Joyce, JamesABAA
18.459 resultados
1916ref. 345922New York: B.W. Huebsch 1916. First edition. iv 299 1 pp. 1 vols. 8vo. Publisher's blue cloth stamped in gilt on spine and in blind on front cover. Some rubbing spine ends and slightly on corners one scratch to front cover near spine not affecting blind stamp; very clean internally. First edition. iv 299 1 pp. 1 vols. 8vo. First edition of Joyce's autobiographical novel recounting the schooldays and emerging artistic consciousness of his alter-ego Stephen Dedalus. The novel was refused by Grant Richards publisher of Dubliners Secker and Edward Garnett for Duckworth. Finally B.W. Huebsch agreed to take on the book if Harriet Weaver who had serialized the novel in The Egoist in 1914 would arrange for 750 copies to be published in London. It was published first in New York by Huebsch on 29 December 1916 and then in London on 22 January with the American sheets and a cancel Egoist title-page. Slocum & Cahoon A11 B.W. Huebsch unknown books
1997ref. 010420Norwalk CT: Easton Press 1997. Collector's Edition. Full-Leather. Very Fine/No Jacket As Issued. 8vo. 254pp. Beautiful Unread "Collector's Edition" one of Easton's 100 Greatest Books Ever Written. Bound in full brown leather with titles and decorations in gilt. All edges gilt. Silk bookmark. Square tight and clean throughout with no discernible wear. Introduction by Hugh Kenner. Illustrations by Brian Keogh. Though open at the top seam. still enclosed in original shrink-wrap. A gorgeous collectable copy at a great price. Easton Press unknown books
1964ref. 509715New York: Time Reading Program Special Edition 1964. Softcover. Near Fine. Time Reading Program Special Edition. With a new introduction by Frank O'Connor. 282pp. Pictorial wrappers. Slight rubbing faint creases on spine near fine. Time Reading Program Special Edition unknown books
1917ref. 463618New York: B.W. Huebsch 1917. Hardcover. Near Fine/Very Good. Second printing April 1917 of the American edition the first edition was published in December 1916 preceding the English edition. Octavo. 299pp. Blue cloth stamped in blind and gilt. Contemporary bookplate of Walter A. Donnelly on the front pastedown and his ownership signature on the front fly else very near fine in attractive very good or better second printing dustjacket with several old internal tape repairs mostly at the folds and not visible on the outside. The text of the second printing jacket appears to be identical to the text of the first printing although laid out slightly differently with "Second printing" overstamped in red on the front panel. Joyce's landmark first novel. Huebsch printed 1250 sets of sheets for the first edition selling 500 sets to England for the Egoist Press edition which was published later thus the true first edition in this case the American edition preceded the English was 750 copies. We are unaware of the number of copies in the second printing but it was likely to have been quite small perhaps as few as 500 copies. Although the first edition is rare in jacket we've at least seen a few jacketed copies. This is the first copy we've seen of the second printing in the appropriate jacket. B.W. Huebsch hardcover books
1916ref. 3926New York: B. W. Huebsch 1916. First edition. Very Good . A Very Good copy with minor shelfwear to extremities. Spine toned. Rear inner hinge tender but holding. Previous owner's bookplate to the front free endpaper. Joyce's first novel recounts the coming of age story of Stephen Dedalus the artistic alter-ego of Joyce himself. Stephen grows up ensconced in rigid institutions: the church school system family and national politics. Feeling trapped Stephen experiences a series of awakenings as he grows older and as a result of these awakenings Stephen rejects these traditional bulwarks of Irish culture. Instead he develops an aestheticism that will support his artistic vision. This rejection of existing communities and institutions alongside his embrace of a new aestheticism alienates Stephen from what he knows. Facing this alienation Stephen decides to leave Ireland and pursue his art abroad. A Portrait of the Artist as a Young Man is an important contribution to literary modernism. One aspect of this innovativeness is Joyce's use of age-appropriate syntax and vocabulary. The beginning of the novel which starts in Stephen's infancy is mostly monosyllabic nonsense. As Stephen grows older and grasps more about the world and his place in it the novel's vocabulary and syntax become correspondingly complex. Of Joyce's first novel H.G. Wells writes that "It is a mosaic of jagged fragments that does altogether render with extreme completeness the growth of a rather secretive imaginative boy in Dublin. The technique is startling but on the whole it succeeds." Very Good . B. W. Huebsch unknown books
