Joyce, JamesBiblio.com
19 049 résultats
1930réf. 13065Paris: Shakespeare and Company 1930. First Edition; Eleventh Printing. Hardcover. Book condition is Very Good handsomely rebound in half leather with decorated boards and end papers. Minor foxing toning to interior. Crease to bottom corner of a few pages. Text is clean and unmarked. ; 8vo 8" - 9" tall. Shakespeare and Company hardcover
1982réf. joy02Pitlochry: Kulgin D Duval / Colin H Hamilton. VG : in very good condition without dust jacket in slipcase. Teg - remaining edges uncut. 1982. Limited Edition 132/150. Green hardback leather spine on cream cloth boards. 320mm x 220mm 13" x 9". 78pp. Four etchings by Pietro Annigoni. Signed by the illustrator on the rear limitation page. Heavy item - shipping supplement may apply for overseas. . Kulgin D Duval / Colin H Hamilton hardcover
1972réf. 152995Hollywood: Marimark 1972. Revised Final Shooting Draft script for the 1973 film here under the working title "Supergirl." Copy belonging to story writer John Burrows with his name in manuscript ink annotation on the front wrapper and his annotations throughout. An attractive free-spirited flight attendant with boyfriends in New York Miami and Los Angeles unwittingly becomes involved in an in-flight robbery. Blue titled wrappers. Title page present dated 10/5/72 noted as Revised Final Shooting Draft with credits for screenwriter Gary Crutcher. 117 leaves with last page of text numbered 103. Xerographic duplication rectos only with pink revision pages throughout dated 10/20/72. Pages Near Fine wrapper Near Fine bound with three gold brads. Marimark unknown
1918réf. 508502Boston: The Cornhill Company 1918. Hardcover. Fine/Fine. First American edition issue with wove endpapers. 12mo. 40pp. Green cloth stamped in gold. A fine copy with text partially unopened in about fine publisher's unprinted tissue dust jacket with very slight wear. Slocum & Cahoon A5- issued with either wove or laid paper endpapers with no priority determined. The Cornhill Company hardcover
1957réf. 447978Cambridge Massachusetts: Harvard University Press 1957. Hardcover. Fine/Near Fine. First edition. A free adaptation for the theater by Mary Manning. Ownership signature of actor Michael Clarke-Laurence. Fine in a very good or better dustwrapper with faint toning on the spine. Letter laid in from director and screenwriter Mary Bute on the stationary of Expanding Cinema to Michael Clarke-Laurence offering him a part in the adaptation. Bute eventually directed the film in 1966; it was awarded as Best Debut at the Cannes Film Festival; Clarke-Laurence did not appear in it. Harvard University Press hardcover
1936réf. 311572New York: The Black Sun Press 1936. First Edition LIMITED ISSUE number 450 of 800 numbered copies from an edition of 850 fifty copies were printed on Japan Vellum and signed. Frontispiece portrait after a crayon drawing by Augustus John original tissue guard preserved. 66 pp. 1 vols. Small 8vo. Original publisher's white boards decorated in blue blue silk page marker. Stain to top and bottom of spine. John Augustus. First Edition LIMITED ISSUE number 450 of 800 numbered copies from an edition of 850 fifty copies were printed on Japan Vellum and signed. Frontispiece portrait after a crayon drawing by Augustus John original tissue guard preserved. 66 pp. 1 vols. Small 8vo. This collects 'Chamber Music' 'Pomes Penyeach' and 'Ecce Puer' the last of which is published for the first time. Slocum & Cahoon A44 The Black Sun Press unknown
1914réf. 229230First edition first issue. Octavo. Dust jacket unclipped; light soiling; rubbing; edges reinforced with paper tape on verso. Very good. 75 pages. Enclosed in a 1/2 brown polished leather with gilt stamped red leather spine label over brown cloth slipcase with folding fleece lined chemise. Laid in loose is a facsimile of the Autograph Manuscript of Joyce Kilmer's beloved poem "Trees" in the collection of Thomas F. Madigan with a printed Christmas letter of thanks Christmas 1935. George H. Doran Company hardcover
