KIPLING, RudyardABAA
860 résultats
1896réf. 299994New York: D. Appleton and Company 1896. Hardcover. Very Good/Good. First American edition. Publisher's decorated gray cloth with a floral art nouveau design signed EMD stamped in gold on the front board and spine top edge gilt. Ownership signature dated November 1896 and armorial bookplate of George Allaire Howe a prominent steel manufacturer and attorney from Pennsylvania. Moderate wear to the board edges and fading to the gold design on the front board and spine very good in good printed dust jacket repeating the floral art nouveau design in gold on the front and spine. Overall darkening to the jacket two modest dampstains along the flap folds and a few chips and tears. An attractive design scarce in jacket. Richards A92 Tanselle 96.14. D. Appleton and Company hardcover books
1890réf. 40770Allahabad: A.H. Wheeler & Co 1890. First edition of The Story of the Gadsbys later intermediate issue see details below; probable Third Indian Edition of Wee Willie Winkie. 4 leaves pp. 1 2-12 13-102 4 leaves; with inserted insurance ad Gadsbys; 4 leaves pp. 9-96 Winkie. 2 vols. 8vo. Each in original greyish-green printed wrappers. Spine of first title worn and chipped upper wrapper detached; outer corners of second title wrapper missing else fine. Despite the usual wear and soiling to fragile wrappers both are otherwise very good in chemise and half blue morocco slipcase. Bookplate of Arthur Haysworth Masten on inside front wrapper of each title. First edition of The Story of the Gadsbys later intermediate issue see details below; probable Third Indian Edition of Wee Willie Winkie. 4 leaves pp. 1 2-12 13-102 4 leaves; with inserted insurance ad Gadsbys; 4 leaves pp. 9-96 Winkie. 2 vols. 8vo. First published in 1888 when Kipling was 23 and working in India for The Civil and Military Gazette Lahore these two volumes contain stories written for periodicals. They were published in the "India Railway Library" series No. 2 and No. 6. respectively by A.H. Wheeler at Allahabad and went into several editions. Kipling left India for London the following year. At the bottom of the first title is stamped "A.J. Combridge & Co. Bombay". THE STORY OF THE GADSBYS conforms to the first issue of the front wrappers in two of the three relevant issue points the mountains appear to be retouched as per the second issue; however the heart shape in lower left corner not touching the border and absence of the "Mayo Art School Lahore" slug beneath the imprint are both points which conform to the first issue indicating a possible unrecorded intermediate issue see Richards p. 90. WEE WILLIE WINKIE conforms to Stewart's description of the third Indian Edition made up of three thousand sheets printed for the first English edition. Stewart 32 and collector David Alan Richards unpublished bibliography p. 90 ; 56 note A.H. Wheeler & Co unknown books
1919réf. 319432London: Methuen & Co 1919. First edition one of 30 printed on Japan vellum. Title printed in red and black. xiii 159 pp. 1 vols. 8vo. Bound in white linen boards and a vellum spine gilt stamped t.e.g.Moderate soiling to vellum a few spots along top edges otherwise fine. First edition one of 30 printed on Japan vellum. Title printed in red and black. xiii 159 pp. 1 vols. 8vo. Deluxe limited issue of the first edition one of 30 copies on Japanese vellum. The title refers to the period between the South African War and the Armistice in 1918. The book's forty-five poems and series of epitaphs is considered by some Kipling scholars as his darkest work. The trade edition was printed in an enormous run of 10000 copies and there were 200 copies on hand-made paper. This very limited issue of 30 copies on Japanese vellum is scarce in the market. Richards A320; Stewart 434; Livingston 442; Martindell 164; Grolier 502; Ballard CXCII; Bleiler The Guide to Supernatural Fiction 957; Bleiler; Checklist of Fantastic Literature p.170. Provenance: Edward B. King bookplate Methuen & Co unknown books
réf. 195096"Rudyard Kipling" in black ink February 17 1922 on Bateman's Burwash Sussex letterhead. 4to. 1 page. To Messrs. Doubleday Page and Company Kiplings American publishers in New York; marked Private: "Dear Sir: John M. Rice Esq. served in the war with the Irish Guards and has written me and asked me to let him know when the Irish Guards History is published as he would like to purchase a copy. I thought you might get into touch with him when the book is about to be published and see if he knows of any other Irish Guards in the U.S.A. so that notices could be sent to them of the book. I should be glad to have the book reach any officers or men who had been in the Regiment and are now living in the United States or Canada." Doubleday published "The Irish Guards in the Great Was" in 1923 in 2 volumes. It was also published serially in the New York Times May 27 to July 29 1923. Signed by Authors. No Binding. Very Good. unknown books