1916ref. 2940New York: B. W. Huebsch 1916. First edition. Very Good. A Very Good copy with bright gilt on the spine. Shelfwear to extremities. Front inner hinge starting but holding. Some offsetting to front endpaper and early ownership signature to front pastedown. Page 16 with slight skinning affecting several lines of text. Joyce's first novel recounts the coming of age story of Stephen Dedalus the artistic alter-ego of Joyce himself. Stephen grows up ensconced in rigid institutions: the church school system family and national politics. Feeling trapped Stephen experiences a series of awakenings as he grows older and as a result of these awakenings Stephen rejects these traditional bulwarks of Irish culture. Instead he develops an aestheticism that will support his artistic vision. This rejection of existing communities and institutions alongside his embrace of a new aestheticism alienates Stephen from what he knows. Facing this alienation Stephen decides to leave Ireland and pursue his art abroad. A Portrait of the Artist as a Young Man is an important contribution to literary modernism. One innovation is Joyce's use of age-appropriate syntax and vocabulary. The beginning of the novel which starts in Stephen's infancy is mostly monosyllabic nonsense. As Stephen grows older and grasps more about the world and his place in it the novel's vocabulary and syntax become correspondingly complex. Of Joyce's first novel H.G. Wells writes that "It is a mosaic of jagged fragments that does altogether render with extreme completeness the growth of a rather secretive imaginative boy in Dublin. The technique is startling but on the whole it succeeds." Very Good. B. W. Huebsch unknown books
1954ref. 278564New York: The New American Library 1954. Softcover. Very Good. Reprint. Complete and Unabridged. Foxed with a few surface tears on covers else very good in edge worn wrappers. The New American Library unknown books
1982ref. 538236New York / Santa Cruz: The Viking Press / The Cowell Press 1982. Hardcover. Fine. First edition of this excerpt. 12mo. 34pp. last 22 pages blank. Frontispiece photograph. Red silk cloth over boards. Glue that affixes the photo has bled-through a little on the previous page else fine. Copy number 3 of 4 copies printed by JoAnn Berns at The Cowell Press. A brief excerpt from the Joyce novel. OCLC locates a single copy. The Viking Press / (The Cowell Press hardcover books
1957ref. 2352280New York: The Viking Press 1957. 3rd Printing. Trade Paperback. Very Good. 8x5x1. Woods Miriam. 1957 3rd printing. Rear wrapper toned owner bookplate on front flyleaf. Binding tight and square pages clean bright and unmarked. 253 pp. Miriam Woods cover design. The first novel of Irish writer James Joyce best known for Ulysses who also wrote Finnegan's Wake and Dubliners. It traces the intellectual and religio-philosophical awakening of young Stephen Dedalus a fictional alter ego of Joyce and an allusion to Daedalus the consummate craftsman of Greek mythology. Stephen questions and rebels against the Catholic and Irish conventions under which he has grown and culminates with his self-exile from Ireland in Europe. The Viking Press paperback books
1968ref. 613265New York: The Viking Press 1968. Softcover. Very Good. First Viking Critical Library edition. Text criticism and notes edited by Chester G. Anderson. Trade paperback. Inked notations and underlining on the majority of pages in the first half of text small tear along front joint soiling on rear cover very good. The Viking Press unknown books
1968ref. 561162New York: The Viking Press 1968. Softcover. Very Good. First Viking Critical Library edition. Text criticism and notes edited by Chester G. Anderson. Trade paperback. Name stamp on the front free endpaper sunning to the spine spilling over to the wrappers and foxing to the wrappers very good. The Viking Press unknown books
2013ref. 77150NY:: Penguin Books. Near Fine. 2013. Hardcover. 9780143124313 . J in the Penguin Drop Caps series. First printing thus. Upper corners slightly bumped else fine in fluorescent green boards. No dust jacket as issued. Still in original shrinkwrap. . Penguin Books, hardcover books
1965ref. 68615NY:: Viking. Very Good in Very Good dust jacket. 1965. Hardcover. The definitive text corrected from the Dublin holograph by Chester G. Anderson and edited by Richard Ellmann. Second printing thus. Very good in a very good age toning small chip on rear panel dust jacket.; 253 pages . Viking, hardcover books
1948ref. 32724NY: Signit Book 1948. First paperback edn. small 8vo pp. 199. Plastic coated printed wraps some of the coating coming off in the rear. A very good copy. See Slocum & Calhoon A11 note. Signit Book unknown books
1967ref. 024883New York., The Viking Press., 1967. Ninth printing 1967, 253S. Einband leicht berieben, 8°. H OBroschur.
