2 530 résultats
1940réf. 609824London: Frederick Warne & Co 1940. Hardcover. Fine/Fine. First edition. Octavo. Illustrated by Joyce Horn. Small Australian bookstore stamp on front pastedown else fine in price-clipped else fine dust jacket. Young adult book about a kangaroo. A lovely copy. Frederick Warne & Co hardcover books
1962réf. 386730Alamo California: S.T. Friedman 1962. Softcover. Fine. 15pp. Illustrated by Bobbie Blume. Octavo. Stapled mimeographed and folded for mailing as issued. Small Chinese chop mark on front wrap else about fine. Contributors include Frank Ankenbrand Jr. Judson Crews Trumbull Drachler Margaret Lee Johnson Eunice Pond LaSelle Joyce Odam D.J. Ruona and Paul J. Wear Jr. A nice copy of this fragile poetry journal. S.T. Friedman unknown books
1950réf. 10825Paris: Gallimard 1950. Decorative Cloth. Collectible; Fine/Fine. A lovely copy of the 1st French hardback edition of James Joyce's play "Exiles" translated from the original English by J.S. Bradley. Clean bright and Near Fine in its gilt-decorated cloth. Also includes a Near Fine example of the mylar dustjacket. 12mo 234 pgs. Gallimard unknown books
1971réf. 46178Garden City: Doubleday & Company 1971. Very Good/Very Good. Garden City: Doubleday & Company 1971. First Edition stated. Octavo 21.5cm; photo dust jacket with $6.95 price intact; boards in light blue cloth with silver lettering to spine; xxvi304pp. Jacket shows a few closed tears and creases along edges and chipping at spine ends with some smudging and soiling to rear panel. Boards bumped at corners and spine ends Binding sound and pages unmarked. Sociologist civil rights activist and editor Joyce Ladner's first book a study of black womanhood. Doubleday & Company unknown books
1896réf. 87732London:: Methuen & Co. Very Good. 1896. Hardcover. With two chapters by G. R. Sinclair. First edition. INSCRIBED by the author in 1898. Octavo bound in dark green cloth with gilt lettering and design. Light edge wear to boards foxing to edges endpapers and title page else very good. ; 278 pages . Methuen & Co., hardcover books
1968réf. 021823New York: Limited Editions Club 1968. Hardcover. Fine in a lightly soiled Fine slipcase. Brian Keogh. Large octavo 6-1/2" x 9-3/4" bound in green boards with a black leather spine stamped in gold. Copy #1085 of 1500 illustrated with full-page color plates and part-page line drawings by Brian Keogh and SIGNED by him on the colophon page. Monthly Letter laid in. Limited Editions Club hardcover books
1968réf. 453476New York: The Viking Press 1968. Hardcover. Fine. First edition. Introduction and notes by Richard Ellman. Gray papercovered boards with red cloth spine and paper label with matching slipcase and label. Fine in fine slipcase. Includes four full-scale facsimile pages from the manuscript. The Viking Press hardcover books
1968réf. 23097New York: Viking Press 1968. First edition. Hardcover. Orig. red cloth spine and dark gray boards front cover paper label. Fine in matching fine slipscase. xxvii pages. 22.5 x 16 cm. With four full-scale pages from the manuscript and reduced reproductions of the other pages. Written one half century ago in Trieste. Viking Press hardcover books
1961réf. 434844Milano: All Insegna del Pesce d Oro 1961. Softcover. Fine. First edition of this translation. Translated by Aldo Camerino. 24mo. Printed yellow self-wrappers. One of 1000 copies. About fine in near fine printed red wraparound band. All Insegna del Pesce d Oro unknown books
1944réf. 24207New York: New Directions Books 1944. First American edition. Cloth. A very good copy top edge lightly toned owner's bookplate to front pastedown boards bright and tight in a very good price-clipped dust jacket with a few small chips at the folds. 234 pp. Illus. with b/w photos and drawings. 4to. Edited by Theodore Spencer. New Directions Books hardcover books
1971réf. 103328Middletown:: Wesleyan University. Very Good. 1971. Paperback. Limited paperback edition: this copy is number 59 of 95 copies. Age toning to covers else very good in stapled wraps. ; 12 pages . Wesleyan University, paperback books
