KAFKA FRANZABAA
3 239 résultats
réf. 2034First edition. Original wrappers. FIRST EDITION THE PREFERRED ISSUE IN ILLUSTRATED WRAPPERS OF ONE OF THE MASTERPIECES OF WORLD LITERATURE. "On the evening of November 17 1912 a young employee of the Workmen's Accident Insurance Agency in Prague sat down to work on a 'troubling little story' that had occurred to him 'in bed' the previous night. After spending the first part of the day in the office he returned to the apartment he shared with his parents and thee sisters had lunch napped took a walk and then did a series of strengthening and stretching calisthenics. This was his daily ritual before settling in for the evening - and often far into the night - to what he considered his true life a life dedicated to writing. Then whether acting on a long-meditated plan or following an obscure sudden intuition he set down the words of the first hammerlike sentence of what would become his most famous story and one of the defining works of modern imaginative fiction The Metamorphosis or more simply 'The Transformation': 'When Gregor Samsa woke one morning from troubled dreams he found himself transformed right there in his bed into some sort of monstrous insect.' Ever since readers have been mesmerized amused puzzled irritated and unsettled by Gregor's life-changing transformation" Mark M. Anderson ed. The Metamorphosis. With the famous illustration by Ottomar Starke on the front wrapper. Kafka was adamant that the illustration not depict a bug writing in a letter to the publishing house: "The insect itself must not be illustrated by a drawing. It cannot be shown at all not even from a distance." The Metamorphosis was one of the few works published by Kafka in his lifetime. Leipzig: Kurt Wolff 1915. Octavo original illustrated wrappers dated 1916 as usual over red paper covers; custom cloth box. A little foxing to front wrapper; text exceptionally clean and fresh. An excellent copy of one of the cornerstones of Western literature. unknown books
1939réf. 2727Paris: GLM 1939. FIRST EDITION Deluxe issue. Original wrappers. Fine. EXCEEDINGLY RARE DELUXE SET OF AVANTE-GARDE WORKS BY FOUR LITERARY MASTERS. Each copy one of only 15 deluxe issues. Includes the deluxe issue of Duchamp's important collection of aphorisms "Rrose Sélavy". This extraordinary and complete collection collectively "Biens Nouveaux" of works by Marcel Duchamp Lewis Carroll Franz Kafka and Gisèle Prassinos demonstrates the significance of absurdism magical realism and surrealism across Europe in the 1930s and 40s. Published in April 1939 by Guy Lévis-Mano one of the most creative French printers of the twentieth century this complete series includes Marcel Duchamp's Rrose Sélavy Lewis Carroll's La Canne du Destin Franz Kafka's Le Chasseur Gracchus and Gisele Prassinos's Sondue. Each copy is one of only 15 of the deluxe issue printed on high-quality Vieux Japon. This original edition of Marcel Duchamp's book of aphorisms Rrose Sélavy is numbered two out of only fifteen copies on Vieux Japon. Duchamp's female alter ego Rrose Sélavy was an artist muse and creative experiment that brought to life his symbolic use of language. Her name as pronounced in French sounds like "Eros c'est la vie" meaning "The passion of love sex such is life." The playful puns and witty satire in this text provide clever commentary on society and the art world offering the reader a glimpse into the mind of a revolutionary artist who believed in the joy to live and roam free in thought. Lewis Carroll's La Canne du Destin The Cane of Destiny is numbered thirteen out of only fifteen copies on Vieux Japon. Published posthumously in 1939 translator André Bay believed it was written in 1848 when Carroll was only 16. La Canne du Destin features two barons a magician and a man named Blowski who dies and is transformed into mashed potatoes !. It is notable for its fantastical storytelling and whimsical wordplay a style which predated and foreshadowed Carroll's most famous work Alice's Adventure in Wonderland. His writing inspired the work of surrealists like Duchamp and Prassinos. Le Chasseur Gracchus English: The Gracchus Hunter; German: Der Jäger Gracchus numbered seven out of fifteen copies on Vieux Japon was translated by Henri Parisot in 1939 and is one of the earliest Franz Kafka's stories published in French. A six-page story written in 1917 it was found posthumously among Kafka's papers. The tale is about the long-dead Hunter Gracchus who is destined to wander aimlessly and eternally at sea unable to find peace. The surrealist dreamlike imagery of the story explores themes of loneliness alienation and the human condition. This work represents a model for Kafka's later writing and a Kafkaesque dilemma "two worlds that cannot make themselves understood by one another." Emrich Sondue Sounded by Gisèle Prassinos is