2 545 résultats
1974réf. 33727Los Angeles: Black Sparrow 1974. First edition deluxe numbered & signed issue. 200 pp. Fine in printed paper-covered boards with cloth spine and printed label. Near fine unprinted clear acetate dust jacket with a small chip and tiny tear. Fine publisher's slipcase. One of 50 numbered copies SIGNED by Oates. Morrow & Cooney 178d. Los Angeles: Black Sparrow, hardcover books
1986réf. 570509Concord New Hampshire: William B. Ewert 1986. Softcover. Very Good/Very Good. First edition. Illustrated with two woodcuts by Mary Azarian. Small quarto. Printed wrappers. Last few pages and rear wrap lightly creased small stains at bottom corner very good in a very good unprinted dust jacket with corresponding small stains and faint soil on rear panel. Number 69 of 100 copies Signed by Oates and Azarian. William B. Ewert unknown books
1986réf. 364893Concord New Hampshire: William B. Ewert 1986. Softcover. Fine/Very Good. First edition. Wrappers. Fine in a very good unprinted dustwrapper with toning at the edges. Number 15 of 100 copies Signed by the author. William B. Ewert unknown books
1975réf. 365656Los Angeles: Black Sparrow 1975. Hardcover. Fine/Fine. First edition. Spine label toned else about fine in a fine unprinted mylar dustwrapper in a very good slip case with toning. Number 26 of 50 copies handbound in boards by Earle Gray in slipcase and Signed by the author. Black Sparrow hardcover books
1970réf. 588601New York: The Vanguard press 1970. Hardcover. Near Fine/Very Good. First edition. A bit of light spotting on the front cover near fine in a price-clipped and moderately worn near very good dust jacket with small chips and tears light tanning and a bit of light interior staining that doesn't show through. Signed by Oates on a label laid down vertically on the front fly. The Vanguard press hardcover books
1966réf. 121128NY: Vanguard Press 1966. First edition first prnt. Signed by Oates on the title page. Spine ends lightly pushed; dustjacket with minimal edgewear with some loss at the spine ends. A bright tight copy in Near Fine condition in a Very Good dustjacket with an archival cover. Oates' third book second story collection. Signed by Author. First Edition. Hardcovers. Near Fine/Very Good. 8vo - over 7¾" - 9¾" tall. Vanguard Press Hardcover books
1971réf. 353084Greenwich Connecticut: Fawcett Publications Inc 1971. Softcover. Very Good. Reprint. Mass market paperback. Very good in wrappers with some soiling and a crease to the spine. Inscribed by the author. Fawcett Publications, Inc unknown books
1983réf. 009703New York: Warner Books 1983. First Paperback Printing. Soft cover. Near Fine -. Literary feminists' association copy inscribed by Oates at the dedication page to author Francine du Plessix Gray. Oates' note to Gray reveals that book's dedicatee feminist and literary critic Elaine Showalter is the basis for a feminist character in the book under Showalter's maiden name Elaine Cottler. Lightly rubbed edges. Warner Books unknown books
1973réf. 535114San Jose: Firesign Press 1973. Hardcover. Fine/Very Good. First edition. Fine with ink owner name on first page in very good toned dust jacket with moderate edgewear and a few tiny internal tape repairs. Inscribed by the author: "For Fred Warren a wonderful Black man. Always Joyce Carol Thomas. 4-9-75." African-American poet's scarce first book published by an obscure press. Firesign Press hardcover books
1973réf. 529313San Jose: Firesign Press 1973. Hardcover. Fine/Very Good. First edition. Fine in very good dustwrapper with age-toning and moderate wear at the edges including nick tears and creases. This African-American poet's scarce first book published by an obscure press. Firesign Press hardcover books
1989réf. 212892New Orleans LA: The Contemporary Arts Center 1989. First edition. Softcover. 16 pages. Exhibition catalog for a show that ran March 4 through April 1 1989. Features a text by Lew Thomas a statement by Joyce Neimanas and with the text of an interview of Heinecken by Clarie Peeps. Includes images by Robert Heinecken Lutz Bacher Warren Neidich and Joyce Neimanas. A near fine copy in stapled wrappers with some bumping/creasing to the bottom right corner.Includes a laid in handwritten and signed letter from Joyce Neimanas to a gallerist. Uncommon. The Contemporary Arts Center unknown books
1967réf. 578685London: Universal Edition 1967. Softcover. Fine. First edition. Tall octavo. Stapled printed wrappers. Fine. Prints musical settings by Hugh Woods for three separate chorus: The Hawk in the Rain by Ted Hughes; Sirens by James Joyce from Ulysses and All We by Edwin Muir. Universal Edition unknown books
1951réf. 15928New York: The Viking Press 1951. First Edition. Hardcover. Fine/Near Fine. Limited to 1900 copies. Introduction by Padraic Colum. Fine in an about Near Fine dust jacket unclipped $5.00 unevenly toned a closed tear at the top edge of the back panel. Quarter cream cloth with red paper on the boards. Square and firmly bound with a red topstain clean internally. The Viking Press hardcover books
1984réf. 60457Columbus: The Thurber House. Very Good. 1984. Hardcover. 1/100 bound copies total edition was 600. Nice inscription on title page from Rosemary Joyce. Nice condition. . The Thurber House hardcover books
1969réf. 009291New York: The Vanguard Press 1969. Book. Fine. Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. First US Edition First Printing of the author's 6th book the 1970 National Book Award winner. Fine in Very Good Plus dust jacket 1/2" closed tear bottom edge rear panel bump with small hole an inch up along rear spine fold light rubbing at edges. The Vanguard Press Hardcover books