1938réf. CNSZ08London: Macmillan and Co. Limited 1938. Hardcover. Very good. Volumes I through XXVI and Volume XXVIII quarto size approx. 6650 total pages signed by Rudyard Kipling in Volume I. Rudyard Kipling 1865-1936 is perhaps best known today for "The Jungle Book" however he was prolific with a list almost too long to count of novels short stories poems and travel literature. In 1907 at the age of 41 he was awarded the Nobel Prize in Literature the first English language writer to receive the award and the youngest recipient to date n.b. above information from Wiki. This set of his works "The Bombay Edition" has Kipling's signature in the first volume and is printed on paper especially made for the edition bearing the watermark "R elephant-headed Ganesha with swastika and lotus K". Note: for those who may not be aware of this the swastika was originally used as a symbol of many types of good wishes: health luck success etc.; it's usage goes back as far as the 4th century BCE - or perhaps even earlier. It is in use in many Eastern religions even today as a symbol of divinity - it was in all of these positive aspects that Kipling used the symbol. It wasn't until the appropriation of the symbol by the Nazi party in the early 20th century that it came to mean to many in Western and European cultures a symbol of hatred and anti-Semitism. The first twenty-five volumes issued in an edition of 1050 copies the first eight volumes in 1913 volumes nine through twenty-two in 1914 volume twenty-three in 1915 volume twenty-four in 1917 and volume twenty-five in 1919. It was not until 1927 that volume twenty-six was published obviously due to the Great War and the final five volumes being issued in 1938 these final volumes issued in an edition of only 500 copies. This has had the result that many available sets do not contain the later volumes. This set consists of volumes one through twenty-six consecutively with the addition of volume twenty-eight. ___DESCRIPTION: Each volume bound in half natural linen over blue paper-covered boards paper spine labels top edges gilt fore- and bottom edges uncut volumes one through twenty-five with the Ex-Libris of Albert Julian Pell on the front pastedown see Provenance below Kipling's signature in black ink on the edition fore-title each volume with the volume title page in blue and black each story with a blue initial capital each volume with a colophon with a Kipling's device in blue most but not all volumes with spare spine labels tipped in at the rear flyleaf; bindings are quarto size 9 7/8" by 6 3/4" pagination ranges from 135 to 357 pp.; note that the paper covering the boards on volume twenty-four does not match the other volumes it is close in colour but different in texture since the Ex-Libris matches the others in the set we surmise it was issued this way but our bibliography is silent on that issue; also note that volumes twenty-six and twenty-eight were acquired separately see notes below. ___CONDITION: The set is overall in solid very good condition; the bindings clean although the blue paper now shows offsetting from the glue a bit of very light bumping to the head and tail of the spines the spine labels all sunned and some with light wear strong square text blocks with mostly solid hinges a few tender or slightly cracked but still holding most corners lightly rubbed a few board edges lightly dinged the interiors mostly clean and bright a few pages with light foxing and other than the Ex-Libris free of prior owner markings. Exceptions to this that we see include a prior bookseller pencilled marking above the Ex-Libris in volume one the bottom front corner of volume seven appears to have been bent at some point both hinges in volume thirteen were repaired at some point with what appears to be archival paper but we cannot be certain volume twenty-four with a dark stain on the upper portion of the spine whatever caused that did not penetrate into the book as the interior is fine and there is also a small light stain on the front board volume twenty-five with a light scratch on the front board volume twenty-six has the note from Robert Kirkman to Serendipity books see Provenance below loosely laid in and in addition to overall soil there is some damage to the fore-edge of the front board and the first few leaves along with some short pencilled notes on the front and rear pastedowns; volume twenty-eight is ex-library with the library stamp on the spine near the tail as well as library markings to the front pastedown including the residue of the removal of the library pocket the binding somewhat shaken and a few gutters lightly cracked. ___PROVENANCE: Volumes one through twenty-five with the armorial Ex-Libris of Albert Julian Pell 1863-1916 with the motto "mente manuque" "With mind and hand". Pell graduated from Merton College Oxford and practised law. He attained the rank of Captain and Hon. Major in the 4th Battalion Suffolk Regiment and shortly before the outbreak of the Great War was attached to the General Staff of the Western Command. Volume twenty-six was acquired separately by U.K. bookseller Robert Kirkman Ltd. who sold it to Serendipity Books Oakland California; we have their note dated 21st March 2006 indicating that "remaining volumes will follow"; this set has volume twenty-eight but not twenty-seven oddly; and these final two volumes without the Ex-Libris of Major Pell. ___CITATION: Livingston pp. 454-456. ___POSTAGE: Please note that due to the size and weight of this set additional postage will apply for both domestic and international customers; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Macmillan and Co., Limited hardcover books
