Kramer, JoyceBiblio.com
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réf. 1646012003.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1998réf. 17067Youngstown: Butler Institute of American Art 1998. Softcover. VG. Charcoal wraps with color illustration and lettering. 60 pp. 39 color plates. Joint exhibition for this husband and wife artistic team with interviews by Moira Roth. Catalog of an exhibition held Feb. 3-March 14 1999 at Mills College Art Museum Oakland and at 6 other locations through May 21 2000. Butler Institute of American Art paperback books
2001réf. 21529New York NY: DC Moore Gallery 2001. Softcover. VG- minor shelf wear at corners and spine all pages clear and intact. may have ex-museum/gallery markings to exterior & interior. Illustrated stapled wraps with white and yellow lettering. 36 pp. 10 color plates. Introductory essay by Eleanor Heatney. Moore D.C. Gallery NY: 2001 Joyce Kozloff:. DC Moore Gallery paperback books
2017réf. 164300New York: DC Moore Gallery 2017. Softcover. VG minimal shelf wear. Color-illustrated softcover with grey lettering; French flaps. 51 pp. Color illustrations. Catalogue of an exhibition at the DC Moore Gallery from October 5-November 4 2017. DC Moore Gallery paperback books
2003réf. 214462New York NY: Distributed Art Publications 2003. Hardcover. Good- two considerable dampstains on front cover. All else excellent. Green boards with gilt text and design black text black cloth spine with gilt text. 61 pp. Color illustrations. Sticky note inside cover says "Love Joyce" Whether it was waged at Pitcairn Island Nagasaki or the Falkland Islands whether during the Han Dynasty the English Empire or the Cold War battles have been fought people slaughtered women raped children orphaned and so on as the pages of history turn. The current world situation in the very first years of the twenty-first century is certainly no exception. The visual residue of these battles changes over time growing more and more dense more and more immediate. But always there have been maps detailed cartographic evidence of what was known what was planned what was going to happen. For over a dozen years Joyce Kozloff has centered her art on the theme of cartography blending into her simulacra of old maps mutations that often raise geopolitical issues. She discovered in these images of physical terrain a mental territory as well--one that charts the topography of power. Boys' Art is a series of meticulous densely collaged maps that Kozloff has fashioned from hundreds of years of source material the most recent of which are her son Nik's childhood drawings of war. On top of her pristine pencil copies of historic military maps--culled from the Han dynasty to the Roosevelt administration--Kozloff has layered the movements of war as found in Tin Tin and Babar in a seventeenth-century woodblock by Hokusai in a George Grosz pen and ink drawing or a Leonardo da Vinci sketch. Surreal narratives emerge pitting cartoon elephants against samurai warriors scribbled monsters against Indians on horseback and Renaissance soldiers against Frenchmen in khaki fatigues and pith helmets. Presented in an oversize format at a 1:1 scale with the original collages Boys' Art lushly presents a series of work that unfortunately could not be more timely. But then as Kozloff herself writes in the introduction there has always been war. Distributed Art Publications hardcover books
2003réf. 214462New York NY: Distributed Art Publications 2003. Hardcover. Good- two considerable dampstains on front cover. All else excellent. Green boards with gilt text and design black text black cloth spine with gilt text. 61 pp. Color illustrations. Sticky note inside cover says "Love Joyce" Whether it was waged at Pitcairn Island Nagasaki or the Falkland Islands whether during the Han Dynasty the English Empire or the Cold War battles have been fought people slaughtered women raped children orphaned and so on as the pages of history turn. The current world situation in the very first years of the twenty-first century is certainly no exception. The visual residue of these battles changes over time growing more and more dense more and more immediate. But always there have been maps detailed cartographic evidence of what was known what was planned what was going to happen. For over a dozen years Joyce Kozloff has centered her art on the theme of cartography blending into her simulacra of old maps mutations that often raise geopolitical issues. She discovered in these images of physical terrain a mental territory as well--one that charts the topography of power. Boys' Art is a series of meticulous