1971réf. 629423Windsor Ontario Canada: Orange Bear Reader 1971. Hardcover. Near Fine/Near Fine. First editions. Edited by Juanita Galle Michael Galle John Bedford and Steven Osterlund. Eight of nine handprinted broadsides each measuring 10" x 13" save one that is a bifolium in printed paper sleeves. Broadsides and sleeves are fine housed in toned and soiled publisher's envelopes with cardboard stiffeners. Each broadside handprinted in an edition of 500 copies. Poems by Paul Goodman Joyce Carol Oates "'Woman is the Death of the Soul'" Douglas Blazek "The Door my Hand Remembers is Handleless" Irving Layton "For Anna" Greg Kuzma Alex Gildzen George Bowering Lewis Warsh. The first eight apparently only nine were printed. Orange Bear Reader hardcover
1968réf. 504080New York: Vanguard Press 1968. Softcover. Very Good. Uncorrected proof. Tall narrow quarto. Spiral bound yellow printed wrappers. Wrappers lightly soiled with slight surface wear a very good copy of this proof usually prepared in very small numbers in this format. Vanguard Press unknown
1916réf. 020418New York: Laurence J. Gomme 1916. First Edition. Hardcover. Light wear and spotting to the spine mild wear to corners. Very Good lacking the scarce dustwrapper. Cloth-backed boards. Earliest issue without publisher Mitchell Kennerley's plate on the front pastedown. INSCRIBED and SIGNED by the author on the front endpaper: "To Father Philbin/from/Joyce Kilmer/Nov. 22 1916/For punctuality/and good conduct." A delightful inscription by the devout poet soldier who was killed at the Second Battle of Marne in 1918 at the age of 31. Laurence J. Gomme hardcover
1983réf. 355990Roslyn Harbor NY.: The Stone House Press. 1983. Limited edition 100 copies. this copy number 75. Loose leaves in a blue cloth portfolio and a matching slipcase paper spine labels. Fine in a very good slipcase with light scuffing. title faded on slipcase label. 40.5x31 cm. Original Illustrations by Marvin Bileck John De Pol John Digby Sarah E. Edgar Barnard Taylor and Alfred Van Loen. Each broadside is individually signed by the respective author. Signed by the publisher on the colophon leaf. Heavy may require extra shipping. weight: 4.1 lb. Introduction by Gerard Previn Meyer. The Stone House Press. hardcover
réf. DADAX0415159199New unknown
1939réf. 046323London: Faber and Faber Limited 1939. Original maroon cloth on boards with new red leather spine and gilt ttiles on red leather strips. Clean cover. Edges: browned and old foxings. Eps: fep with faded name 16 September '41 new ffep. Light foxing to most pages a few only pages with heavy foxing. Two pages bottom fore corner dog-eared. One page bottom half with a 11 cm angled tear and old clear tape repair and tape impression on verso page. Two pages with narrow thin vertical clear tape to fore-edge with small section missing underneath. Binding is As New. Rep & refp with full page of penciled notes. 628p Rep maroon pocket: a booklet Criterion Miscellany.No. 26 Haveth Childers Everywhere without outer cover; maroon spine strip and string binding. Light foxing to cover with initals TB September '33 moderate foxing and couple of penciled notes. 36p`. First UK Edition. Hb. VG/None. Faber and Faber Limited Hardcover
1932réf. 173789Hamburg: Odyssey Press 1932. Definitive Edition; 3rd impression. Softcover. Both volumes Very Good in wraps. Both spines toned. Odyssey Press unknown
1949réf. 191673Paris: 1949. These be my genteelican arms." Finnegans Wake Joyce's posthumous bookplate engraved with the same arms the author used during his lifetime. His father John Joyce based the family arms on those of the Joyces of Galway as described in the 1884 edition of Burke's General Armory. However Burke described them inaccurately leading the writer to inherit armorial deviations such as the eagle not being twin headed. In James Joyce and Heraldry 1986 Michael J. O'Shea argues for the significance of heraldry throughout Joyce's works. "The Joyces had no official grant of arms; moreover no genealogical link has been demonstrated between the armigerous Galway Joyces and the author's Cork