1921réf. bb_king_kiplingKIPLING Rudyard; KING Jessie M illus. L'habitation forcée. Translated into French by Louis Fabulet and Robert D'Humieres. Paris: René Kieffer 1921. Square 4to. 93 pp. colophon 2 adverts; pictorial wrappers with Art Deco style design in black outline with blue pochoir decoration original protective glassine wrapper lightly tanned overall a fine copy. Illustrated with Twenty pochoir color plates by Jessie M. King. One of a Limited edition of 550 copies of which 500 were printed on velin paper and 50 copies printed on japon paper. This copy is number 196 of the 500 on velin paper. The delicate illustrations for this book are considered to be some of King's finest; prepared during Jessie M. King's time in Paris. They are reproduced using the stencil technique known as Pochoir which produces clearer and more vibrant colors. Reference: Taylor Art Nouveau Book in Britain p. 136. René Kieffer paperback books
1917réf. 022153Burwash Sussex 8 January 1917. Framed Letter. Not examined out of frame. Appears Fine. Handwritten two-page letter SIGNED "Rudyard Kipling" on his Bateman's Burwash Sussex stationery to Monsieur Paul Lambotte. In full: "I am of course honoured to be on the Committee of the Emile Verhaeren's memorial but it seems to me that if he is to be adequately honoured by England it should be officially and for that purpose you must have the Poet Laureate Robert Bridges to deliver the oration and I think you would find Mr. Edmund Gosse would agree with this. I hope before long that we may have the pleasure of meeting you again at -- our common London home." Attractively and professionally matted and framed to an overall size of 15" x 12-1/2." unknown books
1914réf. 224416New York: Doubleday Page & Co 1914. Seven Seas Edition. Number 57 of 1000 sets signed by Kipling on the half-title of vol. I. 27 vols. 8vo. Quarter beige cloth and boards. Bookplate of Micah Pratt Clough. Spines are toned label rubbed on spine of volume XXVII. Seven Seas Edition. Number 57 of 1000 sets signed by Kipling on the half-title of vol. I. 27 vols. 8vo. The last Volume is " Debits and Credits." Stewart pp. 573-574Mill/32/2/Front & Back Doubleday, Page & Co unknown books
1927réf. 29708London: Macmillan & Co 1927. Edition de Luxe limited to 1050 sets volumes 22-26 were limited to 775 copies; volumes 27-33 were limited to 1000 copies 33 of 39 volumes 8vo etched frontispiece portrait in vol. I titles printed in red and black contemporary half blue crushed levant by Stikeman gilt-paneled spines in 6 compartments gilt lettered in 2 t.e.g.; some minor wear at the corners upper joint on vol. I a little rubbed else near fine throughout. The set extended to 39 volumes by 1937. See Livingston p. 447. Macmillan & Co unknown books
1518réf. 022154Naulakha Waite Vermont 15 June 1896. Framed Letter. Not examined out of frame. Appears Fine. Humorous handwritten one-page letter SIGNED "Rudyard Kipling" on his Naulakha Waite Vermont stationery to William Livingston Alden. In full: "Many thanks for your kind little note. It's a rummy land this side but there's a heap of material that I've got out of it. however i shall be clearing out in the Fall to get the taste out of my mouth. You see the devil of it is that a reporter once found out from a hired Swede girl that I occasionally sat down to dinner in that kind of rig which the downtrodden subjects of an effete monarchy call evening dress. Since then I have been considered with suspicion. But you'll see me come along in time back to civilization with a bicycle and a fishing-rod." Attractively and professionally matted and framed with a photographic reproduction of Kipling to an overall size of 15-1/2" x 13." Alden was an American journalist humorist and writer of fiction. He had been Consul General in Rome 1885-89 and from 1892 until his death in 1908 he lived in London where he was a regular contributor to magazines. The letterhead is of interest as in 1895 the U. S. Postmaster General authorized a special post office since Kipling received more mail than the largest business in the area. Waite Vermont existed solely in the home of and was named for the Kiplings' neighbor Anna F. Waite who was appointed Postmistress. The Kiplings left Vermont not long after this letter was written never to return Waite Vermont ceased to exist the following year. Today philatelists prize the Waite postmark being the only post office ever created for an individual. Kipling wrote THE JUNGLE BOOK and CAPTAINS COURAGEOUS in Vermont. It is said that Kipling's Naulakha is where skiing was introduced to Vermont and the site of the state's first tennis court. unknown books
