3 540 résultats
1903réf. 154195London: Macmillan & Co. Limited 1903. Magnificent illustrations for Kipling's classic and considered by some to be the finest book illustrations ever published First edition sole impression. Macmillan issued this sumptuous portfolio at five guineas advertising the illustrations as reproductions "in colour from the Original Drawings in the highest style of Lithography". The 16 watercolours had been exhibited at the Dutch Gallery in London and were subsequently incorporated in reduced format into Macmillan's 1908 edition of The Jungle Book. The illustrations rank among the Detmold brothers' most celebrated work. A modern study of British book illustration describes the series as a "masterpiece of Edwardian era" singling out Shere Khan in the Jungle for its synthesis of Japanese pictorial influence anatomical observation and elaborate detail. Quoting Rodney Engen's study of the golden age of illustration it notes how the brothers' understanding of nature enabled them to create the "mythology and harshness of the natural world". Folio. 16 coloured chromolithograph prints on thin card sheet sizes: 330 × 430 mm tipped onto white board with grey window mounts mount sizes: 393 × 545 mm with cover sheet to each illustration providing the title and a short extract from the book. Original green cloth chemise front cover lettered and with illustration in gilt containing title page contents leaf and 16 loose prints. Housed in a custom grey cloth folding box. Chemise worn with loss front cover detached bookplate removed lacking ties occasional chips and tears to extremities of cover sheets light browning to sheets fold to title page and contents leaf strengthened prints bright and unfaded; a good set. Nicholas Alfrey & Richard Verdi Charles Maurice and Edward Julius Detmold: A Centenary Exhibition 1983; Rodney Engen The Age of Enchantment 2007; Iain MacPhail "The Detmold Twins" The Book Collector Autumn 2024 pp. 48193; Tessa Morris-Suzuki Nature War and the Art of the Detmold Twins 2026; David Alan Richards Rudyard Kipling: A Bibliography 2010. hardcover
1941réf. BIBLIO-14612Doubleday Doran & Co. Inc. Garden City Burwash edition 1941. Limited edition of 1010 numbered sets the first volume signed by Kipling. 28 vols full green morocco covers ruled in gilt upper covers stamped with gilt facsimile of Kipling's signature spines lettered and tooled in gilt in compartments five raised bands blindstamped turn-ins marbled endpaperstop edges gilt 23 cm. many thousand pages. I. Plain tales from the hills.-II. Soldiers three. The story of the Gadsbys. In black and white.-III. Wee Willie Winkie. Under the deodars. The phantom rickshaw and other stories.-IV. Life's handicap.-V. Many inventions.-VI. The day's work.-VII. Traffics and discoveries.-VIII. Debits and credits. Actions and reactions.-IX. A diversity of creatures.-X. Limits and renewals. "Thy servant a dog."-XI. The jungle books.-XII. Just so stories.-XIII. Puck of Pook's Hill. Rewards and fairies.-XIV. Stalky & Co. Land and sea tales.-XV. The light that failed. The naulahka.-XVI. Captains courageous. Kim.-XVII-XVIII. From sea to sea and other sketches.-XIX. Letters of travel 1892-1927.-XX. The war. A fleet in being.-XXI-XXII. The Irish guards in the Great War.-XXIII. Uncollected prose.-XXIV. A book of words. Souvenirs of France. Something of myself.-XXV. Departmental ditties and Barrack-room ballads.-XXVI. The seven seas. The five nations. The years between.-XXVII. Songs from books and Later songs from books.-XXVIII. Early verse. The muse among the motors. Miscellaneous. Set No. 60 signed by Kipling. A Fine set splendidly bound. Doubleday, Doran, & Co., Inc., [Garden City], Burwash edition, 1941 hardcover
1930réf. 42840Sous étui et couverture en demi-percaline grise avec étiquettes imprimées : 2 chemises de texte, une chemise de suites et une chemise à rabats et rubans pour la Suite pour Kim. Édition illustrée de 56 compositions d'après François-Louis SCHMIED dont un frontispice, 14 planches hors texte, 15 grandes vignettes, 15 lettrines et 11 culs-de-lampe, gravés par Philippe Gonin.
