18.459 resultados
1929ref. 22015Paris: Shakespeare And Company 1929. First edition. One of 96 numbered copies printed on Arches paper. Our Exagmination contains brief quotations from Work In Progress including a passage concerning Swift and blindness which was not later incorporated in Finnegans Wake. The ‘Letters of Protest' are reputed to have been written by Joyce himself. Slocum & Cahoon B10. Also includes Samuel Beckett's first appearance in print his essay on Joyce entitled "Dante Bruno Vico Joyce." The present copy belonged to Mogens Boisen the Danish translator of Ulysses and is inscribed to him by Sylvia Beach. It also includes two letters from him to a former owner explaining the circumstances whereby he was given the book. Small chip from rear wrapper front wrapper lightly creased otherwise a fine copy with two copies of the publication announcement preserved in a folding board box. 8vo original printed wrappers. Small chip from rear wrapper front wrapper lightly creased otherwise a fine copy with two copies of the publication announcement preserved in a folding board box. Shakespeare And Company unknown
1929ref. 25938Paris: Shakespeare and Company Sylvia Beach 1929. First edition. 3-194 2 p. 191 x 140 mm. 7 1/2 x 5 1/2 in. Original printed paper wrappers. Copy no. 60 of 96 numbered copies printed on Arches paper. Mogens Boisen's copy the Danish translator of Ulysses inscribed to him by Sylvia Beach and with two letters from him to a former owner explaining the circumstances. Small chip from rear wrapper edge light creasing on front wrapper otherwise a fine copy. In a folding box with the announcement. "Dante.Bruno. Vico.Joyce" published here constitutes Samuel Beckett's first appearance in print. Shakespeare and Company, Sylvia Beach unknown
1939ref. b20232New York: Time 1939. First Edition . Soft cover. Near Fine. Near fine in original wrappers with a small nick on the right edge and slight soiling. An important review article of "Finnegans Wake" that does a great job of explaining the characters form and literary techniques of the novel as well as fleshing out Joyce's personal profile and family life. Rare item. Time paperback
ref. 2A9422Verschiedene Auflagen und Verlage 1985-2013. Insgesamt ca. 2600 S. mit Abbildungen verschiedene Einbände teils quart/quart-quer 1 Band Stempel auf unterem Schnitt. - sonst gute Exemplare / Enthalten: Die Katzen von Kopenhagen; James Joyce Illustriert von Wolf Erlbruch / Deutsch von Harry Rowohlt / James Joyce A to Z. An Encyclopedic Guide to his Life and Work; A. Nicholas Fargnoli and Michael Patrick Gillespie Text englisch / Joyce Images; Edited by Greg Vitiello. Introduction by Anthony Burgess Text englisch / James Joyce Finnegans Wehg. Kainnäh ÜbelSätzZung des Wehrkeß fun Schämes Scheuß; Dieter H. Stündel / James Joyce Irland; Fotos von Alain Le Garsmeur. Texte zusammengestellt von Bernard McCabe / James Joyce; Chester G. Anderson Thames and Hudson - Literary Lives / Text englisch / Three Days with Joyce; Preface by Richard Ellmann. Photographs by Gisèle Freund / James Joyce; Edna O'Brien Aus dem Englischen von Holger Fließbach unter Mitarbeit von Christoph Nettersheim / James Joyce - Briefe an Sylvia Beach 1921 - 1940; Herausgegeben von Melissa Banta und Oscar A. Silverman Aus dem Englischen von Claudia Bodmer und Michel Bodmer / Nora - Das Leben von Nora Joyce; Brenda Maddox; Aus dem Englischen von Karin Kersten - unknown
1909ref. 470075Dublin / London: Hodges Figgis & Co. Ltd./ Henry Frowde Oxford University Press 1909. Hardcover. Near Fine. First edition an unrecorded thick-paper issue the sheets bulk approximately 1 7/16 inches. Edited by John Cooke. Octavo. 804pp. Green cloth stamped in gold. Contains three poems by James Joyce Slocum and Cahoon B3. This issue printed on heavy stock paper is an unrecorded variant not cited by Slocum with the following differences from Slocum: sheets bulk 1 7/16 inches instead of 1 9/32 inches top edge gilt instead of all edges gilt lower spine has publisher's name in two lines instead of the three lines as cited in Slocum. Owner's ink name dated 1960 on front flyleaf front cover has light discoloration else a near fine copy. Hodges, Figgis & Co., Ltd./ Henry Frowde, Oxford University Press hardcover