densely collaged maps that Kozloff has fashioned from hundreds of years of source material the most recent of which are her son Nik's childhood drawings of war. On top of her pristine pencil copies of historic military maps--culled from the Han dynasty to the Roosevelt administration--Kozloff has layered the movements of war as found in Tin Tin and Babar in a seventeenth-century woodblock by Hokusai in a George Grosz pen and ink drawing or a Leonardo da Vinci sketch. Surreal narratives emerge pitting cartoon elephants against samurai warriors scribbled monsters against Indians on horseback and Renaissance soldiers against Frenchmen in khaki fatigues and pith helmets. Presented in an oversize format at a 1:1 scale with the original collages Boys' Art lushly presents a series of work that unfortunately could not be more timely. But then as Kozloff herself writes in the introduction there has always been war. Distributed Art Publications hardcover
2003réf. SONG1891024795Brand: D.A.P./Distributed Art Publishers Inc 2003-08-02. Illustrated. hardcover. Used: Good. 17.80x0.74x12.24. Buy with confidence. Excellent Customer Service & Return policy. Brand: D.A.P./Distributed Art Publishers, Inc hardcover
2003réf. 153040New York: Distributed Art Publishers 2003. 1st edition. As New. large oblong quarto. 1/2 cloth 61pp. colour illusts. Half black cloth over grey decorated boards. Signed by Joyce Kozloff on the front end paper Distributed Art Publishers hardcover
réf. 68-4033NY NY: Joyce Kozloff 1985. Stapled Letter-Sized Pages 9 pp. VG. Sent to Peter Selz stamped Oct 22 1985.From the Collection of the Art Historian Peter Selz. NY, NY: Joyce Kozloff, 1985. unknown
réf. 18-4656Pittsburgh PA & Gambier OH: Carnegie Mellon University & Kenyon College 2006. . Exhibition brochure. 16mo. Oblong. 16 pp. Single glossy color illustrated sheet folded into eighths and printed on both sides. Very good. Color plates. Folds out into exhibition poster. Brochure created to announce an exhibition held at Regina Gouger Miller Gallery Pittsburgh August 25 - October 15 2006 and Olin Library Kenyon College Gambier Ohio November 2 - December 16 2006. Scarce.From the Collection of the Art Historian Peter Selz. Pittsburgh, PA & Gambier, OH: Carnegie Mellon University & Kenyon College, 2006. unknown
réf. 18-4657Venice Italy: Gallerie Michela Rizzo 2006. . Exhibition brochure. Folio. 8 pp. Stiff glossy color illustrated single-sheet folded into fourths. Very good with marginal rubbings along fold creases. Color plates. Includes texts by Barbara Pollack and Martina Cavallarin. Brochure created to announce exhibition at the Gallerie Michael Rizzo in Venice Italy from September 8 through October 31 2006 in association with Thetis SpA Venice. In English ed in Italiano. From the Collection of the Art Historian Peter Selz. Venice, Italy: Gallerie Michela Rizzo, 2006. unknown
réf. 18-4604Virginia Beach VA: Contemporary Art Center of Virginia 2002. . Exhibition brochure. 4to. 4 pp. Single soft color illustrated sheet folded into halves. Very good. Color plates. Includes text by exhibition curator Carla Hanzal. List of exhibited works. Brochure created to announce exhibition “Joyce Kozloff: Topographies” at the Contemporary Art Center of Virginia in 2002. Scarce. From the Collection of the Art Historian Peter Selz. Virginia Beach, VA: Contemporary Art Center of Virginia, 2002. unknown
réf. 18-4655Pittsburgh PA & Gambier OH: Carnegie Mellon University & Kenyon College 2006. . 4to. 6 pp. Single stiff color illustrated sheet folded into thirds and printed double-sided. Very good. Color plates. Includes an essay by Eleanor C. Munro. Catalog of an exhibition held at Regina Gouger Miller Gallery Pittsburgh August 25 - October 15 2006 and Olin Library Kenyon College Gambier Ohio November 2 - December 16 2006. Scarce.From the Collection of the Art Historian Peter Selz. Pittsburgh, PA & Gambier, OH: Carnegie Mellon University & Kenyon College, 2006. unknown
réf. 18-4522Washington D.C.: D.C. Moore Gallery 1997. . Exhibition brochure. 12mo. 6 pp. Single stiff yellow printed sheet folded into thirds. Very good. 3 color plates. Brochure created to announce exhibition at D.C. Moore Gallery in Washington D.C.: “Joyce Kozloff: Other People’s Fantasies Maps Movies and Menus” from May 7 through June 6 1997. Scarce. From the Collection of the Art Historian Peter Selz. Washington, D.C.: D.C. Moore Gallery, 1997. unknown
