23 087 résultats
1967réf. 375313US: Viking 1967. Viking 1967 First Edition PuY Fine/Fine DJ Burgundy cloth with gilded spine lettering. Upper page edges dyed teal are bright. Tight lightly tanned pages. Rear hinge reinforced. Unclipped dust jacket is like new very bright. Tape marks on dust jacket flaps show it was once attached. 256 pages. HEAVY ITEM 1.14 Pounds. Size: 8 5/8 x 5 7/8 x 1 1/8 inches. First Edition PuY. Hardcover. Fine/Fine DJ. No Exp. Viking Hardcover
1894réf. b44032Pirvately Printed 1894. First Edition . Hardcover. Very Good. Very good in original green cloth-covered boards with a gilt illustrative title on the front panel. A small red stain on the upper right corner of the front cover and light rubbing. Signed by E.M. Goodall on the front endpaper. Pirvately Printed hardcover
1972réf. 618753Toronto: Atkinson College 1972. Softcover. Near Fine. Volume 1 Number 1 - Volume 2 Number 1. The first five issues. Octavos. Approximately 800 pages. Light wear and three spines sunned a near fine run of this Canadian literary magazine. Contributions by Seamus Heaney Margaret Atwood Jerzy Kosinski Yehuda Amichai Edmund Wilson published right after his death John Montague Joyce Carol Oates and many others. Atkinson College unknown
1981réf. 589002London: Bananas / Abigail Mozley 1981. Softcover. Near Fine. Number 26. Slim quarto. Illustrated. Light wear and a bit of tanning near fine. Signed by Heaney in blue ink at his contribution. Prints the first appearance of Seamus Heaney's poem "A Summer Night" Brandes & Durkan C333 with additional contributions by Thomas Kinsella Seamus Deane Richard Murphy Anne Devlin Francis Stuart and John Banville as well as "Queen of the Night" a short story by Joyce Carol Oates. Bananas / Abigail Mozley unknown
1972réf. 546997Iowa City Iowa: Steve Toth 1972. Unbound. Fine. Broadsheet. Edited by Steve Toth. One 8½" x 11" sheet mimeographed on both sides. Illustrated. Folded twice for mailing else fine in the original envelope sent from "MATCHBOOK. Joyce Holland Dave Morice ed. c/o Al Buck" roughly opened at the top. Features poems by Tim Hildebrand Joyce Holland Dave Morice John Sjoberg and George Mattingly as well as couple of unattributed illustrations. OCLC seems to locate no copies. Steve Toth unknown
1966réf. 18123Paris: Gallimard 1966. Fine. Gallimard Paris 1966 14.50 x 21.50 cm broché First edition of the French translation one of 28 numbered copies on pur fil the only large paper copies. A very good copy. Gallimard unknown
1997réf. C105718Wonderworker Press Dublin Ireland 1997. First Edition. Hardback. Hardcover Hardcover. Very Good. First Edition. Hardback. Small 8vo. 12 by 16.5 cms. 36 unnumbered pages : coluor illustrations with quotes from Finnegans Wake. Spine reads incorrectly 'Water parted from the say.' Signed presentation from the author ' To Blanche Thanks and Happy Bloomsday 100! D J Schiff 6/ 16/04."" Notes: First printing ""An itsy bitsy product of The Wonderworker Press."" Each page neatly encased in plastic ""Number 14 of 15"" Fine. Rare! Only one copy found at WorldCat OCLC the worldÕs largest library catalogue. In North Carolina. Wonderworker Press, [ Dublin, Ireland] hardcover
1957réf. 33.135Buenos Aires: Sur 1957. 1ª ed. Rústica. 14x20.5. Sur paperback
1937réf. 33.134Buenos Aires: Sur 1937. 1ª ed. Rústica. 13.7x18.5. Sur paperback
réf. 23238P., A La Maison des Amis des Livres, mai 1922, in-8, br. Textes de James Joyce (Les Soeurs), L. Fabre, R. Chalupt, P. André-May (sur Morand), etc. Le texte de Joyce est extrait de Dubliners, traduit par Jacques-Paul Reynaud.
