6 437 résultats
réf. 06181Lahore: "The "Civil and Military Gazette" Press 1884. First Edition of Kipling's Very Rare Second Book "Echoes" KIPLING Rudyard and Alice. Echoes. By Two Writers. Lahore: "The "Civil and Military Gazette" Press 1884 First edition. Small square octavo 6 x 4 1/2 inches; 154 x 115 mm. 2 blank 2 title verso blank 2 index 1-72 2 blank pp. Some light foxing throughout first blank leaf with early ink signature. Publisher's light brown wrappers front wrapper with tile design printed in black. lower corner 1 1/8 x 3/4 inch; 28 x 19 mm. torn away spine expertly and invisibly restored still a near fine copy. Housed in a red cloth chemise within a full red morocco velvet lined 'jewel-case'. Spine with five raised bands lettered in gilt in compartments brass lock. First edition of Kipling's very rare second book; the "two writers" of the title were Kipling and his sister Alice "Trix". Of the 39 poems mostly "echoes" or imitations of well-known poets 32 are ascribed to Kipling and 7 to his sister. First published in Lahore in August 1884 the volume appeared when Kipling then 18 years old had been living in India for nearly two years. It was printed by the Civil and Military Gazette Press where Kipling served as sub-editor and he personally oversaw its production. In December 1883 Kipling's mother brought his 15-year-old sister Trix from England to join him. Together they engaged in a series of literary experiments and playful compositions producing a substantial collection of poems-primarily parodies of well-known poets-by the spring of 1884. Encouraged by their efforts Rudyard published a selection of these works in August of that year under the title Echoes by Two Writers. The Poems: Echoes: Introduction 1. A Vision of India Rudyard Kipling 2. The City of the Heart Rudyard Kipling 3. The Raiyat at Home Rudyard Kipling 4. Children of Nature Alice MacDonald Fleming 1884 5. The Bearing of the Vine Alice MacDonald Fleming 1884 6. Hope Deferred Alice MacDonald Fleming 1884 7. The Flight of the Bucket Rudyard Kipling 8. Laocoon Rudyard Kipling 9. Nursery Rhymes for Little Anglo-Indians Rudyard Kipling 10. Tobacco Rudyard Kipling 11. Appropriate Verses on an Elegant Landscape Rudyard Kipling 12. His Consolation Rudyard Kipling 13. Egoism Alice MacDonald Fleming 1884 14. The Cursing of Stephen Rudyard Kipling 15. On Sorrow Alice MacDonald Fleming 16. Jane Smith Rudyard Kipling/Alice MacDonald Fleming 1884 17. Nursery Idyls Rudyard Kipling 18. Sonnet On Being Rejected of One's Horse Rudyard Kipling 19. Kopra Brahm Rudyard Kipling 20. The Sudder Bazár Rudyard Kipling 21. Commonplaces Rudyard Kipling 22. To You Love Alice MacDonald Fleming 1884 23. On True Friendship Alice MacDonald Fleming 1884 24. Quæritur Rudyard Kipling 25. London Town Rudyard Kipling 26. Himalayan Rudyard Kipling 27. Our Lady of Many Dreams Rudyard Kipling 28. A Murder in the Compound Rudyard Kipling 29. " 'Way Down the Ravee River" Rudyard Kipling 30. Amour de Voyage Rudyard Kipling 31. Failure Rudyard Kipling 32. How the Day Broke The Drawing Room Song Rudyard Kipling 33. A Locked Way Rudyard Kipling 34. Land Bound Rudyard Kipling 35. The Ballad of the King's Daughter Old Ballad Rudyard Kipling 36. How the Goddess Awaketh Rudyard Kipling 37. The Maid of the Meerschaum Rudyard Kipling 38. Estunt the Griff Rudyard Kipling 39. Cavaliere Servente Rudyard Kipling Livingston 14; Stewart 5. Lahore: "The "Civil and Military Gazette" Press, 1884 unknown
réf. 06181Lahore: "The "Civil and Military Gazette" Press 1884. First Edition of Kipling's Very Rare Second Book "Echoes" KIPLING Rudyard and Alice. Echoes. By Two Writers. Lahore: "The "Civil and Military Gazette" Press 1884 First edition. Small square octavo 6 x 4 1/2 inches; 154 x 115 mm. 2 blank 2 title verso blank 2 index 1-72 2 blank pp. Some light foxing throughout first blank leaf with early ink signature. Publisher's light brown wrappers front wrapper with tile design printed in black. lower corner 1 1/8 x 3/4 inch; 28 x 19 mm. torn away spine expertly and invisibly restored still a near fine copy. Housed in a red cloth chemise within a full red morocco