JOYCE, James (contributor).Biblio.com
19.384 risultati
rif. 119593Paris Contact Editions 1925. . First and only edition one of 300 copies; 4to; uncut and unopened leaves very slightly toned; publisher's grey wrappers printed in black slightest toning to extremities; an exceptional copy. One of 300 copies printed in Dijon by Darantiere printer of Joyce's Ulysses. Includes contributions by James Joyce Work In Progress from Finnegans Wake Norman Douglas Ford Madox Ford Ernest Hemingway Soldiers Home Marsden Hartley H.D. Ezra Pound Dorothy Richardson Edith Sitwell Gertrude Stein William Carlos Williams essay on Marianne Moore among others. An exceptional copy scarce thus. Paris, Contact Editions, [1925]. unknown
1929rif. 717Shakespeare and Co. / Adolph & Rudolph Loewinger 230 West 17th St. New York for Samuel and Max Roth 1929. Unauthorized American Edition. Fine. 8vo 6.5 x 8.5 custom bound in recent blue calf three raised bands gilt titles blue marbleized endpapers 735pp. Original text with mounted blue grey endpapers presumably unoriginal lacking the scarce original wrappers. The first unauthorized edition published in the United States by Adolph & Rudolph Loewinger 230 West 17th St. New York for Samuel and Max Roth. Piracy based on the plates for the 9th printing of the Paris edition though varying in font and punctuation and replete with numerous printer's errors: Jonthan for Jonathan Cape on By the Same Writer page divisional numeral I page and flyleaf page reversed page 359 numbered to inner margin text inverted to page 323 third line from bottom uneven trimming to pages 359-382; 419-446 et al. Text block appears to have been sewn into previous binding with visible stitch holes at first blank page and in between sections of text ex. pgs 34-35. A few pages contain mild soil marks to edges and small creasing to paper particularly at inner edges small closed tear to fore edge of page 533. Nonetheless defects are marginal as pages of this edition are often found in much rougher condition. Contents clean unmarked and complete. An edition 2000-3000 copies many which were seized by the the Society for the Suppression of Vice on October 5th 1929. "Copies of this pirated ninth edition reached Paris and were imported into the United States as genuine copies. One of these sent by Joyce to Bennet A. Cerf of Random House was used in setting up the first authorized American edition of Ulysses Slocum 29." Presents in a navy blue custom clamshell case lettered in gilt with marbleized inserts. An exceptional copy. Shakespeare and Co. / Adolph & Rudolph Loewinger, 230 West 17th St., New York for Samuel and Max Roth unknown
1970rif. 0008113U. S. Good. 1970. On offer is an interesting group of three notebooks that offer an insight into the thoughts of a famous astrologist and syndicated columnist. The group consists of 3 wire-bound notebooks each 9 3/8 inches by 6 inches. Each contains 150 pages and are 47% 34% and 31% complete respectively. The covers and all pages are intact. There are numerous notes clipped into pages at varying places. The handwriting is legible and all three are in good condition. Joyce Jillson styled herself as the "Hollywood Astrologer". saying she decided such show business milestones as advising George Lucas to open his genre-launching "Star Wars" on May 27 1977. She began her career as an actress in the 1960's staring in The Man From U.N.C.L.E and most famously Peyton Place. In 1973 she starred in Superchick. She also had guest appearances on Columbo Lou Grant and Police Woman. Her real strength however was her regular appearance on television talk shows such as Good Morning America The Tonight Show and The Merv Griffin Show. In addition she also hosted her own syndicated program The Joyce Jillson Show. Jillson had been reading about and studying astrology since she was a little girl. By the 1970's she was firmly in the astrology 'business' as noted above. She garnered some big-name corporate clients such as 20th Century Fox Ford Motor Company and the LA Dodgers. Most famously she claimed in 1988 that she had provided astrological advice to President Ronald Reagan and his wife. She wrote an astrology column that was syndicated to about 200 newspapers. She published several books including The Art of Flirting. Some of her notes in these notebooks clearly refer to her work in television. She is very aware of communication strategies especially as it intersects with body language: "body language is a symphony. there is a feedback factor between a person's body and self-esteem". She notes the use of tried and true sales techniques such as: "We know that people are more readily presumed to change their attitudes when they perceive the communicator as being a person like themselves i.e. someone they can identify with and therefore trust. Also the higher the communicator's social status why ads use celebs supposed expertise the more credible his message becomes. ." There are brief or cryptic references to Pete Rose baseball player Willie Wilson baseball player George Brent actor George C. Scott actor Michael Jackson entertainer