1909ref. 470074Dublin / London: Hodges Figgis & Co. Ltd./ Henry Frowde Oxford University Press 1909. Hardcover. Near Fine. First edition an unrecorded thick-paper issue the sheets bulk approximately 1 7/16 inches. Edited by John Cooke. Octavo. 804pp. Green cloth stamped in gold. Contains three poems by James Joyce Slocum and Cahoon B3. This issue printed on heavy stock paper is an unrecorded variant not cited by Slocum with the following differences from Slocum: sheets bulk 1 7/16 inches instead of 1 9/32 inches top edge gilt instead of all edges gilt lower spine has publisher's name in two lines instead of the three lines as cited in Slocum. Bookplate on front pastedown front cover has slight wear at tip of one corner spine gilt a bit rubbed and dull owner's bookplate on front pastedown else a bright and near fine copy. Hodges, Figgis & Co., Ltd./ Henry Frowde, Oxford University Press hardcover
1918ref. 517072London: The Egoist 1918. Softcover. Good. No. 2 Vol. V February 1918. Editor: Harriet Shaw Weaver. Assistant Editor: T.S. Eliot. Quarto. 18-32pp. Stapled wrappers. The wrappers are detached as are most of the pages but the issue is complete edgewear with chips and tears to the brittle paper and toning a good only copy. Features the poem "Apathy" by Richard Aldington "On the Intellectual Plane" by Horace B. Samuel and more including an excerpt from "Il Marzocco" an Italian review of A Portrait of the Artist As a Young Man by James Joyce translated from the Italian into English by Joyce himself Slocum and Cahoon C52. The review is quite positive and enthusiastic one passage reads in part "His book is not alone an admirable work of art and thought; it is also a cry of revolt: it is the desire of a new artist to look upon the world with other eyes to bring to the front his individual theories and to compel a listless public to reflect that there are another literature and another esthetic apprehension beyond those foisted upon us. The Egoist unknown
ref. 26614New York: Persea Books 1985. First Edition. Cloth. Fine/Fine. First Edition. Cloth. First Edition. Review Copy with the publisher's material laid-in. A fine copy in black cloth gilt titles to the spine in a fine pictorial dustwrapper portraying James Joyce. With an introduction by Joyce biographer Richard Ellmann. Square 8vo. 70 pp. Freund's stunning now famous photographs of Joyce throughout. Size: 8vo - over 7¾" - 9¾" tall. New York: Persea Books, (1985) unknown
1959ref. 10590London: Abelard-Schuman 1959 1959. 1st Edition. Hardcover. Dust Jacket Included. 1st Edition. Hardcover. First Edition. 8vo. A fine copy in a dustwrapper showing light use. London: Abelard-Schuman (1959) hardcover
ref. 22608-Cambridge University Press 1998-. First edition. xi247 pages with index. Cloth. Fine in dustjacket. In Transcultural Joyce a team of leading international scholars assess the afterlife of James Joyce and his writings within a multinational context. How does Joyce haunt the works of later writers in diverse literary traditions How well does he translate from one culture and language to another This book consider Joyce’s reincarnations in texts from Latin America Europe and South Asia. Transcultural Joyce provides a fresh theoretical examination of conventional notions such as ‘influence’ and ‘translation’ and asks how Joyce is imported across particular cultural boundaries. As a canonical modernist and colonial subject Joyce inhabits a borderline position that complicates his reception and revision by later writers. This book accounts for his cultural place as specifically Irish and more postcolonial than previous studies have acknowledged. Scholars and translators of Joyce also consider the formidable task of translating his work for a global audience. Transcultural Joyce oxbridge 0521621097 -Cambridge University Press, 1998- hardcover
1937ref. 8460New York; Paris: Transition 1937. 8vo pp. 208 12 ads; 382 6 ads. Numerous plates and one long fold-out included within pagination. Original colour-printed wrappers that of no. 26 designed by Marcel Duchamp no. 27 by Wassily Kandinsky. No. 26 water-stained to margin of last few leaves no. 27 rather stained and cockled to first and last few leaves both volumes a little toned and dusted. Wrappers rubbed chipped and stained some loss to spine coverings front wrapper of no. 27 water-damaged soiled and lacking section to head binding split at p. 48. The final two issues of Eugene Jolas’s influential literary periodical Transition which printed several extracts from the work in progress that became Finnegans Wake through its ten-year run. Issue 26 is the first appearance in print of an 18-page section that became with some revisions the opening section of part 3 the episode of the Norwegian Captain and the Tailor while issue 27 contains the first appearance of what became the third section of part 3 the radio play dialogue between Taff and Butt. In addition to the Joyce material the issues also contain an extract from Anaïs Nin’s prose Poem The House of Incest and parts two and three of editor Eugene Jolas’s three-part translation of Kafka’s The Metamorphosis. Slocum & Cahoon C70 note. Transition unknown