1937réf. BIBLIO-52449Macmillan and Co. Ltd London Sussex Edition 1937-39. Limited edition of 525 sets of which 500 signed by the author were for sale. However many of these were destroyed when the publisher's warehouse was bombed in 1941. 35 vols royal 8vo full russet Niger morocco handmade paper top edges rough-gilded other edges untrimmed. several thousand pages. The Sussex edition is the definitive edition of Kipling's works splendidly produced and much sought after by collectors. Some contemporary Macmillan advertising material described it thus: "The Sussex Edition had been planned some years before the author's death and was designed to rank as the definitive edition of all his works in prose and verse in the most complete and handsome form. Kipling had undertaken a detailed revision of the text for this purpose and had autographed and numbered the first volume of each set. He left behind him careful instructions regarding the unpublished or uncollected writings which are so conspicuous and interesting a feature of the Sussex Edition. This material includes over sixty stories articles and speeches besides such groups of papers as The War in the Mountains Eyes of Asia and Brazilian Sketches none of them previously published in book form if at all in this country and the whole of his early or uncollected verse." From a contemporary review in the TLS: "The publishers are justified in the use of the epithet "superb" to describe this edition. The fine hand-made paper and Bembo type are equally satisfactory : but perhaps the binding is still more notable. It is . Niger leather lettered and simply ornamented in gold. The volumes though ten inches by six and three quarter inches in size are comparatively slim and so easy to hold; and they have an air of durability and of being meant for reading as well as for keeping which is not always the case with éditions de luxe. Set No.215. Armorial bookplate on the front pastedown endpaper of each volume: 'Ex Libris des Comtes Arrivabene Valenti-Gonzaga'. Spines rubbed and several volumes with some corner or edge-wear or small scrapes to the leather three volumes 5 6 7 with blotches to the spine sometimes extending slightly to the boards; otherwise a good set with good uniformity of colour not always the case with this edition. Internally excellent - clean fresh copies with most volumes unopened or largely so. Macmillan and Co. Ltd, London, Sussex Edition, 1937-39 hardcover
1937réf. 7813London: The Macmillan Co 1937. The Sussex Edition. Very Good . One of 575 numbered sets signed by the author in the first volume. Leaves measuring 240 x 160 mm with the set occupying 141 cm 55 in of shelf space. A Very Good set. Bound for the publisher by James Burn & Co. in full reddish-brown Niger morocco. Double ruled in gilt. Spine in six compartments with raised bands. Top edge gilt. Sunning and speckling to some spines and some rubbing to raised bands and edges. Very clean throughout. Printed in Edinburgh by R&R Clark Ltd. on handmade paper. The Sussex Edition which has become the most desirable collected edition of Kipling's works was edited by Kipling himself and including two volumes of previously uncollected prose. The edition published the year after Kipling's death was intended as a complete retrospective on Kipling's career and the definitive edition of his works. The superbly produced set of course includes Kipling's most lauded fiction - The Jungle Book Kim and Just So Stories - as well as his poems and nonfiction capturing the scope of his literary output. A contemporary review in the Times Literary Supplement lauded the production: "The publishers are justified in the use of the epithet 'superb' to describe this edition. The fine hand-made paper and Bembo type are equally satisfactory but perhaps the binding is still more notable. It is.Niger leather lettered and simply ornamented in gold. The volumes.are comparatively slim and so easy to hold; and they have an air of durability and of being meant for reading as well as for keeping which is not always the case with éditions de luxe." Very Good . The Macmillan Co unknown
