23.623 risultati
1961rif. 12053New York: Random House 1961. Second Printing. Hardcover 783 pages. Good/Good. Stated second printing. New Random House edition corrected and reset. Grey boards with debossed lower case author initials on front board. Gilded author title and publisher on outer spine. Inked top edge. Bumping rubbing and age wear to boards and spine. Soiling and age wear to text block. Ex-owners name written in pen on front free endpaper. Soiling and age wear to paste-downs and free endpapers. Ex-bookshop sticker affixed to bottom left corner of back paste-down. Pages are clean binding is tight. Significant soiling scuffing creasing and bumping to inner and outer dust jacket. Random House hardcover
2008rif. 227250Boston. : Little Brown Co. Bulfinch Press. 2008. Stated first edition. . Decorated hard cover. . Fine copy in fine dust jacket in mylar. As new. . Folio. . Illustrated in black white and color. Important reference work. Very scarce in this condition. Signed by the author. Little, Brown Co. Bulfinch Press. hardcover
1917rif. SB6268MSMNY: B.W. Huebsch Inc. 1917. Ink notation at top of page 1; Textblock aged else textblock is clean and tight. Moderately worn binding bumped and worn corners and spine extremities; Lacks dust jacket; 299p. First Edition 2nd Printing. Blue Cloth. Good. 12mo - over 6¾" - 7¾" tall. Hardcover. B.W. Huebsch, Inc. Hardcover
2007rif. SBBIH-ATKPSXAFXHIXNew Holland Publishers Ltd 2007. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. New Holland Publishers Ltd paperback
2000rif. Q-0198506015Oxford University Press 2000-09-21. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Oxford University Press hardcover
rif. DADAX0415997410New unknown
2023rif. Adhya-9781032315256T&F/ROUTLEDGE 2023. PB. New. T&F/ROUTLEDGE paperback
2023rif. Adhya-9781032315256T&F/ROUTLEDGE 2023. PB. New. T&F/ROUTLEDGE paperback
rif. 49538769-nnew. unknown
rif. 37688371-nnew. unknown
1944rif. 21578London: Michael Joseph 1944. A first edition first printing of The Horse's Mouth by Joyce Cary published by Michael Joseph London in 1944. A near fine copy free from internal inscriptions pushing to lower corners of front and back boards toning and spotting to the text block. In a good unclipped wrapper chipping to the spine tips and knuckles of front and rear flap folds fading to the spine shelf wear damp-staining and closed tear to the spine an open tear to top edge of front panel and closed tear to hinge of lower edge damp-staining to rear panel with small open tear to lower edge. The Horse's Mouth by Joyce Cary follows Gulley Jimson a rebellious eccentric painter determined to create art at any cost. Told in his own vivid colloquial voice the novel explores the struggles of artistic obsession the tension between creativity and society and the sacrifices demanded by genius. Through Jimson's irreverent humour and chaotic adventures Cary examines the nature of inspiration the defiance of convention and the relentless pursuit of personal vision in a world that often misunderstands it. Michael Joseph hardcover
rif. 6545862-nnew. unknown
rif. 26876059-nnew. unknown
2021rif. x-1108482554Cambridge Univ Pr 2021. Hardcover. New. 550 pages. 9.75x7.50x1.25 inches. Cambridge Univ Pr hardcover
2009rif. Atlantic-9781439039571South-West 2009. Paperback. New. South-West paperback
2009rif. Atlantic-9781439039571South-West 2009. Paperback. New. South-West paperback
2015rif. x-0567658597Bloomsbury T & T Clark 2015. Hardcover. New. 224 pages. 9.25x6.25x1.00 inches. Bloomsbury T & T Clark hardcover
2023rif. x-1529602599Sage Pubns Ltd 2023. Hardcover. New. 3rd edition. 664 pages. 9.13x7.32x1.73 inches. Sage Pubns Ltd hardcover
1955rif. 00534169Published on behalf of the subscribers by William MacLellan 1955. First Edition. Leather Binding. Very Good/No Jacket. 4to - over 9¾" - 12" tall. Exceptionally scarce deluxe version of the rare Subscriber's Edition privately issued in 1955 in an edition of approx. 150 copies. Bound in full green morocco stamped in gilt top edge gilt other edges uncut some rubbing to edges. Considered by many to be the poetic high point of MacDiarmid's career. Decorations by John Duncan Fergusson. A Very Good copy with light to moderate rubbing and scuffing to the leather. Published on behalf of the subscribers by William MacLellan unknown
1983rif. 95438W. Thomas Taylor 1983. Hardcover. Very good/No jacket. Oversized. #95/325cc. Signed by Wilson on the title page. Covers spotted on the bottom right corner. W. Thomas Taylor hardcover
1989rif. 24-01-07-di-9480-jmGrolier 1989-01-01. hardcover. Good. 12x10x7. All 28 books. Mismatched hardcover set. Slightly different sized books. Some light exterior wear. Very readable copies. Grolier hardcover
1940rif. 003496London: Arts & Crafts Publishing Co 1940. First edition; Limited edition of 100 copies. Hardcover. Very Good. 35 pp. illus. 30cm. Tall 4to. Hardcover. Publisher's original paper over boards black lettering in red borders to front cover. Book Condition: Spine ends crunched corners bent toning to spine with v. light staining here and there paper chipped in a few places. Penciled lettering faint to last page in an otherwise pristine interior. Very Good. A more than acceptable copy. This is number 3 of a limited edition of 100 which are printed on hand made Batchelors paper by Arthur's Press Ltd. of Woodchester. Arts & Crafts Publishing Co hardcover
1969rif. biblio5752First edition 1st printing Very Good book with very slight bump bottom front corner slight bumps along bottom edge of back board sun fade at spine ends touch of rubbing back board a tiny snag exposing dot of board along top of front board; in a Near Fine jacket with slight edge and corner wear orange letting on spine faded to light yellow and the T on front panel is partially faded the jacket folds were misaligned about a quarter inch toward the front board leaving the lettering on spine off-center. Inscribed to Philip Gerber an English Professor and writer on the first white end page signed by Oates and dated 10/25/69. Note card with Gerber's comments regarding book is laid-in. Winner of 1970 National Book Award. Vanguard hardcover
1958rif. 150887N.p.: N.p. 1958. Vintage reference photograph of Alec Guiness and producer John Bryan on the set of the 1958 film. Based on the 1944 novel by Joyce Cary. Alec Guiness who also wrote the screenplay stars as the cantankerous and ill-mannered aging artist Gulley Jimson. Determined to not let anything come between himself and his artistic vision he proceeds to paint a mural in the home of the millionaires Sir William and Lady Beeder away for a six week holiday. Set in London. 10 x 7.75 inches. Faded evenly else Near Fine. Criterion Collection 154. N.p. unknown
1958rif. 150887N.p.: N.p. 1958. Vintage reference photograph of Alec Guiness and producer John Bryan on the set of the 1958 film. Based on the 1944 novel by Joyce Cary. Alec Guiness who also wrote the screenplay stars as the cantankerous and ill-mannered aging artist Gulley Jimson. Determined to not let anything come between himself and his artistic vision he proceeds to paint a mural in the home of the millionaires Sir William and Lady Beeder away for a six week holiday. Set in London. 10 x 7.75 inches. Faded evenly else Near Fine. Criterion Collection 154. N.p. unknown books