Boswell’s life of Malone histories of the stage Shakespeare’s will Coat of Arms and other relative documents to the Bards life and extensive notes on and from the modern editions. In addition to all of this material is the extensive and very useful ‘Glossarial Index’ and an Addenda. No less then 35 publishers joined forces to produce these volumes and it is alone among the variorum editions to include a volume of Poems. Its influence was such that many years later the Sette of Odd Volumes a renowned bibliophile dining club limited its membership to 21 stating this in its list of rules; “The Sette of Odd Volumes to consist of twenty one this being the number of volumes of the variorum Shakespeare of 1821”. F.C. and J. Rivington; et al hardcover