1937réf. 7813London: The Macmillan Co 1937. The Sussex Edition. Very Good . One of 575 numbered sets signed by the author in the first volume. Leaves measuring 240 x 160 mm with the set occupying 141 cm 55 in of shelf space. A Very Good set. Bound for the publisher by James Burn & Co. in full reddish-brown Niger morocco. Double ruled in gilt. Spine in six compartments with raised bands. Top edge gilt. Sunning and speckling to some spines and some rubbing to raised bands and edges. Very clean throughout. Printed in Edinburgh by R&R Clark Ltd. on handmade paper. The Sussex Edition which has become the most desirable collected edition of Kipling's works was edited by Kipling himself and including two volumes of previously uncollected prose. The edition published the year after Kipling's death was intended as a complete retrospective on Kipling's career and the definitive edition of his works. The superbly produced set of course includes Kipling's most lauded fiction - The Jungle Book Kim and Just So Stories - as well as his poems and nonfiction capturing the scope of his literary output. A contemporary review in the Times Literary Supplement lauded the production: "The publishers are justified in the use of the epithet 'superb' to describe this edition. The fine hand-made paper and Bembo type are equally satisfactory but perhaps the binding is still more notable. It is.Niger leather lettered and simply ornamented in gold. The volumes.are comparatively slim and so easy to hold; and they have an air of durability and of being meant for reading as well as for keeping which is not always the case with éditions de luxe." Very Good . The Macmillan Co unknown books
1913réf. 141035London: Macmillan & Co. 1913-38. A handsomely bound set signed by the author on the half-title The Bombay Edition one of only 500 possible complete sets signed by the author on the half-title. The Bombay edition was initially published in 20 volumes and limited to 1000 copies. Kipling continued to write and the edition eventually grew to 31 volumes but the last 11 volumes were limited to 500 copies only. Because later volumes were issued separately and at a lower limitation complete sets such as this one are rare. 31 vols octavo. Attractively bound in recent burgundy morocco green morocco labels centre tool to spines gilt raised bands roll to boards gilt marbled endpapers top edges gilt others untrimmed. Mild partial toning to a couple of the half-titles an excellent set. hardcover
1937réf. BIBLIO-13244Macmillan and Co. Ltd London Sussex Edition 1937-39. Limited edition of 525 sets of which 500 signed by the author were for sale. However many of these were destroyed when the publisher's warehouse was bombed in 1941. 35 vols royal 8vo full russet Niger morocco handmade paper top edges rough-gilded other edges untrimmed. several thousand pages. The Sussex edition is the definitive edition of Kipling's works splendidly produced and much sought after by collectors. Some contemporary Macmillan advertising material described it thus: "The Sussex Edition had been planned some years before the author's death and was designed to rank as the definitive edition of all his works in prose and verse in the most complete and handsome form. Kipling had undertaken a detailed revision of the text for this purpose and had autographed and numbered the first volume of each set. He left behind him careful instructions regarding the unpublished or uncollected writings which are so conspicuous and interesting a feature of the Sussex Edition. This material includes over sixty stories articles and speeches besides such groups of papers as The War in the Mountains Eyes of Asia and Brazilian Sketches none of them previously published in book form if at all in this country and the whole of his early or uncollected verse." From a contemporary review in the TLS: "The publishers are justified in the use of the epithet "superb" to describe this edition. The fine hand-made paper and Bembo type are equally satisfactory : but perhaps the binding is still more notable. It is . Niger leather lettered and simply ornamented in gold. The volumes though ten inches by six and three quarter inches in size are comparatively slim and so easy to hold; and they have an air of durability and of being meant for reading as well as for keeping which is not always the case with éditions de luxe. Set No. 15 signed by Kipling. Unobtrusive 1 cm scratch to spine of volume 7 some spine bands just a trifle rubbed otherwise a splendid Fine set. Contents exceptionally clean with many volumes largely unopened. Macmillan and Co. Ltd, London, Sussex Edition, 1937-39 unknown