and others. Other entries appear to be notes preparing for interviews or personal critiques of her performance in interviews: "RADIO emphasis patter . downward inflection gives relief to audience - relax gossipy over the back fence - they want to believe looked stiff and neck turned stiffly . too harsh lighting . apparently after an appearance on an NBC program"; Manuscript; 8vo - over 7¾" - 9¾" tall; KEYWORDS: HISTORY OF 20th CENTURY AMERICA IN 1970s AMERICA IN 1980s JOYCE JILLSON; ASTROLOGY; MICHAEL JACKSON; PEYTON PLACE; MAN FROM U.N.C.L.E.; SUPERCHICK; GOOD MORNING AMERICA; MERV GRIFFIN; TONIGHT SHOW; ASTROLOGIST TO THE STARS; PRESIDENT RONALD REAGAN; NANCY REAGAN; LA DODGERS; 20TH CENTURY FOX AMERICAN ACTRESSES AMERICAN ASTROLOGERS ENTERTAINMENT INDUSTRY IN THE U.S. IN 1970s AND 1980s USE OF BODY LANGUAGE COMMUNICATION STRATEGIES AMERICANA HANDWRITTEN MANUSCRIPT DOCUMENT LETTER AUTOGRAPH WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS DIARY DIARIES JOURNALS PERSONAL HISTORY SOCIAL HISTORY HISTORICAL HOLOGRAPH WRITERS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANOSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPEL . unknown
1939rif. 72436London: Faber & Faber 1939. First edition trade issue. Very good or better with endpapers foxed and first blank and last page of text darkened along hinges; in about very good dust jacket with spine lettering unevenly tanned and somewhat noticeable professional repair along edges. Still an attractive copy in dust jacket. Slocum & Cahoon A47. Faber & Faber unknown
1939rif. 68626London:: Faber and Faber 1939. First edition. publisher's cloth in dust jacket. Very slight browning to front free endpaper and final page of text from jacket flaps; else a fine copy in a bright sharp jacket with a short closed tear to the top of the front panel and very slight use to the top of the spine. . Large 8vo. Faber and Faber, hardcover
1996rif. BRG-22_3_747Plume 1996-12-01. paperback. Good. 5x1x9. Good condition.No marking/highlighting.Cover and pages may show some wear.Not Satisfied Contact us to get a refund. Plume paperback
rif. BRG-20_5_866Random House Trade Paperbacks 2016-03-01. paperback. Very Good. 5x0x7. Very Good condition.Crisp pages. Clean cover and pages. Book shows minimal shelf wear. No highlighting/marking. Not Satisfied Contact us to get a refund. Random House Trade Paperbacks paperback
rif. BRG-20_4_602FaithWords 2018-09-11. hardcover. UsedGood. 6x1x9. Good condition.No marking/highlighting.Cover and pages may show some wear.Not Satisfied Contact us to get a refund. FaithWords hardcover
rif. BRG-39_6_524FaithWords 2018-09-11. hardcover. UsedVeryGood. 6x1x9. Very Good condition.Crisp pages. Clean cover and pages. Book shows minimal shelf wear. No highlighting/marking. Not Satisfied Contact us to get a refund. FaithWords hardcover
rif. BRG-45_5_107FaithWords 2018-09-11. hardcover. UsedVeryGood. 6x1x9. Very Good condition.Crisp pages. Clean cover and pages. Book shows minimal shelf wear. No highlighting/marking. Not Satisfied Contact us to get a refund. FaithWords hardcover
2010rif. BRG-25_4_524Charisma House 2010-06-01. paperback. UsedVeryGood. 5x0x8. Very Good condition.Crisp pages. Clean cover and pages. Book shows minimal shelf wear. No highlighting/marking. Not Satisfied Contact us to get a refund. Charisma House paperback
1936rif. 24185London: John Lane The Bodley Head 1936. Limited first edition first printing of Ulysses by James Joyce number 365 of 1000 published by John Lane The Bodley Head London in 1936. A fine copy with the names of two previous owner's and a date to the front free end paper boards bound in publisher's original green linen with gilt titling to the spine and gilt debossed bow graphic to the front board fading to the spine a gilt top stain to the deckle edged text block. With associated Bodley Head page of extracts of criticism for the novel: an extract from an article by Hugh Walpole on 'The Novels of the Reign' in the 1935 Jubilee edition of 'The Star' an extract from an article by J. B. Priestley in 'Clarion' 28 April 1934 and an extract from an article by E. M. Forster in 'The Author' Spring 1934. This limited edition of 1000 was divided into 100 copies on mould-made paper bound in calf vellum and signed by the author along with 900 copies on Japon vellum paper bound in linen buckram unsigned of which this is number 365. Ulysses by James Joyce follows Leopold Bloom through a single day in Dublin 16 June 1904 while paralleling episodes from Homer's Odyssey. Through shifting styles interior monologue and extraordinary linguistic experimentation Joyce transforms ordinary events into an epic exploration of identity memory desire and human connection. Centred on Bloom Stephen Dedalus and Molly Bloom the novel is both famously challenging and richly comic and is widely regarded as a landmark of modernist literature. John Lane The Bodley Head hardcover