numbered two out of fifteen copies on Vieux Japon. A French artist and writer she was discovered by André Breton in 1934 who declared "the tone of Gisèle Prassinos is unique: all the poets are jealous of it." When she was just fourteen her first book La Sauterelle Arthritique The Arthritic Grasshopper was published. For many her personification of animals in this story was reminiscent of Carroll's Alice's Adventures in Wonderland. Hailed as a prodigy by the surrealists Sondue a novella-length narrative was published when she was just 19 and considered macabre humor. Prassinos used automatic writing sometimes referred to as free writing a common surrealist technique. This was the last story she published before the start of World War II. She would not publish any writing again until 1958. This "Biens Nouveaux" collection was beautifully printed on Vieux Japon known for its velvety texture and substantial weight and only used by Guy Lévis Mano for premium projects. René Char French poet and member of the French resistance explained "When the passion to give life to a collection.unites with.the art of printing it brings us admirable successes and restores the object to its lasting plenitude. Guy Lévis Mano is the only one today who satisfies this haughty concern. He devoted his faith his competence his generosity and his enthusiasm to it." Char 745 1. Marcel Duchamp. Rrose Sélavy. Paris G.L.M. 1939. First Edition. Small quarto 165 x 115 mm original wrappers; glassine. Small closed tear to glassine at front base otherwise fine. One of 15 original copies on Vieux Japon this one number 2. 2. Lewis Carroll. La Canne du Destin The Cane of Destiny. Paris G.L.M. 1939. Small quarto 165 x 115 mm original wrappers; glassine. Fine condition. One of 15 original copies on Vieux Japon this one number 13. 3. Franz Kafka. Le Chasseur Gracchus The Gracchus Hunter. Paris G.L.M. 1939. Small quarto 165 x 115 mm original wrappers; glassine. Fine condition. One of 15 original copies on Vieux Japon this one number 7. 4. Gisèle Prassinos. Sondue Sounded . Paris G.L.M. 1939. First edition. Small quarto 165 x 115 mm original wrappers; glassine. Fine condition. One of 15 original copies on Vieux Japon this one number 2. References: André Breton. Translated by Richard Seaver and Helen R. Lane. Manifestos of Surrealism. University of Michigan Press 1969. René Char. In the Poet's Studio. Gallimard "Quarto" collection 1956. The Editors of Encyclopaedia Britannica. "Franz Kafka." Encyclopedia Britannica December 2 2022. Wilhelm Emrich. Translated by Sheema Z. Buehne. Franz Kafka. Frederick Ungar Publisher 1961. Alexander Hawkins. "Meet Rrose Sélavy: Marcel Duchamp's Female Alter Ego." AnOther Magazine. December 1 2015. Gisèle Prassinos. Translated by Ellen Nations. Surrealist Texts. Black Scat Books 2014. Rachel Rivenc and Kendra Roth eds. Living Matter: The Preservation of Biological Materials in Contemporary Art. Getty Conservation Institute 2022. GLM unknown
1926réf. 32165Munich: Kurt Wolff 1926. First edition. 8vo pp. vi 504. Original blue cloth some mild fading internally fine and fresh with the rare original dust jacket edges and folds minimally restored slightly chipped at the ends of the spine the jacket carries a quote from Hermann Hesse calling Kafka "König der Deutschen Sprache" Kurt Wolff hardcover books
1915réf. 140947640Leipzig: Kurt Wolff Verlag 1915. First edition. Very Good/Very Good. First edition first printing. 73 1 5 ads 1 pp. The preferred issue bound in publisher's red wrappers with beige printed dust jacket illustrated by the German Expressionist Ottomar Starke. Very Good with lean to binding small tear at crown and creasing to spine and edges. Light toning and slight discoloration to cover label removed with residue on front red wrapper. Foxing to textblock edges and margins of contents light toning throughout with small closed tear to inner margin of p. 10 not affecting text. One of the only books published in Kafka's short lifetime an initial flop that scarcely sold more than 400 out of 800 copies on first printing. "This 'exceptionally repulsive story' is the most sustained work of fiction published during Kafka's lifetime and the one with which his name is most profoundly associated in the common conscious. In his critical hierarchy of the great prose works of the Twentieth Century Vladimir Nabokov rates Die Verwandlung second behind only James Joyce's Ulysses a work that is twenty or more times its length." The Breon Mitchell Collection of the Works of Franz Kafka p. 7; Flores p.4. Kurt Wolff Verlag unknown