1937réf. 165903London: Macmillan and Company 1937-39. The most desirable collected edition The Sussex Edition number 72 of 525 sets only signed by the author in the first volume and containing two volumes of previously uncollected prose. Published after Kipling's death on 18 January 1936 this magnificent posthumous edition saw a small limitation and became even rarer following the destruction of many unsold sheets during the German bombing of London. In his last years and with his health failing Kipling remained determined to finish editing this "great retrospective work" which was first proposed in 1928. The edition was "fuller than that of any other. Kipling saw the proofs of at least 21 of the edition's 35 volumes before his death" and it is now "among the most prized and most expensive of all modern editions" Pinney p. 231. 35 vols large octavo. Printed on handmade paper with Ganesha watermark. Fly-titles printed in orange. Original full russet niger by James Burn & Co. spines lettered in gilt raised bands ruled in blind twin gilt fillet bordering covers turn-ins ruled in gilt and blind marbled endpapers top edges gilt and red on the rough other edges uncut. Bindings slightly darkened occasional light scuffs and internal marks otherwise clean. A near-fine set. Richards D23; Stewart pp. 577-80. Thomas Pinney The Letters of Rudyard Kipling vol. 6 1990. hardcover
1913réf. 187925New York: Doubleday Page & Company 1913-1926. A stately array of bindings The Seven Seas Edition number 63 of 1050 sets printed on watermarked paper and signed by the author on the half-title of Volume I. Intended as the American counterpart to Macmillan's Bombay Edition this deluxe signed limited edition was issued in 27 volumes. This set has been finely bound likely by the publishers in 51 slimmer and more readable volumes. 27 vols expanded to 51 octavo. Title pages printed in red and black rubricated initials in some vols illustrations to text of children's works. Likely publisher's deluxe red crushed morocco spines lettered in gilt compartments and corners of boards richly gilt wide turn-ins with multiple gilt rolls dark blue crushed morocco doublures with richly gilt frames cream silk flyleaves top edges gilt fore and bottom edges uncut cream bookmarkers. Bookplate of John Francis Neylan 1885-1960 attorney to William Randolph Hearst to first blanks. Spots of rubbing hear hinge of From Sea to Sea volume I part II cracked. Overall a fine set. Richards D15; Stewart pp. 573-4. hardcover
1907réf. 896Q1New York: Doubleday Page & Company 1907 . First edition. Cloth. Very Good. 8.5" by 6". None. The first edition of Kipling's book of collected verse with the author's ink annotations and edits. Bound in the publisher's original burgundy cloth. An extremely scarce-to-see copy of this collection of Rudyard Kipling's poetry with annotations and edits by the author throughout. This work was originally published in October 1907. From the library of A. P. Watt & A. S. Watt of A. P. Watt and Son literary agent of Rudyard Kipling.Throughout this copy of collected verse Kipling reworked the order layout contents and the occasional wording of the poems. Some of the changes to wording such as substituting "hansoms" for "traffic" in the final verse of 'The Broken Men' made the final version of the poem however others such as changing the name "Mary Pollock" to "Margaret Pollock" in 'The Derelict' did not showing Kipling's thought process in his editing. Annotations include: A line through the publisher on the title page. A line through the page opposite the title page entitled "Other Books by Rudyard Kipling". The third verse of "The Fires" has been removed xi. Punctuation amendments to most pages substituting comas exclamation marks and semi-colons. The occasional change to the wording used such as alternating "hansoms" for "traffic" in the final verse of "The Broken Men". On page 85 Kipling has written "To printer smaller type for all these sub-heads of song of the English R. K." "The Sacrifice of Er-hets" has a vertical line through