1933ref. 58387The Hague Holland: The Servire Press 1933. First Edition. Large octavo pictorial wrappers cover art by Hans Arp 179 pages plus ads illustrated reproducing work by Hans Arp. Contains the first appearance of Joyce Not in Slocum & Calhoon . Covers little loose toned and nicked at extremities. This was writer Dudley Fitts copy with his signature on the cover. A very good copy. from Wikipedia: "Transition was an experimental literary journal that featured surrealist expressionist and Dada art and artists. It was founded in 1927 by poet Eugene Jolas and his wife Maria McDonald and published in Paris. They were later assisted by editors Elliot Paul April 1927- March 1928 Robert Sage October 1927-Fall 1928 and James Johnson Sweeney June 1936-May 1938. The literary journal was intended as an outlet for experimental writing and featured modernist surrealist and other linguistically innovative writing and also contributions by visual artists critics and political activists. It ran until spring 1938. A total of 27 issues were produced. It was distributed primarily through Shakespeare and Company the Paris bookstore run by Sylvia Beach The Servire Press unknown
1926ref. 511478New York: Two Worlds 1926. Softcover. Very Good. First edition. 397-566pp. Printed wrappers. Text block edges lightly foxed covers lightly soiled with corners slightly bumped spine creased still very good in about very good publisher's paper-covered slipcase box with moderate wear and two short tears along top edge and a few nicks. Limited to 500 copies this copy unnumbered. Contains a pirated episode of Joyce's Work in Progress S&C C65 and contributions by Frank Harris Max Beerbohm Carol Rakosi Author Symons and more. Two Worlds unknown
1926ref. 511475New York: Two Worlds 1926. Softcover. Very Good. First edition. 255-396pp. Printed wrappers. A few pages and text block edges a bit foxed covers lightly soiled with a few small abrasions spine slightly faded still very good in very good publisher's paper-covered slipcase with a short bumped tear at one corner and a few nicks. Limited to 500 copies this one unnumbered. Contains a pirated episode of Joyce's "Work in Progress" S&C C65; additional contributions by Arthur Symonds William Hazlitt D.H. Lawrence and more. Two Worlds) unknown
ref. 14362-Bucknell University Press 2001-. First edition. 222 pages with index. Cloth. Fine in fine dustjacket. This study makes the case that the novel's intricate self-consciousness begins as a very recognizable story: the 'Kunstlerroman.' In such a reading Ulysses emerges as the story of the time-obsessed Stephen Dedalus who desires to compose a masterful chronicle that will one day rival the timeless narratives of Ovid and Homer. McBride's analysis treats at length Stephen's poetic theories and compositions examinig them as clear forerunners to the novel that the reader is reading. The culminating point is the claim that the figures of Leopold and Molly Bloom may be elaborate fictions created by Stephen. Ulysses and the Metamorphosis of Stephen Dedalus. James Joyce bxd 0838754465 -Bucknell University Press, 2001- hardcover
ref. 14364-Bucknell University Press 2001-. First edition. 222 pages with index. Cloth. Fine in fine dustjacket. This study makes the case that the novel's intricate self-consciousness begins as a very recognizable story: the 'Kunstlerroman.' In such a reading Ulysses emerges as the story of the time-obsessed Stephen Dedalus who desires to compose a masterful chronicle that will one day rival the timeless narratives of Ovid and Homer. McBride's analysis treats at length Stephen's poetic theories and compositions examinig them as clear forerunners to the novel that the reader is reading. The culminating point is the claim that the figures of Leopold and Molly Bloom may be elaborate fictions created by Stephen. Ulysses and the Metamorphosis of Stephen Dedalus. James Joyce 0838754465 -Bucknell University Press, 2001- hardcover