1915réf. 127"One of the masterpieces of the literature of the 20th century" Claude David. First edition of Kafka's masterpiece the preferred issue in illustrated wrappers. First edition the preferred issue in illustrated wrappers of one of masterpieces of world literature. The text had first been published in the magazine Die Weissen Blatter. One of the very few books that were published as Kafka was still alive. Only 800 copies were printed of which only 400 were sold. The rest of the edition was sold again with the mention of the second edition. With the famous illustration by Ottomar Starke on the front wrapper. Kafka was adamant that the illustration not depict a bug writing in a letter to the publishing house: "The insect itself must not be illustrated by a drawing. It cannot be shown at all not even from a distance." One of the most famous books of the literature of the 20th century. "On the evening of November 17 1912 a young employee of the Workmen's Accident Insurance Agency in Prague sat down to work on a 'troubling little story' that had occurred to him 'in bed' the previous night. After spending the first part of the day in the office he returned to the apartment he shared with his parents and sisters had lunch napped took a walk and then did a series of strengthening and stretching calisthenics. This was his daily ritual before settling in for the evening - and often far into the night - to what he considered his true life a life dedicated to writing. Then whether acting on a long-meditated plan or following an obscure sudden intuition he set down the words of the first hammerlike sentence of what would become his most famous story and one of the defining works of modern imaginative fiction The Metamorphosis or more simply 'The Transformation': 'When Gregor Samsa woke one morning from troubled dreams he found himself transformed right there in his bed into some sort of monstrous insect.' Ever since readers have been mesmerized amused puzzled irritated and unsettled by Gregor's life-changing transformation" Mark M. Anderson ed. The Metamorphosis. A beautiful copy preserved in its original wrappers as issued. Kurt Wolff Verlag paperback
1926réf. 32165Munich: Kurt Wolff 1926. First edition. 8vo pp. vi 504. Original blue cloth some mild fading internally fine and fresh with the rare original dust jacket edges and folds minimally restored slightly chipped at the ends of the spine the jacket carries a quote from Hermann Hesse calling Kafka "König der Deutschen Sprache Kurt Wolff unknown
1930réf. 2396First Edition in English; A Near Fine book in a Very Good or better dust jacket. An outstanding copy of this UK Edition the first translation of a Kafka novel into English preceding both "The Trial" and "The Metamorphosis"; very scarce in this condition particularly with the Original intact dust jacket. Housed in a beautiful custom quarter leather clamshell box. This copy is in near fine condition with a square tight binding bright blue boards with sharp gold lettering and pages free of any markings with mild age-toning; the book does show minor rubbing to the board edges moderate sunning to the spine and light soiling to the exterior text block. Housed in a crisp and bright very good or better original dust jacket that shows mild rubbing and chipping to the ends edges and corners a light dampstain to the spine and a small closed tear at the spine fold near the head of the spine. Overall a sharp and presentable copy of a book rarely seen in this condition; an important addition to the Kafka collection or the 20th century literature collection. Not remaindered not price clipped not ex-library; in a fresh Mylar protective cover and will be shipped carefully wrapped in a sturdy box. This work was unfinished before Kafka's death in 1925; Kafka had requested that all his papers and unfinished works be burned upon his death however novelist Max Brod also executor of Kafka's will chose to have them published some years later to preserve Kafka's work. Martin Secker hardcover
1924réf. 32166Berlin: Die Schmiede 1924. First edition. Publisher's brown striped boards printed cover and spine labels design by Georg Salter. A fine copy in the rare and fragile dust jacket with only minimal wear. Published shortly after Kafka's death in June 1924 it is the last book for which he corrected proofs. Dietz 66. Die Schmiede hardcover books
1929réf. 2905Stara Rise Czech Republic: Josef Florian 1929. First Edition. Softcover. Very Good/Very good. Together 2 volumes large 4to and 8vo. PORTFOLIO 310 x 235 mm. Half-title SIGNED by the artist title-page 2-page translation of Kafka's "Ein Traum" into Czech by Gustav Janouch list of plates and statement of limitation printed in red and black. With 6 full-page heliogravures from etchings by Otto Coester numbered 1-6 in pencil. Loose as issued original brown textured wrappers front wrapper with vignette printed in black spine chipped with long tear along fold plates perfectly clean. TEXT VOLUME 170 x 115 mm. 82 3 pp. Pictorial title-page printed in red and black. With 7 b/w illustrations in the text likewise by Coester 3 elaborate decorative initials