1939rif. 106753New York: The Viking Press 1939. First American edition one of 6000 copies printed. Octavo original cloth. Near fine in a very good dust jacket with a few chips to the spine. Housed in a custom half morocco slipcase. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. Anthony Burgess praised the book as "a great comic vision one of the few books of the world that can make us laugh aloud on nearly every page." Harold Bloom called the book "Joyce's masterpiece" and wrote that "if aesthetic merit were ever again to center the canon Finnegans Wake would be as close as our chaos could come to the heights of Shakespeare and Dante." Modern Library named it one of the 100 best English-language novels of the 20th century. The Viking Press hardcover
1929rif. 2064Paris: Black Sun Press 1929. First edition. xvi 64 pp. Original printed wrappers in publisher's slipcase. One of 500 copies on Holland Van Gelder Zonen paper of a total edition of 650 copies. Frontispiece portrait of Joyce by Brancusi. A fine copy with supplied later acetate wrapper in the original slipcase which is rubbed with tape repair at the corners splitting at the top edge and lacking a three-inch piece of the lower edge. Brancusi's frontispiece portrait commissioned by the publishers Harry and Caresse Crosby was a "Symbol of Joyce" intended to convey the sense of "enigmatic involution." When the sketch was shown to Joyce's father in Dublin he remarked gravely "The boy seems to have changed a good deal." Ellmann p. 614. Slocum & Cahoon A36. Minkoff Black Sun A-21. Black Sun Press unknown
1934rif. 140946820New York: Random House 1934. First American Edition. Very Good/Very Good. First American edition first printing. Bound in publisher's original cream-colored cloth lettered in black and red. Very Good. CLoth with toning to spine and edges light wear to front joint. Former owner name to front free endpaper and contents tanned. In a Very Good unclipped dust jacket with designer's name Reichl to bottom corner of front panel with tanning and edge wear several small splits at the joints with a mending tissue repair made to the verso of the rear spine joint. A nice copy of the once banned novel. Random House unknown
2011rif. 220824010FaithWords 2011-11-29. Paperback. Good. 8x5x0. Order today-sent today with tracking number M-F. Good ex-library book. Besides the usual labels and stamps this book also has light shelf-wear. This is a good reading copy. We protect your purchase with damage-resistant double-layer bubble-wrap packaging where possible. Your purchase helps fund small charities in Ohio Kentucky Indiana. Our delivery standard: order received by 2PM Eastern US time goes out by 4:30 PM M-F. FaithWords paperback
1922rif. 20385Paris Tokyo: Shakespeare and Company Yushodo/Inkpen Press 1922 2001. A very finely produced facsimile of the first edition of Ulysses LIMITED to 120 copies. The facsimile is printed on fine paper by the Inkpen Press. Large thick 8vo 195 x 235 mm beautifully hand-bound in full crushed blue morocco the spine handsomely lettered in gilt housed in a blue moire cloth slipcase. 10 732 2 pp. A mint pristine and superb copy. A BEAUTIFULLY PRODUCED FACSIMILE OF THE FIRST EDITION OF JAMES JOYCE’S ULYSSES the most important novel of the twentieth century . The true first edition of this book is now beyond the range of all but a very small handful of collectors this facsimile provides the opportunity to own this important and handsome work in a format and with the feel of the first edition. ULYSSES can be viewed as the pinnacle of the Modernist movement and its impact on all subsequent western literature is unmistakable. Such writers as Virginia Woolf John Dos Passos William Faulkner Samuel Beckett Malcolm Lowry and Anthony Burgess have all paid tribute consciously or unconsciously to Joyce's influence. Burgess as well pronounced it the greatest single work in the English literature of the last century and he is not alone in that opinion. According to James Spoerri "This fortunate combination of printer and publisher resulted in the appearance of ULYSSES as a book whose physical aspect is particularly suited to its content. It is a fat and inviting volume the blue and white of its covers subtly evocative of the Greece whose epic it so closely parallels" quoted in the catalogue for the Garden Sale Sotheby's 1989. While this facsimile is of course not the true first edition the physical attributes are the same. [Shakespeare and Company ], Yushodo/Inkpen Press hardcover
1934rif. ST15753eThe Hague: The Servire Press; New York: Gotham Book Mart 1934. FIRST EDITION. No. 631 OF 1000 COPIES on Old Antique Dutch and 29 special signed copies on Japon. 241 x 162 mm. 9 1/2 x 6 3/8". 4 p.l. first blank 77 3 pp. Plain paper wrappers in white dust jacket front cover with design by Lucia Joyce printed in blue and silver blue titling on front cover and spine ENTIRELY UNOPENED. With the very rare original glassine and housed in a slightly worn brown cardboard slipcase. With opening initial and tailpiece designed by Lucia Joyce. Slocum & Cahoon A-43. ◆Glassine a little wrinkled one corner just lightly bumped otherwise A PRISTINE COPY. This is a fragment from "Finnegans Wake" beautifully printed in Holland on thick paper using an unusually large round and vaguely Medieval typeface. Our copy could hardly be in better condition--as close to mint as one could hope to find and with all original components. Joyce's daughter Lucia 1907-82 was diagnosed with schizophrenia when in her early twenties and was permanently institutionalized by 1935. She had desperately tried and failed to become a dancer and Joyce was determined to find a new artistic outlet for her believing it would be therapeutic. He hit upon the design of ornamental capitals like this one and even went so far as to give publishers the money to pay her for her work. Gotham Book Mart unknown