it p168. "Service Songs" has been crossed out p190. The second verse of "The Gift of the Sea" has been crossed out p248.Pencil annotation not in Kipling's hand to p1 with "Dedication from "Barrack Room Ballads"" crossed out. On page 8 "Song of the Wise Children" is directed "To follow Sestina of the Tramps Royal" with similar directions given to "Buddha at Kamakura" p10 "The Broken Man" p13 "The "Mary Gloster"" p45 "South Africa" p118 "Dirge of Dead Sisters" p126 "Cleared" p132 "General Joubert" p145 "Before a Midnight Breaks in Storm" p193 "The Lesson" p200 "Rimmon" p210 "The Three-Decker" p220 "The Rhyme of the Three Captains" p222 "The Conundrum of the Workshops" p227 "Evarra and his Gods" p229 "In the Neolithic Age" p231 "The Story of Ung" p233 "The Fires" p236 "The Legends of Evil" p238 "Tomlinson" p241 "The Explanation" p246 "The Answer" p247 "The Gift of the Sea" p248 "The King" p250 and "The Last Rhyme of True Thomas" p252. Bound in the publisher's original burgundy cloth. Externally very good with light bumping to the extremities and a little rubbing to the head and tail of the spine. The occasional mark to cloth mainly to the rear board. Internally firmly bound. Pages bright with the author's ink edits and annotations throughout. Very Good Doubleday, Page & Company hardcover
1902réf. 49105London: Macmillan & Co 1902. First Edition. Hardcover. Fine/very good. 249p quarto illustrated. A fine bright copy in a very good dust jacket. The design on the dust jacket differs from the design on the covers of the book. Just So Stories was Kipling's only self illustrated book. A fine bright copy with none of the usual flaking to the white pigment on the binding; armorial bookplate of George Jefferson Mersereau with the bookplate of A. Edward Newton above it on the front paste down. The extremely rare dust jacket is complete with only minor wear and tear and with a few archival tape reinforcements o the inside of the spine. Preserved in a custom cloth chemise and morocco-tipped slipcase Macmillan & Co hardcover
1902réf. 33101Toronto: George S. Morang & Co. Limited 1902. 1st Edition. Rudyard Kipling. Rudyard Kipling. 1st Edition. Signed by Author. From TBCL's Children's Bookcase. Kipling Rudyard. JUST SO STORIES FOR LITTLE CHILDREN. Signed. Illustrated by the Author. Toronto: George S. Morang & Co. Limited. 1902. Unique Copy. First Canadian Edition. Sm. 4to. 249p. With 22 plates & many in-text illustrations. Cream cloth covered boards with titles & illustrations on the spine & upper cover stamped in black. An extraordinary example with three key manuscript highlights tipped-in: 1 - Opposite page 141 Kipling on a piece of club size stationery has written out in fact decoded the runes of Taffimai in 2 columns of 18 lines with the added "This is the identical tusk-on-uitch the tale of Taffimai ouas ritten. Etched by the author. / See Page 141 / Just So Stories / Double Day Page Edn 1902." 2 - Tipped opposite page 197 on a piece of club size stationery Kipling has deciphered the runes on the Mutton Bone illustrated in the story: The Cat That Walked By Himself. Inscribed: "On the mutton bone / page 197. Just So Stories". Two columns of decoding followed by: " I Rudyard Kipling drew this but because there was no mutton bone in the house I faked the anatomy from memory. R.K." 3 - One page als true copy neatly written & signed in blue fountain pen on the letterhead of the Canadian Copper Company Sussex dated Nov. 30th 1912 addressed to: David H. Brown esq. " Dear Sir / Many thanks for your amusing letter of the 12th. I am sorry that any of my handicraft should have disturbed your dinner. I should imagine it would be quite hopeless to find one in the small drawing what the runes meant but I have looked up the original pictures and found that on the cross bar of the H I put myself on record as having also written all the plays ascribed to Mrs. Gallop. I hope now that you and your friends will be able to return to their respective vocations. / Yours very sincerely / Rudyard Kipling". An extremely good example showing light use. Stewart 261. Notes binding is usually brown/orange cloth. First published in London by Macmillan in 1902 this is the uncommon Canadian edition of Kipling's most famous collection of twelve animal stories & twelve poems including "How the Camel Got His Hump" and "How the Leopard Got His Spots" "How the Whale Got his Throat" "The Elephant's Child" & "The Butterfly That Stamped." "Just So Stories has achieved nursery immortality because a genius has married two of the most tried and trusted media - the fable and the fairy-story" Muir 107. Stewart 260. BMC No.1 1984; 'Edwardian Children's Books'. 30820. George S. Morang & Co., Limited unknown