réf. 19227Tiré à part de la revue Letterature Moderne Anno VI n° 6, édité par Capelli à Bologne, in-8, br. de 8 p. Joint un tiré à part polycopié de Modern Fiction Studies vol II n° 2 (may 1956) :“Two manuscripts by Paul L. Léon concerning James Joyce” by Joseph Prescott, in-4 agrafé de 7 p.Joint un article tiré de Encyclopedia Britannica 1956 : William Faulkner (Falkner) by Joseph Prescott.Joint The Journal of the National book League n° 303, july-august 1956 : article Dorothy Rchardson by Joseph Prescott, avec des annotations manuscrites de Prescott.Et une lettre autographe signée du même datée du 31 mai 1957.
réf. 23222Catalogue de l’exposition James Joyce à la librairie La Hune à Paris, en octobre et novembre 1949. P., La Hune, 1949, in-8, br., couv. rempl. illustrées, non paginé. Préface de B. Gheerbrant. 611 documents présentés; manuscrits, photographies, lettres, livres, revues, articles, fac-similés, dessins, objets de Joyce, la bibliothèque de Joyce, etc.
réf. 470961 . Hardbound. Very Good. Portrait frontipiece and one plate. First English edition from the American plates with cancel title. London Geoffrey Bles 1926. A very good copy. hardcover
réf. 479421 . hardback. Fine. 1st ed. SIU Press 1959. A fine copy in dw inscribed by Magalaner to Jean Sternberg. hardcover
1993réf. 38742London: Charterhouse 1993. 4to. 91 1 pp. Publisher's black cloth black lettered white panel to the upper board protected by a glassine sleeve black detailed white card case with tabs. Black and white photographic illustrations. A few marks to the case and the first page of the book else very good. A private publication commemorating the inauguration of the commercial partnership between the British bank Charterhouse the Berliner Handels-und Frankfurter or BHF Bank and Crédit Commercial de France. The book also celebrates the recent formalisation of the European Union and the great opportunities for closer integration it provided. The images of business and commerce are taken by a photographer from each country. (London): Charterhouse unknown
1949réf. 227486Paris: Transition Press 1949. First edition number 482 of 1000 copies. Frontispiece and cover design by André Masson illustrated with photos. 195 5 pp. 1 vols. 8vo. Original cream wrappers printed in green and black with Masson design on front cover. Fine in original glassine. First edition number 482 of 1000 copies. Frontispiece and cover design by André Masson illustrated with photos. 195 5 pp. 1 vols. 8vo. Compendium of Joyceana which contains an anonymous piece clearly by Joyce himself entitled "Ad-Writer". It is a very funny letter to one "Mr. Huntington" in which Joyce suggests strategies for the marketing of his friend Italo Svevo's novel CONFESSIONS OF ZENO which is about a tobacco addict's attempts to quit smoking Svevo was literally rescued from oblivion by Joyces discovery of him. Slocum B 30. With a Joyce Contribution. Slocum B 30 Transition Press unknown
1958réf. 10592London: Abelard-Schuman 1958 1958. 1st Edition. Hardcover. Dust Jacket Included. 1st Edition. Hardcover. First Edition. 8vo. A fine copy in a fine dustwrapper. Laid-in is the publisher's promotional postcard/order reply card from The Gotham Book Mart announcing publication. An important book by Gilet who had so much to do with shaping French reaction to Ulysses & Finnegan's Wake. Abelard-Schuman, (1958) hardcover
1961réf. 891931961. The Stellar Press. 1961. LIMITED EDITION of 165 copies this being No. 105. Slim paperback with wrapps sewn binding. Covers very slightly sunned o/w a lovely clean copy. paperback