réf. 06200Burwash Sussex: 1920. I Like It Very Much" Rudyard Kipling Critiques a Poem by "The Bath Railway Poet" A Fine Two-Page Autograph Letter Signed to Henry Chappell With the Original Autograph Envelope and Portrait KIPLING Rudyard 1865-1936. Autograph letter signed "Rudyard Kipling" to Henry Chappell the celebrated "Bath Railway Poet" discussing Chappell's poem The Chaplet and suggesting a possible place of publication. Bateman's Burwash Sussex February 7 1920. Two octavo pages written in ink on a single folded sheet of Kipling's headed stationery printed "BURWASH / ETCHINGHAM" and "BATEMAN'S / BURWASH / SUSSEX." Dated in Kipling's hand "Feb. 7. 1920" and marked "Private" at the head. Signed at the conclusion "Rudyard Kipling." Together with the original autograph addressed envelope addressed by Kipling to: "Henry Chappell Esq. G.W. Ry. Station Bath Somerset" and initialed by him "RK" at lower left. Mounted framed and glazed double-sided together with a photographic portrait of Kipling and an engraved brass plaque "RUDYARD KIPLING 1865-1936 Author." Photograph approximately 9 1/2 x 7 1/2 inches 241 x 190 mm. Overall frame size 16 3/4 x 20 5/8 inches 425 x 524 mm. A particularly appealing literary letter from Rudyard Kipling to fellow poet Henry Chappell offering both praise and criticism of Chappell's verse and practical advice concerning its publication. Kipling writes thanking Chappell for sending him his poem The Chaplet. He tells him that he likes the poem "very much" though with the characteristically forthright reservation "barring 'hauteur' in the first verse." He then turns from literary criticism to the practical question of publication telling Chappell: "I don't know exactly what would be a good place to publish it in just now - unless perhaps you tried the Express." The recommendation was especially appropriate. Chappell had achieved national recognition through the publication in the Daily Express of his patriotic poem The Day shortly after the outbreak of the First World War. Contemporary accounts identify Chappell as a railway porter at Bath and record that The Day appeared in the Daily Express on August 22 1914. The second page concludes with Kipling's warm good wishes and his full autograph signature "Rudyard Kipling." The letter is considerably more interesting than a routine Kipling note. It reveals Kipling acting as a fellow craftsman and informal literary adviser: reading Chappell's poem closely enough to object to a particular word in its opening verse nevertheless praising the work as a whole and suggesting where the younger poet might seek publication. Henry CHAPPELL 1874-1937 was a poet and railwayman who became widely known as "The Bath Railway Poet." Working as a railway porter at Bath he attracted widespread attention following the appearance of The Day in the Daily Express in August 1914. The poem was subsequently reproduced and circulated widely establishing Chappell's reputation well beyond the railway community. The present letter provides an appealing connection between two very different literary careers: Kipling Nobel laureate and one of the most famous English writers of his generation and Chappell the working railwayman whose wartime verse had unexpectedly brought him national attention. Joseph Rudyard KIPLING 1865-1936 was born in Bombay and became one of the most celebrated English writers of the late nineteenth and early twentieth centuries. His works include The Jungle Book 1894 The Second Jungle Book 1895 Kim 1901 and Just So Stories for Little Children 1902 as well as such celebrated poems as "Mandalay" "Gunga Din" "Recessional" and "If -." In 1907 he became the first English-language writer to receive the Nobel Prize in Literature. Burwash, Sussex: , 1920 unknown books
1912réf. 322123London: Hodder & Stoughton 1912. First Edition. Title page printed in green and black. xix 476 pp. 1 vols. 4to. Quarter cloth and boards. In half red morocco slipcase and chemise. First Edition. Title page printed in green and black. xix 476 pp. 1 vols. 4to. On the half-title Kipling has signed his name and below has written out an autograph quotation of four lines written of a refrain from the poem "South Africa" which appears on p. 170 of this volume. Kipling rarely wrote out lines of his poetry in books. Richards A258 Hodder & Stoughton unknown books
1895réf. 338058London: Macmillan 1895. First editions. Numerous illustrations both full-page and in the text by J. Lockwood Kipling W. H. Drake and P. Frenzeny. 2 vols. 8vo. Publisher's pictorial gilt cloth a.e.g. inner front hinge started in Vol.I in drop blue cloth case. Kipling J. Lockwood and others. First editions. Numerous illustrations both full-page and in the text by J. Lockwood Kipling W. H. Drake and P. Frenzeny. 2 vols. 8vo. Grolier/Kipling 185 197; Stewart 123 132; Richards A76 A85 Macmillan unknown books
1886réf. 321985Lahore: Civil and Military Press Gazette 1886. First Edition of Kipling's first published book. Tall narrow 4to. Bound original light brown printed wrappers in the form of an Indian civil service envelope overlapping flap. Laid into red morocco spine and cloth slipcase and chemise. The George Ulizio copy. First Edition of Kipling's first published book. Tall narrow 4to. The first edition of Kipling's first published work. Kipling was made sub-editor of the Civil and Military Gazette an Anglophone newspaper in Lahore upon his return to India after his time at the United Service College; this volume collects his poetry printed therein. Richards A7; Stewart 8; Livingston 10 Civil and Military Press Gazette unknown books