velvet lined 'jewel-case'. Spine with five raised bands lettered in gilt in compartments brass lock. First edition of Kipling's very rare second book; the "two writers" of the title were Kipling and his sister Alice "Trix". Of the 39 poems mostly "echoes" or imitations of well-known poets 32 are ascribed to Kipling and 7 to his sister. First published in Lahore in August 1884 the volume appeared when Kipling then 18 years old had been living in India for nearly two years. It was printed by the Civil and Military Gazette Press where Kipling served as sub-editor and he personally oversaw its production. In December 1883 Kipling's mother brought his 15-year-old sister Trix from England to join him. Together they engaged in a series of literary experiments and playful compositions producing a substantial collection of poems-primarily parodies of well-known poets-by the spring of 1884. Encouraged by their efforts Rudyard published a selection of these works in August of that year under the title Echoes by Two Writers. The Poems: Echoes: Introduction 1. A Vision of India Rudyard Kipling 2. The City of the Heart Rudyard Kipling 3. The Raiyat at Home Rudyard Kipling 4. Children of Nature Alice MacDonald Fleming 1884 5. The Bearing of the Vine Alice MacDonald Fleming 1884 6. Hope Deferred Alice MacDonald Fleming 1884 7. The Flight of the Bucket Rudyard Kipling 8. Laocoon Rudyard Kipling 9. Nursery Rhymes for Little Anglo-Indians Rudyard Kipling 10. Tobacco Rudyard Kipling 11. Appropriate Verses on an Elegant Landscape Rudyard Kipling 12. His Consolation Rudyard Kipling 13. Egoism Alice MacDonald Fleming 1884 14. The Cursing of Stephen Rudyard Kipling 15. On Sorrow Alice MacDonald Fleming 16. Jane Smith Rudyard Kipling/Alice MacDonald Fleming 1884 17. Nursery Idyls Rudyard Kipling 18. Sonnet On Being Rejected of One's Horse Rudyard Kipling 19. Kopra Brahm Rudyard Kipling 20. The Sudder Bazár Rudyard Kipling 21. Commonplaces Rudyard Kipling 22. To You Love Alice MacDonald Fleming 1884 23. On True Friendship Alice MacDonald Fleming 1884 24. Quæritur Rudyard Kipling 25. London Town Rudyard Kipling 26. Himalayan Rudyard Kipling 27. Our Lady of Many Dreams Rudyard Kipling 28. A Murder in the Compound Rudyard Kipling 29. " 'Way Down the Ravee River" Rudyard Kipling 30. Amour de Voyage Rudyard Kipling 31. Failure Rudyard Kipling 32. How the Day Broke The Drawing Room Song Rudyard Kipling 33. A Locked Way Rudyard Kipling 34. Land Bound Rudyard Kipling 35. The Ballad of the King's Daughter Old Ballad Rudyard Kipling 36. How the Goddess Awaketh Rudyard Kipling 37. The Maid of the Meerschaum Rudyard Kipling 38. Estunt the Griff Rudyard Kipling 39. Cavaliere Servente Rudyard Kipling Livingston 14; Stewart 5. Lahore: "The "Civil and Military Gazette" Press, 1884 unknown books
1913réf. 141035London: Macmillan & Co. 1913-38. A handsomely bound set signed by the author on the half-title The Bombay Edition one of only 500 possible complete sets signed by the author on the half-title. The Bombay edition was initially published in 20 volumes and limited to 1000 copies. Kipling continued to write and the edition eventually grew to 31 volumes but the last 11 volumes were limited to 500 copies only. Because later volumes were issued separately and at a lower limitation complete sets such as this one are rare. 31 vols octavo. Attractively bound in recent burgundy morocco green morocco labels centre tool to spines gilt raised bands roll to boards gilt marbled endpapers top edges gilt others untrimmed. Mild partial toning to a couple of the half-titles an excellent set. hardcover
réf. 65418London: Macmillan and Company 1937-39. LIMITED EDITION 119/525 SIGNED BY THE AUTHOR. 35 vols 8vo. 24 x 16 cm. Titles printed in white within russet frames printed on handmade paper with watermark Ganesha original saddle tan morocco by James Burn & Co. covers with double gilt-fillet border spines gilt-lettered in six compartments marbled endpapers top edges gilt on rough others uncut Presentation inscription to first blank "Darling Rick /from /Mummy & Daddy with best love/ Anberley Court/Stroud/ Gloucestershire/ May 1937-38" Very slight variable fading to spines as uual. A fine set. The ulitimate deluxe and definitive edition of Kipling's works including two volumes of previously unpublished prose and verse. Supposedly many unbound sets of the text were destroyed during the Blitz further reducing the actual limitation. Richards D23 London: Macmillan and Company, 1937-39. unknown