ref. 14363-Bucknell University Press 2001-. First edition. 222 pages with index. Cloth. Fine in fine dustjacket. This study makes the case that the novel's intricate self-consciousness begins as a very recognizable story: the 'Kunstlerroman.' In such a reading Ulysses emerges as the story of the time-obsessed Stephen Dedalus who desires to compose a masterful chronicle that will one day rival the timeless narratives of Ovid and Homer. McBride's analysis treats at length Stephen's poetic theories and compositions examinig them as clear forerunners to the novel that the reader is reading. The culminating point is the claim that the figures of Leopold and Molly Bloom may be elaborate fictions created by Stephen Ulysses and the Metamorphosis of Stephen Dedalus. James Joyce bxd 0838754465 -Bucknell University Press, 2001- hardcover
1957ref. 4587New York: New Directions 1957. First Edition thus. Hardcover. Very Good/Very Good. First Edition thus with introduction by Edel. Very good copy in a very good dust jacket. Perhaps too much has been made of this book being Joyce's inspiration for his stream-of-consciousness method but Dujardin's minor place as a point of interest to Joyce scholars is nevertheless secure. Joyce first read the book in French in 1902; it was republished in 1924 soon after Joyce acknowledged its importance to him. This copy has been inscribed by Leon Edel who has provided an introduction for this edition: "Fredrica Laudon with fond memories of our talks last summer in Edgarton and the affectionate regards of Leon Edel. New York 1958." New Directions hardcover
1962ref. 590327New York: Gotham Book Marth 1962. Unbound. Near Fine. Bookseller's advertising postcard. Measuring 6" x 3½". One corner a bit creased and a couple of faint spots on the verso near fine. A modestly interesting piece of Joyceiana. Gotham Book Marth unknown books
1950ref. 323229n.p.: n.p. 1950. 214pp. 19pp. laid-in 8pp. autograph notes. 1 vols. 4to. Standard B&P cloth-covered three-ring binder some soiling quite good. Pages starting to yellow and some pages towards the rear tearing at binding holes. 214pp. 19pp. laid-in 8pp. autograph notes. 1 vols. 4to. Portions of Joyce's book are typed out word for word nine lines per page with five blank lines separating each line of text. The space below each line is used for word by word elaboration for example some of the words in the first page alone: "riverrun": river runs Liffey rive vers Fr. un "Armorica": Brittany love Fr. America armor "isthmus": =neck G ist muss he is he must Pages numbered 13-84 correspond to the opening roughly two-thirds of Book 1 Chapter 1. There are 19pp. of duplicate pages out of the section loosely inserted with more elaboration. Pages 595-683 correspond to the Mookes and the Gripes section of Book 1 Chapter 6. Pages 853-864 corresponds to the end of Book 1 Chapter 8 the Anna Livia Plurabelle section. Pages 1237-1256 correspond to Book 2 Chapter 3 the Mullingar Inn section. Pages 2373-2393 correspond to the opening of Book 4 Chapter 1 the final chapter of the book. n.p. unknown books
1932ref. 337611New York: Hound & Horn 1932. paperback. very good-. 8v printed wrappers light shelf-wear. New York: Hound & Horn July - September 1932. Contains Joyce's "Banned Writer to a Banned Singer". Other contributors include Gertrude Stein Allen Tate & W.C. Williams. Hound & Horn unknown books
1979ref. 504493Tulsa Oklahoma: University of Tulsa 1979. Softcover. Near Fine. Periodical. Octavo. 114pp. Printed white wrappers. A fine copy. Spine tanned else fine. Essays by Carole Brown M. Honton S. Benstock and more. University of Tulsa unknown books
1963ref. 506659New York: Folkways Records 1963. Softcover. Fine. First edition printed text. Single sheet folded to make 6 quarto pages. A fine copy. Printed text only. Issued with a recording of the reading recording is not present only present is the printed transcription of The Calypso section of Ulysses. Folkways Records unknown books
1994ref. 567314New York: W.W. Norton & Company 1994. Hardcover. Near Fine/Near Fine. First edition. Introduction by Anthony Burgess. Conceived and designed by Bob Cato. Edited by Greg Vitiello. Quarto. 112pp. Illustrated. Tiny soil spots on bottom edge of boards near fine in a near fine dust jacket with a lightly toned spine. W.W. Norton & Company hardcover books
1994ref. 506714New York: W.W. Norton & Company 1994. Hardcover. Fine/Fine. First edition. Introduction by Anthony Burgess. Conceived and designed by Bob Cato. Edited by Greg Vitiello. Quarto. 112pp. Illustrated. Fine in a fine dust jacket with a very faint tideline along bottom of front panel and spine. Advance Review Copy with publisher's letter laid in. W.W. Norton & Company hardcover books