1920réf. 338454New York: Scribner 1920. hardcover. very good. 25 volumes. Frontispieces with tissue guards; other illustrations. 8vo older 3/4 green morocco marbled boards ornately gilt spines top edges gilt some wear at extremities/ New York: Scribner's 1920-1923. A very good attactive set. Near Fine. Scribner unknown books
réf. 139497Unique foldout Artist Book by Barry McCallion. Fine in fine clamshell box. Signed and dated by the artist on the title page. From the colophon: "Excerpts from Kim Rudyard Kipling's novel occupy the recto pages of this book. The verso pages begin as a large emply circle where page after page images slowly accrete by the addition of common objects: a begging bowl prayer beads an arrow a chair a leaf a cloud. The verso and recto pages face each other developing and advancing as consectutive narratives one visual and the other verbal. I used Richard de Bas cream wove paper for the endpapers and white Rives BFK paper for the text block. The drawings are made with India ink pens and brushed Winsor Newton metallic inks and colors. The book has forty-five text pages and forty-five image pages. Rhonda Miller of myhandboundbooks in Halifax Nova Scotia bound the book in a simple brown leather cover. B McCallion 2013" From the artist's website: "Barry McCallion was born in the Bronx New York and received degrees from Columbia University English Literature and Claremont Graduate University Sculpture. His natural inclination to travel has been officially sponsored by the DAAD artist in residence program to Berlin the Cite des Arts Atelier in Paris and most recently by the Visual Arts Board of the New Zealand and Australian Arts Councils. The artist currently lives and works on the east end of Long Island New York." East Hampton NY: Barry McCallion 2013; 8vo. full limp leather with a leather wrap-around cloth-covered slipcase paper color illustration on front panel paper spine label which the artist has signed in ink; thirteen hinged pages unpaginated but each is a full-page spread with one page colophon at rear. Book # 139497 Barry McCallion books
réf. 06180Lahore: The "Civil and Military Gazette Press 1885. One of Rudyard Kipling's Earliest Publications Containing the First Appearance of "The Phantom Rickshaw" KIPLING Rudyard. 1885 Quartette. The Christmas Annual of the Civil & Military Gazette by Four Anglo-Indian Writers. Lahore: The "Civil and Military Gazette Press 1885. First Edition. Tall octavo 9 5/8 x 5 3/4 inches; 245 x 146 mm. 2 blank 2 title printed in red and black verso blank 2 Contents verso blank 1-125 1 blank seven leaves of advertisements: 2 pink 2 gray 3 thinner cream-colored. Handsomely bound by C. Fox of London ca. 1885 with their stamp on verso of free endpaper. Full green morocco covers decoratively bordered in gilt. Spine with five shallow raised bands decoratively ruled and lettered in gilt in compartments gilt ruled board edges decorative gilt turn-ins marbled endpapers. Armorial bookplate "Think and Thank" on front pastedown. Original front and rear printed wrappers bound in. Front wrapper with design by the Mayo School of Art Lahore with early ink signature "L.C. Ibbetson" on top blank margin. This is a complete copy of the first edition first impression of a book authored by members of the Kipling family. Published in a limited run of 250 copies it was bound around the time of publication and it is particularly rare to have its original wrappers and advertisements at the end. The book marks the first appearance of The Phantom 'Rickshaw and The Strange Ride of Morrowbie Jukes C.E. Rudyard Kipling later described the origins of this work in his 1937 autobiography Something of Myself recalling that "in the cold weather of 1885 we four made up a Christmas annual which pleased us a good deal and attracted a certain amount of attention. Later much later it became a 'collector's piece' in the US book-market and to that extent smudged the memories of its birth." The collection consists of 16 pieces-eight in prose and eight in verse-written by "four Anglo-Indian writers" as stated on the title page. The authors who remained anonymous throughout were Kipling himself his father mother and sister. Kipling took the initiative to publish the book through the Civil and Military Gazette selling it by subscription. At just 19 years old he contributed half of the content using this opportunity to bring his work into print. His ghost stories gained wider recognition when they were later reprinted in The Phantom 'Rickshaw and Other Tales 1890. Kipling's father however was somewhat reluctant about the publication. He wrote to Margaret Burne-Jones expressing his hope that someone would "rap Rudyard's knuckles for the unwholesomeness of The Phantom 'Rickshaw and the coarseness of The Tragedy of Teeth." The book's binding process was notably chaotic. Kipling recalled that the work took place at night by candlelight with workers on overtime incentivized with brandy and free tobacco to keep production moving. Over forty men including binders were involved in assembling Quartette. The publication was officially announced on 19 December and its cover design is believed to have been created by Kipling's father John Lockwood Kipling who was then the first principal of the Mayo School of Art in Lahore. Livingston 5; Stewart 7. Lahore: The "Civil and Military Gazette Press, 1885 unknown books