1937réf. 165903London: Macmillan and Company 1937-39. The most desirable collected edition The Sussex Edition number 72 of 525 sets only signed by the author in the first volume and containing two volumes of previously uncollected prose. Published after Kipling's death on 18 January 1936 this magnificent posthumous edition saw a small limitation and became even rarer following the destruction of many unsold sheets during the German bombing of London. In his last years and with his health failing Kipling remained determined to finish editing this "great retrospective work" which was first proposed in 1928. The edition was "fuller than that of any other. Kipling saw the proofs of at least 21 of the edition's 35 volumes before his death" and it is now "among the most prized and most expensive of all modern editions" Pinney p. 231. 35 vols large octavo. Printed on handmade paper with Ganesha watermark. Fly-titles printed in orange. Original full russet niger by James Burn & Co. spines lettered in gilt raised bands ruled in blind twin gilt fillet bordering covers turn-ins ruled in gilt and blind marbled endpapers top edges gilt and red on the rough other edges uncut. Bindings slightly darkened occasional light scuffs and internal marks otherwise clean. A near-fine set. Richards D23; Stewart pp. 577-80. Thomas Pinney The Letters of Rudyard Kipling vol. 6 1990. hardcover
1913réf. 187925New York: Doubleday Page & Company 1913-1926. A stately array of bindings The Seven Seas Edition number 63 of 1050 sets printed on watermarked paper and signed by the author on the half-title of Volume I. Intended as the American counterpart to Macmillan's Bombay Edition this deluxe signed limited edition was issued in 27 volumes. This set has been finely bound likely by the publishers in 51 slimmer and more readable volumes. 27 vols expanded to 51 octavo. Title pages printed in red and black rubricated initials in some vols illustrations to text of children's works. Likely publisher's deluxe red crushed morocco spines lettered in gilt compartments and corners of boards richly gilt wide turn-ins with multiple gilt rolls dark blue crushed morocco doublures with richly gilt frames cream silk flyleaves top edges gilt fore and bottom edges uncut cream bookmarkers. Bookplate of John Francis Neylan 1885-1960 attorney to William Randolph Hearst to first blanks. Spots of rubbing hear hinge of From Sea to Sea volume I part II cracked. Overall a fine set. Richards D15; Stewart pp. 573-4. hardcover
1907réf. 896Q1New York: Doubleday Page & Company 1907 . First edition. Cloth. Very Good. 8.5" by 6". None. The first edition of Kipling's book of collected verse with the author's ink annotations and edits. Bound in the publisher's original burgundy cloth. An extremely scarce-to-see copy of this collection of Rudyard Kipling's poetry with annotations and edits by the author throughout. This work was originally published in October 1907. From the library of A. P. Watt & A. S. Watt of A. P. Watt and Son literary agent of Rudyard Kipling.Throughout this copy of collected verse Kipling reworked the order layout contents and the occasional wording of the poems. Some of the changes to wording such as substituting "hansoms" for "traffic" in the final verse of 'The Broken Men' made the final version of the poem however others such as changing the name "Mary Pollock" to "Margaret Pollock" in 'The Derelict' did not showing Kipling's thought process in his editing. Annotations include: A line through the publisher on the title page. A line through the page opposite the title page entitled "Other Books by Rudyard Kipling". The third verse of "The Fires" has been removed xi. Punctuation amendments to most pages substituting comas exclamation marks and semi-colons. The occasional change to