ancestors. Nevertheless John Joyce apparently treated his heraldic legacy with care and his son James was known to have a version of the arms hanging on the wall of his various residences in Paris" O'Shea p. 49. It was commissioned from the artist Johnny Friedlaender by La Hune bookshop Paris following their sale of the author's library in 1949. Bookplate engraved with the Joyce coat of arms an eagle gules displayed and charged on the breast with a bar gemel ermine; crest: a demi wolf rampant ducally gorged proper; motto: "Mors aut honorabilis vita". Sheet size: 199 x 150 mm. Couple of spots and creases else fine. unknown
1930réf. 62710Paris & New-York New York: Henry BabouJack Kahane 1930. Fine. Henry Babou Jack Kahane Paris & New-York New York 1930 18.50 x 23.50 cm broché Haveth Childers EverywhereHenry Babou & Jack Kahane Paris & New York 1930 185 x 235 cm original wrappersFirst edition one of 575 numbered copies on handmade pure linen vidalon royal the only grand papier deluxe copies after the 110 on Japan paper. Slipcase missing. A nice copy. Henry BabouJack Kahane unknown
1977réf. 072622-07Portage Indiana: The Compulsive Printer Elmore Mundell 1977. Hardcover. Near Fine. Signed. Large 8vo in red velvet clam shell with inset 23 K gold relief serigraph housed in a red paper-covered clam shell box. #63 of 75 copies signed by the artist and printer. Title on three block print pages signed by D'Ambrosio; three color serigraphs all numbered and signed by the D'Ambrosio and Mundell; serigraph initials and text ornaments. Excellent unmarked condition. Light wear to the paper-covered box. Includes two signed letters from the printer Mundell to Steve Schuster of the Quoin Press in Texas regarding the compiling of a list of private presses. Ships wrapped in bubble wrap and packed with care in a box. Portage, Indiana: The Compulsive Printer (Elmore Mundell) hardcover
1928réf. 107270Jonathan Cape 1928. 5th or later Edition. Hardcover. Very Good/Very Good. The 6th impression 1928 in the very rare original dust jacket. Very good in a very good dust jacket. Three quarter inch closed tear at top front of jacket. Comes in a custom-made collector's slipcase. Jonathan Cape hardcover
1929réf. 5002172Paris: La Maison des Amis des Livres 1929. The first edition in French. Bound in half brown morocco with illustrated boards. Original front cover bound in. This is #40 of 875 printed after 125 printed on superior stock. Translated from the English by August Morel and Stuart Gilbert. Very minor edgewear. Top Edge Gilt. 870 pp. . First French Edition. Hard Cover. Very Good /No Jacket. 4to - over 9¾" - 12" tall. La Maison des Amis des Livres Hardcover
réf. B38872-F-JOYRandom House Inc. Collectible - Acceptable. NY: Random House 1934. Stated 1st American edition. Hardcover 8vo 768 pgs. Fair in a fair dust jacket. 'How to enjoy James Joyce's Ulysses' poster laid in tape repaired. Waterstain to bottom half of beige covers and spine text shows very light stain at corners and pgs are a bit wavy at bottom edge. Top edge publisher stained red. Hinge started at title pg and webbing is showing. Contents clean. Jacket has the waterstain but not very noticeable. Front panel has Reichl flap has orig 3.50 price. ireland irish literature classics Inquire if you need further information. Random House Inc hardcover
réf. DADAX1405363126New unknown
1916réf. 777Laurence J. Gomme 1916. KILMER Joyce. THE CIRCUS AND OTHER ESSAYS. NY: Laurence J. Gomme 1916. 16mo. brown cloth & tan boards in dust jacket. First Edition earliest issue without the Mitchell Kennerley plate on the front pastedown. Kennerley eventually took over publication of the book and affixed its own publishing house plate on later copies. Signed presentation from Kilmer on the front endpaper to author and editor Ethel M. Colson: "To Ethel M. Colson from Joyce Kilmer. November 1916 New York City." Colson and Kilmer were undoubtedly acquainted with Colson being much involved with poetry particularly supporting Amy Lowell and the Imagist Movement. Very Good; little wear & soil small chip near Kilmer's name on the spine d/j. A nice copy!! $875.00. Laurence J. Gomme unknown