1927réf. 1833Paris, François-Louis Schmied, 1927. Un volume in-4, reliure plein maroquin bleu, doublure et gardes de soie brochée gris-bleu sertie d’un jeu de filets dorés, dos lisse orné, couverture, tranches dorées, étui bordé de même maroquin (G. Cretté succ. de Marius Michel). Édition originale et tirage unique de ce conte oriental de Joseph Charles Mardrus magnifiquement illustrée et ornementée par François-Louis Schmied qui assura lui-même la mise en page et l'impression de ce chef d'œuvre du livre Art déco : le trait des planches a été gravé sur bois, la peinture en a été exécutée à la main, d'après les originaux, dans les ateliers de laquage de Jean Dunand. Cette illustration se compose d'une couverture illustrée, un frontispice, 7 illustrations à pleine page, une grande planche dépliante formant un triptyque, 29 bandeaux horizontaux dont 22 grands, la plupart en-tête, 32 lettrines ornées ou petites vignettes dans le texte, 6 petits bandeaux verticaux et de nombreux bandeaux et lettres mis en couleurs et dorés. TIRAGE UNIQUE À 25 EXEMPLAIRES SUR JAPON, SIGNÉS PAR SCHMIED. Celui-ci (n° XXV) comporte l’une des rares suites des bois tirés en noir sur Japon. L'ouvrage est entièrement monté sur onglet.
1926réf. 1290Paris, [Schmied], 1926. Un volume in-4 (27,7 x 20 cm), en feuilles, 102 pages, n.ch., couverture rempliée, chemise et étui décoré de l’éditeur, emboîtage de maroquin vert doublé de maroquin jonquille, dos titré (G. Cretté succ. de Marius Michel). Édition originale de la plus grande rareté, tirée à seulement 20 exemplaires numérotés sur japon. Splendide illustration en couleurs de François-Louis Schmied: environ 50 bois dont 18 de très grande taille, dans le texte, TOUS ENTIÈREMENT PEINTS À LA MAIN dans les ateliers de laquage de Jean Dunand ; près de 300 lettrines et bouts de lignes peintes à la main dans le texte, dans des harmonies de couleurs variant selon les pages, avec rehauts d'or, d'argent ou de blanc, traçant des motifs géométriques ou érotiques. Tirage unique à 20 exemplaires numérotés et signés du monogramme en rouge de FLS, tous sur papier Japon, celui-ci n° 13. Conservé à l'état d'origine dans un splendide coffret en maroquin doublé de Cretté. - Notes bibliographiques (pour ceux qui prennent le temps): « La Princesse Boudour est regardée par ceux qui savent voir, comme le livre capital de ce premier quart de siècle. Par sa graphie et sa technique générale, elle est une exception préméditée dans le faire de son auteur. Pour la réaliser, il s’est véritablement amusé, cette fois – en tant que lecteur enthousiaste des Mille nuits et une nuit - à commenter graphiquement le texte qu’il connaît si bien et dont il est comme imbibé [...]. Il nous a [...] octroyé le délectable cadeau de trois cent quatre-vingt-dix vignettes et en couleur, et toutes différentes, et qui se rapportent au texte [...]. Et cette munificence schmiedienne n’est-elle pas, en définitive, l’exaltation de notre modernité, et en conformité avec nos goûts, du faire des imagiers incomparables de l’Orient ? [...]. Avec quel attendrissement, avec quelle passion sourde et contenue, qui n’appartient qu’à lui, il a rendu, au moyen des fragiles outils du graveur et du coloriste, la grâce masculine des adolescents, et la tendre chair de banane des radieuses jouvencelles ! [...] Je pense que s’il fallait absolument appliquer une épithète au sourire des adolescentes schmiediennes, et même à celui des adolescents, rien ne leur conviendrait mieux que le mot ambigü... Une atmosphère de pures délices enveloppe cette oeuvre boudourienne, multiple, voluptueuse, spirituelle, et d’une telle essence d’authentique Orient qu’elle nous fait vraiment respirer tous les parfums de l’Arabie. » (Préface du catalogue de l’exposition Schmied à la galerie Arnold Seligmann Rey à New York, mars 1927, pp. 34-37).