1950réf. 323229n.p.: n.p. 1950. 214pp. 19pp. laid-in 8pp. autograph notes. 1 vols. 4to. Standard B&P cloth-covered three-ring binder some soiling quite good. Pages starting to yellow and some pages towards the rear tearing at binding holes. 214pp. 19pp. laid-in 8pp. autograph notes. 1 vols. 4to. Portions of Joyce's book are typed out word for word nine lines per page with five blank lines separating each line of text. The space below each line is used for word by word elaboration for example some of the words in the first page alone: "riverrun": river runs Liffey rive vers Fr. un "Armorica": Brittany love Fr. America armor "isthmus": =neck G ist muss he is he must Pages numbered 13-84 correspond to the opening roughly two-thirds of Book 1 Chapter 1. There are 19pp. of duplicate pages out of the section loosely inserted with more elaboration. Pages 595-683 correspond to the Mookes and the Gripes section of Book 1 Chapter 6. Pages 853-864 corresponds to the end of Book 1 Chapter 8 the Anna Livia Plurabelle section. Pages 1237-1256 correspond to Book 2 Chapter 3 the Mullingar Inn section. Pages 2373-2393 correspond to the opening of Book 4 Chapter 1 the final chapter of the book. n.p. unknown
1932réf. 337611New York: Hound & Horn 1932. paperback. very good-. 8v printed wrappers light shelf-wear. New York: Hound & Horn July - September 1932. Contains Joyce's "Banned Writer to a Banned Singer". Other contributors include Gertrude Stein Allen Tate & W.C. Williams. Hound & Horn unknown
1967réf. 207481New York: National Publisher's Inc 1967. Wrappers gently used. 4to unpag. 32pp in printed card wrappers illustrated throughout. Illustrated souvenir program from the film adaptation of Joyce's landmark novel by Joseph Strick. A gadfly director Strick embraced the challenge of being the first to adapt Joyce's masterpiece into film taking motivation from the many doubters and naysayers who thought him a fool for trying it. He initially aimed to film the entire novel word for word in an epic production that would have run nearly twenty hours. Unable to secure any funding for such a project he had to reduce it two hours. Shot in contemporary 1960s Dublin with a superb cast of Irish actors including Milo O'Shea as Leopold Bloom Barbara Jefford as Molly Bloom Maurice Roeves as Stephen Dedalus and T.P. McKenna as Buck Mulligan it took Strick three years to complete the film which was released in New York in March of 1967. It generated immediate controversy and was censored at the Cannes festival and in Britain and entirely banned in Ireland until 2000. Although barred from theatrical release private clubs were able to screen the film for Irish audiences. Famously it was the first film in the U.K. to contain the word "fuck." Nor was it especially warmly received by critics or the community of Joyceans. In later years however appreciation has grown for Strick's achievement. National Publisher's Inc unknown
réf. 3206631970. Silver print on medium paper stamped. 14 x 11 inches. Fine. Silver print on medium paper stamped. 14 x 11 inches. Photographed in Berenice Abbott's Paris studio the iconic image of Joyce wearing a hat. According to Abbott who relied on natural light for her Paris portraits of the 1920s Joyce wore the hat because of the extreme sensitivity of his eyesight. unknown
1977réf. b40615Tulsa 1977. First Edition . Soft cover. Near Fine. Near fine in original wrappers. paperback
1994réf. 507574New York: W.W. Norton & Company 1994. Softcover. Fine. Uncorrected proof. Introduction by Anthony Burgess. Conceived and Designed by Bob Cato. Edited by Greg Vitiello. Quarto. 112pp. Illustrated from black and white photocopied photographs. Printed wrappers. Fine. Advance Review Copy with publisher's letter laid in. W.W. Norton & Company unknown
1939réf. b11032London 1939. First Edition . Soft cover. Near Fine. Near fine in original wrappers a small ink notation on the bottom of the front panel. paperback