1930réf. JOYCEJAM001020Henry Babou and Jack Kahane and The Fountain Press Paris and New York. 1930. First edition. Wrappers. Quarto. Sixty-seven pages. Wrappers. Printed on pure linen hand-made Vidalon Royal specially manufactured for this edition. Pages unopened.Out of a total edition of 685 copies this is number XX of 75 ''writer's copies'' given Roman numerals.Front cover detached. Signs of label removed from inside of front cover. Spine defective but the lettering is intact. Covers slightly creased. Small mark to rear cover. Good internally fine. Lacks the slipcase. Henry Babou and Jack Kahane, and The Fountain Press, Paris and New York. unknown
1939réf. 140930New York: Modern Language Association of America March 1939. The truly rare original offprint with only two copies listed by WorldCat worldwide Harvard and National Library of Israel of this groundbreaking early article on James Joyce published two months before the final release of Finnegans Wake. Joseph Prescott was to become a major voice in Joycean studies in particular through his book Exploring James Joyce 1964. A contemporary reviewer of Exploring James Joyce vaunted him as a pioneer "in the American academic study of James Joyce as author of a scholarly article in 1939 and of the first PH.D. thesis six years later. For two decades Joseph Prescott has been recognized as the man who knows most thoroughly the text of Ulysses." Kain pp. 253-6. James Joyce: A Study in Words was published two months before the final release of Finnegans Wake appraising Joyce's development through Dubliners the Portrait and Ulysses to the "Work in Progress". Notably unawed by his subject Prescott sensitively weighs Joyce's relationship to language opening wryly: "The writings of Joyce show a progression from an early interest in words through a mature use of them to the excessive fondness of old age". His final paragraph constitutes a striking satire on the logical conclusion of Joyce's development: "To such writing there is one final conclusion. Joyce will call his next work something like Tabula Rasa and regale the reader with hundreds of pages of closely bound paper each one of which will be innocent of printer's ink a commodity so ubiquitous and domineering in the past that no literature has yet escaped it. Disciples will swarm to the defence of the Master and learned commentaries will be spun out to show how superbly how flawlessly how incomparably James Joyce has rendered for all time the picture of the mind at that obscure moment in our embryological past before we are ushered in the world of sensation and idea - in short the perfectly blank mind. The era of technique will then not be at an end but at its culmination and all men will follow the Master varying perhaps only in the number of pages or again according to the intensity of their artistic vision in the degree of the whiteness of the page. And it shall come to pass in that day that the great writer shall consort with the little and wolf shall dwell with the lamb and the leopard shall lie down with the kid; and the calf and the young lion and the fatling together; and a little child shall read them." Octavo. Original light brown wrappers stapled within titles printed in black to front wrapper. Some rust marking showing through wrappers from staples some light creasing around wrappers small perforation to front wrapper and title page not affecting text. Good condition. Richard M. Kain "Joyce and the Justness of the Word" Journal of General Education vol. 16 no. 3 October 1964. unknown
1932réf. JOYCEJAM000580The Odyssey Press Hamburg Paris Bologna. 1932. First clothbound edition. 12mo. 792 pages. Printed on india paper. Cream cloth printed in red. Much scarcer than the two-volume issue in wrappers. An important version of the text as it was edited by Stuart Gilbert at the behest of Joyce himself.Lettering faded at the spine. Slight scuff to tail of spine. Very good indeed. The Odyssey Press, Hamburg, Paris, Bologna. hardcover