1990réf. 032442New York: Hudson Hills Press 1990. Book. Near Fine. Haradcover. Signed and Inscribed By the Author. First Edition. 88pp.32 fullpage color plates facing color enlargements of particular details. Luxurious red cloth with gilt lettering decorations. Both the book and unclipped pictorial acket have a hint of wear otherwise fine Author inscription to Emma Amos pioneer African-American artist. . An artist's exploration of the erotic through an extraordinary suite of watercolor paintings that incorporate both sexual and ornamental motifs from the great art of the world East and West in surprising and amusing juxtapositions. Size: Square 11 1/4" x 11 1/4". Hudson Hills Press hardcover
réf. 1477234918.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 25794585-nnew. unknown
réf. 1868426394.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2017réf. i36ihJonathan Ball Publishers 2017. First Edition. Softcover. Near Fine. Afrikaans text. minor shelf wear on the wraps. some usage markings. sound binding. may require extra postage. SK. Our orders are shipped using tracked courier delivery services. Jonathan Ball Publishers paperback
1995réf. AME_9780824794033marcel dekker 1995. 1st. Hardcover. New/New. _ marcel dekker hardcover
1964réf. 281495Ann Arbor: The University of Michigan Press 1964. Hardcover. xii 419p. hardcover in dust jacket 8.75x11.25 inches. Dust jacket shelfworn with multiple tears on bottom and top edge previous owner's name on front free endpaper else very good. Illustrated with period cartoons panels reproductions of handbills song lyrics etc. "An outstanding and entertaining collection of writings cartoons verses and reports from the IWW literature with historical introductions." Miles 132. The University of Michigan Press hardcover books
1964réf. 273547Ann Arbor: The University of Michigan Press 1964. Hardcover. xii 419p. in original red cloth boards dustjacket shelfworn tears and tape residue on front pastedown endpaper else in very good condition 8.75x11.25 inches illustrated with period cartoons panels reproductions of handbills song lyrics etc. "An outstanding and entertaining collection of writings cartoons verses and reports from the IWW literature with historical introductions." Miles 132. The University of Michigan Press hardcover books
1965réf. 44884Ann Arbor: University of Michigan 1965. Hardcover. Near Fine/Near Fine. Second edition. Quarto. Near fine in a near fine dustwrapper with light wear. University of Michigan hardcover books
1972réf. 5547Ann Arbor: The University of Michigan Press 1972. Paperback. xii 419p. wraps slightly edge worn light creasing of spine else very good condition. second printing. "An outstanding and entertaining collection of writings cartoons verses and reports from the IWW literature with historical introductions." Miles 132. The University of Michigan Press paperback books
2011réf. 29506Oakland and Chicago: PM Press / Charles H. Kerr Publishing Company; Merlin 2011. Reprint. Paperback. New. 447pp. Octavo 25.5 cm. Illustrated wraps. From the publisher: "Welcoming women Blacks and immigrants long before most other unions the Wobblies from the start were labor’s outstanding pioneers and innovators unionizing hundreds of thousands of workers previously regarded as “unorganizable.” Wobblies organized the first sit-down strike at General Electric Schenectady 1906 the first major auto strike 6000 Studebaker workers Detroit 1911 the first strike to shut down all three coalfields in Colorado 1927 and the first “no-fare” transit-workers’ job-action Cleveland 1944. With their imaginative colorful and world-famous strikes and free-speech fights the IWW wrote many of the brightest pages in the annals of working class emancipation. Wobblies also made immense and invaluable contributions to workers’ culture. All but a few of America’s most popular labor songs are Wobbly songs. IWW cartoons have long been recognized as labor’s finest and funniest. The impact of the IWW has reverberated far beyond the ranks of organized labor. An important influence on the 1960s New Left the Wobbly theory and practice of direct action solidarity and “class-war” humor have inspired several generations of civil rights and antiwar activists and are a major source of ideas and inspiration for today’s radicals. Indeed virtually every movement seeking to “make this planet a good place to live” to quote an old Wobbly slogan has drawn on the IWW’s incomparable experience. Originally published in 1964 and long out of print Rebel Voices remains by far the biggest and best source on IWW history fiction songs art and lore. This new edition includes 40 pages of additional material from the 1998 Charles H. Kerr edition from Fred Thompson and Franklin Rosemont and a new preface by Wobbly organizer Daniel Gross. PM Press / Charles H. Kerr Publishing Company; Merlin paperback books