ref. 144207New York: Crosby Gaige 1928. With a preface by Padraic Colum. 12mo 7 x 4 3/4 inches. pp. xviii 61. Half-title. Original brown cloth spine lettered and decorated in gilt inverted gilt triangle device to front cover triple rule and dogtooth roll blocked in blind to covers top edge gilt fore and bottom edges uncut. FIRST EDITION LIMITED ISSUE. Number 690 of 800 copies signed by Joyce on the limitation page verso. Typography by Frederic Warde; distributed in America by Random House. The Gotham Book Mart dealer card laid in. Cloth bright and firm; light wear to spine extremities and corners. Text and limitation page clean; signature crisp and fully legible. A very good copy. Slocum & Cahoon A32. Anna Livia Plurabelle was the first separately published extract from the work Joyce then called "Work in Progress" which would not appear complete as Finnegans Wake until 1939. The chapter centered on the river Liffey and its washerwomen is among the most musical prose Joyce wrote and the one he revised and republished more times than any other. This American first edition precedes the Faber & Faber edition by two years. . unknown books
1928ref. 140948801New York: Crosby Gaige 1928. First Edition. Near Fine. First edition limited issue. #472 of 800 copies signed by James Joyce on the copyright page. A presentation copy with Sylvia Beach's handwritten note "from Mr. James Joyce" on her Shakespeare and Company stationary mounted to front pastedown. xviv 1 61 pp. printed on watermarked wove paper. Bound in publisher's brown cloth with decorative stamping in blind and gilt top edge gilt. Near Fine with light rubbing to extremities and faint staining around tail of spine. Contents lightly toned with occasional foxing more pronounced on endpapers and evidence of bookseller ticket removal to back pastedown. Slocum & Cahoon 32. The first separate publication of this fragment of Finnegans Wake which was published in installments over seventeen years before being issued as a complete book in 1939. Sylvia Beach the owner of the legendary Parisian bookstore Shakespeare & Co. had published Ulysses in 1922 and continued to foster Joyce's career during the following decade. She wrote in her 1959 memoir that Anna Livia Plurabelle gave her some trouble. She and Joyce tried to get the piece published in various literary periodicals with limited success. The Calendar accepted it only to be thwarted by its own printers who refused to set up a passage they found obscene. The printers at Princeton University Press which printed this luxurious limited edition for the New York bon vivant Crosby Gaige apparently had no such qualms. Crosby Gaige unknown books
1920ref. 021432Paris 24 November 1920. Letter. Close to Fine. Small 4-1/2" x 6-1/2" AUTOGRAPH LETTER SIGNED "James Joyce" to Madame Yasushi Tanaka Louise Gebhard Cann on blue paper integral with envelope which is addressed in Joyce's hand and postmarked on the verso. In full: "Dear Madam In reply to your letter I shall call on you on Sunday afternoon next as it seems to be the most convenient time for you. Sincerely yours James Joyce." Louise Gebhard Cann was a prominent writer and art critic in early 20th century France. At Ezra Pounds suggestion Cann wrote to Joyce requesting an interview with him for an article on writers in France set to appear in an upcoming issue of THE PACIFIC REVIEW. Following publication of the "Nausicaa" episode of ULYSSES in THE LITTLE REVIEW the previous year Joyces writing was deemed obscene. This particular issue of THE LITTLE REVIEW was effectively banned in the United States and it is believed that because of the controversy the editors then decided to omit any mention of Joyce from the finished article published in the March 1921 issue of THE PACIFIC REVIEW. Ellman JAMES JOYCE LETTERS III: 32. unknown books
1996ref. 137543Frankfurt am Main : Suhrkamp, 1996. 3. Aufl.; 269 S. ; 18 cm; OKart. (Taschenbuch);
1918ref. 349039Boston: Cornhill Co 1918. 40p 4.5x6.25 inches slim hardcover bound in green cloth boards with gilt titles on the front cover ink note on front free endpaper light dampstain to several pages at upper corners mild shelf wear. True first unauthorized US edition published months before the authorized edition by B. W. Huebsch. Believed to be 1000 copies. Originally published in London in 1907 by Elkin Mathews. Slocum & Cahoon A5. Cornhill Co unknown books
ref. 100259New York: B.W. Huebsch 1923. 12mo. 46 pp. Second Authorized American edition with reset type. Bound in full black morocco by James Tapley/No dust jacket. Slight scuffs to front board and limited scattered foxing to interior. PV . unknown books
1932ref. 15927New York: The Viking Press 1932. First Edition Thus. Hardcover. Very Good/Good. Authorized Edition. Inscribed on the front endpaper by writer Jack Sanford. Very Good in a Very Good dust jacket with some professional restoration. Cream cloth rubbed and toned at the edges. Square and firmly bound a stain at the top edge clean internally. A collection of thirty-six poems originally published by Elkin Matthews in 1907. Scarce in the dust jacket. The Viking Press hardcover books
1907ref. 140946996London: Elkin Mathews 1907. First Edition. Near Fine. First edition of James Joyce's first trade book and one of 509 copies originally printed. Second issue with thick wove endsheets. Bound in publisher's green cloth stamped in gilt. Near Fine with slight fading to spine cloth foxing to endsheets and preliminary matter contents tanned. A beautiful copy of this collection of poems with the title being derived from the sound of urine hitting a chamber pot. Slocum & Cahoon 3. Elkin Mathews unknown books
1918ref. 539152Boston: The Cornhill Company 1918. Hardcover. Near Fine. First American edition issue with laid endpapers. 12mo. 40pp. Green cloth stamped in gold. Small tape shadows on endpapers where a previous owner probably tried to preserve the original unprinted glassine apparently without success else a very near fine copy lacking the tissue dust jacket. Slocum & Cahoon A5: issued with either wove or laid paper endpapers with no priority determined. The Cornhill Company hardcover books
1918ref. 508502Boston: The Cornhill Company 1918. Hardcover. Fine/Fine. First American edition issue with wove endpapers. 12mo. 40pp. Green cloth stamped in gold. A fine copy with text partially unopened in about fine publisher's unprinted tissue dust jacket with very slight wear. Slocum & Cahoon A5- issued with either wove or laid paper endpapers with no priority determined. The Cornhill Company hardcover books