1942réf. 517590London: Faber and Faber 1942. Hardcover. Near Fine/Very Good. First edition first impression later state with acknowledgments slip at page 8. Introduction and selections by T.S. Eliot. 12mo. Tiny bookseller ticket Grolier Book Shop on front fly binding slightly cocked near fine in a very good dust jacket with a few tiny chips and tears and a toned spine. Poet and scholar Samuel French Morse's copy with his attractive pictorial bookplate on the front flyleaf. Selections from: 'The Sisters' from Dubliners and extracts from A Portrait of the Artist As a Young Man Ulysses and Finnegans Wake. Faber and Faber hardcover books
2020réf. 1391410London UK: Doubleday 2020. Limited Edition #171/250. Hardcover. Octavo 388 pages. In Near Fine condition with Near Fine condition dust jacket. Spine is dark green with a small golden beetle and white lettering. Dust jacket protected by mylar covering price uncut: "£16.99" on front flap. Signed flat and stamped with a yellow beetle by Rachel Joyce on title page. Shelved in hallway. 1391410. Special Collections. Doubleday hardcover books
1940réf. 272030Berlin: Internationaler Verlag 1940. 232p. blue card covers foxed occasional very minor marks in the margin textblock otherwise clean. German edition of the work published in English as "Twilight Over England" priority of editions not known to your humble cataloger. Joyce the New York-born British propagandist for the Nazis known as "Lord Haw-Haw" was tried and executed for treason after the war the last man killed for this crime in England. Internationaler Verlag unknown books
1917réf. 290130New York: Harper and Brothers 1917. Hardcover. Near Fine/Fair. First edition. Front hinge a little cracked else near fine in poor dustwrapper with some substantial chips. Still very scarce in jacket. Harper and Brothers hardcover books
2003réf. 214462New York NY: Distributed Art Publications 2003. Hardcover. Good- two considerable dampstains on front cover. All else excellent. Green boards with gilt text and design black text black cloth spine with gilt text. 61 pp. Color illustrations. Sticky note inside cover says "Love Joyce" Whether it was waged at Pitcairn Island Nagasaki or the Falkland Islands whether during the Han Dynasty the English Empire or the Cold War battles have been fought people slaughtered women raped children orphaned and so on as the pages of history turn. The current world situation in the very first years of the twenty-first century is certainly no exception. The visual residue of these battles changes over time growing more and more dense more and more immediate. But always there have been maps detailed cartographic evidence of what was known what was planned what was going to happen. For over a dozen years Joyce Kozloff has centered her art on the theme of cartography blending into her simulacra of old maps mutations that often raise geopolitical issues. She discovered in these images of physical terrain a mental territory as well--one that charts the topography of power. Boys' Art is a series of meticulous densely collaged maps that Kozloff has fashioned from hundreds of years of source material the most recent of which are her son Nik's childhood drawings of war. On top of her pristine pencil copies of historic military maps--culled from the Han dynasty to the Roosevelt administration--Kozloff has layered the movements of war as found in Tin Tin and Babar in a seventeenth-century woodblock by Hokusai in a George Grosz pen and ink drawing or a Leonardo da Vinci sketch. Surreal narratives emerge pitting cartoon elephants against samurai warriors scribbled monsters against Indians on horseback and Renaissance soldiers against Frenchmen in khaki fatigues and pith helmets. Presented in an oversize format at a 1:1 scale with the original collages Boys' Art lushly presents a series of work that unfortunately could not be more timely. But then as Kozloff herself writes in the introduction there has always been war. Distributed Art Publications hardcover books
1971réf. 503348New York: Doubleday & Company 1971. Softcover. Very Good. Uncorrected proof. "Final Galley" proof of the first edition. Narrow quarto Unprinted white wrappers with publisher's cover label. Printed on rectos only. Corners of some pages have started to curl covers moderately soiled with a few short tears else near very good. Scarce in this format. Doubleday & Company unknown books