1895réf. 7926London: Macmillan and Co 1895. First editions. Very Good Near Fine. A handsome set. Publisher's blue cloth bindings stamped in gilt. All edges gilt. Dark green endpapers. Slight wear to the spine ends and corners of The Jungle Book a little foxing internally otherwise very clean and fresh throughout. A Very Good copy. The Second Jungle Book presenting very well indeed front hinge a little tender bookeller's ticket to foot of front free endpaper verso. A Near Fine copy overall. Both volumes illustrated throughout with contributions by J. L. Kipling W. H. Drake and P. Frenzeny in The Jungle Book; the author's father Lockwood Kipling C.I.E. illustrated The Second Jungle Book. This set contained in a custom blue cloth slipcase. Few books have shaped the imagination of childhood quite like Kipling's Jungle Books. First published in 1894 and 1895 these two volumes introduced the world to Mowgli Baloo Bagheera Kaa and Shere Khan. The timeless stories blended fable folklore and imperial adventure into one of the most enduring classics of English literature. The Jungle Book 1894 includes the first appearance of "Mowgli's Brothers" "Kaa's Hunting" and "Tiger! Tiger!" alongside such favorites as "Rikki-Tikki-Tavi." The Second Jungle Book 1895 continued the talesdeepening the Mowgli cycle and adding enduring pieces like "The King's Ankus" and "Red Dog." Together the two books form the complete Mowgli canon. First edition sets in original cloth are increasingly scarce especially when both volumes present well. These are the foundational works of Kipling's career - the stories that earned him the Nobel Prize in Literature 1907 and secured his place in the canon of English storytelling. Based on folktales and legends that Kipling learned during his childhood in India the Jungle Books were met with huge success upon publication and continue to enthrall readers of all ages to this day. According to Professor Edwin L. Miller their publication "caused even severe critics of Kipling's previous work to admit that he is a writer of inspired genius." Largely focused on man's relationship to nature the Jungle Books in part narrate the tales of Mowgli a human "man-cub" raised by wolves as he tries to find his proper place in the world. As he struggles with his own identity he finds allies and adversaries among the animal communities through which he travels. They also include the story of Rikki-Tikki-Tavi the heroic mongoose who would later inspire an animated short voiced by Orson Welles. For contributions like these Kipling became the first English-language writer and the youngest ever to receive the Nobel Prize for Literature. Very Good Near Fine. Macmillan and Co unknown books
réf. 06188London: Macmillan & Co. Limited 1903. Beauty That Hath Terror in It" The Detmold Brothers' Sublime and Unsettling Vision of The Jungle Book The Magnificent Original 1903 Folio Portfolio with Sixteen Superb Color Plates KIPLING Rudyard. DETMOLD Maurice & Edward J. illustrators. Sixteen Illustrations of Subjects from Kipling's "Jungle Book" by Messrs. Maurice & Edward Detmold. London: Macmillan & Co. Limited 1903. First edition. Reportedly limited to 500 copies for England and America. Folio 21 3/8 x 15 1/2 inches; 543 x 394 mm. Title-page contents leaf and sixteen magnificent color plates tipped onto white boards within gray window mounts each accompanied by a protective cover sheet bearing the title and a short extract from Kipling's text. Title-page and list of illustrations expertly repaired at folds; second plate description with short marginal tear; some light foxing to text leaves and mounts only. The plates themselves are remarkably clean fresh and beautifully preserved. Original publisher's green cloth portfolio front cover decoratively stamped and lettered in gilt retaining one of the two original green silk ties. An excellent example of one of the most magnificent and celebrated achievements of Edwardian book illustration exceptionally scarce complete with all sixteen plates. Published in 1903 when the extraordinary twin brothers Maurice and Edward Julius Detmold were just twenty years old this monumental portfolio represents the culmination of their artistic collaboration and one of the finest visual interpretations of Rudyard Kipling's The Jungle Book ever produced. The sixteen superb compositions reveal an astonishing maturity of conception and execution. Combining meticulous natural history observation with an intensely personal decorative imagination the Detmolds created a world at once beautiful mysterious and faintly menacing in which the distinction between the natural and the supernatural seems perpetually uncertain. Animals are rendered with extraordinary anatomical precision their musculature fur scales and movement observed with almost scientific exactitude. Yet these are far more than zoological studies. Wolves possess an almost monumental dignity; panthers move with a sinister effortless grace; serpents coil with hypnotic inevitability; and the great tiger Shere Khan emerges as an embodiment of majestic and terrifying power. The brothers' remarkable understanding of animal character