the wording used such as alternating "hansoms" for "traffic" in the final verse of "The Broken Men". On page 85 Kipling has written "To printer smaller type for all these sub-heads of song of the English R. K." "The Sacrifice of Er-hets" has a vertical line through it p168. "Service Songs" has been crossed out p190. The second verse of "The Gift of the Sea" has been crossed out p248.Pencil annotation not in Kipling's hand to p1 with "Dedication from "Barrack Room Ballads"" crossed out. On page 8 "Song of the Wise Children" is directed "To follow Sestina of the Tramps Royal" with similar directions given to "Buddha at Kamakura" p10 "The Broken Man" p13 "The "Mary Gloster"" p45 "South Africa" p118 "Dirge of Dead Sisters" p126 "Cleared" p132 "General Joubert" p145 "Before a Midnight Breaks in Storm" p193 "The Lesson" p200 "Rimmon" p210 "The Three-Decker" p220 "The Rhyme of the Three Captains" p222 "The Conundrum of the Workshops" p227 "Evarra and his Gods" p229 "In the Neolithic Age" p231 "The Story of Ung" p233 "The Fires" p236 "The Legends of Evil" p238 "Tomlinson" p241 "The Explanation" p246 "The Answer" p247 "The Gift of the Sea" p248 "The King" p250 and "The Last Rhyme of True Thomas" p252. Bound in the publisher's original burgundy cloth. Externally very good with light bumping to the extremities and a little rubbing to the head and tail of the spine. The occasional mark to cloth mainly to the rear board. Internally firmly bound. Pages bright with the author's ink edits and annotations throughout. Very Good Doubleday, Page & Company hardcover
réf. 122541London Macmillan and Co. 1902. . First edition first impression second issue binding; large 4to 240 x 190 mm; 22 full-page illustrations by the author faint partial offsetting to endpapers faint contemporary gift inscription to front flyleaf discreet bookseller's label to front pastedown occasional minor thumb-soiling to blank fore-margins a hint of spotting to fore-edge of text block; publisher's red decorated cloth lettered in white minor rubbing to spine tips and corners front cover only slightly bowed pictorial dust-jacket a few closed tears and nicks to extremities loss to head of spine panel costing two letters small triangular area of loss to centre of spine panel long closed tears to head of front and rear panels discreetly repaired on verso traces of earlier repair to corners and head and foot of spine early inscription in black ink to front panel; a very good copy in the rare dust-jacket. A lovely copy in the exceptionally rare dust-jacket which unusually for the period reproduces an image different from that of the blocking on the boards. With a contemporary gift inscription to the front flyleaf: 'Alice M. L. Russell / from / John S. Russell / October 1902'. Followed by another endearing inscription presumably from the mother of the recipient to the front panel of the dust-jacket: 'This is the first edition of / Just So Stories / Dad went to great trouble to get it / therefore keep carefully'. Kipling's famous stories include: How the Whale Got His Throat How the Camel Got His Hump How the Rhinoceros Got His Skin How the Leopard Got His Spots The Elephant's Child The Sing-Song of Old Man Kangaroo The Beginning of the Armadilloes How the First Letter Was Written How the Alphabet Was Made The Crab that Played with the Sea The Cat that Walked by Himself and The Butterfly that Stamped. The Chinese white pigment commonly used for the decorative blocking on the first issue binding famously tended to flake off and a new ink was used for the more commonly encountered second issue. Richards A181. London, Macmillan and Co., 1902. hardcover
1902réf. 49105London: Macmillan & Co 1902. First Edition. Hardcover. Fine/very good. 249p quarto illustrated. A fine bright copy in a very good dust jacket. The design on the dust jacket differs from the design on the covers of the book. Just So Stories was Kipling's only self illustrated book. A fine bright copy with none of the usual flaking to the white pigment on the binding; armorial bookplate of George Jefferson Mersereau with the bookplate of A. Edward Newton above it on the front paste down. The extremely rare dust jacket is complete with only minor wear and tear and with a few archival tape reinforcements o the inside of the spine. Preserved in a custom cloth chemise and morocco-tipped slipcase Macmillan & Co hardcover