rif. Z1-I-026-00863Bibliolife. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. May contain underlining and/or highlighting. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Bibliolife unknown
rif. Z1-C-007-01037BiblioLife. Used - Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. BiblioLife unknown
rif. 51-6404London: Printed by J. Gold Naval Chronicle Office and published by Joseph Mawman 39 Ludgate Street 1815. 8vo. 14.5 x 23.5cm. vi 579pp. Contemporary English binding full long-grain blue morocco wide gilt borders framing the covers spine with 5 raised bands with decorated compartments gilt-stamped letter “S” on the covers gilt edges borders of the same morocco inside and endpapers of blue silk with gilt borders. Superficial crack along spine.Presentation copy in French from Smythe . “offered as a token of esteem and friendship by the publisher an associate member of the Royal Academy of Sciences Arts and Belles-Lettres of the city of Caen". Exemplaire “offert en témoignage d’estime et d’amitié par l’éditeur membre associé de l’Académie Royale des sciences arts et belles-lettres de la ville de Caen”. . Folding map as frontispiece by R. Rowe. OCLC Number / Unique Identifier:230578317:Notes:Frontispiece is folded plate: chart on Mercator's Projection exhibiting Crusoe's trackEmbellished throughout text with maps and engravings. Cannot find any references to John Spencer Smythe in biographies and OCLC omits his name from the book! London: Printed by J. Gold Naval Chronicle Office, and published by Joseph Mawman, 39 Ludgate Street, 1815 hardcover
1916rif. 49446London: Egoist Ltd 1916. Very Good. London: Egoist Ltd. c. 1916 but 1917. First UK Edition from US sheets. Octavo 19cm; publisher's green cloth upper cover lettered in blind gilt-lettered spine; 6299pp. Shallow chipping at spine ends corners softened small soil spot to upper cover two pages with rather extensive red ink underlining; Near Very Good and sound. The first UK appearance of Joyce's autobiographical novel. In its original print run The Egoist ordered 750 sets of sheets from the US publisher B.W. Huebsch "because English printers would not accept the responsibility of printing it" Slocum--under English law it was just as actionable to print obscene materials as it was to publish it. Slocum 12. Egoist Ltd unknown
1939rif. 140949010New York: The Viking Press 1939. First American Edition. Near Fine/Near Fine. First American trade edition first printing. iv 628 pp. Bound in publisher's black buckram lettered in gilt blue topstain. Near Fine with very light rubbing to extremities and bookseller stamp to back free endpaper recto. In a Near Fine unclipped dust jacket with light rubbing soiling and edgewear and contemporary bookseller ticket to rear flap. A beautiful copy of Joyce's linguistically innovative final novel. Slocum 48. The Viking Press unknown
1939rif. 139672New York: The Viking Press 1939. First American edition of Joyce’s masterpiece. Octavo bound in full morocco by the Harcourt Bindery gilt titles and ruling to the spine raised bands gilt ruled to the front and rear panels gilt signature to the front panel inner dentelles marbled endpapers all edges gilt. In fine condition. An exceptional presentation. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. Anthony Burgess praised the book as "a great comic vision one of the few books of the world that can make us laugh aloud on nearly every page." Harold Bloom called the book "Joyce's masterpiece" and wrote that "if aesthetic merit were ever again to center the canon Finnegans Wake would be as close as our chaos could come to the heights of Shakespeare and Dante." Modern Library named it one of the 100 best English-language novels of the 20th century. The Viking Press hardcover
1939rif. 133129New York: The Viking Press 1939. First American edition one of 6000 copies printed. Octavo original cloth. Fine in a near fine dust jacket with light rubbing. A very sharp example. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. Anthony Burgess praised the book as "a great comic vision one of the few books of the world that can make us laugh aloud on nearly every page." Harold Bloom called the book "Joyce's masterpiece" and wrote that "if aesthetic merit were ever again to center the canon Finnegans Wake would be as close as our chaos could come to the heights of Shakespeare and Dante." Modern Library named it one of the 100 best English-language novels of the 20th century. The Viking Press hardcover