is matched by their sensitivity to atmosphere and composition. Their creatures appear not merely as participants in Kipling's narratives but as independent beings endowed with intelligence memory and an almost human consciousness. Particularly striking are the representations of Mowgli whose slender youthful figure is repeatedly contrasted with the formidable creatures surrounding him. His vulnerability is balanced by a quiet assurance suggesting his extraordinary position between the human and animal worlds. The Detmolds avoid the sentimentality often associated with illustrations of childhood instead emphasizing Mowgli's intimate identification with the jungle and its inhabitants. In the celebrated scenes depicting Bagheera Baloo Akela and the Monkey People the artists achieve an extraordinary balance between narrative drama and decorative design. The Monkey People particularly in their ruined architectural surroundings are among the most unsettling creations in the series their restless gestures and grotesque attitudes suggesting a strange parody of human society. Equally remarkable is the brothers' use of color. Their sumptuous yet carefully controlled palette of burnished browns smoky grays subdued greens and golden ochres lends the compositions an almost dreamlike quality. Subtle gradations of tone together with intricate patterns of foliage fur and stone produce a richness and unity of design seldom equaled in contemporary illustration. The original large-format plates possess a depth delicacy and painterly quality that cannot be fully appreciated in the considerably reduced reproductions of the later book edition of 1908. Presented individually within their original window mounts they have the presence and visual authority of original watercolors. Indeed so successful were these images as independent works of art that many portfolios were subsequently broken up their individual plates removed for framing. The survival of a complete portfolio particularly one retaining its original publisher's cloth case and with the plates in such fresh condition is consequently especially desirable. The contemporary critical reception was enthusiastic. Reviewing the London exhibition of the original paintings the Manchester Guardian of November 5 1903 declared that the brothers: "are able to prevent their work from ever sinking to the level of mere illustration". The reviewer particularly admired the depiction of the Monkey People in the Cold Lairs describing it as: "full of character subtle observation and invention". Of the representation of Bagheera in Mowgli and the Red Flower the reviewer memorably observed that it possessed: "something of that beauty which hath terror in it". The same review praised the convincing and engaging portrayals of Baloo Nag Kaa and Akela recognizing in the Detmolds' work an extraordinary fusion of imaginative invention and naturalistic observation. A report published in the New York Times on December 5 1903 stated that the edition was strictly limited to 500 copies for England and America emphasizing the exclusivity of this magnificent production from the outset. The portfolio is particularly significant in the history of the Detmold brothers' careers. Born in 1883 Maurice and Edward developed their exceptional artistic talents together displaying an early and remarkable aptitude for the representation of birds animals and the natural world. Their close collaboration produced some of the most distinctive illustrated publications of the opening years of the twentieth century. Tragically Maurice took his own life in 1908 bringing their artistic partnership to a premature end. Edward continued to enjoy a distinguished career as an illustrator but the works produced jointly by the brothers retain a unique place in the history of British illustration. As Richard Dalby observed the paintings were admired for their realistic detail and decorative arrangement while Diana Johnson identified the extraordinary tension between their scientific naturalism and ornamental imagination a combination capable of producing images both fanciful and profoundly disturbing. A masterpiece of the Golden Age of Illustration this spectacular portfolio stands among the finest achievements of the Detmold brothers and one of the most beautiful and psychologically compelling interpretations of Kipling's immortal jungle stories. Complete examples of the original 1903 folio portfolio are increasingly difficult to obtain and the present copy with all sixteen plates clean and fresh and preserved in its original gilt-decorated publisher's portfolio is an especially attractive survival. London: Macmillan & Co., Limited, 1903 unknown books