1902réf. 33101Toronto: George S. Morang & Co. Limited 1902. 1st Edition. Rudyard Kipling. Rudyard Kipling. 1st Edition. Signed by Author. From TBCL's Children's Bookcase. Kipling Rudyard. JUST SO STORIES FOR LITTLE CHILDREN. Signed. Illustrated by the Author. Toronto: George S. Morang & Co. Limited. 1902. Unique Copy. First Canadian Edition. Sm. 4to. 249p. With 22 plates & many in-text illustrations. Cream cloth covered boards with titles & illustrations on the spine & upper cover stamped in black. An extraordinary example with three key manuscript highlights tipped-in: 1 - Opposite page 141 Kipling on a piece of club size stationery has written out in fact decoded the runes of Taffimai in 2 columns of 18 lines with the added "This is the identical tusk-on-uitch the tale of Taffimai ouas ritten. Etched by the author. / See Page 141 / Just So Stories / Double Day Page Edn 1902." 2 - Tipped opposite page 197 on a piece of club size stationery Kipling has deciphered the runes on the Mutton Bone illustrated in the story: The Cat That Walked By Himself. Inscribed: "On the mutton bone / page 197. Just So Stories". Two columns of decoding followed by: " I Rudyard Kipling drew this but because there was no mutton bone in the house I faked the anatomy from memory. R.K." 3 - One page als true copy neatly written & signed in blue fountain pen on the letterhead of the Canadian Copper Company Sussex dated Nov. 30th 1912 addressed to: David H. Brown esq. " Dear Sir / Many thanks for your amusing letter of the 12th. I am sorry that any of my handicraft should have disturbed your dinner. I should imagine it would be quite hopeless to find one in the small drawing what the runes meant but I have looked up the original pictures and found that on the cross bar of the H I put myself on record as having also written all the plays ascribed to Mrs. Gallop. I hope now that you and your friends will be able to return to their respective vocations. / Yours very sincerely / Rudyard Kipling". An extremely good example showing light use. Stewart 261. Notes binding is usually brown/orange cloth. First published in London by Macmillan in 1902 this is the uncommon Canadian edition of Kipling's most famous collection of twelve animal stories & twelve poems including "How the Camel Got His Hump" and "How the Leopard Got His Spots" "How the Whale Got his Throat" "The Elephant's Child" & "The Butterfly That Stamped." "Just So Stories has achieved nursery immortality because a genius has married two of the most tried and trusted media - the fable and the fairy-story" Muir 107. Stewart 260. BMC No.1 1984; 'Edwardian Children's Books'. 30820. George S. Morang & Co., Limited unknown
1927réf. 1833Paris, François-Louis Schmied, 1927. Un volume in-4, reliure plein maroquin bleu, doublure et gardes de soie brochée gris-bleu sertie d’un jeu de filets dorés, dos lisse orné, couverture, tranches dorées, étui bordé de même maroquin (G. Cretté succ. de Marius Michel). Édition originale et tirage unique de ce conte oriental de Joseph Charles Mardrus magnifiquement illustrée et ornementée par François-Louis Schmied qui assura lui-même la mise en page et l'impression de ce chef d'œuvre du livre Art déco : le trait des planches a été gravé sur bois, la peinture en a été exécutée à la main, d'après les originaux, dans les ateliers de laquage de Jean Dunand. Cette illustration se compose d'une couverture illustrée, un frontispice, 7 illustrations à pleine page, une grande planche dépliante formant un triptyque, 29 bandeaux horizontaux dont 22 grands, la plupart en-tête, 32 lettrines ornées ou petites vignettes dans le texte, 6 petits bandeaux verticaux et de nombreux bandeaux et lettres mis en couleurs et dorés. TIRAGE UNIQUE À 25 EXEMPLAIRES SUR JAPON, SIGNÉS PAR SCHMIED. Celui-ci (n° XXV) comporte l’une des rares suites des bois tirés en noir sur Japon. L'ouvrage est entièrement monté sur onglet.