1933réf. 58387The Hague Holland: The Servire Press 1933. First Edition. Large octavo pictorial wrappers cover art by Hans Arp 179 pages plus ads illustrated reproducing work by Hans Arp. Contains the first appearance of Joyce Not in Slocum & Calhoon . Covers little loose toned and nicked at extremities. This was writer Dudley Fitts copy with his signature on the cover. A very good copy. from Wikipedia: "Transition was an experimental literary journal that featured surrealist expressionist and Dada art and artists. It was founded in 1927 by poet Eugene Jolas and his wife Maria McDonald and published in Paris. They were later assisted by editors Elliot Paul April 1927- March 1928 Robert Sage October 1927-Fall 1928 and James Johnson Sweeney June 1936-May 1938. The literary journal was intended as an outlet for experimental writing and featured modernist surrealist and other linguistically innovative writing and also contributions by visual artists critics and political activists. It ran until spring 1938. A total of 27 issues were produced. It was distributed primarily through Shakespeare and Company the Paris bookstore run by Sylvia Beach The Servire Press unknown books
1936réf. 15069ADVANCE COPY THE AFRICAN WITCH Morrow 1936 first American edition very good to very good plus in wraps. Advance reading copy with the publication date and price lightly stamped on the f.e.p. Scarce thus. The authors most sought after title. Morrow paperback books
1980réf. 10626LECTURES ON ULYSSES Bruccoli / Clark 1980 first edition as new in like glassine dust-wrapper. 1/500 copies indeed the entire print run consisting of a facsimile of the authors manuscript. Bruccoli Clark unknown books
1936réf. 52662London: Gollancz 1936. First Edition. First Printing. Octavo 20cm.; black boards embossed in gilt on spine; dustjacket; 448pp.; former owner's bookplate inside front cover; spine ends gently pushed; Near Fine. The dustjacket is unclipped with faint soil to front panel and light toning to the jacket spine; Near Fine. Author's third novel set in Nigeria between the wars. Gollancz unknown books
1942réf. 130419Los Angeles: Twentieth Century-Fox 1942. Final script for the 1942 film. A lighthearted drama centering on a female stamp collector obsessed with a government mail sack of undelivered letters that has turned up after missing for 50 years. The AFI Catalog notes that all the title cards for the film's opening credits are handwritten on envelopes postmarked 1889. A studio press release asserted that producer Ralph Dietrich got the idea for the film from a newspaper story concerning "the discovery in Philadelphia some months ago of a mail bag apparently the loot of a robbery some seventy-five years before." The story reported that the mail would be delivered by the post office to the addressees or their heirs. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 70 and production No. 768 dated April 1 1942. Distribution page present with receipt intact. Title page present dated April 1 1942 noted as Final Script with credits for screenwriter Braus. 122 leaves mimeograph duplication with blue revision pages throughout dated variously between 4/1/42 and 5/1/42. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown books
1990réf. 31433Toronto: Exile Editions 1990. Very Good /Very Good . Toronto: Exile Editions 1990. First Edition. Slim octavo 23 cm; 188pp. Publisher's red illustrated dust jacket with price intact $23.95. Boards full bound in bright red cloth with gilt stamping to spine. Black endsheets. Jacket generally scuffed rubbed and bumped with superficial scratches to surface. Boards bumped at corners and spine ends with minor bowing inward to boards. Binding slightly cocked but firm. Top edge toned and dust soiled. Pages clean. A Very Good or better copy in like dust jacket. Bookplate signed by Oates loosely laid in at half title. A collection of sixteen 16 short stories all of which first appeared in the Canadian literary magazine Exile. Exile Editions unknown books
1920réf. 140941506New York: George H. Doran Company 1920. Fine/Very Good. Early printing but not first with "Printed in the United States of America" on copyright page. 75 pp. Publisher's brown cloth ruled in blind with title labels on front and spine. Fine in Very Good dust jacket with some closed tears and creases sunning to spine. The bestselling poetry collection with its famous titular poem which begins "I think that I shall never see / A poem lovely as a tree" and a great dust jacket design that can only be described as a proto-psychedelic barber's pole. George H. Doran Company unknown books
1945réf. 141104Universal City CA: Universal Pictures 1945. Vintage US half sheet poster for the 1945 film. Remake of the 1934 Universal film "Advice to the Lovelorn" that also starred Lee Tracy. Both films were based on West's novel "Miss Lonelyhearts." Lee Tracy plays a radio announcer born with the inability to shut up both a blessing in terms of finding fame in the radio business and a curse in terms of constantly talking over his singer girlfriend while she is performing. He is eventually demoted to the position of writing a newspaper column for the lovelorn. 22 x 28 inches folded. Very Good plus. Universal Pictures unknown books
1975réf. 162161N.p.: Cinema International 1975. Six vintage lobby cards for the 1975 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An experimental film loosely based on Lewis Carroll's "Alice's Adventures in Wonderland" about a young woman in a post-apocalyptic world who seeks refuge from a violent civil war in an abandoned château. 11.5 x 9.25 inches. About Fine. Criterion Collection 571. Cinema International unknown books
1972réf. 578948Cambridge Massachusetts: Pomegranate Press 1972. Unbound. Fine. Broadside. Illustrated by Karyl Klopp. Measuring approximately 11" x 16½". Fine. One of 250 numbered copies. Pomegranate Press unknown books