1944réf. 310968Garden City New York: Doubleday Page later Doran & Company 1944. First American copyright editions generally published in editions of 50-75 copies. 76 vols. 8vo. Publisher's printed stapled wrappers printed in green or black. Light foxing and shelfwear to wrappers. Navy blue cloth folding box. First American copyright editions generally published in editions of 50-75 copies. 76 vols. 8vo. A substantial collection of Kipling American copyright editions comprising 57 of the 74 such editions published from 1910-1944. All of the multi-part issues - The New Army 6 parts The Fringes of the Fleet 6 parts Tales of "The Trade" 3 parts Destroyers at Jutland 4 parts - are complete save for The War in the Mountains 5 parts which is missing the first part. A complete listing available on request. "Contributing to the multiplicity of editions was the failure of the United States to enact international copyright protection until 1891 resulting in some American issues being the "true firsts" of Kipling's books. And while Kipling's trade editions soon began to be published in large numbers after the American international copyright law's foundation date of July 1 1891 his London literary agent A.P. Watt and his New York publisher Frank N. Doubleday made extensive use of limited printings - as few as 8 to 25 copies - to establish copyright in each country" David Alan Richards "Collecting Kipling". Provenance: Frank Nelson Doubleday Doubleday, Page [later Doran] & Company unknown books
1894réf. 339632London: Macmillan 1894. First. hardcover. near fine. Illustrated by J.L. Kipling & others. 2 vols. blue cloth with cover design & lettering in gilt; all edges gilt with dark green coated endpapers. London: Macmillan 1894-1895. First Editions. A nice tight set with minimal binding wear & dulled gilt on the first volume. Housed in a custom cloth clamshell case. Macmillan unknown books
1894réf. 330918London: Macmillan 1894. First. hardcover. Illustrated by J.L. Kipling & others. 2 volumes. 8vo blue cloth with cover design & lettering in gilt all edges gilt. London: Macmillan 1894-1895. First Editions. A tight set with light rubbing on the bindings leaving the gilt somewhat dulled; bookplate. Preserved in a 1/2 leather double slipcase with Jean Hersholt bookplates. Macmillan unknown books
réf. 06177Lahore : The Civil and Military Gazette Press 1886. First Edition of Kipling's First Published Book - Departmental Ditties KIPLING Rudyard. Departmental Ditties and Other Verses. Lahore: The Civil and Military Gazette Press 1886. First edition of Kipling's first published book. Narrow octavo 10 3/4 x 4 1/4 inches; 273 x 107 mm. Twenty-nine unnumbered leaves. Publisher's tan printed wrappers stapled as issued and imitating the form of an Indian civil service envelope complete with overlapping flap. There is an ink inscription at the bottom of the front wrapper "E.R.P to M.C.P." Light soiling to wrappers edge of front wrapper and flap with some light wear. The pink ribbon that originally passed through the slit on the flap is now lacking the flap itself and its very vulnerable hinge to the overlapping flap is unrestored and intact. Bookplate of Roger H. West and old booksellers description pasted onto blank verso of penultimate verse Giffen's Debt. Over-opened between penultimate and last leaf. Contained in a red cloth chemise which in turn is housed in a full red morocco slipcase smooth spine lettered in gilt. Aside from the aforementioned minor flaws this is still an exceptionally good unrestored copy. First edition of Kipling's debut published work. His previous writings had either been privately printed issued as offprints or included in collaborative books. At the time Kipling was serving as sub-editor of the Civil and Military Gazette an English-language newspaper based in Lahore that covered the lives of the Civil Service and the Indian Army in Punjab. His position combined with his family's social standing afforded him numerous opportunities to observe and explore the full spectrum of life in India. From an early age Kipling had been captivated by the vibrant and diverse world of native India and his keen observational skills allowed him to vividly capture its essence. As his engagement with journalism deepened he frequently filled the newspaper's pages with prose sketches and light verse. Eventually he began inserting his own poems under the title Departmental Ditties into the newspaper culminating in the publication of this edition designed to resemble a bundle of civil service memoranda. Livingston 10; Richards A7; Stewart 8. Lahore : The Civil and Military Gazette Press, 1886 unknown books
1902réf. 336891London: Macmillan 1902. First. hardcover. fine. Illustrated by the Author. 4to re-bound in full red crushed morocco raised bands with gilt animal heads on the spine gilt picture of an elephant on the front cover gilt dentelles marbled end-papers all edges gilt by Bayntun-Riviere. London: Macmillan 1902. First Edition. A superlative copy of this beloved children's book. Fine in cloth slipcase. Macmillan unknown books
1897réf. 1307371897. KIPLING Rudyard. The Writings in Prose and Verse. London: Macmillan 1897-1938. Thirty-eight volumes. Octavo modern three-quarter red calf raised bands elaborately gilt-decorated spines blue morocco spine labels marbled endpapers top edges gilt uncut and partly unopened. $7000.Limited ""Edition de Luxe one of 1050 sets of KiplingÕs writings in poetry and prose handsomely bound by Bayntun-Riviere.Contains Kiplings's poetry novels stories travel writings children's tales military tales and essays. In 1907 Kipling became the first English writer to receive the Nobel Prize. Scattered light foxing to some volumes mostly earlier; binding fresh and fine. hardcover books