1926réf. 1290Paris, [Schmied], 1926. Un volume in-4 (27,7 x 20 cm), en feuilles, 102 pages, n.ch., couverture rempliée, chemise et étui décoré de l’éditeur, emboîtage de maroquin vert doublé de maroquin jonquille, dos titré (G. Cretté succ. de Marius Michel). Édition originale de la plus grande rareté, tirée à seulement 20 exemplaires numérotés sur japon. Splendide illustration en couleurs de François-Louis Schmied: environ 50 bois dont 18 de très grande taille, dans le texte, TOUS ENTIÈREMENT PEINTS À LA MAIN dans les ateliers de laquage de Jean Dunand ; près de 300 lettrines et bouts de lignes peintes à la main dans le texte, dans des harmonies de couleurs variant selon les pages, avec rehauts d'or, d'argent ou de blanc, traçant des motifs géométriques ou érotiques. Tirage unique à 20 exemplaires numérotés et signés du monogramme en rouge de FLS, tous sur papier Japon, celui-ci n° 13. Conservé à l'état d'origine dans un splendide coffret en maroquin doublé de Cretté. - Notes bibliographiques (pour ceux qui prennent le temps): « La Princesse Boudour est regardée par ceux qui savent voir, comme le livre capital de ce premier quart de siècle. Par sa graphie et sa technique générale, elle est une exception préméditée dans le faire de son auteur. Pour la réaliser, il s’est véritablement amusé, cette fois – en tant que lecteur enthousiaste des Mille nuits et une nuit - à commenter graphiquement le texte qu’il connaît si bien et dont il est comme imbibé [...]. Il nous a [...] octroyé le délectable cadeau de trois cent quatre-vingt-dix vignettes et en couleur, et toutes différentes, et qui se rapportent au texte [...]. Et cette munificence schmiedienne n’est-elle pas, en définitive, l’exaltation de notre modernité, et en conformité avec nos goûts, du faire des imagiers incomparables de l’Orient ? [...]. Avec quel attendrissement, avec quelle passion sourde et contenue, qui n’appartient qu’à lui, il a rendu, au moyen des fragiles outils du graveur et du coloriste, la grâce masculine des adolescents, et la tendre chair de banane des radieuses jouvencelles ! [...] Je pense que s’il fallait absolument appliquer une épithète au sourire des adolescentes schmiediennes, et même à celui des adolescents, rien ne leur conviendrait mieux que le mot ambigü... Une atmosphère de pures délices enveloppe cette oeuvre boudourienne, multiple, voluptueuse, spirituelle, et d’une telle essence d’authentique Orient qu’elle nous fait vraiment respirer tous les parfums de l’Arabie. » (Préface du catalogue de l’exposition Schmied à la galerie Arnold Seligmann Rey à New York, mars 1927, pp. 34-37).