printed in red. Original pale ivory wrappers front wrapper and spine lettered in purple and grey lightly rubbed. ADDED: 4-page publisher's prospectus and with illustrated card of Coester's "Promena" laid in. The entire ensemble preserved in a light gold colored cloth case. ¶ Important collection of the first illustrations of any Kafka work in any language. Here offered is the scarce first edition in Czech of "Metamorphosis" along with the rare separately published portfolio of six heliogravures from etchings all illustrated by Swabian artist Otto Coester. Coester lived in Moravia in the 1920s and belonged to a close-knit circle of Kafka admirers. Although there is no confirmed record of Kafka and Coester ever meeting in person they certainly knew each other by reputation and their proximity has led some scholars to question whether or not Coester had some inside knowledge of Kafka's vision see: David Gallagher "The Metamorphosis" p. 134. ¶ That Kafka's legendary "Der Verwandlung" is illustrated here for the first time is highly significant. From its "inception" Kafka had insisted that the creature exist only as the product reader's own worst nightmare undefined by any graphic representation on the printed page. Indeed concerning publication of the 1915 Leipzig first edition of "Der Vanderlung" Kafka demanded that: "The insect itself must not be illustrated by a drawing. It cannot be shown at all not even from a distance." ¶ Thus these 1929 illustrations are the earliest published depiction of the mythic creature. The arresting eerie heliogravures depict various highlights of the story from the protagonist Gregor Samsa awakening "from monstrous dreams" to his transformation "right there on his bed into some sort of monstrous insect"; Gregor's wife Grete playing her violin for the boarders; the discovery of Gregor's disgusting carcass and more. The text volume published contemporaneously with the portfolio contains an entirely DIFFERENT series of Coester's "Metamorphosis" illustrations; therefore in order to assess the full compliment of the iconographic tradition of Franz Kafka's writings we must examine both Coester editions together. Doing so is extremely difficult: OCLC identifies Univ. Illinois and Univ. Indiana as the only American institutions holding both the portfolio and the published first Czech edition; Harvard has only the book. ¶ Coester 1902-1990 was close to the Paris Surrealists the Bauhaus and the Werkbund; among his circle of friends were Alfred Kubin Ossip Zadkine Gerhard Marcks and Ewald Matare. He traveled to Moravia in 1927 and there publisher and early Kafka admirer Josef Florian inspired Coester to create book illustrations for "The Metamorphosis." These appeared in 1929 in a portfolio limited to just 120 copies of which ours is number 72 for which the illustrations were printed by the Graphic Union in Prague under the supervision of Josef Capek and the letterpress by Kryl and Scotti in Novy Jicine. That Coester himself assumed responsibility for the distribution of the portfolio and sold a number of copies in Germany may account for its rarity: after all Coester was a painter not a bookseller and both publications appeared during two World Wars during which time the market for artist's books was almost non-existent SOURCE: O.F. Babler "Rane ceske preklady Franze Kafky" in: Franz Kafka: Liblicka Konference ed. Eduard Goldstucker/ Prague: CSAV 1963 p. 146. The first Czech edition of "The Metamorphosis" present here in excellent condition was limited to 400 copies of which ours is number 310 of 400 copies on velin from a total edition of 600. ¶ See the exhibition catalogue: "Otto Coester - první ilustrátor Franze Kafky" Dusseldorf Kunstverein fur die Rheinlande und Westfalen 1990. Borchers / Svestka Otto Coester Monographie mit Oeuvreverzeichnis 1991 p. 22 and no. 13 a-h. Literature: Katerina Nakladalova "Promena Franze Kafky od ilustrace po inspiraci Reflexe Kafkova dila ve vytvarnem umeni v Ceskoslovensku "Transformation of Franz Kafka from illustration to inspiration: Reflection of Kafka's work in fine art in Czechoslovakia" Masters Thesis Masarykova University Brno 2013 figs. 4-6. Josef Florian unknown books
1924réf. 32166Berlin: Die Schmiede 1924. First edition. Publisher's brown striped boards printed cover and spine labels design by Georg Salter. A fine copy in the rare and fragile dust jacket with only minimal wear. Published shortly after Kafka's death in June 1924 it is the last book for which he corrected proofs. Dietz 66. Die Schmiede unknown