1978réf. 202581Los Angeles CA: The Los Angeles Center For Photographic Studies 1978. Poster for an exhibition that ran June 1-30 1978. Measures 21.5" wide by 17.5" high. Features Neimanas' image "the Bull Worker." A clean near fine copy with a few tiny spots. Uncommon. The Los Angeles Center For Photographic Studies unknown books
1984réf. 213084Tucson AZ: Center for Creative Photography - University of Arizona 1984. First edition. Softcover. 23 pages. Published in conjunction an exhibition that ran September 23 through November 1 1984. Foreword by James Enyeart. Features text by Sarah J. Moore. Includes a 16 color images chronology list of previous exhibitions and checklist. A very good copy in stapled wrappers with some faint staining to the top of the spine that extends to the first and last few pages but with no impact on the text or images. Signed and inscribed by Neimanas on the title page to fellow photographer Barbara Crane. A nice association copy. Center for Creative Photography - University of Arizona unknown books
1966réf. 1357162New York: The Vanguard Press Inc 1966. First Edition First Printing. Hardcover. Octavo 440 pages; G/VG-; blue pictorial spine with white lettering; dust jacket protected with a mylar covering; marked shelfwear and rubbing to the jacket; minor creasing and chipping to the top and bottom of the jacket at the front and back; marked chipping and creasing to the head and tail of the spine and the corners of the jacket flaps; price unclipped '$5.95'; minor soiling to the jacket flaps; marked bumping to the corners of the boards and the head and tail of the spine; spine is cocked; stains at the top and bottom of the book at the front and the back boards where tape has been removed; remaining piece of tape at the bottom of the back board; top edge of the text block is dyed light red; minor soiling to the edges of the text block; minor age-toning and soiling to the front and back paste downs and free endpapers; damage to the ffep from some type of adhesive used by a previous owner; gutter split and webbing visible between half title and title page; signed flat by Oates on a pasted-in slip of paper on the title page; shelved under the Front Counter. 'A Garden of Earthly Delights' was a finalist for the 1968 National Book Award for Fiction. 1357162. Shelved Dupont Bookstore. The Vanguard Press, Inc hardcover books
1980réf. 587297New York: Albondocani Press 1980. Softcover. Fine. First edition. Marbled wrappers. Tiny bit of edgewear else fine. Copy 79 of 326 Signed by the author. Albondocani Press unknown books
1980réf. 500218New York: Albondocani Press 1980. Softcover. Near Fine. First edition. Marbled wrappers. Light edgewear near fine. Copy 127 of 326 Signed by the author. Albondocani Press unknown books
2011réf. 7116Norwalk: Easton Press 2011. First edition limited to 850 numbered copies signed by Oates on the limitation page. #664. Precedes the trade edition. Gilt-stamped leather-covered boards all edges gilt satin pagemarker. Black and white photograph. Issued without dustjacket. Publisher's coa and note card laid-in as issued. Unread copy in Fine condition. Hardcovers. 8vo - over 7¾" - 9¾" tall. Easton Press hardcover books
1969réf. 015363Baton Rouge: Louisiana State University Press 1969. First Edition. Hardcover. Fine in a Fine dustwrapper. Prolific author's first book of poetry. Louisiana State University Press hardcover books
1980réf. 198869New York: E.P. Dutton Inc 1980. First edition. Hardcover. First printing. 558 pages. Review copy with laid in author publicity sheet and a laid in letter from publisher representative Lois E. Shapiro to legendary literary critic John Leonoard. A thick novel from the author of the National Book Award winning "Them." A fair copy that has been extensively dog eared by Leonard and with some marks by him and in a fair dust jacket that has a good deal of wear. An interesting copy with a great provenance. E.P. Dutton, Inc unknown books