1924réf. 188798Berlin: Verlag die Schmiede 1924. His parting literary endeavour First edition boards issue in the dust jacket. Kafka worked on his final story collection during his last days. "When he finished the proofs - working on them must have been a tremendous psychological effort and a shattering intellectual reencounter with himself - tears rolled down his cheeks for a long time" cited in Unseld p. 273. Also issued in cloth the collection comprises the title story along with "Ersted Lied" "Eine kleine Frau" and "Josefine die Sängerin oder Das Volk der Mäuse". The cover art is by the influential German-American book artist George Salter 1897-1967. Among his other cover designs were Kafka's Der Prozess 1925 William Faulkner's Absalom Absalom! 1936 and Ayn Rand's Atlas Shrugged 1957. Loosely inserted is the publisher's promotional bookmark for their Novels of the 20th Century series. Octavo. Text in German. Original patterned boards blue paper label lettered in red on spine and front cover top edge blue. With dust jacket by George Salter. Ends and corners rubbed splash marks to top edge contents clean; jacket slightly chipped with loss to ends of unlettered spine discreet repairs to folds toning and faint damp stains issued without printed price: a very good copy in like jacket. Joachim Unseld Franz Kafka: A Writer's Life 1994. hardcover
1975réf. 1-2567561975. Couverture souple. Satisfaisant . Folio Gallimard collection folio 1975. 1 volume brochés format In-12 assez bon Envoi avec numéro de Suivi - shipping with tracking number. Folio Gallimard unknown
1917réf. 371699Budapest 1917. 1 vols. 4-1/8 x 7-1/8 inches. Matted in double glazed frame. Fine. 1 vols. 4-1/8 x 7-1/8 inches. Envelope sent Express from Budapest to Rudolf Fuchs by author Franz Kafka who was writing from the Hotel Imperial Budapest. Signed in the third person Dr. Kafka on the back flap. Rudolf Fuchs 1890-1942 poet and social critic was a member of Kafka's literary circle in Prague. He knew Kafka since 1912. In an article in Zeitschrift für Germanistik scholar Ilse Seehase discusses three wartime communications from Kafka to Fuchs. The second of these dated 14 July 1917 was "probably" written in Budapest and looked ahead to a meeting in Vienna Seehase p. 179. This autograph envelope postmarked 14 July confirms that Kafka was indeed in Budapest when he wrote Fuchs: he had just become engaged for the second time to Felice Bauer. On 16 July 1917 Kafka held a conversation with Otto Groß Anton Kuh and Rudolf Fuchs at a café in Vienna. In August of that year Kafka was diagnosed with the tuberculosis that would later kill him. Fuchs published an early obituary of Kafka on 4 June 1924. Fuchs described the effect of his writing: "He perceived as no other the romance of the quotidian and the poetry of familiar things. The effect of just one of his short observations is magical. As in a dream a dense realistic dream. All that he puts into words is so vital and yet an experience one hasn't seen before and even his simple phrasing has the grace of utter strangeness." Fuchs escaped the Nazis to London where he composed his Erinnerungen an Franz Kafka. A posthumous collection Ein wissender Soldat. Gedichte und Schriften aus dem Nachlass von Rudolf Fuchs was published there in 1943. Kafka autograph material is rare. Cf. Ilse Seehase Drei Mitteilungen Kafkas und ihr Umfeld pp. 178-83 in: Zeitschrift für Germanistik 8:2 1987 unknown
1915réf. 175616Leipzig: Kurt Wolff Verlag 1915. The insect itself must not be illustrated by a drawing. It cannot be shown at all not even from a distance First edition first printing first issue a superbly well-preserved copy of the case-bound issue complete with the original dust jacket which rarely survives. The first of Kafka's masterpieces Metamorphosis narrates the tale of a man who wakes up to find himself transformed into an "ungeheuren Ungeziefer" usually translated as a "monstrous insect". The Expressionist jacket illustration by Ottomar Starke 1886-1962 does not represent the insect; after learning that Starke would illustrate the dust jacket Kafka wrote to the publisher: "The insect itself must not be illustrated by a drawing. It cannot be shown at all not even from a distance" 25 October 1915. The novel met with unimpressive sales on publication and after a year or so the numerous unsold copies were stamped on the title pages with the official stamp of the German censors. This copy is a first issue without the censor stamp. It is one of two variant states with the spine and front cover lettered in serif type no established priority. There was also an issue in wrappers which repeats Starke's jacket illustration published simultaneously. Octavo. Original quarter japon spine and front lettered in black blue laid paper boards top edge blue. With dust jacket illustrated by Ottomar Stark. Housed in a black quarter morocco solander box by the Chelsea bindery. Boards slightly bowing minimal rubbing to extremities a couple of minute marginal tears to first few leaves; jacket just lightly toned tiny marks and nicks to top edge flaps without price as issued: notwithstanding a fine copy in like dust jacket. hardcover
